View allAll Photos Tagged octabox
The sun was gone and we were about to pack up when I decided to extend the shoot by setting up a fake sunset by putting my eVOLV 200 + gel up behind the leaves.. I'm so glad I did!
- Sony A7II + Sony 85mm f/1.8; 1/200, f/1.8, ISO 100; TTL/HSS
- Main: Flashpoint XPLOR 600 + 48" EZ-Pro octabox, camera right
- Fill: Flashpoint Zoom TTL R2, camera left @ -2 1/3 stops
- Rim: eVOLV 200 + standard reflector + 1/2 CTO gel, camera right & far behind up high @ -2/3 stop
Project 365
-[ Day 66]-
Manny and Marykate engagement photosession
June 13th, 2011
Time 3:20 am
Martin Solveig & Dragonette-[ Hello (Club Mix version)]=- ♪♫
2 CANON SPEEDLITE 580 EX II
& AMBIENT LIGHT
Set up info
45 degrees canon speedlite 580 ex II using ETTL with lumodi
Front Light: Canon Speedlite 580 EX II with Creative light Octabox with Grid!
AV F 2.8
TV 500
ISO 100
Please respect my work and don't use this image on websites, blogs, or other media without my explicit permission. Copyright © 2010. All rights reserved.
Strobist Info: SB900 in a Westcott Orb Octabox, camera right, SB900 in a 28" Westcott Apollo soft box camera left, SB900 high above in the back as a rim light, triggered by PocketWizard Flex TT5s in TTL mode.
This is Darci, a student at UMKC. Thanks for spending the day with me today, Darci! Makeup and hair by Jolie Carrillo-Allen ( www.jolieartistry.com/ ).
Nikon D700 | 85mm lens | ISO 200 | f/2.0 | 1/250 second
retouched with Portrait Professional
Testing my new 90x60 softboxes... now I just need an octabox... and less important a "STUDIO"! :-p
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Testando i miei nuovi softbox 90x60. Ora mi manca solo un octabox... ah forse mi manca anche uno "studio"! :-)
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STROBIST:
1 Flash Aquila on the right at 45° with 90x60 cm softbox
1 Flash Aquila on the left at 45° with 90x60 cm softbox
"Dirty" white background wall
Focal Length: 125mm
Exposure: 1/180s
Aperture: f/11
ISO: 100
Lightning Diagram: www.sylights.com/luca.libralato/9053-two-lights-setup
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Lighting info - b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
Myspace.com/themidnightlife
VIEW LARGE
Strobist:
Ab1600 through large octabox above and slight right of camera
Ab800 shot bare to camera left and back
Ab800 shot bare to camera right and back
Part 1 of 2 shoots
Met up the the guys of The Midnight Life last night and started our first part of 2 shoots . We originally planned to shoot in their studio but had a slight problem with the ceiling height and fitting all my equiptment, backdrop, and guys in all at once. SO, we went in the backyard and hung the backdrop to the edge of the roof, taped it and shot their haha. I want to give a big thanks Zack Hughes ( flickr.com/photos/zamphotography ) Dustin Sapenga( flickr.com/photos/dustinsapenga ) and Nil Cardoso of Back to the Party( www.myspace.com/backtotheparty ) for their assistance at this shoot.
I was very pleased with the way these shots came out though. GREAT group of guys, and AWESOME music. Check em out!
Opinions welcome!
week 20 : TECHNOLOGY
Katelyn bought me this awesome Star Wars Star Destroyer Bluetooth Speaker for my birthday. It has some cool LED lights and sounds pretty sweet. shot in studio and made background in photoshop
Have a great weekend friends
Strobist Info
AlienBee 800 1/8 power, camera right 48" Octabox
Foam Board Camera left
F13
ISO 100
SS 0.8 seconds
PocketWizard Plus III
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Thema geflitst
Gebruik gemaakt van een studioflitster met octabox en grid.
Met de 135mm f2 lens gemaakt om een mooi bokeh effect te krijgen.
600w portable strobe with octabox cam left at 90°.
