View allAll Photos Tagged octave

4/27/11 cblog A REMINDER TO TAKE TIME w/ the LORD; sjf fr regular m: "His own disciples..couldnt grasp..is alive..reminded in our own life..take time w lord..take time to listen..explain meaning ..like cripple to give praise..important..to deeper and fuller undrst of gods mercy ..jesus is risen..octave..fifty days.

  

Acts 3:1-10 "Peter and John were going up to the temple area for the three o’clock hour of prayer. And a man crippled from birth was carried and placed at the gate of the temple called “the Beautiful Gate” every day to beg for alms from the people who entered the temple. When he saw Peter and John about to go into the temple, he asked for alms. But Peter looked intently at him, as did John, and said, “Look at us.” He paid attention to them, expecting to receive something from them. Peter said, “I have neither silver nor gold, but what I do have I give you: in the name of Jesus Christ the Nazorean, rise and walk.” Then Peter took him by the right hand and raised him up, and immediately his feet and ankles grew strong. He leaped up, stood, and walked around, and went into the temple with them, walking and jumping and praising God. When all the people saw him walking and praising God, they recognized him as the one who used to sit begging at the Beautiful Gate of the temple, and they were filled with amazement and astonishment at what had happened to him."

 

Ps 105:1-2, 3-a thousand generationsB Which he entered into with Abraham and by his oath to Isaac R. Rejoice, O hearts that seek the Lord. or R. Alleluia.

 

Luke 24. 13-35 "That very day, the first day of the week two of Jesus’ disciples were going to a village seven miles from Jerusalem called Emmaus, and they were conversing about all the things that had occurred. And it happened that while they were conversing and debating Jesus himself drew near and walked with them, but their eyes were prevented from recognizing him. He asked them,“What are you discussing as you walk along?” They stopped, looking downcast. One of them, named Cleopas, said to him in reply,“Are you the only visitor to Jerusalem who does not know of the things that have taken place there in these days?” And he replied to them, “What sort of things?” They said to him,“The things that happened to Jesus the Nazarene who was a prophet mighty in deed and word before God and all the people, how our chief priests and rulers both handed him over to a sentence of death and crucified him. But we were hoping that he would be the one to redeem Israel; and besides all this, it is now the third day since this took place Some women from our group, however, have astounded us: they were at the tomb early in the morning and did not find his Body; they came back and reported that they had indeed seen a vision of angels who announced that he was alive Then some of those with us went to the tomb and found things just as the women had described, but him they did not see.” And he said to them, “Oh, how foolish you are How slow of heart to believe all that the prophets spoke Was it not necessary that the Christ should suffer these things and enter into his glory?” Then beginning with Moses and all the prophets he interpreted to them what referred to him in all the Scriptures. As they approached the village to which they were going, he gave the impression that he was going on farther. But they urged him, “Stay with us, for it is nearly evening and the day is almost over.” So he went in to stay with them. And it happened that, while he was with them at table he took bread, said the blessing, broke it, and gave it to them. With that their eyes were opened and they recognized him,

but he vanished from their sight Then they said to each other,“Were not our hearts burning within us while he spoke to us on the way and opened the Scriptures to us?” So they set out at once and returned to Jerusalem where they found gathered together the Eleven and those with them who were saying,“The Lord has truly been raised and has appeared to Simon!” Then the two recounted what had taken place on the way and how he was made known to them in the breaking of the bread."

  

Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)

Jesus - Conventual Church of the Jesuits

Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]

Minor Basilica • suitable title since July 1, 1960

Pope John XXIII

Call of the Sacred Heart of Jesus

Liturgical memorial Friday after the octave of Corpus Christi

Earth 50 ° 03'43 " N 19 ° 56'55 " E

The interior of the church

Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26

Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.

History

At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.

Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.

November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made ​​her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.

In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.

Art

Architecture

The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.

Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.

Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.

Interior

The interior of the basilica is divided into three naves. Vaults, first in Krakow, made ​​of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made ​​and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.

The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.

The six side altars made ​​in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.

Authorities

Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.

