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Fiona Tomas Nash collects tiny herbivores in Netarts Bay on June 28, 2017, as part of an Oregon Sea Grant-funded research project. She's studying how these "grazers," including sea slugs and isopods, might help prevent eelgrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. WATCH VIDEO: youtu.be/Vp-LXuc53ik READ MORE: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
A heron hunts for prey in a seagrass bed in Netarts Bay. The bay is where Fiona Tomas Nash has been collecting tiny herbivores as part of an Oregon Sea Grant-funded research project. She's studying how these "grazers," including sea slugs and isopods, might help prevent eelgrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. Learn more: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
Internet-ish artworks market + Performances by Exonemo & JODI
Internet Yami-Ichi (インターネットヤミ市)
literally "Internet Black Market". By mixing different Japanese writing systems the word "yami" takes on the double meaning of "sick for / addicted to". Therefore, a more accurate translation might be "Internet Obsessives Market".
"S*%t happens. Didn't used to. Like when some small off-handed private comment turns into a flamewar. Or worrying about not getting enough like. The Youtube videos you can't watch anymore because somebody complained. Or the apps you can't play because they were ✖rejected✖ by Apple. Once upon a time, the Internet was supposed to be a place for "liberty". Nowadays it's so uptight". – IDPW.org
The Japanese collective IDPW.org invites us to perpetuate "in real life" the freedom and joyful anarchy of the early web. The Internet Yami-Ichi draws its inspiration from flea markets, these chaotic assemblages that combine hidden gems, unlikely objects, collectibles and useless trash.
Turn off, log-out, and drop in
In this market of a new kind, artists, creatives and makers sell internet-related / internetish objects. Books, artworks, fashion items, materialised data: physical artefacts that escape an increasingly cautious, controlled and censured online world.
Through this fun, friendly and laid-back event, Internet Yami-Ichi questions the ubiquity of the digital, its (dis)illusions and future(s).
After a successful edition at the Berlin Transmediale 2014, iMAL invites IDPW.org for the second Internet Yami-Ichi outside of Japan. The Brussels edition will take place in the wonderful Art Nouveau architecture of the Ateliers des Tanneurs, right next to their famous organic food market!
Prima pagina del Fatto Quotidiano DEberlusconiZZATA con un'opera
di Claudia Rossini /
Italian on-line newspaper Il Fatto Quotidiano DEberlusconiZED with an
art work by Claudia Rossini
At Anderson's Viewpoint if you're a hang glider or para-glider, this is your Mecca, your Holy Land and your Nirvana all in one.
The hang gliders or paragliders strap on the giant wings, and then race themselves off the edge of this cliff into the air streams of the north Oregon coast. No need to jump off the cliff, however, if you are just posing for a family portrait.
Anderson's Viewpoint is found about one mile south of Cape Lookout State Park. Look for the mile marker of milepost 1. The Cape Lookout Road comes to an apex here, and a smattering of gravel and paved parking spots come into view, along with the stunning vistas.
To the north offshore, you can see those Three Arch Rocks of Oceanside quite clearly, the beach at Cape Lookout State Park is below and the forested campground of the park is barely visible. Just beyond that there's Netarts Bay in the distance, with its bevy of clamming and crabbing prospects.
I haven't been able to get away for photos of late so I decided to make this one in my back garden. I thought the color relationships were a natural.
Cheers!
Bob G.
Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
Questions swirl through my mind as I enter the room, lit only by that of the full moon. Behind me he softly closes the door as I try to take it all in. His arms wrap around my waist, pulling me tight against him, as he buries his face in my hair. I can feel him breathe deep as he takes in my scent. I tilt my head back relishing the feel of his body against mine. Oh, it has been so long..too long.
He pushes my locks aside, and soon I feel his lips brush against the the sensitive flesh of my neck. I tilt my head, giving him full access, for the feel of his lips, the tickle of his beard is just the beginning, and I am not yet in a hurry, so I close my eyes and just......feel.
