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These delicate wisps of gas make up an object known as SNR B0519-69.0, or SNR 0519 for short. The thin, blood-red shells are actually the remnants from when an unstable star exploded violently as a supernova around 600 years ago. There are several types of supernovae, but for SNR 0519 the star that exploded was a white dwarf — the core of a Sun-like star in the final stages of its life.
SNR 0519 is located over 150,000 light-years from Earth in the southern constellation of Dorado (the Dolphinfish), a constellation that also contains most of our neighboring galaxy the Large Magellanic Cloud (LMC). Because of this, this region of the sky is full of intriguing and beautiful deep-sky objects.
The LMC orbits the Milky Way Galaxy as a satellite and is the fourth largest in our group of galaxies, called the Local Group.
For more information please visit:
www.spacetelescope.org/images/potw1317a/
Credit: ESA/Hubble & NASA
Acknowledgment: Claude Cornen
The Assumption of the Blessed Virgin, Ufford, Suffolk
Upper Ufford is a pleasant place, and known well enough in Suffolk. Pretty much an extension northwards of Woodbridge and Melton, it is a prosperous community, convenient without being suburban. Ufford Park Hotel is an enjoyable venue in to attend professional courses and conferences, and the former St Audrey's mental hospital grounds across the road are now picturesque with luxury flats and houses. And I am told that the Ufford Park golf course is good, too, for those who like that kind of thing.
But as I say, that Ufford is really just an extension of Melton. In fact, there is another Ufford. It is in the valley below, more than a mile away along narrow lanes and set in deep countryside beside the Deben, sits Lower Ufford. To reach it, you follow ways so rarely used that grass grows up the middle. You pass old Melton church, redundant since the 19th century, but still in use for occasional exhibitions and performances, and once home to the seven sacrament font that is now in the plain 19th century building up in the main village. Eventually, the lane widens, and you come into the single street of a pretty, tiny hamlet, the church tower hidden from you by old cottages and houses. In one direction, the lane to Bromeswell takes you past Lower Ufford's delicious little pub, the White Lion. A stalwart survivor among fast disappearing English country pubs, the beer still comes out of barrels and the bar is like a kitchen. I cannot think that a visit to Ufford should be undertaken without at least a pint there. And, at the other end of the street, set back in a close between cottages, sits the Assumption, its 14th century tower facing the street, a classic Suffolk moment.
The dedication was once that of hundreds of East Anglian churches, transformed to 'St Mary' by the Reformation and centuries of disuse before the 19th century revival, but revived both here and at Haughley near Stowmarket. In late medieval times, it coincided with the height of the harvest, and in those days East Anglia was Our Lady's Dowry, intensely Catholic, intimately Marian.
The Assumption was almost certainly not the original dedication of this church. There was a church here for centuries before the late middle ages, and although there are no traces of any pre-Conquest building, the apse of an early-Norman church has been discovered under the floor of the north side of the chancel. The current chancel has a late Norman doorway, although it has been substantially rebuilt since, and in any case the great glories of Ufford are all 15th century. Perhaps the most dramatic is the porch, one of Suffolk's best, covered in flushwork and intriguing carvings.
Ufford's graveyard is beautiful; wild and ancient. I wandered around for a while, spotting the curious blue crucifix to the east of the church, and reading old gravestones. One, to an early 19th century gardener at Ufford Hall, has his gardening equipment carved at the top. The church is secretive, hidden on all sides by venerable trees, difficult to photograph but lovely anyway. I stopped to look at it from the unfamiliar north-east; the Victorian schoolroom, now a vestry, juts out like a small cottage. I walked back around to the south side, where the gorgeous porch is like a small palace against the body of the church. I knew the church would be open, because it is every day. And then, through the porch, and down into the north aisle, into the cool, dim, creamy light.
On the afternoon of Wednesday, 21st August 1644, Ufford had a famous visitor, a man who entered the church in exactly the same way, a man who recorded the events of that day in his journal. There were several differences between his visit and the one that I was making, one of them crucial; he found the church locked. He was the Commissioner to the Earl of Manchester for the Imposition in the Eastern Association of the Parliamentary Ordinance for the Demolishing of Monuments of Idolatry, and his name was William Dowsing.