The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.

pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)

Nikon D4 + AF-S 105mm F2.8 Macro at Rama 9 Park Bangkok

Che C. custom ordered this EBonized Walnut armrest for his Weber Octave Mandolin

Metrum Octave DAC inside

arte.tv/openstage

© Pierre (Lapin) Le Bruchec

Taken from outside the Hilton Paris Eiffel hotel on Rue Jean Rey, looking across Avenue de Suffren and along Avenue Octave Gréard.

Eastman MDO305 Classic #105 left-hand octave mandolin from Jerry’s Lefty Guitars in Sarasota, Florida. Phone 941 504 2634. See us at jerrysleftyguitars.com. The worlds finest lefty guitars, basses, mandolins, and ukuleles.

My -badly in need of a tuning- piano.

Octave Rooftop Lounge at the Sukhumvit Marriott Hotel, Bangkok.

 

Voigtlander Color-Skopar 20mm f/3.5 SLII

Metrum Octave DAC inside

Pontifical Votive Mass of the Blessed Sacrament, celebrated by His Eminence, Vincent Cardinal Nichols

 

© Mazur/cbcew.org.uk

 

Close-up right side view of A-4A Skyhawk BuNo 139947 (Blue Angels #6, Lucy) fuselage section, Octave Chanute Museum, August 1999. Photo by Len Lundh.

Metrum Octave DAC inside

Chanute Air and Space Museum Rantoul Illinois 20150307

 

Sadly it is five years since these images where taken, the museum finally shut its doors in October 2015, such a awesome collections of aircraft, happily some have found new homes but a lot of the aircraft and displays are no more.

28th January 2015 at the Mitchell Theatre, Glasgow.

 

Celtic Connections Festival, www.celticconnections.com/.

 

Country: United States - Texas. Style: Bluegrass.

 

Lineup: Sara Watkins (v/fiddle/ukulele), Sarah Jarosz (v/octave mandolin/mandolin/banjo/g), Aoife O'Donovan (v/g/ukulele).

 

Sara Watkins (from Vista, CA), Sarah Jarosz (from Wimberley, TX) and Aoife O'Donovan (from Newton, MA) are all well known performers in their own right. The trio grew out of an impromptu performance at the 2014 Telluride Bluegrass Festival, and this was their first rehearsed gig. Apart from one solo song each they played together for the whole evening. The material included compositions by all three of them as well as by John Hyatt, Jim Croce, John Hartford, Gillian Welch and Laura Veirs, plus some traditional tunes and gospel songs. I’ve previously taken photos of Watkins with her brother Sean (www.flickr.com/photos/kmlivemusic/sets/72157625470367527/) and guesting with Michael McGoldrick (www.flickr.com/photos/kmlivemusic/sets/72157632671209692/); of Jarosz with her own band (www.flickr.com/photos/kmlivemusic/sets/72157645831009367/) and sitting in with Damien O’Kane (www.flickr.com/photos/kmlivemusic/sets/72157632752612946/); and of O'Donovan with Crooked Still (www.flickr.com/photos/kmlivemusic/sets/72157625952407640/).

In this photo: Jarosz plays a guitar shaped Octave Mandolin.

Note: After this gig the three musicians adopted thee name I'm With Her when performing together..

More information: sarawatkins.com/, www.facebook.com/SaraWatkins, sarahjarosz.com/, www.facebook.com/sarahjaroszmusic, www.aoifeodonovan.com/, www.facebook.com/aoifeodonovanofficial.

 

Burford Electronics Mosquito sound clips.

 

The Mosquito is pretty incredible. It even works into a dirty amp which is rare for octaver pedals.

The Buzz Box was produced until around 1995. It is based on DOD's vision of the guitar sound of Buzz Osborne from The Melvins. It's a big sounding distortion/fuzz with a messed up 2-octave oscillating effect inspired by the MXR Blue Box mixed with the DOD FX69 Grunge pedal.

 

"I had nothing to do with it. I mean, does my guitar really sound that bad?.. ..the Buzz Box is totally worthless. It sounds like a vacuum cleaner." - Buzz Osborne

 

More info at www.americaspedal.net/fx33/.