400w portable strobe with grid stripbox cam right 135°.
triggered by Phottix Strato II Multi.
Went to visit my best bud on my way back to school this weekend and finally got to check out his collection of Mushroomhead masks he has recently gotten. These are the actual masks used by the band so they looked freakin awesome. I wanted to just do a quick test shoot with two of them; shot a few frames and called it good. But I have some better plans for the summer. These were done at around 9pm so it was a little tough to shoot plus I was shooting with this mask on lol. I'm wearing the Skinny mask and my bud is wearing the ST1TCH one. Brutal huh?
nikon d300 w/ 70-200mm vr
ab800 into 47" octabox camera left
fired with pocketwizards
vagabond II
Male Physique.
5d Mark II
24mm 1.4L II
Ab800 Octabox camera right
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The first testing of my new 70cm Octabox - with my little friend danbo.
Equi:
Cam: Canon 7D
Light: Canon 430 EX II with Octabox (left)
Lens: Tamron 17-50mm 2.8
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Brad Wedgewood Photography
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lighting info b1600 with 5ft octabox from the left powered by vegabond mini triggered with pixel kings
www.bradwedgewoodphotography.com
www.facebook.com/bradwedgewoodphotography
www.pinterest.com/bradwedgewoodph/
[Now that our visit of the ruined priory church of Colchester is over, and before I resume uploading photos from our Christmas 2024 and New Year’s 2025 trip to England, let us take a break and come briefly back to France to document the successful completion of an impressive restoration work I was happy to be part of, photographically speaking.]
The Gates of Paradise, so dubbed by Michelangelo himself, are monumental bronze doors that give access into the Saint John baptistry, which stands in front of the Santa Maria del Fiore “duomo” cathedral in Florence, Italy. Those massive doors, 5.10 meters tall by 3.20 meters wide, are a masterpiece of Renaissance art sculpted mostly by Lorenzo Ghiberti around 1442. Further to the devastating flood of River Arno in 1966, the orignal doors were taken away and stored in the safety of a nearby museum, to be replaced on-site by copies.
A Wikipedia notice in French can be found here: fr.wikipedia.org/wiki/Porte_du_Paradis (doesn’t seem to exist in English).
In 1841, the City of Lyon, at the behest of a then-well known Lyonnais painter, Jean-Claude Bonnefond (1796–1860), ordered a casting of the portal to be made by the Museum of Fine Arts of Paris. The cast was installed in the Museum of Fine Arts of Lyon, in the Palais Saint-Pierre (Saint Peter’s Palace), thus named because the building in which it is is what remains of the former abbey of Saint-Pierre-les-Nonnains, founded in the 9th century for Benedictine nuns.
In 1936, the cast was taken down, disassembled and subsequently broken down into more than one hundred pieces as its fragile self was not-so-carefully moved from one temporary storage place to another. Acquired by the Musée des Moulages (Museum of Casts) of Lyon, the fragments were stored there for several decades. When it was decided to restore and reassemble them, the Fondation du Patrimoine, one of the non-profit heritage organizations I work for as a pro bono photographer, was called upon to provide the 50,000-euro financing, and I was asked to take photos, first of the pre-restoration fragments in their storage area in 2023, then of the Gates re-assembled, restored and put back up in the museum hall, in the only location where the ceiling is high enough to accommodate them, in March 2025.
To document this project, I will upload some “before” photos, as well as, of course, some “after” ones. You will note that, around 1910, a patina was applied onto the cast as it was meant to reproduce as faithfully as possible, not the shiny, golden aspect of the brand new bronze, but the faded one the Gates exhibited at the beginning of the 20th century. It is of course this faded aspect that the restoration sought to retrieve —quite successfully so, I must say.
Strobist and technical info: I provide this information solely for the purpose of so–called “strobist” groups on Flickr (i.e., groups practicing off-camera flash lighting), where it is mandatory. Please feel free to ignore it if you are not interested or a member of such groups.
