View allAll Photos Tagged octave
I'm working on a pedalboard. There will be two signal paths -- one dirty and one fuzzy. Dirty is going to be something like DOD 201 -> Lovepedal COT50 -> Zombie (or other dirt). Fuzzy is going to be Fuzz Face -> Ibanez Standard Fuzz -> Dice Works Astronimus.
I'm making the cables myself, but I'm not yet really good at it -- only half of the cables I made worked.
Bain News Service,, publisher.
Tom Sopwith
[ca. 1910]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from data provided by the Bain News Service on the negative.
Photo shows English aviator Thomas Octave Murdoch Sopwith (1888-1989) in the Howard Wright biplane. (Source: Flickr Commons project, 2009)
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
Air pilots
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.09259
Call Number: LC-B2- 2203-16
· Octave ·
My mind was blown when I discovered an octave has twelve notes, not eight! I find that very confusing, since the latin root for “octave” means “eighth.”
I’ve been reading a music theory book so that I can better understand music and jam with my band mates. Eventually, I want to be able to look at a guitar chord notation and know what keys to press on the keyboard. Understanding how a song is structured also helps when I reverse engineer musical breaks onto the keyboard.
Shirt, Forever 21 (thrifted). Skirt, Urban Coco. Bag, A+ by Aldo. Bag strap, Paxmate. Boots, Seychelles.
Extraction of a Songbird (The Boy Who Spoke in Octaves), 2019.
From The Sialia Marbles, my first solo show which ran at MMX Gallery, London, 5th December 2019 - 15th February 2020.
The Sialia Marbles contains over 40 original hand-coloured prints, which together create an anthology of fractured tales inspired by the scared energy of traditional sculpture halls. A wing of my own Le Musee Imaginaire, an idea initially proposed by Andre Malraux, which can be defined as, 'the personal or cultural mental storehouse of images of the noblest works of art’ (Haley, 2002). These tableaus are cast in a form of fictional rigour mortis, through the symbolic reference to the weight and endurance of marble sculpture.
Close-up right side view of A-4A Skyhawk BuNo 139947 (Blue Angels #6, Lucy) tail section, Octave Chanute Museum, August 1999. Photo by Len Lundh.
North American P-51H Mustang
USAAF
Octave Chanute Air Museum
Rantoul,IL 12/6/2014
Marked as 44-64195 flown by Claude J. Crenshaw with the 82nd Fighter Group. Aircraft is named "Louisiana Heatwave"
The museum shut it's doors on 30th December 2015 due to financial issues.
The COT50s were nice, but noisy.
Ironically, the Burford Mosquito kicked my Ibanez Standard Fuzz off the board. It's low output level requires the use of a boost (Stratoblaster) though. The black pedal is an Atmos.
The Lovepedal Black Magic is not stock. Most of the time, I run it through a 10-band MXR EQ for some mid scoop.
Both the Lovepedal Balance and the Black Magic are temporary solutions.
The top piece is the Octave Audio V80 SE integrated amplifier ($10.5k), below that is an unknown DCS piece, below that to the left is the Super Black Box Capacitance Storage Device ($3k), to the right is the Black Box ($1k), and below that is the Octave Audio V40 Se integrated amplifier ($4.5k). Love the look of Octave Audio.
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)
French postcard. Théâtre Moncey, L'Assommoir (24 February to 3 March 1905). Printing P. Helmlinger & Co., Nancy. Cliché N. Gervaise (Hélène Petit) and Goujot (M. Angelo) at Gervaise's party. While making publicity for a 1905 staging of the play, this card and others by Helmlinger show photos from the original stage adaptation.
In 1879, two years after its publication, Emile Zola's novel L'Assommoir was adapted for the stage by William Busnach and Octave Gastineau, with the help of Zola. The premiere took place on 18 January 1879 and was a great success. Afterward, the play was often re-staged, in and outside of France.