 

Metrum Octave DAC inside

Metrum Octave DAC inside

Me, 16 months old (July 1988), advertising for Nestlé. "Chez Nestlé, le président c'est bébé."

A renowned engineer, Octave Chanute, spent his later years working with notable figures like the Wright brothers. His early work helped lay the foundation for human flight and the technical training that would later be achieved at Chanute Air Force Base.

 

Part of the blog post: Chanute Spotlight: Octave Chanute, “The God-father of Aviation”

 

Octave Chanute Subject Files, Folder 5, Chanute Collection, Champaign County Historical Archives, Urbana Free Library, Urbana, IL.

 

All images are provided for personal and educational use. Users planning to reproduce/publish images in books, articles, exhibits, videos, electronic transmission or other media must request permission. For more information please contact the Champaign County Historical Archives at The Urbana Free Library: archives@urbanafree.org

watercolour maquette.

Founders and CEO of pakimp3.org and Octave Promotions at GIG Nite in association with Rafi Peer Group

Close-up left side view of A-4A Skyhawk BuNo 139947 (Blue Angels #6, Lucy) nose section with the name AMSC Porter below the canopy rail, Octave Chanute Museum, August 1999. Photo by Len Lundh.

Octave Dua, tenor (later buffo) (Ghent 1882-Brussels 1952). Made his debut at the "Monnaie" in 1907, 1914-1914 guest in London under sir Thomas Beecham, 1915-1919 Opera House Chicago, greatest success at Covent-Garden untill 1931, from 1926 untill the 1950's stage manager in Brussels and later in Ghent. Only one recording for HMV with Ingheleri in Tosca. During a surgical intervention in the US he lost his left eye. You can see it on this picture (small man with wig).

Derived from Octave Chanute's 1896 Glider Design.

________________________________________

 

Aviation pioneer

 

Chanute first became interested in aviation during a visit to Europe in 1875. When he retired from his engineering business, he decided to devote his time to furthering the new science of aviation. Applying his engineering background, Chanute collected all the data that he could find from flight experimentors around the world. He published this as a series of articles in The Railroad and Engineering Journal from 1891 to 1893, and collected them together in the influential book Progress in Flying Machines in 1894. This was the most systematic global survey of fixed-wing heavier-than-air aviation research published up to that time.

 

At the World's Columbian Exposition in Chicago in 1893, Chanute organized a highly successful International Conference on Aerial Navigation.

 

Chanute was too old to attempt to fly himself, and he partnered with younger experimenters, including Augustus Herring and William Avery. In 1896 and 1897 Chanute, Herring, and Avery tested hang gliders based on designs by the German aviator Otto Lilienthal, as well as hang gliders of their own design, in the sand hills on the shores of Lake Michigan near the town of Miller Beach, Indiana, not far from what would become the city of Gary.[3] These experiments convinced Chanute that the best way to achieve extra lift without a prohibitive increase in weight was to stack several wings one above the other, an idea proposed by the British engineer Francis Wenham in 1866 and realized in flight by Lilienthal in the 1890s. Chanute invented the "strut-wire" braced wing structure that would be used in powered biplanes of the future. He based the design on the Pratt truss, which was familiar to him from his bridge-building work. The Wright brothers based their glider designs on the Chanute "double-decker," as they called it.

 

Chanute corresponded with many aviation pioneers, including Louis Mouillard, Gabriel Voisin, John J. Montgomery, Louis Blériot, Ferdinand Ferber, Lawrence Hargrave, and Alberto Santos Dumont. In 1897 he started a correspondence with British aviator Percy Pilcher. Following Chanute's ideas, Pilcher built a triplane, but he was killed in a glider crash in October 1899 before he could attempt to fly it.

 

Chanute was in contact with the Wright brothers from 1900, when Wilbur Wright wrote to him after reading Progress in Flying Machines. Chanute helped to publicize the Wright brothers' work, and provided consistent encouragement, visiting their camp near Kitty Hawk, North Carolina, in 1901, 1902, and 1903. The Wrights and Chanute exchanged hundreds of letters between 1900 and 1910.

