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A set that transports the audience to another era - but no specific era, just that of the "generic past." But, in lieu of actual people moving about in the corridor upstairs, we have fleeting images that look as if from a multimedia projector - tying past to present.
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The SL Shakespeare Company Twelfth Night Blog
Posted by Second Life Resident Ina Centaur. Visit Shakespeare.
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Loco / Unit Class: UK Class 345
Loco / Unit Number: 345006
Location of Photo: Gidea Park
Other Notes: N/A
Bain News Service,, publisher.
Artillery, Annapolis
[1913 June 3]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title and date from data provided by the Bain News Service on the negative.
Photo shows drill in front of the Armory (Dahlgen Hall) on the campus of the United States Naval Academy, Annapolis, Maryland, June 1913. (Source: Flickr Commons project, 2009)
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.13089
Call Number: LC-B2- 2700-2
can you see the rain that looks to be a music note...as the rain pitter patters down, it plays natures music
On February 12, 2020, the Center for Reading and Writing sponsored a 45 minute workshop to learn not only how notetaking helps improve academic performance, The workshop also shared tips, tricks, and methods that will help you to become an effective note-taker.
View of Arash Fayez's works “Apolis” (2014-18/2021) and “Limbo” (2018-2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” (“Panorama 21: Notes for an Eye Fire”), MACBA Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022. Curated by Hiuwai Chu and Latitudes. Photo: Roberto Ruiz.
Arash Fayez’s practice investigates conditions of displacement and notions such as statelessness and in-betweenness.
The 310 sheets of paper on display are a visual account of Fayez’s administrative transactions relating to his immigration status. They cover his departure from Tehran, arrival in the US, arrest by Immigration and Customs Enforcement, and the subsequent long period of legal uncertainty until his departure from the country. Each official document is overlaid with a photograph taken by the artist with his phone around the same time. This juxtaposition contrasts bureaucracy with daily life, while also serving to conceal sensitive or personal information on the documents. The paper trail is punctuated with a slide projection which represents the artist’s move to the UK and the final path to regularize his legal status in Spain.
“Apolis” (2014-18/2021) and “Limbo” (2018-2021) form an inquiry into liminal spaces, legal and otherwise, that speaks to the experience of being in between locations, cultures, and identities.
www.macba.cat/en/exhibitions-activities/exhibitions/notes...
the frame is a slightly modified IKEA MIKAEL computer table with the keyboard tray lowered to fit stacked items and allow for ventilation.
This handwritten note from my grandmother Daisy Fear circa 1893 enabled me to put names to all the children seated with my great grandfather in this picture link:
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www.flickr.com/photos/inferno55/18763630648/in/album-7215...
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I know my great grandfather and was pretty sure which one was my grandmother and with the help of this note written by my grandmother to her sister in boarding school it was easy to put names to all the faces.
My last card with this gorgeous butterfly for a while before you all get really tired of seeing it! Details are on my blog:
infinite-possibilities.blogspot.com/2012/01/note-of-thank...
TFL!
Watercolor painting that I did as a present for my wife (way back when I was a good husband....she can hardly remember those times now).
The location of the image is an old music store in the old downtown of Columbus, MS, USA.
Vodja projekta v agenciji: Nina Gabrijelčič
Kreativni direktor: Samo Geršak
Tekstopiska: Vlasta Merc
Art direktor: Jure Sotler
Oblikovalec: Ljubo Bratina
15.09.2015 _ Paroisse Saint-Eustache (Les Halles), Paris, France _ Pentax K-x, SMC Pentax-DAL 1:3.5-5.6 18-55mm AL
A closer look at the fish farm. Note the scarecrow there! Yes, that thing that looks like a hanged man is actually a scarecrow. At least that's what I think. Unless it's some form of a counter weight or something. (Prek Toal Bird Sanctuary, Siem Reap, Cambodia, Apr. 2014)
The oringinal Title of this picture is "note 6" The reason I point that out is the fact that this is only one of seven (1/7) this is only one-seventh of the notes that I have about dragons and other mistical things this is my favorite of them. if you would like to see more of them just comment "I would like to see them all" (IT may vary)...
Zircon showing strong IR fluorescence, particularly with 404nm laser excitation (blue line with SAME ZERO LEVEL as the other spectra). The green line shows the transmission spectrum through a 4-5mm thickness of stone (stone is 11mm long). Note the doubling of internal features due to pronounced birefringence.
The greyscale insert is a photograph (Sony DSC F-717, RG780) of the infrared fluorescence under defocussed 404nm laser excitation. The image passband corresponds roughly to the width and position of the image on the spectrum.
Sergeant Alex Snyder, an oboist with the US Army in Europe (USAREUR) band, rehearses his performance at the first practice session before beginning the 2010 Norwegian Military Tattoo in Oslo, Norway. The USAREUR band and chorus are in Oslo for a week performing with military bands from England, Switzerland, Netherlands, Russian, and Sweden. Norway is the first stop in a two-week tour through the Baltic states. (US Army Public Affairs photo by Richard Bumgardner)