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ID: 003859
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Exposure: Digital
Developing: ---
Enlarging: ---
Scanning: ---
Processing: Digital
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Exposure: 08/2015
Processing: 08/2015
Published: 02/2016
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Flickr "taken" date set as actual publish date.
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Pencil of my two objects.
When drawing this I had to fight the urge to do hairy hesitant lines. I really wanted to get the shapes correct. I was aware of it and managed to continue with confident lines.
I like the outcome with this watercolour pencil, but prefer to draw in ink... I find I get on with it and am more confident.
Madrid, Spain
LOVEFIELD
Nuevo post en mi Blog
New post in my Blog
www.jlopezsaguar.com/index.php?option=com_wordpress&I...
Please, do not use this photo without permission
Por Favor no usar esta fotografía sin permiso
Third and fourth objects in a new series of work where I attempt to elevate and honor the ordinary with cloth and stitch.
Found stick and river rock, cloth, batting, thread.
The Rules of the Game
Identify the Artist (VI) returns to this photo stream tonight! (Sunday night, January 25, 2015, 8:00 pm EST ). My intent is to take it another 50 paintings. This will be the fifth grouping of 50 , sixth grouping overall (VI) and will encompass numbers 701 -750. Identify the Artist will go to 1000. Each group of 50 art objects will require 10 weeks. Three to four groupings of 50 will take place each year so the contest will continue into 2016-17.
Sunday evening January 25th, 2015 at 8:00 PM ET
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Week 1 Couples (701-705)
Week 2 American $ Currency ( 706-710)
Week 3 Cupid (711 – 715)
Week 4 Ladies Hats 2 (716-720)
Week 5 15th Century Italian Portraits ( 721-725)
Week 6 Squiggles (726-730)
Week 7 Devil in the Details 2 (731-735)
Week 8 Psychedelic Furs “ All that Money Wants” ( 736-740)
Week 9 Impressions of Impressionists (741-745)
Week 10 Painting “Light” ( 746-750)
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The Prize this grouping should please any cinephiles out there. The first and second place winners of this fifth grouping of 50 (ID V) will receive a Hard Cover copy of the book: Criterion Designs by Eric Skillman and in addition, a mailed Art postcard (my choice) acknowledging their participation. Third through Fifth place will also receive an Art postcard.
Criterion Designs
www.criterion.com/current/posts/3352-criterion-designs
Posting of a detail fragment of a work of art will take place sometime after 8:00 PM EST, five days a week (Sunday; Monday; Tuesday; Wednesday; Thursday. There are no IDs on Friday or Saturday)
Correct answers are allotted points in the following manner:
First correct respondent receives 6 points
Second: 5 points
third: 4 points
fourth: 3 points
fifth: 2 points
Each respondent after that receives 1 point, whether the artist named is correct or not..
Incorrect responses will be awarded at least one point (there is no penalty for guessing...actually encouraged).
The opportunity to accrue points can only happen within a maximum of 24 hours. Once the full photograph of the work of Art is elevated and the artist identified, no additional scoring (for that work can occur). (In other words, regardless of pleas, points will not be awarded for a comment/ID made days after the posting) ( Also, 15 guesses does not generate 15 points...only 1 point )
A summary of scores for the top five positions will be published each Sunday, at the beginning of each set of five photographs.
Caveats / Understanding:
Postings may be held up due to circumstances beyond my control.
Delays in posting may occur each evening. ( sorry, no guarantee on 8:00 EST, I’m a working stiff in the finance industry and there are late nights at times. – usually month end btw ).
In addition, as most of you are aware, part of the clues for each identity is a “presence/absence” notation about whether the artist has been in a prior Identity Set. Because flickr’s new format doesn’t facilitate the reading of a long list of names in a “Set’s” overview/description, those lists are also available on request. If you send me an email address that can receive attachements, I will transmit an Windows based Excel sheet with the names of the artists and the number of their paintings/objects. ( Be sure to specify which format you would like: xlsx; xls; csv; txt – tab delimited – if you don’t specify the default is xlsx MS Office-10). ( non-windows participants should request txt).
Also, sorry for the bias the timing provides those in the Americas but no matter how I thought about it… I couldn’t come up with a plan to assist Europe and Asia.
Από τη Πέμπτη 11 Σεπτεμβρίου η Σκορδ-Art γεμίζει με τα συνθήματα της Lebaniz Blonde. Γνωστή από τα “Μπρουκ, ο Ριτζ δεν θα γίνει δικός σου ποτέ.Τέιλορ”, “ο κώλος της Μαντόνα έπεσε, ο καπιταλισμός πότε;” και “Εγώ είμαι και πιο Λαίδη και πιο Γκάγκα. Άντζελα” αλλά και πολλά άλλα, η Lebaniz Blonde (ψευδώνυμο που πήρε από τίτλο τραγουδιού των Thievery Corporation) μεταφέρει τα “τσιτάτα” της από τους Αθηναϊκούς δρόμους σε μικρής κλίμακας επιφάνειες και χρηστικά αντικείμενα.
Είτε παραφράζοντας στίχους και δημοφιλείς ατάκες, είτε παίζοντας με αναγραμματισμούς ονομάτων από ποπ είδωλα, η καλλιτέχνις στοχεύει, πάντα με βάση το χιούμορ, να “σταμπάρει” τη καθημερινότητα προβληματίζοντας το υποσυνείδητο σε δεύτερη ανάγνωση.