Jameson Avenue Looking North - Toronto
Without Sylvester James', aka "Sylvester," You Make Me Feel Mighty Real, there wouldn't be Blue Monday by New Order! - Mike
"...the signature bassline with octaves came from Sylvester's disco classic, "You Make Me Feel (Mighty Real)" en.wikipedia.org/wiki/Blue_Monday_(New_Order_song)
*****
"Jameson Avenue is a multi-lane arterial road in the Parkdale neighbourhood in Toronto, Ontario, Canada. It is a north-south roadway from Lake Shore Boulevard to Queen Street. Originally laid out in the 1800s as two-lane residential street, its traffic and land use has changed considerably from a suburban/semi-rural street to a main arterial connecting to an expressway.
Jameson Avenue was built in the 1880s as part of the then Village of Parkdale's development, connecting Queen Street to the Lake Ontario waterfront. Parkdale Collegiate Institute, built in 1888 near Queen Street, was one of the first structures to rise alongside the street. Near the foot of the street at Springhurst Avenue and Jameson, the South Parkdale railway station was built in 1879, on the Grand Trunk Railway (GTR).
After the 1889 annexation of Parkdale into the City of Toronto, the pace of development increased around Jameson Avenue, and the street became lined with single-family dwellings, many of them quite large along the full length of the street down to the waterfront. Several still exist today.
The first change in the character of the street came in the 1910s, when the GTR lowered the level of the railway tracks to below that of Jameson, and closed the railway station, replacing it with the Sunnyside railway station to the west.
As the City of Toronto grew, and the development of the suburbs to the west, east-west automobile traffic in the area increased. The completion of the Queen Elizabeth Way (QEW) in 1940 meant that Lake Shore Road, and by extension Parkdale, became a major connecting path between downtown Toronto and the highway. King and Queen Streets started to carry large amounts of commuter traffic. When the Municipality of Metropolitan Toronto was created in 1953, one of the first projects proposed was a connector highway between the QEW and downtown. This became the Gardiner Expressway. The Gardiner Expressway's right-of-way was laid out just south of the existing GTR rail lines, at the same level. This right-of-way meant the demolition of over 50 homes at the foot of Jameson. An interchange with the expressway at Jameson was also created, which eliminated pedestrian access to the waterfront from the neighbourhood, necessitating a pedestrian bridge.
The building of the highway changed the street from a residential neighbourhood street to an arterial roadway. The land use changed considerably after that, from the single-family dwellings to the multi-storey apartment buildings that line Jameson on both sides from Springhurst to Queen Street today." en.wikipedia.org/wiki/Jameson_Avenue
*****
'You Make Me Feel (Mighty Real)' is the title of a 1978 single by American disco singer Sylvester James, who performed using just his first name, Sylvester. The song was Sylvester's first Top 10 hit in the United Kingdom, where it peaked at #8 on the UK singles chart. In Sylvester's home country, the single was his second Top 40 hit, peaking at #36 on the Billboard Hot 100 chart in early 1979. The song also reached #20 on the Hot Soul Singles chart, and appears on his 1978 album, Step II. A 12' single was released in 1978, with 'Dance (Disco Heat)' as the A-side and 'You Make Me Feel (Mighty Real)' as the B-side, and these two extended dance mixes proved to be very popular in the dance clubs at the time. The two songs held down the top spot on the American dance chart for six weeks in August and September of 1978. These two songs helped to establish Sylvester's career as a noted disco and dance music performer, both in the U.S. and abroad.
The song has been recorded by other musicians, including British singer Jimmy Somerville, formerly of the bands Bronski Beat and Communards. His 1989 version of the song also received substantial club play, and it peaked at #5 on the UK singles chart, making it the highest-charting version of the song in the UK. Somerville's version of this song appears on his first solo album, Read My Lips.
In 1991, actress/comedian/singer Sandra Bernhard recorded her own version of the single, which is a tribute to James, on her album Excuses for Bad Behavior (Part One). A series of 12' remix singles was released in 1994 by Epic Records' 550 Music imprint, who also signed Bernhard and picked up her album for a major push that same year. It peaked at number 13 on the Dance Club Play chart in 1995.
Also recording a cover of this song was Chicago-born house music singer Byron Stingily, formerly of the band Ten City. Like Sylvester's original recording, Stingily's cover version of 'You Make Me Feel (Mighty Real)' also went to #1 on the American dance chart, where it spent one week atop the chart in March of 1998. Although there have been instances where the same song, recorded by two different artists, has reached #1 on the Hot Dance Club Play chart ('Don't Leave Me This Way' is one example), it is still a fairly rare occurrence. This version also reached #13 in the UK.
