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I. RUNWAY - inspirations - leave them there as directory, can be repinned
II. LUNCHEON LADY - vintage over the top outfits, socialite, housewife
III. ENSEMBLE - costume, theatrical, fantasy
IV. FUTURE/GOTHIC/MINIMALIST - black capes, skulls, wedge boots
V. MOD
VI. PROPER - english, riding, etc.
VII. PROFESSIONAL - ladylike, business, work, polished, etc.
VIII. PROVOCATIVE - leopard print, haute
IX. CHIC MODERNE - boots and scarves fare
X. BOHEMIAN - psychedelic, hippy, caftans, exotic, gypsy
XI. PROVINCIAL - plaids and jeans, coal miner
XII. RESORT - sailing, vacationing
XIII. FORMAL - dresses i'll never wear, red carpet
XIV. UNIFORM - just that.
XV. LOUNGE - lingere, pajamas, etc
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If you are using the fishnets to deal with cellulite pay attention to the SIZE of the diamonds. Skinny, toned legs can get away with larger diamond sizes however if you got the extra jiggle they can actually squish down your lumps and bumps and push them through, much like chicken wire! The smaller the diamond size on the fishnet the more of flatter, compressed surface you get.
* Get the seamless fishnet tights as you do not want to be adjusting a seam all day.
*Wearing a slightly darker shade of tights under your fishnets look great as well especially if you cannot find an exact match for your skintone.
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Look for fishnets with a high spandex content, anything with 12% and over is great for giving you the fit that you will need, as you do not want saggy stockings. The fishnets must cling to your leg, no sag at knees or ankles. The high spandex content will also help prevent snags and it will be easier to adjust the waist band by pushing it down to wear with your belt/underwear. Professional dance fishnets, like Capezio, have a very high spandex content.
*Match the fishnets to your skin tone as close as possible, please do not match the costume (no coloured fishnets ) for this look. There are various shades of nude and tan so test them out and find one that works for you.
A wad of 50 euro notes
Like much of our work, we have put all these images in the public domain. Feel free to use them but please credit out site as the source if you do: TaxRebate.org.uk
Living near an elementary school has its perks.. like finding gems like this one
ps: dont tell anyone
A close up of a few 5 euro notes
Like much of our work, we have put all these images in the public domain. Feel free to use them but please credit out site as the source if you do: TaxRebate.org.uk
SM-10 18x11" ET44 in Race Silver
315/30-18 BFG Rival S
Lowered on coilovers
Square setup
Fitment notes from owner:
"The front rubs a little at full lock on the brake duct. It’s very little, and it’s the tire. The front offset at 42-38 would definitely not rub at all. The rear could come out 15mm and probably not rub anywhere."
Owner:
www.instagram.com/Jcarmona.z06
Photos by:
Have you ever took pictures in a trip using filters and when you are back home processing the photos you realize that you have completely forgotten what filter you used on each photo? Or, you were in a guided tour and forgot some interesting information about the place that the guide mentioned? Or yet, you forgot the location were the photos were taken?
With Shutter Notes you can take notes of these things while you are photographing (with any camera) and mark a sequence of photos where the notes apply. This is done by taking a picture of the phone screen displaying the note, in the start and at the end of the sequence. This is useful on that situation when you use an accessory on a trip, like a ND filter for example, and when you are back home and start processing the photos you realize that you have completely forgotten what filter you used on each photo. In this case, using the app you will have a shot marking the start of the sequence where the filter was used and another marking the end. You can also write a title, a description and a list of tags (accessories used) for photos that you will upload to Flickr™ and have the notes applied to these photos when they are online, together with (if you want) the location where the sequence was shot, automatically taken by the app.
Flickr is a trademark of SmugMug, Inc.
Looking north at the entrance to the dining room on the first floor of the house on the grounds of the Tinsley Living Farm at the Museum of the Rockies in Bozeman, Montana. Few houses had a dining room, unless they had large families. Note the chairs, as people would need to sit close to the stove in winter.
The house was constructed in 1889 by William and Lucy (Nave) Tinsley. William Tinsley worked for Wells Fargo and migrated to Montana in 1864. Lucy was a dressmaker who emigrated to Virginia City, Montana, the same year. Both were originally from Missouri. They met in Virginia City, married in 1867, and relocated to Willow Creek in the Gallatin Valley (about 40 miles west of Bozeman). They built a homestead log cabin (about the size of the current blacksmith shop), and lived there until 1889. Their first child was born in 1868, and by 1889 they had eight kids.