One Godox AD600 Pro II monolight on a Profoto light stand in lateral position to camera right, 2 meters from subject and 2.5 meters above ground (about midway through height of subject), firing at 1/2 ¼ power through a Phottix Pro 150–cm Raja octabox with double diffuser; and another AD600 Pro II studio strobe on a Profoto light stand in lateral position to camera left, 2 meters from subject and 2.5 meters above ground (about midway through height of subject), firing at 1/1 power through a Godox 120–cm S120W softbox with double diffuser.
Strobes set and triggered via Godox X Pro II radio controller on the camera’s hot shoe, manual mode. Sekonic L–858D light meter used to balance light sources. Manfrotto 161 MK2B geared tripod with Benro GD3–WH geared head.
Nikon Z7 II camera body. Lenses: Nikkor 45mm, ƒ/2.8 D PC tilt-shift macro lens with FTZ II adapter, manual focus, for the photo of the entire Gates; Nikkor Z 100–400mm, ƒ/4.5–5.6 S lens for the closeups. Camera triggered remotely via Pixel Oppilas RW–221 radio transmitter and receiver.
A second iPhone snapshot of the behind-the-scenes for the photoshoot of the restored Gates of Paradise in the main exhibition hall of the Musée des Moulages (Museum of Casts) in Lyon: this one shows the camera high up on the gigantic Manfrotto 161 geared tripod, with the 100-400mm telephoto used for the closeups.
Here the tripod has been moved as much as possible to the left to align the camera with the left side panels of the Gates of Paradise cast.
This photo also shows the neutral and soft indirect lighting of the museum. It was easy to overpower it with the two AD600 Pro II studio flashes, so that the ambient light would not affect the final photographs.
From tough volleyball warrior to glam model. Now who has a giant shoe for a prop? Luckily Tuesdae did...
Nikon D90
Nikkor 17-55mm f/2.8
2 - B800 45 degree angles fired at background
1 - B800 through Octabox camera left
Processed in LR2 & CS4
This is part of a cinematic series I have been shooting as a personal project. It is a fashion editorial with a spy theme.
These were shot with a ad360 in a gridded octabox camera right in HSS.
Porange gothed up for a banquet. I was travelling light, so I wanted to see what I could do with just the one softbox, in a field.
80cm octabox 3' from subject, camera left, same height as subject's head. Gridded. Contains 2xYN568, 1xCanon 480exII, triggered by 4xYN622c. ETTL (-5/3).
Press "L" for the best view!
I met up with my lovely friend, Christina Trammell, on Saturday! She's one of my best friends and a photographer from Clemson, SC. We spent the day roaming the mall, eating, seeing a movie, and taking photos! Here is another upload from the shoot we did :)
You HAVE to check out her work on her Facebook fan page: CT Photography <3 *LIKE* IT!
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Session type: Modeling
Model: Christina Trammell of CT Photography <3
Body: Canon T2i
Lens: 50mm f/1.8
Lighting: AB1600 camera right through large octabox. Triggered by Cactus v4s. Powered by Vagabond Mini.
Post-Processing: Adobe Lightroom 3
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My sister's best friend just got back from the Boston Ballet and had an impromtu session with her.
Strobist Info:
AB800 in Octabox at 1/4 power (i think) at camera right, up high and pointed down low from behind the model. Shot with cybersyncs.
Lighting Info:
AB1600 in 47" Octabox Behind Subject as Background
AB1600 in 22" Beauty Dish Above Subject
So, after a hiatus from posting or working on my "Flickr Photographer Project", it's back. I do want to say that this is a project that I will continually be working on, but I have to put it aside at times. I needed to step back from it, and really get back to the roots of why I began it in the first place.
I got a lot of flickrmail's about my picture and if I was going to be taking one of myself. I was not sure if I would be participating in the project like that, but I decided that I would. I had Steve take this shot for me, as I hate running back and forth from the camera. He happily obliged and I love the shot. I usually don't like shots of myself, but then who does!
I decided to write 16 things about myself instead of the usual write-up.