Stencils, sticker slapping, upcycling, θερμοκόλληση και decoupage σε puzzles, μαγνητάκια, κοσμήματα, πλαστικά τραπεζομάντιλα, τραπεζάκια, αυτοκόλλητα, τσάντες και t - shirts τα οποία χρησιμοποιούνται ως μετανεωτερικός καμβάς.
From Thursday 11th of September Skord-Art fills up with the emotions of Lebaniz Blonde. She is well known from the…. “Brook, Ridge will never be yours. Taylor”, “Madonna’s butt has fallen, the capitalism never”, I am more Lady and more Gaga. Angela” and many more. Lebaniz Blonde (a pseudonyms borrowed from the Thievery Corporate’s song) transfers her “wordings” from the Athenian streets and walls onto small surfaces and objects.
She is paraphrasing lyrics and popular sayings and quotes, she is playing with anagrams and names of pop idols and her basic vision, always within a humorous and smart context, is to put her stamp on everyday matters, creating also an unconscious turmoil and question marks.
Stencils, sticker slapping, up cycling, printing heat press and decoupage in puzzles, magnets, jewellery, plastic tablecloths, little tables, stickers and t-shirts, all are used as a post-modern canvas.
Please use this object or texture in your work.
I'd love to see how you use this object or texture.
If you use this object or texture please post a small image, or link, showing what you did with it.
Thank you.
This work by Stephen Clulow is licensed under a Creative Commons Attribution 3.0 Unported License. This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Forg is the first of 6 Medieval Warrior Bots to be created for my upcoming show at RedMohawk.
Robot sculpture assembled from found objects by Brian Marshall - Wilmington, DE. Items included in my sculptures vary from vintage household kitchen items to recycled industrial scrap. Some of my favorite items to use are old oil cans, aluminum measuring spoons, electrical meters, retro blenders, anodized cups, and pencil sharpeners.
Maker: Achille Quinet (1831-1900)
Born: France
Active: France
Medium: albumen print
Size: 9 1/2" x 7 1/2"
Location: Paris
Object No. 2017.013
Shelf: B-6
Publication:
Other Collections:
Provenance: bitsnpiecesatc2011
Rank: 50
Notes: Shows the fleche (spire) which was rebuilt by Violet Le Duc between 1858 and 1860.
Born in 1831, Achille Quinet was a successful photographer who operated a studio at 320 rue St Honoré, Paris from about 1869 to 1879. Although Quinet made photographs of the moments and architecture of Paris as well as a series of views of Italy, he is best known for his landscape, animals and figure studies, many of which were made in or around the town of Barbizon and the forest of Fontainebleau. These photographs, which were likely intended as aids to painters, are generally albumen prints mounted on blue card stock, with the stamp “Étude d’Après Nature’ as well as a red rubber stamp of his name. Some images are mounted on white stock with the blind stamp “A le. Quinet fils.”
A member of the Sociéte Française de Photographie from 1876 to 1894, Quinet exhibited his work at the universal exhibition of 1878. Most of Quinet’s work is housed at the Bibliothèque Nationale, Paris, where he deposited his Etudes at the Depôt Légal in 1868, 1875, and 1877. Quinet’s work is occasionally confused with that of his contemporary, Constant-Alexandre Famin. While the pair made photographs with similar subject matter, general stylistic differences distinguish the two. It is possible that Quinet, acting as a publisher or distributor, placed his own stamp on works made by Famin. After 1879, Quinet moved to Cély, near the Forest of Fontainebleau, where he died in 1900.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Closeup of a rusty and colorful mechanical object on the beach of the Maasvlakte in Europort, Netherlands.
I saw an idea similar to this online and liked it so much I had to make my own. It was really fun to look for small object relating to love, dating, trips abroad, and shared shopping.
object YYYYMMDD(UT) mag code
SN2020uxz 20201018.540 +13.4C San.VSOLJ
Observer's code:
San: Yasuo Sano (Nayoro, Hokkaido,Japan)
Instruments: SCT-0.36m FL3950mm F11, 30secX20, CCD FLI ML1001,
Comparison stars: Astrometrica UCAC4 Rmag star
Nayoro Hokkaido Japan, obs Yasuo Sano
Please use this object or texture in your work.
I'd love to see how you use this object or texture.
If you use this object or texture please post a small image, or link, showing what you did with it.
Thank you.
This work by Stephen Clulow is licensed under a Creative Commons Attribution 3.0 Unported License. This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Maker: Mark Haworth-Booth
Born: UK
Active: USA
Medium: photogravure
Size:
Location:
Object No. 2016.1077
Shelf: N-9.5
Publication: Mark Haworth-Booth, The Golden Age of Photography Portfolio, Aperture, New York, 1985. editioned '79/300 + 30 AP', published by the Silver Mountain Foundation. Printed by John Goodman. Features photogravure works by W.H. Fox Talbot, Hill & Adamson, B.B. Turner, Francis Bedford, Oscar Rejlander, John Murray, Robert Howlett, Francis Frith, H.P. Robinson, Clementina Hawarden, Julia Margaret Cameron, Thomas Annan, John Thomson, Frederick H. Evans and P.H. Emerson.
Other Collections:
Provenance: Andre Jammes Collection, Binoche et Giquello, Photographies Anciennes et Modernes, Paris, No. 10, 2016, Lot 72.
Rank: 445
Notes: Portfolio of 16 photogravures selected by Mark Haworth-Booth, Photography Curator at the Victoria & Albert Museum. This copy is an Artist's Proof given to Andre Jammes by Aperture.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE