who needs enemy's when you got parents like mine

 

Cathedral Coffee Shop

 

Sometimes it's hard to find a coffee shop that does really good tea. Luckily one in our neighborhood does an amazing job. A lot of care goes into a cup of tea there. Which is just what tea needs, right?

We lost boats and lapdanced accidentally, but made it back safe and sound! heehee

 

Visit this location at Bellisseria Fairgrounds Pier in Second Life

At least when you live up here where i live.....

it´s just to look up and dream away you sorrows all night long.

Who needs RHTT? The steamcocks knackered my shot of Bittern at Leamland on Sunday. Yes there is an A4 in the steam you can just see the chimney.

A hidden cove we stumbled upon (see story below) on the way back.The sun was about to set which further saturated the already amazing color of these rock formations. This really needs to be viewed Large On Black or with B l a c k M a g i c.

 

Canon 5D Mark II + EF 17-40mm f/4.0 L USM. 17mm 5sec at f/18, ISO400,Tripod.

 

After testing our Hummer in deep sands the previous afternoon, we decided that it may be the once-in-a-lifetime opportunity to attempt the arduous unmarked 4-wheel drive on sandy track to the remote South Coyotte Buttes area in the Paria Canyon Vermillion Cliffs Wilderness Area. The next morning we tried our luck again at the Paria ranger station for the 10 walk-in permits to the North Coyote Buttes (the famous "Wave") and not too surprisingly, didn't get it 2 days in a row. The permits to the South Coyote Buttes, on the other hand, are easily available due to the difficulty of access.

 

So the journey began.

 

Planning to shoot around Cottonwood access area at dusk, we entered the wilderness area in the afternoon. Most people have finished their day hikes and left this 112,500 acres region south of highway 89. Not maintaining enough revs at the first ascent after Paw Hole, our Hummer got buried in the sands and refused to go any further. The afternoon storm decided to drop in at the perfect timing while we used shovels, floor mats, tree trunks..etc to bring this monster out of the sands again. The rest of the road until the Cottonwood Cove access is more enjoyable after this lesson.

 

The evening light was unflattering so we just scouted the Cottonwood Teepees area before heading back to the tent.

 

The rain came in again around midnight and stayed on and off until 10am next morning. The color of the sandstone was deeply saturated under overcast sky and I just kept finding more and more bizarre formations around this otherworldly place.

 

We were sitting at the north end of the Cottonwood Teepees after the sun came out, gazing at the distant North and South Teepees, about 1.5 miles away. North Coyote Buttes is probably another 1.5 miles further, we were guessing. The Wave seemed so close. After quite some discussions the two of us decided to march north and perhaps accidentally enter the North Buttes...

 

All we have was one GPS location of The Wave, which is accurate according to Google Earth. Our GPS, however, led us to a place turned out to be half mile away from The Wave, after 4 hours of walking in deep sands and scrambling on the slickrock.

 

The Anasazi spirits were probably messing with us.

 

Frustrated, exhausted, and more importantly, out of water, heading back before sunset was the only option. The camera equipments seemed to gain weight with every step and we had to take naps whenever we found big enough trees to offer shades. I was tortured by the thirst, but lying under the trees and watching the lazy clouds over us was strangely relaxing...

 

On the way back to Cottonwood Teepees the sun started to set. Knowing that we had roughly the right direction, we headed toward the middle section of these alien rock formations instead of following the outer path where we came from. We stumbled upon a nice hidden sand cove after scrambling up a ridge, but only to find that there is no way to get down the other side which happened to be hundreds feet of vertical drop on slick rocks. It's 7pm and the daylight had almost faded with only a hint of color in the sky. We backtracked and decided to follow the outer edge in hope to find the way we came. With only one headlamp we climbed one sand dune after another in darkness. The waypoints and tracks on our GPS were so entangled that we didn't know what to follow any more. Bushes and rocks, near and far, were all mixed together under the moonlight that we found ourselves in the middle of a maze. Lack of water for hours I might have slight delusion and started to believe that we have to stay right there in the desert for the night, without any water, and exposed to all sorts of unknown beasts in the wilderness.

 

We took a final look at the GPS and carefully examined the track record. At some point our track did intercept with the earlier ones we left the previous day when scouting. Forgetting all the conflicting messages the surrounding landscape was casting on us, we decided to blindly follow the GPS.

 

Another hour later, we were finally back at the tent.

 

REFORD GARDENS | LES JARDINS DE METIS

 

Visit: www.refordgardens.com

 

---------------------------------------------------------------------------------------------

From the plaque:

 

ANAMORPHOSES «LA PROMENADE» & «REFLETS», 2014

 

"As I capture the subject in its brief moment, the instant has vanished in a flash and created an infinite number of transformations".

 

Danièle Rataboule, Landscape Architect, Urban Planner and Teacher at University of Montreal.

 

------------------------------------------------------------------------------------------

 

Beautiful flowers at Reford Gardens.

  

Visit : www.refordgardens.com/

 

From Wikipedia:

 

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

 

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

  

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

 

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

 

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

 

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

 

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

 

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

 

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

 

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

 

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

 

Visit : en.wikipedia.org/wiki/Elsie_Reford

  

LES JARDINS DE MÉTIS

 

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

 

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

 

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

 

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Here is Micro Space LUG's first collaborative build at BrickCon 2017 in Seattle, WA.

 

Backstory:

Massive energy readings are detected in deep space by multiple human space faring factions. Upon arrival, a gigantic warp gate ring is discovered. Without warning, menacing alien spacecraft emerge from the gate and swarm the human starships. Some ships are destroyed immediately following the emergence of the alien vessels. The rest of the fleets quickly find themselves swarmed by fast moving fighter craft with numerous impacts to their shields. A desperate struggle unfolds. Which side will prevail?

 

The warp gate, alien ships, and the red/grey human fleet was designed and built by Daniel Fortine.