Dowsing was a kind of 17th century political commissar, travelling the eastern counties and enforcing government legislation. He was checking that local officials had carried out what they were meant to do, and that they believed in what they were doing. In effect, he was getting them to work and think in the new ways that the central government required. It wasn't really a witch hunt, although God knows such things did exist in abundance at that time. It was more as if an arm of the state extended and worked its fingers into even the tiniest and most remote parishes. Anyone working in the public sector in Britain in the early years of the 21st century will have come across people like Dowsing.
As a part of his job, Dowsing was an iconoclast, charged with ensuring that idolatrous images were excised from the churches of the region. He is a man blamed for a lot. In fact, virtually all the Catholic imagery in English churches had been destroyed by the Anglican reformers almost a hundred years before Dowsing came along. All that survived was that which was difficult to destroy - angels in the roofs, gable crosses, and the like - and that which was inconvenient to replace - primarily, stained glass. Otherwise, in the late 1540s the statues had been burnt, the bench ends smashed, the wallpaintings whitewashed, the roods hauled down and the fonts plastered over. I have lost count of the times I have been told by churchwardens, or read in church guides, that the hatchet job on the bench ends or the font in their church was the work of 'William Dowsing' or 'Oliver Cromwell'. In fact, this destruction was from a century earlier than William Dowsing. Sometimes, I have even been told this at churches which Dowsing demonstrably did not visit.
Dowsing's main targets included stained glass, which the pragmatic Anglican reformers had left alone because of the expense of replacing it, and crosses and angels, and chancel steps. We can deduce from Dowsing's journal which medieval imagery had survived for him to see, and that which had already been hidden - not, I hasten to add, because people wanted to 'save' Catholic images, but rather because this was an expedient way of getting rid of them. So, for example, Dowsing visited three churches during his progress through Suffolk which today have seven sacrament fonts, but Dowsing does not mention a single one of them in his journal; they had all been plastered over long ago.
In fact, Dowsing was not worried so much about medieval survivals. What concerned him more was overturning the reforms put in place by the ritualist Archbishop Laud in the 1630s. Laud had tried to restore the sacramental nature of the Church, primarily by putting the altar back in the chancel and building it up on raised steps. Laud had since been beheaded thanks to puritan popular opinion, but the evidence of his wickedness still filled the parish churches of England. The single order that Dowsing gave during his progress more than any other was that chancel steps should be levelled.
The 21st of August was a hot day, and Dowsing had much work to do. He had already visited the two Trimley churches, as well as Brightwell and Levington, that morning, and he had plans to reach Baylham on the other side of Ipswich before nightfall. Much to his frustration, he was delayed at Ufford for two hours by a dispute between the church wardens over whether or not to allow him access.
The thing was, he had been here before. Eight months earlier, as part of a routine visit, he had destroyed some Catholic images that were in stained glass, and prayer clauses in brass inscriptions, but had trusted the churchwardens to deal with a multitude of other sins, images that were beyond his reach without a ladder, or which would be too time-consuming. This was common practice - after all, the churchwardens of Suffolk were generally equally as puritan as Dowsing. It was assumed that people in such a position were supporters of the New Puritan project, especially in East Anglia. Dowsing rarely revisited churches. But, for some reason, he felt he had to come back here to make sure that his orders had been carried out.
Why was this? In retrospect, we can see that Ufford was one of less than half a dozen churches where the churchwardens were uncooperative. Elsewhere, at hundreds of other churches, the wardens welcomed Dowsing with open arms. And Dowsing only visited churches in the first place if it was thought there might be a problem, parishes with notorious 'scandalous ministers' - which is to say, theological liberals. Richard Lovekin, the Rector of Ufford, had been turned out of his living the previous year, although he survived to return when the Church of England was restored in 1660. But that was in the future. Something about his January visit told Dowsing that he needed to come back to Ufford.
Standing in the nave of the Assumption today, you can still see something that Dowsing saw, something which he must have seen in January, but which he doesn't mention until his second visit, in the entry in his journal for August 21st, which appears to be written in a passion. This is Ufford's most famous treasure, the great 15th century font cover.
It rises, six metres high, magnificent and stately, into the clerestory, enormous in its scale and presence. In all England, only the font cover at Southwold is taller. The cover is telescopic, and crocketting and arcading dances around it like waterfalls and forests. There are tiny niches, filled today with 19th century statues. At the top is a gilt pelican, plucking its breast.
Dowsing describes the font cover as glorious... like a pope's triple crown... but this is just anti-Catholic innuendo. The word glorious in the 17th century meant about the same as the word 'pretentious' means to us now - Dowsing was scoffing. But there was no reason for him to be offended by it. The Anglicans had destroyed all the statues in the niches a century before, and all that remained was the pelican at the top, pecking its breast to feed its chicks. Dowsing would have known that this was a Catholic image of the Sacrifice of the Mass, and would have disapproved. But he did not order the font cover to be destroyed. After all, the rest of the cover was harmless enough, apart from being a waste of good firewood, and the awkwardness of the Ufford churchwardens seems to have put him off following through. He never went back.
Certainly, there can have been no theological reason for the churchwardens to protect their font cover. I like to think that they looked after it simply because they knew it to be beautiful, and that they also knew it had been constructed by ordinary workmen of their parish two hundred years before, under the direction of some European master designer. They protected it because of local pride, and amen to that. The contemporary font beneath is of a type more familiar in Norfolk than Suffolk, with quatrefoils alternating with shields, and heads beneath the bowl.
While the font cover is extraordinary, and of national importance, it is one of just several medieval survivals in the nave of the Assumption. All around it are 15th century benches, with superbly characterful and imaginative images on their ends. The best is the bench with St Margaret and St Catherine on it. This was recently on display at the Victoria and Albert Museum as part of the Gothic exhibition. Other bench end figures include a long haired, haloed woman seated on a throne, which may well be a representation of the Mother of God Enthroned, and another which may be the Coronation of the Queen of Heaven. There is also a praying woman in a butterfly headdress, once one of a pair, and a man wearing what appears to be a bowler hat, although I expect it is a helmet of some kind. His beard is magnificent. There are also a number of finely carved animals.
High up in the chancel arch is an unusual survival, the crocketted rood beam that once supported the crucifix, flanked by the grieving Mary and John, with perhaps a tympanum behind depicting the last judgement. These are now all gone, of course, as is the rood loft that once stood in front of the beam and allowed access to it. But below, the dado of the screen survives, with twelve panels. Figures survive on the south side. They have not worn well. They are six female Saints: St Agnes, St Cecilia, St Agatha, St Faith, St Bridget and, uniquely in England, St Florence. Curiously, the head of this last has been, in recent years, surrounded by stars, in imitation of the later Our Lady of the Immaculate Conception. Presumably this was done in a fit of Anglo-catholic enthusiasm about a century ago.
The arrangement is similar to the south side of the screen at Westhall, and it may even be that the artist was the same. While there is no liturgical reason for having the female Saints on one side and, presumably, male Saints on the other, a similar arrangement exists on several Norfolk screens in the Dereham area.
Much of the character of the church today comes from it embracing, in the early years of the 20th century, Anglo-catholicism in full flood. As at Great Ryburgh in Norfolk, patronage ensured that this work was carried out to the very highest specification under the eye of the young Ninian Comper. Comper is an enthusiast's enthusiast, but I think he is at his best on a small scale like here and Ryburgh. His is the extraordinary war memorial window in the south aisle chapel, dedicated to St Leonard. It depicts Christ carrying his cross on the via dolorosa, but he is aided by a soldier in WWI uniform and, behind him, a sailor. The use of blues is very striking, as is the grain on the wood of the cross which, incidentally, can also be seen to the same effect on Comper's reredos at Ryburgh.
Comper's other major window here is on the north side of the nave. This is a depiction of the Annunciation, although it is the figures above which are most extraordinary. They are two of the Ancient Greek sibyls, Erythrea and Cumana, who are associated with the foretelling of Christ. At the top is a stunning Holy Trinity in the East Anglian style. There are angels at the bottom, and all in all this window shows Comper at the height of his powers.