In 2006 The Brozzi Bros. did a cover of the song which wasn't very successful." en.wikipedia.org/wiki/You_Make_Me_Feel_(Mighty_Real)
You mean I've been dancin' on the floor darlin'
And I feel like I need some more and I
Feel your body close to mine and I
Move on love it's about that time
Make me feel - mighty real
Make me feel - mighty real
You make me feel mighty real
You make me feel mighty real
When we get home darlin' and it's
Nice and dark and the music's in Vienna
Still your hot and you kiss me back and it
Feels real good and I know you love me
Like you should
Oh you make me feel mighty real
You make me feel mighty real
Make me feel - mighty real
Make me feel - mighty real
Make me feel - mighty real
Make me feel - mighty real
I feel real
I feel real,
I feel real
I feel real
I feel real
I feel real,
I feel real
I feel real
Huh
I feel real
I feel real,
I feel real
I feel real
Huh I feel real,
huh I feel real
I feel real
I feel real,
I feel real
I feel real
You make me feel mighty real
You make me feel mighty real
Oh you make me feel mighty real
You make me feel mighty real
Octave Mirbeau - Torture Garden
Berkley Books 111, 1955
Cover Artist: unknown
"To the priests, the soldiers, the judges, to those people who educate, instruct and govern men, I dedicate these pages of Murder and Blood."
"A startling novel of passion and horror."
Octave is a mining ghost town in Arizona. This sign, foundations, and few standing buildings are all that remain.
The Octave of Easter, known as Low Sunday, Quasimodo Sunday, has also come to be known in more recent times as "Divine Mercy Sunday." It was through St. John Paul II that the Octave of Easter received this new title in the Church's calendar. Drawing inspiration from the diary of Sister Faustina, the Octave of Easter has received a renewed emphasis on the mercy of God.
In a beautiful homily delivered on this day by St. Augustine of Hippo, he declared to the newly baptized, "You have been buried with Christ by baptism into death in order that, as Christ has risen from the dead, you also may walk in newness of life." For it was traditionally on this day that the Church received her newly baptized catechumens with maternal delight. Holy Mother Church rejoiced over her new children, all of which is made possible by the mercy of God in calling us to Himself while we were yet sinners.
St. Faustina recorded these words from our Lord Himself: "I desire that the Feast of Mercy be a refuge and shelter for all souls, and especially for poor sinners. On that day the very depths of My tender mercy are open. I pour out a whole ocean of graces upon those souls who approach the fount of My mercy." May we turn with trust to the Divine Mercy of Almighty God and seek Him in all things.
scenario Octave Lery !
starring Adolphe Jaureguy !
cinema.encyclopedie.films.bifi.fr/index.php?pk=49241&...
Gallimard
Le cinéma romanesque
N10
Louis Gratias
Octave Lery
The WALK to EMMAUS
13 - That very day two of them were going to a village named Emma′us, about seven miles from Jerusalem,
14 - and talking with each other about all these things that had happened.
15 - While they were talking and discussing together, Jesus himself drew near and went with them.
16 - But their eyes were kept from recognizing him.
17 - And he said to them, “What is this conversation which you are holding with each other as you walk?” And they stood still, looking sad.
18 - Then one of them, named Cle′opas, answered him, “Are you the only visitor to Jerusalem who does not know the things that have happened there in these days?”
19 - And he said to them, “What things?” And they said to him, “Concerning Jesus of Nazareth, who was a prophet mighty in deed and word before God and all the people,
20 - and how our chief priests and rulers delivered him up to be condemned to death, and crucified him.
21 - But we had hoped that he was the one to redeem Israel. Yes, and besides all this, it is now the third day since this happened.
22 - Moreover, some women of our company amazed us. They were at the tomb early in the morning
23 - and did not find his body; and they came back saying that they had even seen a vision of angels, who said that he was alive.
24 - Some of those who were with us went to the tomb, and found it just as the women had said; but him they did not see.”
25 - And he said to them, “O foolish men, and slow of heart to believe all that the prophets have spoken!
26 - Was it not necessary that the Christ should suffer these things and enter into his glory?”
27 - And beginning with Moses and all the prophets, he interpreted to them in all the scriptures the things concerning himself.
28 - So they drew near to the village to which they were going. He appeared to be going further,
29 - but they constrained him, saying, “Stay with us, for it is toward evening and the day is now far spent.” So he went in to stay with them.
30 - When he was at table with them, He took the bread and blessed, and broke it, and gave it to them.
31 - And their eyes were opened and they recognized him; and He vanished out of their sight.
32 - They said to each other, “Did not our hearts burn within us while he talked to us on the road, while he opened to us the scriptures?”
33 - And they rose that same hour and returned to Jerusalem; and they found the eleven gathered together and those who were with them,
34 - who said, “The Lord has risen indeed, and has appeared to Simon!”
35 - Then they told what had happened on the road, and how he was known to them in the breaking of the bread.
___________________________________________________
SPANISH
El VIAJE a EMAÚS
13 - Ese mismo día, dos de ellos eran ir a un pueblo llamado Emma'us, a unos once kilómetros de Jerusalén,
14 - y hablando entre sí de todas aquellas cosas que habían acontecido.
15 - Mientras conversaban y discutían, Jesús mismo se acercó y caminaba con ellos.
16 - Pero sus ojos estaban velados reconocerlo.
17 - Y él les dijo: Y ellos se detuvieron, con cara de tristeza "¿Qué es esta conversación que tiene en sus manos unos con otros como usted camina?".
18 - A continuación, uno de ellos, llamado Cleofás, le respondió: "¿Eres tú el único forastero en Jerusalén que no sabe las cosas que han acontecido en estos días"
19 - Y él les dijo: "¿Qué cosas?" Y ellos le dijeron: "Con respecto a Jesús de Nazaret, que fue un profeta poderoso en obras y palabras delante de Dios y todo el pueblo,
20 - y cómo nuestros sumos sacerdotes y magistrados le para ser condenado a muerte, y lo crucificaron.
21 - Pero nosotros esperábamos que él era el futuro liberador de Israel. Sí, y además de todo esto, hoy es el tercer día que esto sucedió.
22 - Por otra parte, algunas mujeres de entre nosotros nos asombraron. Ellos estaban en la tumba temprano en la mañana
23 - y al no hallar su cuerpo; y volvieron diciendo que tenían incluso visto una aparición de ángeles, quienes dijeron que él vive.
24 - Algunos de los que estaban con nosotros fueron al sepulcro, y hallaron así como las mujeres habían dicho; pero a él no lo vio ".
25 - Y él les dijo: "¡Oh insensatos, y tardos de corazón para creer todo lo que los profetas han dicho!
26 -? ¿No era necesario que el Cristo padeciera eso y entrara así en su gloria "
27 - Y comenzando por Moisés y continuando por todos los profetas, les declaraba en todas las Escrituras lo que de él.
28 - Así se acercaron a la aldea adonde iban. Él parecía ir más lejos,
29 - pero ellos le obligaron a quedarse, diciendo: "Quédate con nosotros, porque se hace tarde y el día ya ha declinado." Y entró para quedarse con ellos.
30 - Cuando estaba en la mesa con ellos, Él tomó el pan, lo bendijo, lo partió y se lo dio a ellos.
31 - Y les abrieron los ojos y le reconocieron; mas él se desapareció de su vista.
32 - se dijeron el uno al otro, "¿No estaba ardiendo nuestro corazón dentro de nosotros cuando nos hablaba en el camino, mientras nos abría las Escrituras"
33 - Y se levantaron esa misma hora y se volvieron a Jerusalén; y hallaron a los once reunidos ya los que estaban con ellos,
34 - que dijo: "¡El Señor ha resucitado y se ha aparecido a Simón"
35 - Entonces contaron lo que había pasado en el camino, y cómo le habían reconocido al partir el pan.