 

The pointy shaped human ships on the tall stand in gray/dark blue, yellow/gray, and olive/gray/white were designed and built by Ktorrek

 

The human ships that are gray with the white/blue stripes were designed and built by me.

 

A kind of skirt that maybe needs a slip underneath?

Timesheet needs uploading..

Been trying to upload my timesheet from home for a few days.. Couldn't log in at all! So popped into work this afternoon to do it on the station computers. Worked first time! Sigh!!

But at least it gave me a reason to have a 'Long way round' ride on Navi!!

What a lovely afternoon it was too.. Mostly I kept to the back roads as I knew it would be very busy at the popular spots and it was as well! Glad I was not in the car!!

 

You can see in the third collage I had a bit of an Italian plastic problem en route! Good job I had my first aid kit!!

Something needs to be done about Abby. I think she's going to need a new face-up. This one is simply too... standard, too... pale. She definitely needs a bit of colour! Suggestions (also for face-up artists in Europe) very, very welcome!

I posted a shot of this shop a while ago, I think this one is better

Who needs models when you can go to the Farmer's Market in Oshkosh, Wisconsin and enjoy fantastic street photography opportunities. Today I was walking fast and just "spraying and praying" for some good shots. The musicians, like this young lady, for me, are always interesting.

 

I made this image with my Pentax K5 and Pentax 50-135mm lens. Processing was done in Aperture 3 and Snapseed for Macs.

 

Camera settings: ISO 100, aperture 2.8, shutter 1/800, focal length 85mm

 

cello player

making music along the street

at the farmers market

 

Image and haiku by John Henry Gremmer

Here are Arriva Buses Wales Optare Solos CX09 BFP 684 and MX12 KVG 711 are seen resting at the Arriva Bangor headquaters as the depot is closed on New Years Day while these will be having a fresh start for 2017 in their Monday to Saturday and Sunday services. 1/01/17

again trial and error tried something and it worked. please enjoy

He still needs blades for his skates...

Needs a good caption really.

In no particular order these are my top 10 underrated movie gems that everyone needs to check out. What do you think? Leave a comment bellow!

 

Army of Darkness: Sam Raimi's Evil Dead trilogy is one of the most innovative horror franchises of all time. Due to the humor and fun visuals, the third in the series just so happens to be one of my all time favorite movies. The plot is bonkers yet super fun and energetic. Bruce Campbell's character Ash is one of my all time favorite movie characters and if you check out Army of Darkness, you'll know why. Any fan of horror, fantasy, action, comedy, or Sam Raimi needs to check this movie out!

 

After Hours: This movie is one of director Marty Scorsese's great comedies (others being The King of Comedy and The Wolf of Wall Street ). Unfortunately like The King of Comedy, After Hours is extremely underrated. Seriously this movie is one of the most fun, thrilling, and entertaining dark comedy of all time. Seriously, I cannot stress this enough, this is just one of those fun movies that everyone should see. Scorsese's directing is impeccable (like always) and its a shame more people don't obsess over it like some of his other great movies. If you're looking for a masterful dark comedy or a movie that explores night life, this is the movie for you.

 

Miami Connection: Holy shit. This movie is insane. This movie is everything you could ask for in an action movie. So the story behind this movie is back in the 1980s a tae kwon do master and beloved inspiration speaker Y.K. Kim wanted to make the ultimate action tae kwon do movie. When it came out it only played in a handful of local theaters in the Orlando area and was universally paned. It wasn't until it was rediscovered a few years back when gained a fan base. This movie has it all from an original soundtrack consisting of rock and roll songs about ninjas to epic street brawls. This movie is an earnest and passionate attempt to make a blockbuster and the love and care really shows. If you're not convinced check out this episode of Best of the Worst: www.youtube.com/watch?v=mbWTthXfdBc

 

THX 1138: Once upon a time George Lucas was just a weird nerd who wanted to make super trippy experimental films. THX 1138 is actually the feature length adaptation of the critically acclaimed student film he made back in the 1960s. Though the movie was a huge flop both critically and financially, it lives on as a prime example of how to make a dystopian science fiction film. Without this dark story Lucas would never have been pushed towards telling light hearted stories like American Graffiti (almost made the list), Star Wars, and Indiana Jones.

 

Kiss Kiss Bang Bang: This is another black comedy that takes place mostly during the night much like After Hours. Shane Black is a legendary action writer and this was the first film he directed. This might be one of the best first tries at directing I've ever seen. The chemistry between Robert Downey Jr. and Val Kilmer is off the charts and the dialogue is so much fun. The story is a wonderful action mystery filled with twists and turns. Its a perfect noir that highlights Los Angeles perfectly. This is a contender for one of the best comedies I've ever seen. If you're a fan of Quentin Tarantino, you will definitely enjoy this movie, its very much in the same style as some of his early films.

 

Swingers: This movie launched the careers of Jon Favreau, Vince Vaughn, and Doug Liman. This is such a great comedy and it continues the trend of this list of comedies that explore night life. Its the perfect "guy's movie" that explores the allure of women, friendship, and the loneliness that comes with breaking up. Its movies like this that make you feel ashamed of those lowest common denominator comedies that come out these days. Such a great script, super fun characters, and timeless themes; whats not to like?

 

Fateful Findings: Step aside The Room, Fateful Findings has dethroned you as the "best worst movie". Neil Breen is an architect based out of Las Vegas who funds all of his movies on his own as well as writing, directing, producing, and staring in every one of his movies (including this one). He has literally no education in filmmaking and it shows in this movie but who cares, this movie is mesmerizing. Its suppose to be some sort of drama about corporate greed but it all comes across as narcissistic and pretentious. Its seriously one of the most mind boggling movies out there. Its cheesy, its low budget, and its amazing. Its the greatest bad movie ever made.