Stepping into the chancel, there is older glass - or, at least, what at first sight appears to be. Certainly, there are some curious roundels which are probably continental 17th century work, ironically from about the same time that Dowsing was here. They were probably acquired by collectors in the 19th century, and installed here by Victorians. The image of a woman seated among goats is curious, as though she might represent the season of spring or be an allegory of fertility, but she is usually identified as St Agnes. It is a pity this roundel has been spoiled by dripping cement or plaster. Another roundel depicts St Sebastian shot with arrows, and a third St Anthony praying to a cross in the desert. However, the images in 'medieval' glass in the east window are entirely modern, though done so well you might not know. A clue, of course, is that the main figures, St Mary Salome with the infants St James and St John on the left, and St Anne with the infant Virgin on the right, are wholly un-East Anglian in style. In fact, they are 19th century copies by Clayton & Bell of images at All Souls College, Oxford, installed here in the 1970s. I also think that the images of heads below may be modern, but the angel below St Anne is 15th century, and obviously East Anglian, as is St Stephen to the north.
High above, the ancient roofs with their sacred monograms are the ones that Dowsing saw, the ones that the 15th century builders gilt and painted to be beautiful to the glory of God - and, of course, to the glory of their patrons. Rich patronage survived the Reformation, and at the west end of the south aisle is the massive memorial to Sir Henry Wood, who died in 1671, eleven years after the end of the Commonwealth. It is monumental, the wreathed ox heads a severely classical motif. Wood, Mortlock tells us, was Treasurer to the Household of Queen Henrietta Maria.
There is so much to see in this wonderful church that, even visiting time and time again, there is always something new to see, or something old to see in a new way. It is, above all, a beautiful space, and although it no longer maintains its high Anglo-catholic worship tradition, it is is still kept in high liturgical style. It is at once a beautiful art object and a hallowed space, an organic touchstone, precious and powerful.
Thursday Aug. 20, 2009
Along South Congress St, antiques, oddities, ciurious goods, cafes, and just plain hip located in Austin at the heart of SoCo shopping district.
Uncommon Objects
1512 South Congress
Austin, Texas 78704
Olympus C5060. Photoshop CS3 and collage.
All Rights Reserved ©2009 JB Studio / Jeff Burger / Lone Star Stock - Austin, Texas
The story of the Elibank Castle reads like a ripping yarn. She was one of the earliest vessels built in the Great Lakes Area of NSW.
This image, obtained from recent satellite imagery, shows the location of Banyetta Point where the massacre of crew members on the first voyage of the Elibank Castle to the Solomon Islands in 1884/5.
To fully present the astounding events surrounding this vessel a report is presented for each of three periods in her short life:
- grounding in New Zealand in 1875
- first trip to the Pacific Islands in 1884
- final trip to the Islands in 1885
Section 1 deals specifically with her movement to New Zealand and subsequent grounding. Section 1
Section 2 deals with her first visit to the Pacific Islands in late 1884 and the murder of 5 crew members, including the captain.
Section 3 deals with her second and final visit to the Pacific Islands in 1885 when all but two of the crew were murdered - the survivors sailed the ship to New Guinea and were forced to abandon her and take to the long boat. Only one man survived and he turned up in Cooktown; seven months after the massacre in the Solomon Islands. Section 3
Details
Name: Elibank Castle
Type: Topsail Schooner – two masts
Official Number: ON 71811
Registered Sydney 3/1875
Length: 80 ft
Breadth: 18.5 ft
Depth: 6.85 ft
Registered net tonnage: 69.62 tons
Builders: William Peat and Donald Cameron
Location: Coolongolook, NSW.