1. The first camera I ever owned was an Olympus DSLR bought June 5th, 2008.
2. I am a HUGE animal lover. I currently own 4 dogs.
3. I was a professional drummer and have recorded and toured extensively.
4. I have 86 first cousins on my father's side alone.
5. I am a big goofball and love to make everyone laugh around me.
6. I wanted to be a magician when I was a little kid.
7. I am always wearing hats, because I have thin hair and feel like I look bald.
8. I HATE hot weather!!!!!!!!!!!!
9. I was born and raised in the city, but really want to live in the country.
10. I cannot stand eating sandwiches, they are just nasty!
11. I don't like going to the movies, as I hate crowded theaters.
12. If I was an athlete, I would definitely be a mixed martial artist!
13. I don't believe in religion, but I do believe in God.
14. I am allergic to dark chocolate, and really hate the taste.
15. My favorite movie is "The Goonies", loved watching it as a kid.
16. I have never seen any "Star Wars" films, and never plan to.
Enjoy,
Hector
UFO CY400k through octabox camera right; sb-600 through white umbrella camera left; fired with Yongnuo rf-602.
View On Black You Know You Want To
p.s. 204,880 as of today
these guys are some of my oldest friends as previously stated in past photos but go check them out they will be your new guilty pleasure along with the new circa album
Shoot Game Plan
we had done previous shoots before of course, but all of them were wearing black and the same colors and same hair and i wanted to spice it up and do a more down home feel like where they come from just southern towns and down to earth lifestyles. So i had them dress casual and down beat just a relaxed shoot something i dont think they have had yet.
Complications and Things to Work Through
ok so this shoot was tricky i mean very tricky we moved our meeting time back 2 hours so every one would get there on time and so we could have the sun setting behind the building. guys got their i was already set up and then it got windy very diny the octabox was blowing around even with the stand weighted by a vagabond in a back pack and 20 pounds of free weights. this was a hard problem light blowing everywhere then we tried pulling the car in front of them to block it and nothing their hair was blowing in their faces so we only got a tiny bit of usable shots from this and this is one. we would eventually end up doing some natural light with the remaining day light we had. also the sand was blowing at an raging pace.
Strobist
-ab1600 thru octa left high and down half power
-ab800 bare right diagonal to band for fill on far right two members faces
-sun behind for warmth and fill/rim/backlighting barely
canon 5d mark ii
17-40mm f4 usm L
also used on the shoot was
50mm f1.4 usm
add me
__________________________________________________________________
ALL IMAGES ©OPYWRITTEN BY Evan Dell Photography NONE ARE TO BE USED WITHOUT MY PERMISSION
Had some time to kill before school. Thought ide take a few photos of me with some of my most treasured possessions (Same goes with the alienbees, even though they aren't in the shots, they helped make them :] )
Shot with AB800 w/ Giant Octabox bouncing off the ceiling slight camera left
2nd Ab800 with shoot thru-umbrella bounce off wall, camera right
I shot a series of publicity photos for the Greensboro Ballet on November 19th for general publicity and also their Gala event this spring, March 26th.
Make-up: Brie Reeder
Model: Jackie
Strobist: Two AB800s on eaither side of the dancer shot back towards white seamless at f13, One AB400 high high high up on a boom with a 4' octabox attached at f9. Minimal post processing. I figure out how to do all this using Zach Aria's online tutorial.
AB800 at camera left with a 48inch Octabox. Removed both diffusion panels for the box and power was set to 1/4 power. Exposure was 1/6th @ f4 to burn in ambient light coming through the small windows in the doors.
Tucson, Arizona
Strobistry
PCBuff Einstein 640 into 47" octabox, camera left, to light up the big rig
PCBuff Einstein 640 into 47" octabox, camera left, to light up Edward and Tom
Lit by Lencarta Safari 600, single head with large Octabox two to three feet left of model Cecily. Triggered by Yonguo RF602's, Lencarta on 1/6th power. Nikon D700 on manual, ISO200, speed 1/160th, f /13. Event in Kevin Day's converted studio. Make-up artist Melissa.
1 AB800 in a 28" Tri Coast Safari Octabox. Yn622 triggers. The octabox was set camera left about 8 feet from the subject and set @ 1/16 power.