William Tinsley built the family a two-story home out of logs taken from the nearby Tobacco Root Mountains. The oldest children helped haul the logs, which took two days to get to the homestead. The structure took two years to construct. Most of the items in the house were ordered from the Sears catalog. The family occupied the house until the 1920s.
The house was purchased by the museum in 1987, and moved from its original location to the Museum of the Rockies in 1989. Refurbished with items donated by Tinsley descendants, it now serves as a living history museum. The house sits on 10 acres of land, and includes a historically accurate kitchen garden, flower garden, chicken coop, farm implements, carriage house, blacksmith shop, root cellar, outhouse, functioning well and pump, storage shed, and fields. A full cellar was excavated beneath Tinsley House as well.
Visitors are free to touch and use many of the items in Tinsley House. A staff of historical re-enactors includes four women who cook, clean, sew, and perform chores around the house as well as a blacksmith who does ironmongery and repairs.
An old 5 rupee note from the Central Bank of Ceylon (Sri-Lanka)
PERMISSION TO USE: Please check the licence for this photo on Flickr. If the photo is marked with the Creative Commons licence, you are welcome to use this photo free of charge for any purpose including commercial. I am not concerned with how attribution is provided - a link to my flickr page or my name is fine. If used in a context where attribution is impractical, that's fine too. I enjoy seeing where my photos have been used so please send me links, screenshots or photos where possible. If the photo is not marked with the Creative Commons licence, only my friends and family are permitted to use it.
A mind map of my webinar on Architecture of participation at #CoLearn12 (right) + some notes (left).
Its the twilight I suppose,
I see that painting there,
A tune floats across - Piano Man he played,
Tip my hat, say hello and on my way I go.
Chanced upon him after stepping out from work, disappointed that I didn't get my perfect shot of a London Eye capsule against the setting sun. Later in the evening I chanced upon this software which allows one to add a retro feel to a shot. And this is the output which I wanted. Just the way I had visualised it.
The original is in the comments section. Which one you think is better?
Infinite Cosmos of Light and Life:
Dark Energy and Black Holes Don’t Exist
Much of 20th Century science has already been discredited, yet too much nonsense is still being taught. It’s time to examine a plethora of false assumptions being foisted on impressionable minds by ignorant authority figures. The precepts and concepts that made the reputations of last century’s physicists and cosmologists are all partially correct at best and utterly wrong and misleading at worst. To believe that their notions were more correct than those of ‘natural philosophers’ who inhabited the relative Dark Ages of preceding centuries is a testament to folly and hubris.
The lies of religions and other tribal superstitions poisoned all sense and reason until the very recent past. In many benighted regions of the globe this mental slavery still holds minds in thrall to fantastic idiocy. The underlying motive for the promulgation of the Big Bang theory – whereby our entire universe supposedly came into being less than fourteen thousand million years ago - has nothing to do with mathematics or physics.
The Big Bang was invented by human beings encased in a cultural matrix that originated in the Bronze Age and was literally beaten into the young brains of untold generations of illiterates. Millennia of blind religious dogma blighted lives with the lie that an invisible ‘god’ created the world, the Sun, the moon and stars in merely six short days, and then took a day off work. Along with everyone else, educated people were preprogrammed to believe in such a creation event from infancy.
No matter how enlightened, the scientists of the day were riven and driven by the childish vision of a creator god inhabiting a heavenly realm somehow removed from ‘mundane’ reality. They invented the idea of some preexisting reality before time space as a result (without exploring the complex hyperspatial and hyperdimensional theories which would make this concept both a possibility, and simultaneously an absurdity.
Two Seminal False Assumptions
The Big Bang is a mathematical absurdity masquerading as physics. It’s based on two largely unexamined assumptions, both of which are false although based on valid observations that truly indicate an entirely different cosmology. One is the phenomenon of red shift (whereby the majority of objects in the observable universe appear slightly red) and the other is referred to as the Hubble Constant - a ubiquitous hum in a narrow range of background radiation observed wherever we look (or rather listen) throughout the cosmos.
The red shift was ascribed solely to the Doppler Effect – the same phenomenon that causes the sound of a train whistle to seem to rise in pitch (frequency) as it approaches an observer, and lower in frequency as it departs. When related to visible objects, anything approaching an observer appears more bluish (as light wavelengths appear shortened and bunched up towards the blue end of the spectrum) and receding objects appear reddened (because the light from receding objects appears stretched to an observer). Because the majority of celestial bodies appear reddish it was assumed that everything was moving away from us and everything else in the aftermath of a primordial explosive event – a Big Bang.