Launched: September 1874 (no specific record)
Owners:
1875 – 1877 James Mathew Banks (NZ)
Registered in Wellington, New Zealand (2/1875)
Stranded Ninety Mile Beach; Recovered
Registered in Wellington New Zealand (10/1875)
1877 – 1879 George Parkman Austing (NZ)
Registered Dunedin, New Zealand (17/1877)
1879 – 1880 James Anderson (NZ)
1880 – 1884 Keith Ramsay, John Graham & James Anderson (NZ)
1884 - Capt. Augustus Otto Wilhelm Routch
Registered in Sydney 114/1884
Early Life
The Elibank Castle was built by William Peat and Donald Cameron on the banks of the Coolongolook River at Coolongolook. No details of her launch have been found but a report from 7th September 1874 indicated that launching was imminent.
"Peat and Cameron's vessel now building at the Coolongolook is nearly ready for launching. She is a pretty model and right well put together with well seasoned timber, and bids fair to prove a first class little craft to brave the dangers of the coast. September 7, 1874." The Maitland Mercury - 19 September 1874.
SECTION 2 - FIRST TRIP TO PACIFIC ISLANDS - 1884/5
Events on Bentley Island - 1884
Following the purchase of the Elibank Castle in October 1884 she was registered (Sydney 114/1884) and set sail from Brisbane for the Pacific Islands on 6th November under the control of Captain Howie. Her first port of call was the Louisiade Group of Islands off the Eastern tip of the mainland of what was then British East New Guinea (now part of the Milne Bay Province of Papua New Guinea). She reached Teste Island (also known as Wari Island) and then travelled on to Bentley Island (also known as Anagusa or Angusa Island) where the ship’s owner (Otto Routch) planned to establish a copra station. Two members of the crew William Reid and John McCord were left on Bentley island while the Eilbank Castle continued to Goodwin Island and then on the Bayetta on Rendova Island.
While on Bentley, William Reid was murdered on 23rd December 1884. John McCord wrote from Teste Island as follows “I regret to state that my mate William Reid was killed on 23rd December by natives on one of the Engineer Group. I have every reason to believe from the statements of the natives that a Chinaman named Ah Sing, camped on that island beche-de-mer fishing, either instigated the murder or is chargeable with complicity in the crime. Reid was, at any rate, shot with his (the Chinaman's) rifle. Being ill with fever I did not consider it safe to stop at Bentley Island by myself, therefore went to Teste Island, where I am at present stopping with the missionary”. The note was written to Mr. J.C. Baird and delivered by the master of the ketch Wild Duck when she docked at Cooktown on a voyage from New Guinea. The Queenslander - 31 January 1885
Events on Renova Island in the Solomons - 1885
Despite the death of Reid, the Elibank Castle continued her journey to Banyetta on Rendova Island in the British Solomon Islands. On Tuesday February 3rd, just a few days after the news of Reid’s death was received, the Elibank Castle arrived at Double Island flying distress flags that were reported by the steamer Port of Melbourne. The customs authorities at Port Douglas dispatched the tug Dingo and escorted her into port. Henry Charles Banks, the chief mate, brought the news of terrible events at Point Banyetta. He reported that the Captain - James Howie; Able Seaman - Carl Johann; and three kanakas (Ki-haah, Pine-ee, and My-le-Sah) were brutally murdered on the 15th January by the natives off Point Banyetta, of the Solomon group, while attempting to land. “On the boat getting towards the beach they were attacked by a number of the savages; there were probably over 60 in number. The murder was witnessed by those on board the vessel at anchor, and was committed with tomahawks, spears, and other weapons. Some of the natives, upon the boat nearing the shore, rushed suddenly into the water up to their waists and made for the boat. The captain had no suspicions that the natives were hostile, as he gave instructions before leaving the schooner that he would return during half an hour. The natives pulled the bodies out of the water and carried them ashore, together with the boat with the oars and articles of trading. The natives were accompanied by a large number of dogs, who were licking the blood of the victims. The boat was carried inland and ultimately disappeared. The mate says he fired two shots from the schooner with a rifle, to which no response was made. At about 10 a.m., however, there were rifle shots fired at the vessel, which passed over our heads and around the men on board. At about 11 a.m. George Palmer, the cook, went aft with a rifle and ammunition to keep up a continual fire until we got the canvas set.
