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I happened to see Type-writer after many years...Invention of 19th century is almost vanishing quite rapidly even in remote parts of world....
TAOP Assignment 5: Narrative
Not sure if these add anything to the set? This was taken thinking about a comment from Catherine about his arranging of his special items.
Tarquinia is a very historical area, with tombs and other evidence of the Etruscan civilization. Their museum has many interesting objects.
Roger Raveel (1921 - 2013, Machelen-aan-de-Leie) is a Flemish post-expressionist painter, graphic artist, ceramicist and maker of objects. His work is difficult to classify under a specific art movement. Raveel himself thought that his first mentor was actually the Italian painter, sculptor and architect Giotto. In the early 1950s he became acquainted with painters of the Cobra group, such as Karel Appel and Corneille. In the second half of the 1950s he evolved towards a more abstract painting that has its roots in experiencing the organic, the vegetative, the animate. However, he wants to take very different paths with his painting. In 1962 he spends three months in Italy, after which he wants to establish a direct dialogue between art and reality, his 'New Vision'. Raveel's style is characterized by the mixture of abstract and figurative painting. Sometimes mirrors or objects are part of his paintings or they are themselves three-dimensional objects. A typical characteristic of Raveels' work are white squares: they represent voids or absence. Motifs in bright, vital colors were sometimes outlined with dark outlines.
Title of the work: White magic V.
This work can be admired in the Roger Raveel Museum in Machelen-aan-de-Leie (Zulte, Belgium): www.rogerraveelmuseum.be/en
Roger Raveel (1921 - 2013, Machelen-aan-de-Leie ) is een Vlaams postexpressionistisch kunstschilder, graficus, keramist en maker van objecten. Zijn werk is moeilijk onder een specifieke kunststroming onder te brengen. Zelf vond Raveel dat zijn eerste mentor eigenlijk de Italiaanse schilder, beeldhouwer en architect Giotto was.In het begin van de jaren 1950 leerde hij schilders van de Cobragroep kennen, zoals Karel Appel en Corneille kennen. In de tweede helft van de jaren 1950 evolueerde hij naar een meer abstracte schilderkunst die haar wortels heeft in het beleven van het organische, het vegetatieve, het animale. Hij wil echter heel andere wegen op met zijn schilderkunst. In 1962 verblijft hij drie maanden in Italië, waarna hij een directe dialoog tot stand wil brengen tussen kunst en werkelijkheid, zijn 'Nieuwe Visie'. Raveel’s stijl wordt gekenmerkt door de mengeling van abstract en figuratief schilderen. Soms maken spiegels of objecten deel uit van zijn schilderijen of zijn het zelf driedimensionale objecten. Een typisch kenmerk van Raveels’ werk zijn witte vierkanten: die stellen leegtes voor of afwezigheid. Motieven in felle, vitale kleuren werden soms met donkere contouren afgelijnd.
Dit werk is te bewonderen in het Roger Raveelmuseum in Machelen-aan-de-Leie ( Zulte, België ): www.rogerraveelmuseum.be/
Roger Raveel (1921 - 2013, Machelen-aan-de-Leie) est un peintre post-expressionniste flamand, graphiste, céramiste et créateur d'objets. Son travail est difficile à classer dans un mouvement artistique spécifique. Raveel lui-même croyait que son premier mentor était en fait le peintre, sculpteur et architecte italien Giotto. Au début des années 1950, il rencontra des peintres du groupe Cobra, tels que Karel Appel et Corneille. Dans la seconde moitié des années 1950, il évolue vers une peinture plus abstraite qui trouve ses racines dans l'expérience de l'organique, du végétatif, de l'animé. Cependant, il souhaite emprunter des chemins très différents avec sa peinture. En 1962, il passe trois mois en Italie, après quoi il veut établir un dialogue direct entre l'art et la réalité, sa «Nouvelle Vision». Le style de Raveel se caractérise par le mélange de peinture abstraite et figurative. Parfois, des miroirs ou des objets font partie de ses peintures ou sont eux-mêmes des objets en trois dimensions. Les carrés blancs sont une caractéristique typique du travail de Raveel: ils représentent des vides ou des absences. Des motifs aux couleurs vives et vitales étaient parfois soulignés de contours sombres.
Titre de l'œuvre: Magie blanche V.
Cette œuvre peut être admirée au Musée Roger Raveel à Machelen-aan-de-Leie (Zulte, Belgique): www.rogerraveelmuseum.be/fr/
this chair is made up of steel wire for cushion and the back rest are made up with steel filter plates, who would want to sit on it? Displayed at The Iluma@Bugis
Day 2 - Travel to Spain (Barcelona) - June 2023
Museu de disseny
The design museum, which opened in 2014, houses 70,000 objects from five centuries, giving visitors a wide-ranging overview of the history of design in Catalonia and Spain. The collection comes from smaller museums of decorative arts, ceramics, textiles, fashion and graphics.
The Museu del Disseny de Barcelona is situated at the Placa de les Glories in the district of Poble Nou in the north-east of Barcelona. It was opened in 2014 and was the result of a merger of different existing museums for applied art, such as the Museum of Ceramics, the Textile Museum and the Museum of Graphic Design.
The striking building at the edge of the Placa de les Glories is right next to the Torre Agbar which can be seen from afar. This was the beginning of the redesign of a formerly cheerless traffic junction in Barcelona. The ambitious project was designed and executed by the renowned architect's office MBM from Barcelona, namely the architects Josep Martorell and Oriol Bohigas, David Mackay, Oriol Capdevila and Francesc Gual. Work began in 2009 and the building was already finished in 2013.
Various pics of the second day in Barcelona
Diverses photos prisent a Barcelone le 2e jour.
( Days off in Spain in 2023 )
A Truman Capote Reader
I left Manchester in the Autumn of 1990 and this somehow found its way into a box of books that moved with me.
I kept telling myself that I would send it on to the library with a note of apology but never got around to it.
I love this book.
I still feel guilty.
The cover shot of Truman is by cartier Bresson
graphics8.nytimes.com/images/2004/08/04/arts/04hcbportrai...
"Object" van Margot Zanstra.
Haar werk toont veel geometrisch geïnspireerde figuren met een sterke ritmiek en balans.
bron wikipedia