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Note
1836 to 1850
SH.2005.10.3.5
This is a handwritten note by Sara Hennell which was kept in Cara Bray’s sewing box. It reads,
I SSH, an humble Mythicist, hereby offer my glove, presented at the spear-point of my very rusty and un-sharpened Wit's-ends, to the great Master in Myticism, W.J.F.; - and, laying it at his feet with a profound curtsey, I beg of him, of his graciousness, that he will honour my (?) page (?) of battle.
This note gives an insight into the Rosehill Circle – a group of free-thinkers and radicals who gathered at the Brays’ Coventry home Rosehill to debate ideas.
From 1841 to 1849 Mary Ann Evans lived with her father in a grand semi-detached house just off the main road in Foleshill, then village near the city of Coventry. While in Coventry Mary Ann became friends with radical intellectuals known as the Rosehill Circle – headed by Cara and Charles Bray.
Mary Ann’s time in Coventry was one of change and personal development. It had a difficult start as she refused to attend church for five months which deeply upset her father – a period known later as the ‘Holy War’. Her growing friendship with the Brays led to Mary Ann being commissioned to translate from the German Strauss’ sensational volume ‘The Life of Jesus, Critically Examined’.
The end of her time in Coventry was overshadowed by her father’s illness and death. This led to the Bray’s taking Mary Ann on a continental tour which began her move from the Midlands to London and the launch of her literary career.
Objects held at the Herbert Art Gallery & Museum are held in three collections: local studies at the Coventry Archives and Research Centre, visual arts and social history. Much of the collection relates to Mary Ann’s relationship with the Rosehill Circle and includes sketches, watercolours, letters and objects such as the piano bought for her by life partner, George Henry Lewes. Find our more at www.theherbert.org and explore our collections further at www.coventrycollections.org.
Photography: Shiro Ang
Photo Assistant: Sihan Chen
Misa: Etine
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I've been writing a lot of things down recently, and I feel like it brings out a lot of the creativity out. Instead of using text editors to write things, having it in a notebook still has some kind of magic.
Made with Hero Arts cl297 note paper and tags. Thanks for looking.
visit my blog at www.simplysweetstamping.blogspot.com
You can check out anytime you like, you can never leave
Note:LED penlights were moved slowly w/ or w/o colour filter.
Pad Likhar Bankon Ki Line Main Khada Hona
Phuti Kismet Par Rona ..Kabhi Kabhi Khali Pet Sona
Na Takiya Na Bichona ..Ek Khab Daroana
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
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These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
6x6 negative scan / Kodak Tmax
my other projekt: kappephotos.wordpress.com/2015/06/03/istanbul-city-of-opp...
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From Evernote:
dra-at-helvete:Eiko Ishioka’s design for “The Fall”
Clipped from: notjustanarmor.tumblr.com/post/32344453458
Gown for Catelyn Tully
Source URL: agameofclothes.tumblr.com/post/32441010618
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Photo
Source URL: notjustanarmor.tumblr.com/post/31975524330
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What Margaery could wear
Source URL: agameofclothes.tumblr.com/post/31967993875
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vivien_leigh_gallery_28
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Woodstock fashion
Source URL: 1-9-6-0-s.tumblr.com/post/30921969710
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This Tundra Swan appears to be an inter-grade Bewick's X Whistling Swan. Note the extensive yellow in the bill, probably to much to be Whistling but not quite enough to be a Bewick's. See birdinggeek.blogspot.com/2008/08/swan-showing-bill-charac... for more on inter-grades. I see Tundra Swans every year that appear to be inter-grades, and based on band returns we have many Tundra Swans moving through and wintering here from the inter-grade zone of Western Alaska.The bigger question is how much variation is there in Whistling and Bewick's Swans, and to what degree do they intergrade? There appears to some clinal variation, with Tundra Swans in Europe having the most yellow, and Tundra Swans in arctic Canada having the least and swans from western Alaska having more yellow than Canadian swans, and Siberia swans having less yellow than European swans.. Making it not always easy to draw a clear line between Whistling and Bewick's, but this swan appears to be an intermediate taxon
Visual notes from a NIST colloquium by Nergis Mavalvala (MIT) on gravitational wave detection.
Disclaimer: Occasional errors in the content of these notes are mine and may be due to an error I made when writing something down. Such errors do not reflect the intent of the speakers.
Thank you so much for the jelly filled & powder sugar covered timbits. You're the best. Please remember to get them for people at church. From Sarah.
Center for International Forestry Research (CIFOR) scientist begins taking notes on a study on above-ground and below-ground biomass in mangrove ecosystems, part of Sustainable Wetlands Adaptation and Mitigation Program (SWAMP). Kubu Raya, West Kalimantan, Indonesia.
Photo by Kate Evans/CIFOR
Related research publication on mangrove:
Mangroves among the most carbon-rich forests in the tropics
www.cifor.org/online-library/browse/view-publication/publ...
Carbon storage in mangrove and peatland ecosystems
www.cifor.org/online-library/browse/view-publication/publ...
For more information about CIFOR’s wetlands research visit: cifor.org/swamp
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org