We knocked out the shackle of the 45th fathom of the anchor cable, so as to be all ready for slipping. Whilst the hands were loosing the topsail a bullet severed the starboard clew, while another passed through the bunt of the sail. The shots were fired by the natives under cover of the bush. A consultation was held to consider the best means of saving the lives of the men and property on the schooner, and it was decided to slip the cable, but the vessel twice canted towards the shore. A squall fortunately came up, which favoured our getting away from the shore, when we slipped the cable and got away in the mist. It was thought to be the most prudent to proceed to Sydney direct. Being without anchor cables we put into Cairns Roads [Double Island], but the winds being exceedingly boisterous and heading, and our canvas being very dilapidated we were compelled to come on to Port Douglas".
LATEST BY WIRE - PORT DOUGLAS, February 3. - Cairns Post 5 February 1885
Inquiry into events on Rendova Island
An inquiry was subsequently held on the events at Banyetta Point (current name) and reported as follows:
"MURDERS AT THE SOLOMON ISLANDS.
On the 4th instant we published a telegram from Port Douglas announcing the arrival at that place of the schooner Elibank Castle, in charge of the mate, Henry C. Banks, who reported the murder of the captain and four hands at Point Benyetta, Solomon Islands. Pursuant to instructions from the Colonial Secretary, the police-magistrate at Port Douglas (Major Fanning) has since held an inquiry into the matter, and has forwarded to the Under Colonial Secretary the depositions, which have been kindly placed at our disposal.
Henry Charles Banks, the chief mate of the Elibank Castle, which was on a trading voyage to the South Seas when the outrage was committed, deposed: We left Brisbane on Thursday, the 6th November, 1884, the Solomon Group being the last islands we touched at; the name of the last island, at which the murders occurred, is Benyetta; on the morning of 15th January the captain, James Howie, Carl Johann, able seaman, and three kanakas went on shore to trade for copra and tortoise shell; immediately on boat getting towards the beach she was attacked by a multitude of savages numbering, as far as we could guess from the vessel, over sixty, witnessed from vessel with glasses by me and the crew, the attacking party of natives using tomahawks, spears &c., some of them being up to their middle in the water; the captain, when going on shore, said that he would be back in half-an-hour, and we saw two natives; I did not see, myself, the two natives pulling a dead body out of the water; l and the rest of the crew saw natives carrying the boats, oars, lengths of calico, &c., along the beach; the boat disappeared, and I never saw it again; I fired two shots towards shore with a Snider rifle to see if any of the crew were alive, that is those that went ashore; about 10 o'clock a.m. the natives kept firing at us from the bush, the bullets coming in all directions among us, over our heads and between us; at about 11 o'clock a.m. I sent the cook, George Palmer, aft with rifle and ammunition, to keep up a continual fire, which he did, whilst we got canvas on the vessel and pulled up chain from below, and knocked out forty-five fathom shackle-pin, all ready for shipping; whilst a kanaka was loosening topsails one bullet severed starboard clew, another went through bunt alongside of him; at noon we looked everywhere from the vessel with glasses, and could see no-one, the natives being all concealed in the bush; after due deliberation and consultation to save our lives, the vessel and property, we unanimously decided to slip our cable, the last shift for our lives; the vessel canted in shore twice; at last a heavy squall coming away, favoured us; we slipped our anchor and cable, and got away in the mist; after the mist cleared away, I took glasses, but could see no one; we then held a consultation - by we, I mean myself and the crew - and decided that it would be most prudent to proceed to Sydney and do our best to get the vessel there; set all canvas, and proceeded; the following are the names of the murdered boat's crew which left the ship for the island - Captain James Howie, Carl Johann, able seaman; and three kanakas, named Ki-haah, Pine-ee, and My-le-Sah; all the names appear on the ship's articles; I saw the boat attacked immediately it arrived on shore; the ship was about 600 yards from the beach, and from what I saw I have every reason to believe that the persons enumerated previously were foully murdered; I have nothing more to say with regard to this matter, excepting that the reason I could not arrive at Sydney was because I was so very short-handed; there being only one man upon whom I could depend, I had to make for the first port - namely, Cairns. I arrived at Double Island, and anchored there. When at that place the harbour-master rescued me, and brought the ship to this port ; Double Island is about half- way between this port and Cairns; the captain and Carl Johann were both armed with revolvers when they started for shore, but from the sudden attack were unable to use them, as I did not hear any shots; to my knowledge the captain and other members were perfectly sober; the trade was solely confined to copra, beche-de-mer, tortoiseshell, and anything of that kind, there was no recruiting for labour; I can form no opinion as to the reason why the natives made this wanton attack, as I never visited any of these islands before ; I believe the captain had been at this island before; at the other islands in the Solomon Group which we visited we were received well by the natives ; when the captain left the vessel he did not ex- press any fear of danger; we remained at anchor exactly four hours after the boat was attacked ; the ship was well provided with arms, ammunition, and every other department; we had no arms for traffic; there were six Snider rifles and six revolvers only on board; I saw the captain and boat's crew land ; there were about sixty or seventy natives close by with spears, tomahawks, and shields; the captain had no time to trade, as directly the boat touched the beach they were attacked by the natives; as far as I know, the captain gave no provocation to the natives.