 

True Lies: James Cameron and Arnold Schwarzenegger are a power house couple couple and for some odd reason this gem of a movie has been swept under the rug over the past 25 years. This might be one of the best action movies ever with jaw dropping action set pieces and hilarious dialogue. I am a huge fan of Cameron and its a shame that Avatar is overshadowing his amazing filmography, this movie in particular. This movie is grand spectacle filled with wonderful characters. Do your self a favor and watch it now.

 

The Untouchables: Its baffling how this movie isn't held to a higher regard. This movie belongs in the pantheon of gangster movies and its one of the greatest movies ever made. Brian De Palma's directing is so crazy good I can't really put it into words. Every performance from DeNiro to Connery to Kevin Costner is energetic and powerful. The action is sparse yet amazing and the cinematography is wonderful and pays homage to films of the past. Ennio Morricone's score is easily top 10 of all time yet no one talks about it. The more I type, the more I get confused to why this movie isn't more popular. If you're going to watch any of these movie, watch this one.

 

Big Trouble in Little China: The easiest way to describe this movie is a campy version of Temple of Doom boosted up to level 11. John Carpenter is such an energetic director and his style feeds right into Kurt Russel's macho and charisma filled performance. Much like Miami Connection the action in this movie is so over the top but in the most enjoyable fashion. Seeing Kurt Russel's character be totally confused by Asian culture makes for a perfect fish out of water story. Its the perfect blend of crazy kung fu and western action.

Eyes: {S0NG} Soul V2 Eyes - @The Men's Dept. Event - 08/05 - maps.secondlife.com/secondlife/TMD/125/169/22

main store - maps.secondlife.com/secondlife/Meringue/61/83/1064

 

Jewelry: [Glitzz] Royal Crown & [Glitzz] Tamara Choker - main store - maps.secondlife.com/secondlife/Glitzz/168/127/40

 

Dress: [Glitzz] Anais Dress - main store - maps.secondlife.com/secondlife/Glitzz/168/127/40

 

Heels: Tantrum - Siobhan Platforms - @Fetish Fair -

maps.secondlife.com/secondlife/Fender/126/114/24

main store - maps.secondlife.com/secondlife/Tantrum/13/135/1002

 

Apples: [Mamere] Posion Apple - main store - maps.secondlife.com/secondlife/Mamere/197/66/2003

 

Bed & Canopy: :CP: Bella Bedroom - @Enchantment - maps.secondlife.com/secondlife/Nymphai/125/102/3117

main store - maps.secondlife.com/secondlife/Cheeky%20Pea/27/133/21

 

Tea Lights: Oh Deer! Leaf Wall Candles - main store - maps.secondlife.com/secondlife/Missing%20Melody/178/228/2501

"Christ's limitless resources meet

our endless needs."

~ unknown

  

A memory in Yokohama (Japan)...

 

Everything needs nurturing and care or they become withered, overgrown and die. It doesn't matter if it is an old Edo period building, an old radio, watch, camera or even relationships. It is true-- all things need upkeep and maintenance.

 

Taken around Shikemichi in Nagoya.

{Le'La} Maid Costume ♥Halloween Promo♥

Demo available InWorld store

   

rigged mesh:

   

Dress | Collar | Apron | Panty | Cuffs | Boots

   

non rigged : Bonnet | Feather Duster

   

BOM Stockings

   

FitMesh for mesh avatars

   

sizes

   

☻ 2 Fitted Mesh for Maitreya/Petite & Larax/Petite

 

☻ 3 Fitted Mesh for Legacy/Perky/Bombshell

 

☻ 1 Fitted Mesh for Inithium Kupra

 

☻ 2 Fitted Mesh for Ebody Reborn/waifus

 

☻ 2 Fitted Mesh for Belleza GenX Classic/Curvy

   

IMPORTANT

 

↳ Always try DEMO before buying, please! ♥

 

↳ No Refunds For Products with DEMO available.

 

Mainstore maps.secondlife.com/secondlife/LeLa%20Island/145/176/3803

It is October 1942 and the location is Long Beach California USA and in an aircraft manufacturing plant a US Army Air Corps C-47 is under construction and it would be registered and No. 6021 and would later be allocated 41-18660 which was its US serial number.

Arriving at Archerfield (QLD) in January 1943 the C-47 was assigned to the Fifth Air Force which at time was operating in Australia.

With the war rapidly coming to an end it became obvious that a large number of aircraft would be surplus to needs and to counter this loss the Australian Government gained permission from the Far East Air Services Command to immediately release three aircraft and a further nine aircraft on conclusion of hostilities.

In June 1946 the three aircraft were officially transferred to the Department of Civil Aviation (DCA) from the newly formed Australian National Airline Commission (ANAC).

The now named “Hawdon” VH-AES flew the first passenger flight for Trans Australia Airlines (TAA) from Melbourne to Sydney on 9th September 1946 departing at 6.00am.

From September 1946 – June 1959 the “Hawdon” serviced TAA predominately in Queensland until 26th June 1959 when it was withdrawn from service.

Following an extensive restoration to flying condition and refurbishment the aircraft flew from Melbourne to Lae on 12th August 1960 to become the first TAA aircraft to fly to New Guinea.

It was whilst it was in New Guinea that the aircraft was given a new livery in Sunbird colours and a new registration VH-SBA.

On 7th June 1970 the aircraft was yet again withdrawn from service when in Brisbane between June 1971 – August 1971 it was again restored to flying condition.

The aircraft was flown to Melbourne on 9th September 1971 where it once again flew the Melbourne Sydney Melbourne route to commemorate the 25th anniversary of the inaugural flight.

On 19th July 1973 the aircraft was again withdrawn from service from Air Nuigini who were loaned the aircraft in October 1971.

The aircraft would remained parked at Melbourne Airport unceremoniously beside a fence until it was once again refurbished but this time it was used as a static display where it was suspended from an arch in the Melbourne Airport car park on 13th December 1979.

It would be removed on 29th April 1987 where it was once again parked against the fence.