___________________________________________________
Jezuici Polscy Ofiary Terroru Hitlerowskiego (Polish Jesuits victims of Nazi terror)
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)
15/11/2018 - Faenza, Ridotto del Teatro Masini - Sala dei Cento Pacifici.
Debussy: Preraffaellita, Impressionista, Simbolista, Astrattista
Ilia Kim pianoforte
introduzione all’ascolto di Piero Rattalino
Deux Arabesques (1888-1891)
Clair de lune (1890)
Tarantelle styrienne (1890)
La soirée dans Grenade (1903)
L’isle joyeuse (1904)
Des pas sur la neige (1908)
Ondine (1910)
La Cathédrale engloutie (1908)
Ce qu’a vu le vent d’ouest (1908)
Étude pour les degrés chromatiques (1915)
Étude pour les octaves (1915)
Today, 13 January, is the Octave day of the Epiphany and also a Saturday, which is usually dedicated to Our Lady.
How beautifully Our Lady appears here: She is the throne for the infant Lord whom the kings approach on bended knee. May Our Lady, throughout this year, "show unto us the blessed fruit of her womb." May we approach our Lord and Saviour with reverence and contrite hearts.
Detail from a rondo of 'The Adoration of the Magi', now held in the National Gallery of Art in Washington DC. Originally part of the Medici family collection, this painting appears to be the product of two artists: The Dominican Bl. Fra Angelico may have started the altarpiece, and his assistant the Carmelite Fra Filippo Lippi finished the work.
Maker: Antoine-Samuel Adam-Salomon (1818-1881)
Born: France
Active: France
Medium: woodburytype
Size: 9 3/8" x 7 1/2"
Location: France
Object No. 2010.039
Shelf: A-47
Publication: Galerie Contemporaine, Vol 2, No 1, 1877
Other Collections: Philadelphia Museum of Art, Bibliothèque nationale de France, Musee d'Orsay, Auer Photo Foundation
Notes: Octave Feuillet (11 August 1821 – 29 December 1890) was a French novelist and dramatist.
Antoine Samuel Adam-Salomon (9 January 1818 – 28 April 1881 was a French sculptor and photographer. Antoine Samuel Adam-Salomon was born to a French Jewish family on 9 January 1818 in La Ferté-sous-Jouarre, Seine-et-Marne, France. Following a brief career as a modeler for the Jacob Petit pottery factory in Fontainebleau, he received a scholarship to study sculpture in Paris. He also traveled for studies to Switzerland and England. His notable sculptures include busts of Victor Cousin, Odilon Barrot, Pierre-Jean de Béranger, Alphonse de Lamartine, Gioachino Rossini, and Marie Antoinette. After becoming established as a sculptor, Adam-Salomon studied photography under the portraitist Franz Hanfstaengl in Munich in 1858. He became a leading portrait photographer. Adam-Salomon returned to Paris where he opened a portrait studio in 1859; in 1865 he opened a second Paris studio. In 1870 Adam-Salomon was made a member of the Société française de photographie and received the Légion d’honneur the same year. Adam-Salomon's portrait photographs were considered to be among the best existing works during his lifetime, and were renowned for their chiaroscuro produced by special lighting techniques. The photography of Adam-Salomon played a pivotal role in the mainstream acceptance of photography as an art form. For example, in 1858 the poet Alphonse de Lamartine described photography as "this chance invention which will never be art, but only a plagiarism of nature through a lens." A short time later, after seeing the photographs by Adam-Solomon, Lamartine changed his opinion.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Pontifical Votive Mass of the Blessed Sacrament, celebrated by His Eminence, Vincent Cardinal Nichols
© Mazur/cbcew.org.uk
INDIAN OCEAN (Dec. 18, 2020) U.S. Marine Corps F-35B Lightning II aircraft with Marine Medium Tiltrotor Squadron (VMM) 164 (Reinforced), 15th Marine Expeditionary Unit, prepare to land on the flight deck of the amphibious assault ship USS Makin Island (LHD 8). The F-35Bs provide close air support to Operation Octave Quartz (OOQ). The mission of OOQ is to relocate U.S. Department of Defense forces in Somalia to other East Africa operating locations while maintaining pressure on violent extremists and supporting partner forces. (U.S. Marine Corps photo by Cpl. Patrick Crosley)
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)
From the bottom, L-R:
Z Vex SHO, Danelectro French Toast Octave Distortion, Z Vex Fuzz Factory.
Dwarfcraft Devices' The Great Destroyer, ProCo RAT, Dwarfcraft Devices' SHIVA.
Barge Concepts' BP-1 "Harmonic Percolator," Keeley Java Boost, Dwarfcraft Devices' Plane Ticket Booster.
Electro-Harmonix Big Muff Pi (NYC Re-issue)
Octave Dua, Belgian secondary tenor, supporting/cameo artist and stage director (1882-1952). Entirely forgotten, despite a superb international career. Hence the scarcity of his iconographic/acoustic material.
Cf. www.ars-bxl.be/octavedua.html
cf. Virtual Exhibit on Belgian Opera Singers at Operas.org in New York City: www.operas.org/
My pride and joy.
This took an age to get the signal path right and I'm still not 100% on it yet. It also took some extreme engineering to fit everything on the board.
Clockwise from top left:
Mammoth Stomp Han Solo boost
(Custom built by Jimi Woolley, first ever production model of this pedal)
EHX Cathedral reverb / delay
Boss TR-2 tremolo
Boss TU-2 tuner
Ernie Ball VP JR Volume
EHX Micro Pog octaver
Boss BD-2 Blues Driver
MXR / Custom Audio Electronics Boost / OD
MXR Carbon Copy analog delay (mmmm bucket brigade)
Eventually plan on pairing this setup with another board containing my Line 6 DL4 and boss RC-50 Loop Station (once i get the buggers repaired).
I don't think I'll ever be able to stop buying effects.
Lockheed GF-104A Starfighter
US Air Force
Octave Chanute Air Museum
Rantoul,IL 12/6/2014
The museum shut it's doors on 30th December 2015 due to financial issues.
« The logistic map is a polynomial mapping (equivalently, recurrence relation) of degree 2, often cited as an archetypal example of how complex, chaotic behaviour can arise from very simple non-linear dynamical equations. » (Wikipedia).
« A cobweb plot, or Verhulst diagram is a visual tool used in the dynamical systems field of mathematics to investigate the qualitative behaviour of one-dimensional iterated functions, such as the logistic map. » (Wikipedia).
GNU Octave & ffmpeg (video), Debian GNU/Linux. 100 iterations have been used for each value of r.
Pontifical Votive Mass of the Blessed Sacrament, celebrated by His Eminence, Vincent Cardinal Nichols
© Mazur/cbcew.org.uk
Church of the Sacred Heart of Jesus in Krakow (Copernicus Street)
Jesus - Conventual Church of the Jesuits
Distinctive emblem for cultural property.svg A- 299, 5 July 1966 [1 ]
Minor Basilica • suitable title since July 1, 1960
Pope John XXIII
Call of the Sacred Heart of Jesus
Liturgical memorial Friday after the octave of Corpus Christi
Earth 50 ° 03'43 " N 19 ° 56'55 " E
The interior of the church
Church of the Sacred Heart of Jesus - Roman Catholic Jesuit convent church, which is located in Krakow, in Quarter II, the Merry Street Copernicus 26
Modernist architecture of the building represents the Young Poland and is one of the greatest works of Polish religious art from the first quarter of the twentieth century.
History
At this point, the Jesuits settled in 1868, and two years later erected the first chapel, which quickly proved to be insufficient. In 1903 it was decided to build a new, magnificent temple. The implementation of the adopted project by architect Francis Mączyński.
Originally it housed a large reality belonging to Peter Joseph Szyryna, that included the so called fruit and vegetable garden. English palace complex of smaller buildings and bungalows. The Jesuits acquired the property for $ 16 thousand guilders. Makeshift chapel in the 30s it was decided to put the building on the today Copernicus street. In June 1869, proceeded to demolish the house, leaving only the foundation and load-bearing walls. The left wall sacristy was added to the upper chapel (St. Aloysius) and the women's gallery and a new roof. In 1870, the floor was laid with plates made of Belgian marble and were built arched arcades separating the two side aisles of the nave. Then carefully shaped barrel vault and semicircular founded colorful windows in iron fittings. The completed building was 21 meters long, 11 meters wide and 9 meters high. Inside the chapel there is an altar with the image of Belarus brought from the Heart of Jesus and the two side altars dedicated to Our Lady and St. Joseph (Image by Antoni Reichenberg). In 1889 was founded a new, larg, richly carved altar and side altars images replaced with sculptures by Mayer of Munich. Later the chapel was built more extensive room where pomieszczono (mixed up) additional chapel and sacristy for clergy. Consecration of the Chapel of the Sacred Heart of Jesus took place August 28, 1870, the temple served the faithful for 42 years. Last service in the chapel was held on 20 May 1912 and transferred the Blessed Sacrament in the walls of a new building next to the church. The chapel began to undress on May 21.
November 1, 1909 , Bishop Suffragan Bishop of Cracow Anatol Nowak blessed the cornerstone of the new church. Construction lasted until 1912, but the equipment and decoration of the church because of the war were firmly extended Finally, the official consecration took place on 29 May 1921, the Bishop of Anatol Nowak made her in the company of 24 other bishops, who lived then in Krakow, the Polish Episcopal Conference.
In 1960, Pope John XXIII granted the title of minor basilica church, and since 1966 it is registered as monument. In 1960 it was decorated a chapel in the church of adoration of the Blessed Sacrament, which is October 29 of that year, consecrated by Bishop Karol Wojtyla.
Art
Architecture
The architect of the church appealed not only to modernism, but to practice the tradition of Romanesque, Gothic and Baroque. The church tower is 68 meters high and is one of the highest in Krakow. The church walls are made of red bricks, window frames and detail of gray stone. In the middle in the final of each window there is a mosaic-arms of the cities that contributed to the construction of the church.
Above the portal, the tower is a mosaic "Puncture the side of Christ", made and designed by John Bukowski, a little higher sculpture designed by Xawery Dunikowskiego. The figure of Christ in Odkuł-stone by Charles Hukan, the side of the lead characters were cast in 1913. They symbolize the suffering humanity and seeking comfort in the heart of God.
Outside the sacristy, on the east wall of the church, there is a memorial temple of artist Francis Mączyński in 1912 , by Xawery Dunikowskiego. Statue cast in bronze offered Jesuits architect 's widow in 1953.
Interior
The interior of the basilica is divided into three naves. Vaults, first in Krakow, made of reinforced concrete. The floor mimics the patterns of early Christian churches. In the years 1914-1918 polychrome vaults made and designed by John Bukowski. Mosaic of the nave in 1922, designed by Leonard Strojnowski, benches designed by Francis Mączyński a backdrop confessionals John Bukowski. Stations of the Cross purchased in France in 1937 by the Jesuits, for the purpose of churches in Kołomyja, but in 1946 it was brought to Krakow and installed in 1959.
The high altar, built between 1915-1920, is the work of Francis Mączyński. Frieze of mosaic in the chancel was designed in 1913 by Peter Stachiewicz, and executed by the company Gianese Angelo in Venice. The church was placed in 1921. Mosaic is 30 meters long, is a tribute to Christ by the holy and blessed Polish led by St . Stanislaus and the Polish nation, famed for Jesus by Queen Jadwiga Andegawenkę and her husband, King Wladyslaw Jagiello.
The six side altars made in stucco placed between 1920-1930 sculptures by Charles Hukana. Attention is drawn in particular altar of Our Lady of the Angels, who, according to art historians, is one of the most valuable works of sacred art in Poland in the interwar period . Virgin Mary is presented as Queen of the crown, adored by a group of eight angels.
Authorities
Authorities were purchased in 1928 in the well-known firm of brothers Riegerów Jägerndorf (opus 2317). Then repaired several times (most recently in 2007), now have 47 votes and tracker power. Decorated in a romantic style sonic characteristic of organ building late nineteenth and early twentieth century.
The church is located on the route of the Malopolska Way of St James from Sandomierz to Tyniec.
pl.wikipedia.org/wiki/Ko%C5%9Bci%C3%B3%C5%82_Naj%C5%9Bwi%...(ul._Kopernika)