David Brown, boatswain, gave corroborative evidence, and added that the captain had bought some ground while at Bentley Island, that the captain and crew who were murdered had previously been ashore on the morning on which the outrage was committed, and that natives had been off to the vessel to trade, but that nothing had occurred likely to lead to any disturbance.
George Palmer, cook, in the course of his evidence, deposed; I saw the natives with their spears and axes, up to their waists in the water, chopping at what I look to be the kanaka making for the ship; I then went for'ard and told David Brown that the boat was attacked, when he came up all we could see was the natives running away with the calico and other trade; I looked through the glasses again and saw the natives dragging the dead body of a white man out of the water on to the beach; I could see the man was dead from the appearance of the body, which was only about 250 yards away; David Brown called the mate, who, on coming up, saw at once what was wrong, and the only thing that could be seen on the beach was the dogs tearing away at something which we could not distinguish; I then called Thomas Hogan, who was in his bunk asleep; he came up; the mate, Mr. Banks, fired two shots towards the shore, but got no reply ; we then decided to wait till 12 o'clock, to see if any of the men would turn up; we were all standing aft, and the natives commenced firing; none of us were armed; they continued firing for about three-quarters of an hour; two bullets went through the topsails, and one was found on the deck; I then got a rifle, and fired in the direction from which the natives were firing; I was standing on the starboard quarter; from what I saw I have no doubt whatever that the captain, Charlie [Carl], and three kanakas were murdered; I did not hear any firing from the captain and his party when they reached the shore; the cable was slipped at 12 o'clock, and we reached Double Island Point about the beginning of this month; the natives' object, I believe, in attacking the boat was to take the trade, and afterwards the vessel; we were not engaged in the labour traffic; the three natives who brought the copra off to the vessel were quite contented with the trade given in exchange; I gave the captain and Charlie the revolvers on the second trip; the captain did not express that there was likely to be any difficulty on shore.
Augustus O. W. Routch, owner of the schooner Elibank Castle, stated that the vessel had been licensed by the Governor of New South Wales to trade in the South Sea Islands, and was registered in that colony.
While the accounts vary slightly, it is quite clear that the stated intent of the voyage was not to recruit for the labour trade and the vessel was not licensed to engage in the labour trade. There is little doubt, however, that the hostile response at Banyetta was a reaction against previous labour recruiters and their actions. This first voyage of the Elibank Castle to the Pacific Islands resulted in the murder of a total of six people and it was a great surprise to many that a second voyage was undertaken in 1885.
Image Source
iTouch Map -Banyetta Point on Rendova island, Solomon Islands
Acknowledgements: The assistance of Mori Flapan (Mori Flapan boatregister) by providing access to his extensive database is greatly appreciated.
All Images in this photostream are Copyright - Great Lakes Manning River Shipping and/or their individual owners as may be stated above and may not be downloaded, reproduced, or used in any way without prior written approval.