Volunteers from Australian Airlines staff began to restore the aircraft to flying condition in January 1988 and on 9th September 1988 6 of the original 21 passengers from the original flight flew a commemorative flight celebrating the 42nd anniversary of the first flight.

Today the “Hawdon” is in its new and more permanent home at HARS located at Albion Park and it represents a fascinating insight into Australia’s aviation history.

Albion Park

New South Wales.

Australia.

 

From my series, "Homebound pinholes".

 

Le Bambole Mk.XIII, "The Pin-Debo-Lair" Pinhole Camera.

Photographed on FujiFilm's new Instax Wide Monochrome instant film. Desaturated in digital post-processing to remove blue-green tint.

“Make yourself necessary to somebody.”

~ Ralph Waldo Emerson

  

...Social Distancing

The bullets fired from the gun Linda is holding travel ever closer to my chest. I can’t move. Hunter has me held completely immobile. I close my eyes and focus on moving. Every ounce of strength I can muster needs to be enough for me to break free from Hunter’s grasp. I need to focus!

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

(8 years ago, Wally’s first encounter with Captain Cold)

 

“Ah, poor Kid Flash stuck in ice and no way to get out. Not even the Flash is here to help you.”

 

“Think again!” Barry yells as the ice slowly begins to rise up over my chest. I knew he wouldn’t be far behind me. Though I hate that he doesn’t completely trust me, I am thankful that he followed me this time. Without his distrust, today may have actually been my last day. “Snart, you’re under arrest for multiple counts of theft and two charges of murder.”

 

“Nice to see the whole Flash family together. Now you can die together.” Captain Cold aims his freeze ray at Barry and pulls the trigger. Within an instant Barry is… Wait, how? Barry got his feet trapped in two blocks of ice. How did that even happen?

 

”Let us go!” I yell as Captain Cold jumps down from the platform he stood on. He laughs as he gets closer to me.

 

“Before I go, let’s see who’s underneath these masks.” Captain Cold says with a devious smirk on his face. He walks over to Barry. Unfortunately, the ice blocks around Barry have already formed around Barry’s arms, making a strike against Captain Cold null and void. As Snart begins to lift up Barry’s mask, a blur of yellow lightning emits from the ice block Barry is in. Suddenly, Barry is holding Snart by his neck.

 

”Woah!”

 

Time passes and Snart is taken into Iron Heights. Barry and I are back at his apartment. He grabs a couple of his specially made protein bars from the pantry and throws one to me.

 

”So how did you do that?” I ask as I unwrap the bar from its wrapper.

 

“I vibrated to the frequency of the ice and ‘slid’ out from the block.” He says as he takes a bite form his bar.

 

”Can you teach me?”

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

I focus and begin to vibrate my body at immense speeds. I become almost invisible to the human eye as I pass through hunter’s arms. Quickly, I take Hunter and throw him to the ground. He quickly gets back up, but as he does the two bullets Linda fired rip through his back. He quickly shows surprise on his face.

 

”No!” I yell as I run to his side. He quickly drops to the ground and I kneel by his side. I grab his hand and quickly check for a pulse. Linda runs over to my side.

 

”I thought he died.” She must have noticed it was Hunter. I look up to her as a tear runs down my cheek.

 

”So did I.”

 

”I didn’t know it was him. Is he still breathing? Should I call an ambulance?” Linda quickly answers. She begins to pull out her phone from her pocket.

 

“No.” I say as I take my hand from his wrist. ”He’s not breathing.”

 

I take the scythe from his hand. As I do so, a large blast of lightning strikes Hunter’s body. He’s gone as quickly as he arrived.

 

”Where’d he go?” Linda asks. I, with no real answer, am forced to make a cliché answer.

 

“That’s a long story.” She places her hand on my shoulder

 

“You want to talk over a cup of tea? I made some at home and I think it still may be a little hot.” I crack a slight smile and look at her.

 

“That sounds nice.” I say. I look down at the scythe and then grab Linda around the waste. I pick her up and race us both back to our apartment. Quickly, set her down on the couch and I run into our room and change into normal clothes. I make my way back into the living room and she stands up from her seat.

 

“Did you just?”

 

”Do you mind?”

 

“Not at all. Quite fun, actually.” She says as she picks up her cup of tea and takes a sip. She smiles as she brings the cup down from her lips. “Ah, it’s still warm.”

 

We both take a seat next to each other on the couch. I pick up my cup and the television remote. With a click, the television turns on and I softly elbow Linda on her arm.

 

”I hope you don’t mind, I put the scythe atop the shelf underneath the tv.” I say as I take a sip from my cup of tea.

 

”No, that’s fine.” Linda answers as she leans closer to me and wraps her arm around mine.

 

“Good.” I quietly say as I take another sip from my cup…

----------------------------------------------------------

Photographer: BeaR

MD: 芒小果 （Maki Sun）

Stylist: 徐妍蓁

GROUP: W.H.

Retouch: LR+PS

Special Thanks: 小天使 諶家偉

 

#BeaRPhoto

 

From Wikipedia, the free encyclopedia

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For other uses, see Androgyny (disambiguation).

 

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Androgyny is the combination of masculine and feminine characteristics into an ambiguous form. Androgyny may be expressed with regard to biological sex, gender identity, gender expression, or sexual identity.

 

When androgyny refers to mixed biological sex characteristics in humans, it often refers to intersex people. As a gender identity, androgynous individuals may refer to themselves as non-binary, genderqueer, or gender neutral. As a form of gender expression, androgyny can be achieved through personal grooming or fashion. Androgynous gender expression has waxed and waned in popularity in different cultures and throughout history.

