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An old vegetable steamer and lots of found objects make beautiful chimey music!

Taken 03/24/2022, 7:56AM Corona de Tucson AZ. Looking due east. Sun Is already up to the right of Hill. There is no structures at the top of Hill. There was no movement of object for over ten min. Came back and it was gone no more bright light.

Random images from camera

'Rope' Almeida. Designer - Mark Thompson. Photo - Robin Fisher.

I am in an exhibition at Cal Poly’s University Art Gallery "Beyond the Surface: The Photograph as Object", an exhibition curated by Aline Smithson from January 9 - January 31, 2020.

 

artgallery.calpoly.edu/2020/beyond-the-surface

 

As the practice of photography moves farther away from the tactile process of winding film through a camera and long meditative hours spent in the wet darkroom, the contemporary digital photographer is now experiencing an entirely different relationship to the image. With the proliferation of digital capture, with Photoshop replacing the darkroom, and instantaneous digital printing at the push of a button, photographs are now equally a product of the mind and technology, with the ability for limitless reproduction.

 

In response to this loss of the evidence of the artist’s hand, a number of artists are reconsidering the potential of an image with a move towards making rather than taking photographs. By using vintage and contemporary photographs as a starting point, artists are creating physically layered works of art that result in a handmade one-of-a-kind object, expanding the notion of what we consider photographic art. The exhibition Beyond the Surface features a variety of interventions and investigations that include collage, sewing, cutting, weaving and embroidery, all interrogating the material qualities of the physical photograph as an attempt to recover the magic of the photograph-as-object. As artist Maria Font describes, “My hands intervene with each work manually, and through this intimate, performatic ritual, the embodiment of the photograph becomes the common ground where the familiar and the foreign meet, as an individual attempt to blur the lines between the internal and external spaces of the body. The construction of these mental maps evokes diverse psychological states and emotions with meanings that are in constant flux, never fixed, just like our identities.”

 

Artists in the exhibition work in two ways, using imagery that they have created in camera or by using found or familial vernacular photos. The image is then punctured, deconstructed, or cut apart and reborn as a work of art, separate from the original image. Many of the artists explore themes of growing up, family, and memory; others use contemporary imagery to consider self or culture. Artist Liz Steketee states, “I use my life and family as material for my work. By doing this, I am able to explore the complexity that exists in the everyday and the richness found in the mundane. Through the use of montage, collage, and purposeful juxtaposition of photographs, it is my intention to examine the “truth” in life.” Artist Joe Rudko cuts and reorganizes found photographs to “break the illusion of the pristine image and suggest a variety of interpretations it can have. Working with analog methods in a digital era places these snapshots in dialogue with the present moment.”

 

Revisiting photographs with an Exacto knife or sewing needle provides a new way of examining, organizing, and interacting with more than just the image on the page. This reconsideration opens the door to limitless possibilities of creation, inspiring us to look more deeply at the potential of photographic imagination.

   

acrylic, collage, objects on crate lid 31"h x 25.5"w x 5"d

Another way of holding the long thin Touch Object.

 

You can find out more about my art on my website.

Carys puts the final touches to some butchers' weighing scales before they're sent for a bit of r&r. The scales were used in Goodman Bros. Butchers Outfitters, Grangetown, in the early part of the 20th Century

20/365.

 

I really sorta fail at regularity, but I don't have a problem with that.

 

Edits: CR processing, fluorescent WB. Flipped and cropped in Photoshop.

43/365

Object

01/12/2011

Object Name: Bed frame

 

Accession Number: HF.72.119.21

 

Date: c. 1860

 

Materials: Birch

 

Geography: Prince Edward Island

 

Artist/Manufacturer: Unknown

Description: A double bed with carved central panels on both headboard and footboard. Legs and finials are turned.

 

Art is everywhere even when places that might seem gritty.

  

In station Square an object that lays behind a building could have a major impact in the art world.

Carolyn Green, Photo 1, Nikon D70, January 30, 2012

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