 

Chanute freely shared his knowledge about aviation with anyone who was interested and expected others to do the same, although he did encourage colleagues to patent their inventions. His open approach led to friction with the Wright brothers, who believed their ideas about aircraft control were unique and refused to share them. Chanute did not believe that the Wright flying machine patent, premised on wing warping, could be enforced and said so publicly, including a newspaper interview in which he said, "I admire the Wrights. I feel friendly toward them for the marvels they have achieved; but you can easily gauge how I feel concerning their attitude at present by the remark I made to Wilbur Wright recently. I told him I was sorry to see they were suing other experimenters and abstaining from entering the contests and competitions in which other men are brilliantly winning laurels. I told him that in my opinion they are wasting valuable time over lawsuits which they ought to concentrate in their work. Personally, I do not think that the courts will hold that the principle underlying the warping tips can be patented." The friendship was still impaired when Chanute died, although Wilbur Wright delivered the eulogy at Chanute's funeral.

 

Wikipedia Quote

Around the age of sixty, Octave Chanute directed his focus towards the goal of flying and designed many different gliders. He declined to patent any of his designs, and he actively collaborated with other experimenters. Chanute's research and advice would help guide the Wright brothers to success after Chanute stopped attempting his flight experiments in 1900.

 

Part of the blog post: Chanute Spotlight: Octave Chanute, “The God-father of Aviation”

 

Part of the blog post: Intern Reflection: Working with the Chanute Collection

 

Octave Chanute Subject Files, Folder 7, Chanute Collection, Champaign County Historical Archives, Urbana Free Library, Urbana, IL.

 

All images are provided for personal and educational use. Users planning to reproduce/publish images in books, articles, exhibits, videos, electronic transmission or other media must request permission. For more information please contact the Champaign County Historical Archives at The Urbana Free Library: archives@urbanafree.org

 

 

All images from this book.

 

EVIDENCE

Provenance evidence: Inscription, Signature

Location in book: Front Endleaf

Transcription: CS Williams

Owner: Williams, C. S.

 

COPY

Repository: Penn Libraries

Call number: Schimmel Fiction 5898

Collection: Schimmel Fiction Collection

Copy title: Stories of a western town

Author(s): Thanet, Octave, 1850-1934

Published: Charles Scribner's Sons, New York, 1893

 

FIND IN POP

Penn Libraries

Penn Libraries Schimmel Fiction 5898

Schimmel Fiction Collection

Thanet, Octave, 1850-1934

Stories of a western town

New York

1893

Charles Scribner's Sons

Inscription

Signature

Front Endleaf

Williams, C. S.

 

Looking across Avenue de Suffen and along Avenue Octave Gréard to the Eiffel Tower. Taken from the balcony of my room at the Hilton Paris Eiffel hotel.

 

This is a panorama of three photos.

 

eiffeltower_Panorama1_edited-1

Lockheed GC-130A Hercules

Missouri Air Guard

US Air Force

Octave Chanute Air Museum

Rantoul,IL 12/6/2014

 

Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)

Jesus - Conventual Church of the Jesuits

Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]

Minor Basilica • suitable title since July 1, 1960

Pope John XXIII

Call of the Sacred Heart of Jesus

Liturgical memorial Friday after the octave of Corpus Christi

Earth 50 ° 03'43 " N 19 ° 56'55 " E

The interior of the church

Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26

Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.

History

At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.

Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.

November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made ​​her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.

In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.

Art

Architecture

The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.

Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.

Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.

Interior

The interior of the basilica is divided into three naves. Vaults, first in Krakow, made ​​of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made ​​and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.

The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.

The six side altars made ​​in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.

Authorities

Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.

The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.

pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)

Eastman MDO305 Classic left-hand octave mandolin from Jerry’s Lefty Guitars in Sarasota, Florida.Phone 941 504 2634. See us at jerrysleftyguitars.com. The worlds finest lefty guitars, basses, mandolins, and ukuleles.

I was recently asked to paint a violin . . . read about the process and see more photos here. There is even a time lapse video of the painting of the octopus on vimeo and youtube.

1 2 ••• 8 9 11 13 14 ••• 79 80