  

Contents

1Etymology

2History

3Symbols and iconography

4Biological

5Psychological

5.1Bem Sex-Role Inventory

5.2Personal Attribues Questionnaire

6Gender identity

7Gender expression

7.1Androgyny in fashion

8Alternatives

9Contemporary trends

10See also

11References

12External links

Etymology[edit]

Androgyny as a noun came into use c. 1850, nominalizing the adjective androgynous. The adjective use dates from the early 17th century and is itself derived from the older French (14th Century) and English (c. 1550) term androgyne. The terms are ultimately derived from Ancient Greek: ἀνδρόγυνος, from ἀνήρ, stem ἀνδρ- (anér, andr-, meaning man) and γυνή (gunē, gyné, meaning woman) through the Latin: androgynus,[1] The older word form androgyne is still in use as a noun with an overlapping set of meanings.

 

History[edit]

See also: Sexuality in ancient Rome § Hermaphroditism and androgyny

Androgyny among humans – expressed in terms of biological sex characteristics, gender identity, or gender expression – is attested to from earliest history and across world cultures. In ancient Sumer, androgynous and hermaphroditic men were heavily involved in the cult of Inanna.[2]:157–158 A set of priests known as gala worked in Inanna's temples, where they performed elegies and lamentations.[2]:285 Gala took female names, spoke in the eme-sal dialect, which was traditionally reserved for women, and appear to have engaged in homosexual intercourse.[3] In later Mesopotamian cultures, kurgarrū and assinnu were servants of the goddess Ishtar (Inanna's East Semitic equivalent), who dressed in female clothing and performed war dances in Ishtar's temples.[3] Several Akkadian proverbs seem to suggest that they may have also engaged in homosexual intercourse.[3] Gwendolyn Leick, an anthropologist known for her writings on Mesopotamia, has compared these individuals to the contemporary Indian hijra.[2]:158–163 In one Akkadian hymn, Ishtar is described as transforming men into women.[3]

 

The ancient Greek myth of Hermaphroditus and Salmacis, two divinities who fused into a single immortal – provided a frame of reference used in Western culture for centuries. Androgyny and homosexuality are seen in Plato's Symposium in a myth that Aristophanes tells the audience.[4] People used to be spherical creatures, with two bodies attached back to back who cartwheeled around. There were three sexes: the male-male people who descended from the sun, the female-female people who descended from the earth, and the male-female people who came from the moon. This last pairing represented the androgynous couple. These sphere people tried to take over the gods and failed. Zeus then decided to cut them in half and had Apollo repair the resulting cut surfaces, leaving the navel as a reminder to not defy the gods again. If they did, he would cleave them in two again to hop around on one leg. Plato states in this work that homosexuality is not shameful. This is one of the earlier written references to androgyny. Other early references to androgyny include astronomy, where androgyn was a name given to planets that were sometimes warm and sometimes cold.[5]

 

Philosophers such as Philo of Alexandria, and early Christian leaders such as Origen and Gregory of Nyssa, continued to promote the idea of androgyny as humans' original and perfect state during late antiquity.”[6] In medieval Europe, the concept of androgyny played an important role in both Christian theological debate and Alchemical theory. Influential Theologians such as John of Damascus and John Scotus Eriugena continued to promote the pre-fall androgyny proposed by the early Church Fathers, while other clergy expounded and debated the proper view and treatment of contemporary “hermaphrodites.”[6]

 

Western esotericism’s embrace of androgyny continued into the modern period. A 1550 anthology of Alchemical thought, De Alchemia, included the influential Rosary of the Philosophers, which depicts the sacred marriage of the masculine principle (Sol) with the feminine principle (Luna) producing the "Divine Androgyne," a representation of Alchemical Hermetic beliefs in dualism, transformation, and the transcendental perfection of the union of opposites.[7] The symbolism and meaning of androgyny was a central preoccupation of the German mystic Jakob Böhme and the Swedish philosopher Emanuel Swedenborg. The philosophical concept of the “Universal Androgyne” (or “Universal Hermaphrodite”) – a perfect merging of the sexes that predated the current corrupted world and/or was the utopia of the next – also plays a central role in Rosicrucian doctrine[8][9] and in philosophical traditions such as Swedenborgianism and Theosophy. Twentieth century architect Claude Fayette Bragdon expressed the concept mathematically as a magic square, using it as building block in many of his most noted buildings.[10]

 

Symbols and iconography[edit]

 

The Caduceus

In the ancient and medieval worlds, androgynous people and/or hermaphrodites were represented in art by the caduceus, a wand of transformative power in ancient Greco-Roman mythology. The caduceus was created by Tiresias and represents his transformation into a woman by Juno in punishment for striking at mating snakes. The caduceus was later carried by Hermes/Mercury and was the basis for the astronomical symbol for the planet Mercury and the botanical sign for hermaphrodite. That sign is now sometimes used for transgender people.

 

Another common androgyny icon in the medieval and early modern period was the Rebis, a conjoined male and female figure, often with solar and lunar motifs. Still another symbol was what is today called sun cross, which united the cross (or saltire) symbol for male with the circle for female.[11] This sign is now the astronomical symbol for the planet Earth.[12]

  

Mercury symbol derived from the Caduceus

 

A Rebis from 1617

 

"Rose and Cross" Androgyne symbol

 

Alternate "rose and cross" version

Biological[edit]

See also: Sex differences in humans

Historically, the word androgynous was applied to humans with a mixture of male and female sex characteristics, and was sometimes used synonymously with the term hermaphrodite.[13] In some disciplines, such as botany, androgynous and hermaphroditic are still used interchangeably.

 

When androgyny is used to refer to physical traits, it often refers to a person whose biological sex is difficult to discern at a glance because of their mixture of male and female characteristics. Because androgyny encompasses additional meanings related to gender identity and gender expression that are distinct from biological sex, today the word androgynous is rarely used to formally describe mixed biological sex characteristics in humans. [14] In modern English, the word intersex is used to more precisely describe individuals with mixed or ambiguous sex characteristics. However, both intersex and non-intersex people can exhibit a mixture of male and female sex traits such as hormone levels, type of internal and external genitalia, and the appearance of secondary sex characteristics.

