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Best Resume Objectives we provide as reference to make correct and good quality Resume. Also will give ideas and strategies to develop your own resume.
Best Resume Objectives
The objective here was to cut two notches in the standing log, insert planks and use those to climb up and cut through where the blue strap is.
Seamlessly Looping Background Animation Of A Urban Tech Set With Matched Minimal and Objective Themes. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Each month, for his “Clinician’s Digest” column in the national Psychotherapy Networker magazine, Garry Cooper, LCSW reads over a hundred journal articles, abstracts, press reports, and popular media articles. With his breadth of knowledge and quarter century of experience, Garry has learned to objectively view the latest orientations, techniques, research and discoveries about psychotherapy and mental health and put them into a rational perspective, separating the genuinely new and useful research and ideas from the fads and repackaged ones.
On the most heated debates in the field, like meds versus therapy, repressed memories vs false memories, or long-term vs. short-term therapy, Garry is the voice who has not been bought by special interests, recruited by partisans, or influenced by selective research.
Residing and practicing in Oak Park, IL, Garry can be reached at 708 445 0406 or at gcooplcsw@sbcglobal.net The best hours to contact him are Monday through Saturday between 9 AM and 8 AM central.
Den of Imagination - Your Miniature Painting Service
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Communication Matters is a research project aimed at identifying how social sector orgs can excel at communicating - learn more at Com-Matters.org
Resume Objective Example are really great examples of resume and curriculum vitae for those who are looking for guidance to fulfilling the recruitment in applying jobs and other formal need. These resume forms are also made to be flexible so you can easily change what are needed based on your ...
Objective 3: Composition Techniques
1. Rule of Thirds: The position of the big rock draws interest in it and makes it the main focus
2. Perspective and depth: The low angle gives a unique perspective of the rocks, while the close up shot gives a feeling of depth and makes the large rock look bigger than normal
3. Fill the Frame: The shot is pretty rocky…but the frame has a lot going on in it to help draw the eye to the larger rock
4. Backgrounds: the blurred background brings focus to the foreground, with all the pebbles it also makes the background interesting
6. Pattern
7. Texture: the rough cracks give the large rock a rugged look, and the way the light reflects, it also gives the appearance of moister
9. Colour: the lack of color makes the photo much bolder and more appealing, it brings out the age and course nature of the rocks
12. Balance: the photo has asymmetrical balance; the right is much heavier than the left, that draws focus to it
Objective 4: Lighting
The photo uses soft, natural light from the side, which helps make the photo look more 3d by emphasizing the shadows, it also shows the moister of the earth that is clinging to the large rock
Objective 5: Post Production
Black and white, Temp 5950, Tint +3, exposure -0.10, contrast +29, highlights +5, shadows -51, whites +37, blacks +29, clarity +44, Black and white mix; red -34, orange -32, yellow -16, green -23, aqua -20, blue +5, purple +12, magenta +5, Sharpening 150, radius 3.0, post crop vignetting -17
Objective 6: Critique
Strengths: the photo has good lighting which makes it very bold and rough
Area for growth: The focus wasn’t quite right and required a lot of sharpening
This photo is objective because you can assume someone is going to head down these stairs, but it is unclear exactly who.
The objective of this workshop in the Municipality of La Higuera, in the region of Coquimbo, was to define a solution to minimize the problem of marine litter in the municipality and establish an action plan with stakeholders.
The most important results of this workshop is the agreement to upgrade the municipal legislation linked to cleanliness in coastal areas. Beach cleaning and restauration of beaches through activities will also be led by the organization "Programa Científicos de la Basura". Finally, a campaign was launched locally to promote the use of cloth bags to reduce the use of plastic.
Objective 3: Composition Techniques – Use the guide on the website
1. Rule of Thirds: The edges of the alarm are on the rules of thirds for the most part
2. Perspective and depth: I think the alarm juts out of the wall adding some nice depth
4. Backgrounds: It has a small background but I think the bricks work nice as a texture
7. Texture: The bricks have a great texture
8. Framing: The alarm is framed by the brick background
9. Colour: The red stands out against the crème colour very well
11. Space and/or Space to Move: There is space to move, the vertical lines on the alarm help to move the eye
12. Balance: It has symmetrical balance although it isn't perfect.
Objective 4: It has soft lighting, which makes it look less dramatic and more realistic.
Objective 7: Photographic Styles (ex. portrait, landscape, etc.) – Explain why the settings and composition are appropriate for the style of photography. (How did you create the shot?)
Type/style of photography: Sound Inspiration
The camera mode (P, Tv, Av, M): Av
f stop used: 13
shutter speed used: 1/13
ISO used: 1600
This photo is sound inspiration. I think the settings worked for this photo because it turned out exactly how I wanted it to. It looks great a lot because the headphones are the same colour as the background. It really makes the red stand out
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...
Seamlessly Looping Background Animation Of A Urban Tech Set With Matched Minimal and Objective Themes. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
The objective of this workshop in the Municipality of La Higuera, in the region of Coquimbo, was to define a solution to minimize the problem of marine litter in the municipality and establish an action plan with stakeholders.
The most important results of this workshop is the agreement to upgrade the municipal legislation linked to cleanliness in coastal areas. Beach cleaning and restauration of beaches through activities will also be led by the organization "Programa Científicos de la Basura". Finally, a campaign was launched locally to promote the use of cloth bags to reduce the use of plastic.