As demonstrated by pioneering astrophysicist Halton Arp 1 (and subsequently by David Talbott, Wal Thornhill and other proponents of modern ‘electric universe’ theory 2), the Doppler Effect can’t possibly account for many observed phenomena associated with the reddening of celestial bodies. Some share the same apparent red shift while obviously moving in entirely different directions. Their postulated distances from our point of observation and each other – as theorised using red shift for a benchmark - are obviously incorrect in light of a number of observable anomalies.
The reddening of celestial bodies is caused by a number of factors including (but not confined to) the Doppler Effect. Among these are the fact that space is not a vacuum at all (as believed when red shift was first ascribed to the Doppler Effect), but filled with all manner of energies and filtering mechanisms. As a result, light experiences an effective signal loss over great distances and this translates into a shift towards the red and infrared end of the light spectrum, as shorter frequencies – the blue/violet end of the spectrum – are more easily occluded. The same applies, in varying degrees, to all bands of radiation we use to observe the cosmos (including radioastronomy).
Thus the limits of our ‘observable universe’ are no limits at all, but merely the limit of observation using the electromagnetic spectrum as a yardstick. The universe didn’t begin 13 or 14 (or even 200) billion years ago as indicated by this false assumption, but is in fact infinite. We just can’t see very far through the soup of timespace.
That this is true is revealed by a number of observations, including the fact that no matter how far we look through the sea of time, supposedly primordial ‘infant’ galaxies and other structures appear virtually identical to those we see around us today. This contravenes many precepts of Big Bang theory, as do many observations made since we lifted our sights and sightlines beyond Earth’s occluding atmospheric envelope and began to see the cosmos as it actually appears.
According to ‘electric universe’ theory and contemporary observations that demolish most of the cherished notions of 20th Century astrophysics, the primary ‘force’ acting throughout the cosmos is not gravity at all - gravity is a very tenuous field - but (what we incorrectly term) electromagnetism. And according to the postmodern electrical paradigm, the redness of many celestial bodies indicates not their speed of recession but their age – or rather, their energetic level and even their relative youth!
Thus one of the only two planks that seemed to necessitate the idea of a Big Bang does not actually exist; most things in the cosmos are probably not racing away from everything else at all, and the increased redness of more distant objects is mainly due to signal loss.
The remaining plank that seemed to underlie and confirm the Big Bang hypothesis– the Hubble Constant (named for astronomer Erwin Hubble, to whom the famous first space telescope was also dedicated), has also been ascribed to the wrong cause entirely. The all-pervasive background ‘hum’ in the hydrogen band that’s noted wherever our electronic ears listen to the celestial ‘music of the spheres’ isn’t an echo of an ancient explosion, but is due to a now well-known and widely recognised quantum effect whereby virtual particles are continually appearing within and disappearing from the observable (4D) universe.
‘Space’ isn’t space, but is filled with innumerable wavelengths (energies) that generally cancel each other out, resulting in a near-vacuum state. This state isn’t a vacuum or a zero-point field of fluctuations (as often described) but a field that oscillates around scalar zero –conceived as being slightly ‘above’ the zero point, and originally believed to be so negligible as to be immeasurable and irrelevant. When 18th, 19th and 20th Century physicists first calculated all the details of orbital mechanics this reality was entirely unknown; their figures were all predicated on the false assumption that all celestial bodies interact in a complete vacuum.
Newton’s blind clockwork universe and Einstein’s divine plan are equally illusory. God doesn’t play dice (because there is no external god rolling the deadly die) but chance interactions – the freewheeling will of cosmic fields and forces – is everchanging and inherently unpredictable. Everything is possible and we inhabit an infinite interacting series of parallel universes, all interwoven by probability and the wills of conscious beings.
This sea of virtual particles gives rise to a perceivable ‘hum’ produced by little vortices in timespace (effectively electrons and positrons) that occur wherever wavelengths interact in suitable configurations – and as waves are always interacting in innumerable configurations, there are always some that give rise to relatively stable and measurable forms. Some of the most basic of these effectively appear as ‘hydrogen ions’, continually flashing into and out of existence as a result of perpetual wave interactions. These occasionally remain in our plenum when they happen to manifest in a geometrical configuration that remains stable (by virtue of simple mechanical interactions), producing what physics has conceived as ‘atoms’, or ‘ions’. 3
Thus the Hubble Constant is not an echo of a non-existent Big Bang, but the continuous resonant hum of infinitude tiny vortices, as hyperdimensional energies which transcend the recognised four dimensions of space and time perpetually condense into observable energy in our timespace (See TimeSpace).