 

Psychological[edit]

Though definitions of androgyny vary throughout the scientific community, it is generally supported that androgyny represents a blending of traits associated with both masculinity and femininity. In psychological study, various measures have been used to characterize gender, such as the Bem Sex Role Inventory, the Personal Attributes Questionnaire.[15]

 

Broadly speaking, masculine traits are categorized as agentic and instrumental, dealing with assertiveness and analytical skill. Feminine traits are categorized as communal and expressive, dealing with empathy and subjectivity.[16] Androgynous individuals exhibit behavior that extends beyond what is normally associated with their given sex.[17] Due to the possession of both masculine and feminine characteristics, androgynous individuals have access to a wider array of psychological competencies in regards to emotional regulation, communication styles, and situational adaptability. Androgynous individuals have also been associated with higher levels of creativity and mental health.[18][19]

 

Bem Sex-Role Inventory[edit]

The Bem Sex-Role Inventory (BSRI) was constructed by the early leading proponent of androgyny, Sandra Bem (1977).[20][better source needed] The BSRI is one of the most widely used gender measures. Based on an individual's responses to the items in the BSRI, they are classified as having one of four gender role orientations: masculine, feminine, androgynous, or undifferentiated. Bem understood that both masculine and feminine characteristics could be expressed by anyone and it would determine those gender role orientations.[21]

 

An androgynous person is an individual who has a high degree of both feminine (expressive) and masculine (instrumental) traits. A feminine individual is ranked high on feminine (expressive) traits and ranked low on masculine (instrumental) traits. A masculine individual is ranked high on instrumental traits and ranked low on expressive traits. An undifferentiated person is low on both feminine and masculine traits.[20]

 

According to Sandra Bem, androgynous individuals are more flexible and more mentally healthy than either masculine or feminine individuals; undifferentiated individuals are less competent.[20] More recent research has debunked this idea, at least to some extent, and Bem herself has found weaknesses in her original pioneering work. Now she prefers to work with gender schema theory.

 

One study found that masculine and androgynous individuals had higher expectations for being able to control the outcomes of their academic efforts than feminine or undifferentiated individuals.[22]

 

Personal Attribues Questionnaire[edit]

The Personal Attributes Questionnaire (PAQ) was developed in the 70s by Janet Spence, Robert Helmreich, and Joy Stapp. This test asked subjects to complete to a survey consisting of three sets of scales relating to masculinity, femininity, and masculinity-femininity. These scales had sets of adjectives commonly associated with males, females, and both. These descriptors were chosen based on typical characteristics as rated by a population of undergrad students. Similar to the BSRI, the PAQ labeled androgynous individuals as people who ranked highly in both the areas of masculinity and femininity. However, Spence and Helmreich considered androgyny to be a descriptor of high levels of masculinity and femininity as opposed to a category in and of itself.[15]

 

Gender identity[edit]

An individual's gender identity, a personal sense of one's own gender, may be described as androgynous if they feel that they have both masculine and feminine aspects. The word androgyne can refer to a person who does not fit neatly into one of the typical masculine or feminine gender roles of their society, or to a person whose gender is a mixture of male and female, not necessarily half-and-half. Many androgynous individuals identify as being mentally or emotionally both masculine and feminine. They may also identify as "gender-neutral", "genderqueer", or "non-binary".[23] A person who is androgynous may engage freely in what is seen as masculine or feminine behaviors as well as tasks. They have a balanced identity that includes the virtues of both men and women and may disassociate the task with what gender they may be socially or physically assigned to.[24] People who are androgynous disregard what traits are culturally constructed specifically for males and females within a specific society, and rather focus on what behavior is most effective within the situational circumstance.[24]

 

Many non-western cultures recognize additional androgynous gender identities. Jewish culture recognizes the Tumtum and Androgynos genders. In Chinese culture exists the Yinyang ren gender. The Bugis of Indonesia recognize five genders, Bissu representing the androgynous category. In Hawaiian culture, the third gender Māhū is recognized. In Oaxacan Zapotec culture, the Muxe are recognized as a third gender. In India, the Hijra is the third androgynous gender. Samoans accept Fa’afafine as a third gender. Native American culture includes Two Spirit as a general third gender.

 

Gender expression[edit]

Gender expression, which includes a mixture of masculine and feminine characteristics, can be described as androgynous. The categories of masculine and feminine in gender expression are socially constructed, and rely on shared conceptions of clothing, behavior, communication style, and other aspects of presentation. In some cultures, androgynous gender expression has been celebrated, while in others, androgynous expression has been limited or suppressed. To say that a culture or relationship is androgynous is to say that it lacks rigid gender roles, or has blurred lines between gender roles.

 

The word genderqueer is often used by androgynous individuals to refer to themselves, but the terms genderqueer and androgynous are neither equivalent nor interchangeable.[25] Genderqueer is not specific to androgynes, and does not denote gender identity. It may refer to any person, cisgender or transgender, whose behavior falls outside conventional gender norms. Furthermore, genderqueer, by virtue of its ties with queer culture, carries sociopolitical connotations that androgyny does not carry. For these reasons, some androgynes may find the label genderqueer inaccurate, inapplicable, or offensive. Androgneity is considered by some to be a viable alternative to androgyn for differentiating internal (psychological) factors from external (visual) factors.[26]

 

Terms such as bisexual, heterosexual, and homosexual have less meaning for androgynous individuals who do not identify as men or women to begin with. Infrequently the words gynephilia and androphilia are used, and some describe themselves as androsexual. These words refer to the gender of the person someone is attracted to, but do not imply any particular gender on the part of the person who is feeling the attraction.[citation needed]

  

Louise Brooks exemplified the flapper. Flappers challenged traditional gender roles, had boyish hair cuts and androgynous figures.[27]

Androgyny in fashion[edit]