While his lips are so delightfully occupied, his hands leave my waist, sliding up and under my sweater, his touch light against my skin barely touching as he knows I like. His lips leave my neck only long enough to pull the sweater up and over my head, tossing it to a nearby chair, before they return, this time turning his attention to my shoulder. Oh, how I shiver in delight as he slides my bra straps off my shoulders, making sure that not a single inch of flesh is left wanting.
Turning in his arms, I stand on tip-toe as my lips seek and find his, and my fingers make quick work of the buttons on his shirt...for now I must feel his flesh against mine.
Breathless, I break the kiss "How.....how can it be...both of us there....at the same time?" I ask him, still unable to believe that I have found him after all this time. Scooping me into his arms he takes a few steps to the bed, gently laying me across it before lowering himself on top of me.
I begin to think that perhaps this is all just a dream, for he does not answer, but lowers his mouth to mine, parting my lips, his tongue exploring, teasing, and at that moment I do not care. If this is a dream, then I pray that it never ends. I close my eyes and savor the moment
He rises from me slightly and my eyes snap open at the movement and brown meet green...each searching the others...as he slowly, oh so slowly removes every stitch of clothing from both of us. Finally he speaks "Fate...it is fate Sabre"
© Sabre D'mour
Obra de Fernando Velázquez.
Premiado na 8ª edição do Prêmio Sergio Motta de Arte e Tecnologia, na categoria Meio de Carreira - Artes interativas.
Fiona Tomas Nash shows off a sea slug collected in Netarts Bay on June 28, 2017, as part of an Oregon Sea Grant-funded research project. She's studying how sea slugs and other tiny "grazers" might help prevent eelgrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. Learn more: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
Abduction, in italiano rapimento, cioè presunto sequestro di testimoni da parte degli occupanti dell'UFO, in genere per scopi scientifici: gli alieni somministrano al rapito test per studiare la natura umana. Di rado i rapiti descrivono il rapimento come una "chiacchierata" con gli uomini delle stelle.
Secondo alcune testimonianze dei cosiddetti "rapiti", gli esseri di presunta origine extraterrestre cancellerebbero apparentemente la memoria dell'evento nel soggetto "rapito" per un periodo di tempo spesso prolungato.
Informazione: Nella realtà i cerchi luminosi sono le lampade al soffitto di uno scompartimento di 1A classe dell'Intercity Roma-Bologna che il mio immaginario delirio ha trasformato in Incontri Ravvicinati del V tipo.
Netarts Bay is an estuarine bay on the northern Oregon Coast of the U.S. state of Oregon, located about 5 miles (8.0 km) southwest of Tillamook. The unincorporated community of Netarts is located on the north end of the bay and Netarts Bay Shellfish Preserve, managed by Oregon Department of Fish and Wildlife, is located on the south side of the bay. The sand spit on the west side of Netarts bay is part of Cape Lookout State Park.
The bay is approximately 5 by 1.5 miles (8.0 by 2.4 km) and totals 2,325 acres (9.41 km2) in area, making it Oregon's seventh largest bay. Of that, 812 acres (3.29 km2) are permanently submerged—the balance of 1,513 acres (6.12 km2) is intertidal land. It experiences a maximum tidal range of 9 feet (3 m).
The bay is part of a watershed of 13 square miles (34 km2) that is fed by at least 16 small creeks. From north to south, there is Fall Creek, Hodgdon Creek, O'Hara Creek, Rice Creek, two unnamed creeks, Yager Creek, three unnamed creeks, Whiskey Creek, an unnamed creek, Austin Creek, two unnamed creeks, and Jackson Creek. (en.wikipedia.org/wiki/Netarts_Bay)
Fiona Tomas Nash collects tiny herbivores in Netarts Bay on June 28, 2017, as part of an Oregon Sea Grant-funded research project. She's studying how these "grazers," including sea slugs and isopods, might help prevent eelgrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. Learn more: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
How to make a perfect Malevich using only basic HTML code
* About this page
* Who is Malevich?
* Source Code ("this is a Malevich.....")
* Result
* Malevich in a new window
* Credits
About this page
This page gives you the HTML code to "... make a perfect Malevich...". It's a basic HTML code. Everyone can have a Malevich, you can see it on your computer screen or print it. This is the POWER of net.art, you can't do this with old art!