It’s worthwhile to note that ‘particles’ are not simply continually emerging in the ‘vacuum of space’, but within pre-existing forms of denser energy fields and material forms as well. In fact, the more dense a field they manifest within the more likely they are to lodge into pre-existing patterns, and to remain in timespace rather than immediately wink back out of existence. When extra particles appear within the energy matrix of matter, more complex and more ‘dense’ forms of matter are formed. Thus ‘matter’ is continuously condensing - growing more dense and complex - and celestial bodies are all slowly growing through time. 4
There are no ‘Higg’s Bosons’, as there is no need for them or most of the other invented confabulations in the ‘particle zoos’ of 20th Century physicists. Simpler geometrical forms simply give rise to progressively more complex geometrical forms and the morphic fields of matter literally attract energy – and more matter – via simplex mechanisms, not through abstruse, ‘spooky’ or exotically impenetrable interactions.
Light Amidst the Darkness
There is no ‘dark energy’ or ‘dark matter’...
Continues @ nexusilluminati.blogspot.com.au/2013/03/infinite-cosmos-o...
by R. Ayana
Hooray! Blue arrived today. After denying myself so many purchases, a pack of three notebooks is really splashing out! Also, husband cracked a laugh over the "Band of Rubber" included. I love the clicky ballpoint pens that come with these, but secretly not a fan of the pencil other than as a desk accessory. Nevermind. I had to amend this because I just sharpened one up, and the lead was much softer than I remembered. Just about perfect in fact, but I still love the Rhodias - their orange and black color scheme look smashing with Field Notes.
Just 4 everyones info.
This picture is mine , i found it in another flickrest account , when i add a reply saying ( This is my doughter and my pic too ^_^ ) he just delete my words and banned me !!
This is his account
www.flickr.com/photos/70654075@N00/61841476/?#comment1796...
And here is mine
Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Xiaomi Hongmi Note Smartphone single Sim Android Octa Core OTG 4G Version White
•Cpu Mediatek MTK6592 Octa Core 1.7 Ghz
•Display 5.5 inch - Resolution Full HD
•2 Gb Ram - 8 Gb Rom
•MIUI V5 (Based on Android 4.2 - with Google Play)
•OTG - WiFi - GPS - Bluetooth
•Back Camera 13 Mpx - Front Camera 5 Mpx
•Battery 3100mAh
•4G FDD-LTE 1800/2100 MHZ WCDMA 850/900/1900/2100 GSM 850/900/1900/2100
•Single SIM Slot
www.originalphone.net/hot-brand/xiaomi-smartphone/hongmi-...
Stamps:
Music Score
Wavy Music
Just a Note...
Paper:
Recollections Black Cardstock
Mohawk 80# smooth white cardstock
Ink:
Ranger Antique Linen Distress Ink
Memento Tuxedo Black dye ink
Other:
Dots & Dashes Ribbon
sponge
Spellbinders circle dies
Instructions:
1) Sponge Antique Linen ink randomly on a 4" x 5 1/4" white panel and adhere to a 5 1/2" x 4 1/4" top folding black card.
2) Stamp Music Score in black ink on a 3 1/2" x 3 3/4" white panel.
3) Sponge Antique Linen ink randomly on stamped panel to create aged look. Back panel with a slightly larger black panel.
4) Wrap polka dot ribbon around the left side of the music score panel and then adhere to the left side of the card as shown
5) Die Cut a white circle panel and sponge Antique Linen ink randomly on it before backing with a slightly larger black die cut circle and then adhere to card front.
6) Stamp Wavy Music image on a white scrap and cut out around edges. Sponge Antique Linen ink randomly across image and then adhere across circle panel as shown
7) Ink half the sentiment stamp with black ink and stamp on lower right corner and then ink the other half of the stamp and stamp above
Xiaomi Hongmi Note Smartphone single Sim Android Octa Core OTG 4G Version White
•Cpu Mediatek MTK6592 Octa Core 1.7 Ghz
•Display 5.5 inch - Resolution Full HD
•2 Gb Ram - 8 Gb Rom
•MIUI V5 (Based on Android 4.2 - with Google Play)
•OTG - WiFi - GPS - Bluetooth
•Back Camera 13 Mpx - Front Camera 5 Mpx
•Battery 3100mAh
•4G FDD-LTE 1800/2100 MHZ WCDMA 850/900/1900/2100 GSM 850/900/1900/2100
•Single SIM Slot
www.originalphone.net/hot-brand/xiaomi-smartphone/hongmi-...
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