Throughout most of twentieth century Western history, social rules have restricted people's dress according to gender. Trousers were traditionally a male form of dress, frowned upon for women.[28] However, during the 1800s, female spies were introduced and Vivandières wore a certain uniform with a dress over trousers. Women activists during that time would also decide to wear trousers, for example Luisa Capetillo, a women's rights activist and the first woman in Puerto Rico to wear trousers in public.[29]

  

Coco Chanel wearing a sailor's jersey and trousers. 1928

In the 1900s, starting around World War I traditional gender roles blurred and fashion pioneers such as Paul Poiret and Coco Chanel introduced trousers to women's fashion. The "flapper style" for women of this era included trousers and a chic bob, which gave women an androgynous look.[30] Coco Chanel, who had a love for wearing trousers herself, created trouser designs for women such as beach pajamas and horse-riding attire.[28] During the 1930s, glamorous actresses such as Marlene Dietrich fascinated and shocked many with their strong desire to wear trousers and adopt the androgynous style. Dietrich is remembered as one of the first actresses to wear trousers in a premiere.[31]

  

Yves Saint Laurent, the tuxedo suit "Le Smoking", created in 1966

Throughout the 1960s and 1970s, the women's liberation movement is likely to have contributed to ideas and influenced fashion designers, such as Yves Saint Laurent.[32] Yves Saint Laurent designed the Le Smoking suit and first introduced in 1966, and Helmut Newton’s erotized androgynous photographs of it made Le Smoking iconic and classic.[33] The Le Smoking tuxedo was a controversial statement of femininity and has revolutionized trousers.

 

Elvis Presley, however is considered to be the one who introduced the androgynous style in rock'n'roll and made it the standard template for rock'n'roll front-men since the 1950s.[34] His pretty face and use of eye makeup often made people think he was a rather "effeminate guy",[35] but Elvis Presley was considered as the prototype for the looks of rock'n'roll.[34] The Rolling Stones, says Mick Jagger became androgynous "straightaway unconsciously" because of him.[35]

 

However, the upsurge of androgynous dressing for men really began after during the 1960s and 1970s. When the Rolling Stones played London's Hyde Park in 1969, Mick Jagger wore a white "man's dress" designed by British designer Mr Fish.[36] Mr Fish, also known as Michael Fish, was the most fashionable shirt-maker in London, the inventor of the Kipper tie, and a principal taste-maker of the Peacock revolution in men's fashion.[37] His creation for Mick Jagger was considered to be the epitome of the swinging 60s.[38] From then on, the androgynous style was being adopted by many celebrities.

  

Annie Lennox was known for her androgyny in the 1980s

During the 1970s, Jimi Hendrix was wearing high heels and blouses quite often, and David Bowie presented his alter ego Ziggy Stardust, a character that was a symbol of sexual ambiguity when he launched the album The Rise and Fall of Ziggy Stardust and Spiders from Mars.[39] This was when androgyny entered the mainstream in the 1970s and had a big influence in pop culture. Another significant influence during this time included John Travolta, one of the androgynous male heroes of the post-counter-culture disco era in the 1970s, who starred in Grease and Saturday Night Fever.[40]

 

Continuing into the 1980s, the rise of avant-garde fashion designers like Yohji Yamamoto,[41] challenged the social constructs around gender. They reinvigorated androgyny in fashion, addressing gender issues. This was also reflected within pop culture icons during the 1980s, such as David Bowie and Annie Lennox.[42]

 

Power dressing for women became even more prominent within the 1980s which was previously only something done by men in order to look structured and powerful. However, during the 1980s this began to take a turn as women were entering jobs with equal roles to the men. In the article “The Menswear Phenomenon” by Kathleen Beckett written for Vogue in 1984 the concept of power dressing is explored as women entered these jobs they had no choice but to tailor their wardrobes accordingly, eventually leading the ascension of power dressing as a popular style for women.[43] Women begin to find through fashion they can incite men to pay more attention to the seduction of their mental prowess rather, than the physical attraction of their appearance. This influence in the fashion world quickly makes its way to the world of film, with movies like "Working Girl" using power dressing women as their main subject matter.

 

Androgynous fashion made its most powerful in the 1980s debut through the work of Yohji Yamamoto and Rei Kawakubo, who brought in a distinct Japanese style that adopted distinctively gender ambiguous theme. These two designers consider themselves to very much a part of the avant-garde, reinvigorating Japanism.[44] Following a more anti-fashion approach and deconstructing garments, in order to move away from the more mundane aspects of current Western fashion. This would end up leading a change in Western fashion in the 1980s that would lead on for more gender friendly garment construction. This is because designers like Yamamoto believe that the idea of androgyny should be celebrated, as it is an unbiased way for an individual to identify with one's self and that fashion is purely a catalyst for this.[citation needed]

 

Also during the 1980s, Grace Jones's a famous singer and fashion model gender-thwarted appearance in the 1980s which startled the public, but her androgynous style of heavily derivative of power dressing and eccentric personality has inspired many, and has become an androgynous style icon for modern celebrities.[45] This was seen as controversial but from then on, there was a rise of unisex designers later in the 1990s and the androgynous style was widely adopted by many.