GREAT LAKES MANNING RIVER SHIPPING, NSW - Flick Group --> Alphabetical Boat Index --> Boat builders Index --> Tags List
World War I-era poster depicts War Savings Stamps as an ammunition belt, feeding into a soldier's machine gun. The United States spent over $30 billion on the war effort, and relied heavily on the revenue generated by selling War Saving Stamps and Victory Loans to the American public. Issued by the U.S. Treasury Department; artist: Casper Emerson, Jr.
Accession Number: P.2284.52
Joint art exhibit by Kiyomi Tanigawa (www.brooklynmisomaru.com), So Jung Lee (www.kokili.com), and Hanna Yoo (www.hannayooworks.com)
There are three "Benchmarks," commissioned in 2005 to commemorate the 150th Anniversary of the Incorporation of the City of Peterborough, on the banks of Little Lake. This Benchmark, titled "Launching Pad," is designed by Michael Fortune of Lakefield. Imagine yourself sitting in a giant slingshot, ready to be launched out over the blue waters of Little Lake!
the object of bucket with plants at outside from outdoors of more stunned and amazing of the area of nature area need is looking sharp of the area for the temperature weather of the sunlight of the natural is brighten sunlight at outdoors
ID: 003655
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
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Exposure: Digital
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Processing: Digital
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Exposure: 06/2015
Processing: 06/2015
Published: 10/2015
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Flickr "taken" date set as actual publish date.
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Object Details:
Globular cluster NGC 6712 lies about 22,500 light-years from Earth, contains approximately 94,000 stars and is estimated to be about 10 billion years old. Shining at magnitude 8.6 and having an apparent diameter of just over 7 arc-minutes, it (and IC 1295) can be found in the constellation of Scutum.
Planetary nebula IC 1295 is (by comparison a 'mere') 3,300 light-years distant. Glowing at magnitude 12 it spans just 1.7 x 1.4 arc-minutes in our sky.
Image Details: The attached was taken by Jay Edwards at the HomCav Observatory on the evening of July 26, 2019 using an 8-inch, f/7 Criterion newtonian reflector and a Canon 700D DSLR tracked on a Losmandy G-11 mount running a Gemini 2 control system. This in turn was guided using PHD2 to control a ZWO ASI290MC planetary camera / auto-guider in an 80mm f/6 Celestron 'short-tube' refractor.
This is my first attempt at imaging these object, and as such is a test consisting of a (relatively speaking) very short stack totaling only 45 minutes of exposure (not including darks, flats & bias frames).
Although I was fairly pleased with the result, given the large difference in brightness between the core of the globular cluster and the outer regions of the planetary nebula, I look forward to trying an HDR-like approach on these objects in the future in an attempt to bring out additional details in the nebula's outer regions while simultaneously preventing the globular's core from overexposing.
Stacked in DeepSkyStacker and processed using PixInsight and PaintShopPro, as presented here in nearly 'full frame' (having only been cropped slightly to remove the minor shifts between frames), re-sized down to HD resolution and the bit depth has been lowered to 8 bits per channel.
While my wife was making a hospital visit, I took a few minutes at the community park.
There she was, on the stage of the amphitheater. It must've been a brutal concert! There was Barbie, torn asunder on the stage. Apologies for the grusome sight!
Oil on canvas
20" x 20"
June 2015
None of This Was Real is a series of oil paintings that portrays fictional scenes of objects randomly generated by a computer program. These objects are a product of code written by the artist and rendered using a global illumination ray tracing engine. They are effectively subjects for still life. But there was never any life – any reality – in the subjects. Everything was virtual and simulated.
The software for creating the reference images was written in Processing (processing.org), with the additional help of toxiclibs (toxiclibs.org) for geometry creation and Sunflow (sunflow.sourceforge.net) for the global illumination rendering engine.
Joint art exhibit by Kiyomi Tanigawa (www.brooklynmisomaru.com), So Jung Lee (www.kokili.com), and Hanna Yoo (www.hannayooworks.com)
Illustration from The Naturalists' Miscellany or Coloured Figures of Natural Objects (1789-1813) by George Shaw
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/386295
Finally, I finished tangling one of the folded boxes Beate Winkler showed us at the European CZT meet-up in Competa. I think these would make a nice Advent calendar... only I need to make 23 more :)