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The wood sink, by Lubo Brezina, in Toronto, Ontario, January 2004. Sculpted from marine grade plywood, this was one of the prototypes. A limited production run is planned and/or in development. Lubo was awarded best new product award in 2004 in the Canadian Interiors 7th BEST OF CANADA annual design competition. Want one? Contact Lubo in Toronto lubodesign.com/bio/
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: photogravure
Size: 8.5" x 6.5"
Location: USA
Object No. 2015.101
Shelf: A-9
Publication: Camera Work 9, 1905
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 205
Camera Work, A Pictorial Guide, Dover, 1978, pg
Robert Doty, Photography as a Fine Art, George Eastman House, Rochester, 1960, pg 22
Anne McCauley, Clarence H. White and his World, Princeton University Art Museum, Princeton, 2018, pg 75
Other Collections:
Notes: Clarence Hudson White (April 8, 1871 – July 7, 1925) was an American photographer, teacher and a founding member of the Photo-Secession movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America. After visiting the World's Columbian Exposition in Chicago in 1893, he took up photography. Although he was completely self-taught in the medium, within a few years he was internationally known for his pictorial photographs that captured the spirit and sentimentality of America in the early twentieth century. As he became well known for his images, White was sought out by other photographers who often traveled to Ohio to learn from him. He became friends with Alfred Stieglitz and helped advance the cause of photography as a true art form. In 1906 White and his family moved to New York City in order to be closer to Stieglitz and his circle and to further promote his own work. While there he became interested in teaching photography and in 1914 he established the Clarence H. White School of Photography, the first educational institution in America to teach photography as art. Due to the demands of his teaching duties, his own photography declined and White produced little new work during the last decade of his life. In 1925 he suffered a heart attack and died while teaching students in Mexico City.
Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three.He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
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I've always thought a factory junk yard is a gold mine for me & I sometimes find real gold gems there(^_^;). This is one of them.
The workers in this factory are very kind & always let me take some of these metal shavings. So I could "stage" & take this pic at home(^_^)v.
Btw, it's not really gold. It's just gold colored metal(^_^;) .
I don't think this object is from outer space but ... what is it then? This is one side of the object.
“The rule is, jam tomorrow and jam yesterday-but never jam today
It must come sometime to jam today, Alice objected
No it can't said the Queen It's jame every other day. Today isn't any other day, you know”
― Lewis Carroll, Alice in Mirrorland
Copper (1936)
by Philip Latimer Dike, American, 1906 - 1990
Object Number: 1978.10, Phoenix Art Museum
Photo taken 18 January 2017
*** No reference found on Wikipedia for Philip Latimer Dike.
Long a prominent watercolorist, Philip Latimer Dike was instrumental in establishing the California watercolor style. He was also one of the first West Coast artists to achieve national recognition. After attending Chouinard Art Institute, Los Angeles, 1924-27, where he was influenced by Clarence Hinkle (1880-1960), Dike went to New York to study at the Art Students League with Frank Vincent DuMond (1865-1951) and George Bridgman (1864-1943). He took private lessons with GEORGE LUKS. Dike also studied fresco painting at the American Academy in Fontainebleau and lithography in Paris and visited Spain, Italy, and North Africa. Back in the United States in 1931, he became known for his depictions of the sea and coast. Late in life his work became increasingly abstract.
Beginning in 1935 Dike worked for Walt Disney Productions for ten years, contributing art to Snow White and the Seven Dwarfs (1937) and Fantasia (1940). He also served as president of the California Water Color Society, 1938-39. He became one of the most influential teachers in Southern California, first at Chouinard, then in 1946 establishing his own summer school with REX BRANDT at Corona del Mar. In 1950 Dike began his long association with the Claremont Colleges, which in 1971 honored him with the title of professor emeritus.
... Los Angeles County Museum of Art (LACMA)
egallery.phxart.org/view/objects/asitem/items$0040:4549
collections.lacma.org/node/167804
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This work by Stephen Clulow is licensed under a Creative Commons Attribution 3.0 Unported License. This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Repository: California Historical Society
Creator: Santa Clara Mission
Date: 1839 December 31
Physical Description: [1] leaf ; 22 x 31 cm.
General Note: Identified as an unknown Zamorano printing by John Howell Books.
Call Number: Vault B-101
Digital object ID: Vault_B-101.jpg
Preferred Citation: Mission Santa Clara padrón, 1839 December 31, Vault B-101, courtesy, California Historical Society, Vault_B-101.
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
Robot sculpture assembled from found objects by Brian Marshall - Wilmington, DE. Items included in my sculptures vary from vintage household kitchen items to recycled industrial scrap. Some of my favorite items to use are old oil cans, aluminum measuring spoons, electrical meters, retro blenders, anodized cups, and pencil sharpeners.
Please use this object or texture in your work.
I'd love to see how you use this object or texture.
If you use this object or texture please post a small image, or link, showing what you did with it.
Thank you.
This work by Stephen Clulow is licensed under a Creative Commons Attribution 3.0 Unported License. This work is licensed under a Creative Commons Attribution 3.0 Unported License.
the object ladder of more stunning and amazing of the area of nature area need is looking sharp of the area for the temperature weather of the sunlight of the natural is brighten sunlight at outdoors
Please use this object or texture in your work. It is free to use for personal and commercial work.
I'd love to see how you use this object or texture. Please post a small image, or link, showing what you did with it.
Thank you.
This work by Stephen Clulow is licensed under a Creative Commons Attribution 3.0 Unported License. This work is licensed under a Creative Commons Attribution 3.0 Unported License.