^
Who is Malevich?
en.wikipedia.org/wiki/Kazimir_Malevich
^
Source Code ("this is a Malevich, it seems strange but it is")
Malevich
Here is the HTML code.
It is distributed under the GNU General Public License, you can redistribute it and/or modify.
Download it, unZip it, open "malevich_code.txt" and save it as "malevich.html".
Download source code
^
Result
^
Malevich in a new window
Watch malevich in a new window:
/malevich.html
/malevich_code.html
/malevich+code.html
^
Credits
"How to make a perfect Malevich using only basic HTML code" by
LUNK & guddene
^
Netarts Bay is one of four places along the Oregon coast where Fiona Tomas Nash's crew is collecting seagrass and tiny, aquatic herbivores as part of an Oregon Sea Grant-funded research project. They're studying how these "grazers," including sea slugs and isopods, might help prevent seagrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. Learn more: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
Fiona Tomas Nash collects tiny herbivores in Netarts Bay on June 28, 2017, as part of an Oregon Sea Grant-funded research project. She's studying how these "grazers," including sea slugs and isopods, might help prevent eelgrass from being snuffed out by light-blocking algae. Tomas Nash is a marine ecologist in the department of fisheries and wildlife at Oregon State University. Learn more: seagrant.oregonstate.edu/research/current-research/vulner... (photo by Tiffany Woods)
Handheld 3 exposure HDR / Photomatix Pro, Topaz Adjust and Photoshop processed.
We actually spent the day wondering around the coast inspite of the rain and snow and slush. Off and on sunshine with a partial sunset. Not like yesterdays dazzler for sure.
Direction,camera, editing, sound design: Christina McPhee
a naxsmash group production 2010
Ambient local sound with additional recordings from the series “Temporal de Santa Rosa,” by Brian Mackern netart.org.uy/xtcs/archivos.html
from the project “Tesserae of Venus” by CHristina McPhee 2009/10
www.christinamcphee.net/tesserae/index.html
2009
HDTV 1080i 1920 x 1080 16:9
3 minutes 20 seconds
In the Sacramento River Delta, amidst high tule reeds and exurban towns clinging to the edges of the vast flat waters, levees cache new alternative energy plants--natural gas. Shot at the Medanos plant, ludb.clui.org/ex/i/CA3463/ near Antioch and Pittsburg, California in spring 2009. Steam vents open breathing lungs, expanding and contracting, while water streams to cool the superheated turbines. Tesserae drawings spring from steam, lace, or laser-trace. Droplets like cilia explode from the center, tiling outwards, Fibonacci lilies. Volumes from a deep center, birth from turbines, white clouds placenta.
NOTES
I film on the fly at high tech energy installations. They are often under surveillance so you have to shoot at dawn, dusk or after hours on weekends, and never more than for a few minutes at a time. I shoot the video as a a kind of drawing. I use the camera as an on the fly editing tool by taking careful note how long to shoot. I work within a sense of the rhythm of the site, for example, in response to the rich sound rhythms from turbines. The shoots -- guerrilla-style as they are-- involve a poignant gesture or kairotic moment, which in urban slang may mean, not only the ‘perfect time or apt moment of luck,’ but in a strange reversal also “is used to express gayness or queerness or just to make fun of people who you don’t like as in “You are very kairotic” or “go away you kairotic bastard” “ (urbandictionary.com). You can find the alternative and petroleum energy extraction going on, usually, in rejected or neglected natural areas, especially littoral or marginal streambeds, riverbeds, and swamps or sloughs in estuaries near the ocean-- usually because of the need for large amounts of watter for cooling (at geothermal and natural gas extraction sites). Waste or trashy places--often, where sensitive micro-ecologies involving cleaning and sifting wastewaters is a natural process. These sites are 'trash' or bastard-- hobody wants to think about them. But the bird, animal and inasect life there proliferates despite the technological incursion . Thus an assemblage of disconnected elements= things that shouldn't be together-- are thrown together-. At the point of contact is a kairotic moment--
Watch this video on Vimeo. Video created by Christina McPhee.