 

In 2016, Louis Vuitton revealed that Jaden Smith would star in their womenswear campaign. Because of events like this, gender fluidity in fashion is being vigorously discussed in the media, with the concept being articulated by Lady Gaga, Ruby Rose, and in Tom Hooper's film The Danish Girl. Jaden Smith and other young individuals, such as Lily-Rose Depp, have inspired the movement with his appeal for clothes to be non-gender specific, meaning that men can wear skirts and women can wear boxer shorts if they so wish.[46]

 

Alternatives[edit]

[icon]

This section needs expansion. You can help by adding to it. (August 2009)

An alternative to androgyny is gender-role transcendence: the view that individual competence should be conceptualized on a personal basis rather than on the basis of masculinity, femininity, or androgyny.[47]

 

In agenderism, the division of people into women and men (in the psychical sense), is considered erroneous and artificial.[48] Agendered individuals are those who reject genderic labeling in conception of self-identity and other matters.[49] [50][51][52] They see their subjectivity through the term person instead of woman or man.[49]:p.16 According to E. O. Wright, genderless people can have traits, behaviors and dispositions that correspond to what is currently viewed as feminine and masculine, and the mix of these would vary across persons. Nevertheless, it doesn't suggest that everyone would be androgynous in their identities and practices in the absence of gendered relations. What disappears in the idea of genderlessness is any expectation that some characteristics and dispositions are strictly attributed to a person of any biological sex.[53]

 

Contemporary trends[edit]

 

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Jennifer Miller, bearded woman

 

X Japan founder Yoshiki is often labelled androgynous, known for having worn lace dresses and acting effeminate during performances[54]

 

South Korean pop star G-Dragon is often noted for his androgynous looks[55][56]

Androgyny has been gaining more prominence in popular culture in the early 21st century.[57] Both fashion industries[58] and pop culture have accepted and even popularised the "androgynous" look, with several current celebrities being hailed as creative trendsetters.

 

The rise of the metrosexual in the first decade of the 2000s has also been described as a related phenomenon associated with this trend. Traditional gender stereotypes have been challenged and reset in recent years dating back to the 1960s, the hippie movement and flower power. Artists in film such as Leonardo DiCaprio sported the "skinny" look in the 1990s, a departure from traditional masculinity which resulted in a fad known as "Leo Mania".[59] This trend came long after musical superstars such as David Bowie, Boy George, Prince, Pete Burns and Annie Lennox challenged the norms in the 1970s and had elaborate cross gender wardrobes by the 1980s.[citation needed] Musical stars such as Brett Anderson of the British band Suede, Marilyn Manson and the band Placebo have used clothing and makeup to create an androgyny culture throughout the 1990s and the first decade of the 2000s.[60]

 

While the 1990s unrolled and fashion developed an affinity for unisex clothes there was a rise of designers who favored that look, like Helmut Lang, Giorgio Armani and Pierre Cardin, the trends in fashion hit the public mainstream in the 2000s (decade) that featured men sporting different hair styles: longer hair, hairdyes, hair highlights.[citation needed] Men in catalogues started wearing jewellery, make up, visual kei, designer stubble. These styles have become a significant mainstream trend of the 21st century, both in the western world and in Asia.[61] Japanese and Korean cultures have featured the androgynous look as a positive attribute in society, as depicted in both K-pop, J-pop,[62] in anime and manga,[63] as well as the fashion industry.[64]

 

See also[edit]

List of androgynous people

Bigender

Epicenity

Futanari

Gender bender

Gender dysphoria

Gender neutrality

Gonochorism

Gynandromorph

Gynomorph

Hermaphrodite

List of transgender-related topics

Non-binary gender

Pangender

Postgenderism

Sexual Orientation Hypothesis

Third gender

Transsexualism

Trigender

True hermaphroditism

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^ Peter Hartlaub (24 February 2005). "The teenage fans from 'Titanic' days jump ship as Leonardo DiCaprio moves on". sfgate.com. Retrieved 17 December 2010.

^ Cavendish, Marshall (2010). Sex and Society, Vol 1. Paul Bernabeo. p. 69.

^ "Androgynous look catches on". The Himalayan Times. 13–16 September 2010. Retrieved 17 December 2010.

^ "Harajuku Girls Harajuku Clothes And Harajuku Gothic fashion Secrets". Tokyo Top Guide. Retrieved 17 December 2010.

^ "Profile of Kagerou". jpopasia.com. Retrieved 17 December 2010.

^ Webb, Martin (13 November 2005). "Japan Fashion Week in Tokyo 2005. A stitch in time?". The Japan Times. Retrieved 17 December 2010.

External links[edit]

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The Glasshouse is an international centre for musical education and concerts on the Gateshead bank of Quayside in northern England. Opened in 2004 as Sage Gateshead and occupied by North Music Trust The venue's original name honours a patron: the accountancy software company The Sage Group.

 

History

Planning for the centre began in the early 1990s, when the orchestra of Sage Gateshead, Royal Northern Sinfonia, with encouragement from Northern Arts, began working on plans for a new concert hall. They were soon joined by regional folk music development agency Folkworks, which ensured that the needs of the region's traditional music were taken into consideration and represented in Sage Gateshead's programme of concerts, alongside Rock, Pop, Dance, Hip Hop, classical, jazz, acoustic, indie, country and world, Practice spaces for professional musicians, students and amateurs were an important part of the provision.

 

The planning and construction process cost over £70 million, which was raised primarily through National Lottery grants. The contractor was Laing O'Rourke. The centre has a range of patrons, notably Sage Group which contributed a large sum of money to have the building named after it. Sage plc has helped support the charitable activities of Sage Gateshead since its conception. The venue opened over the weekend 17–19 December 2004.

 

Sage Gateshead was developed by Foster and Partners following an architectural design competition launched in 1997 and managed by RIBA Competitions. Over 100 architects registered their interest and 12 – a mixture of local, national and international talent – were invited to prepare concept designs. A shortlist of six was then interviewed with Foster and Partners unanimously selected as the winner. The Design has gone on to win a number of awards: the RIBA Inclusive Design Award, Civic Trust Award and The Journal North East Landmark of the Year Award.

 

As a conference venue, the building hosted the Labour Party's Spring conference in February 2005 and the Liberal Democrat Party conference in March 2012. On 18 August 2009, Sage Gateshead was selected to host the 2010 and 2011 National Union of Students annual conference. The 2010 Annual Conference took place 13–15 April 2010.

 

In 2022 The Sage Group announced that they were also sponsoring a new development that is being built next to Sage Gateshead which will be called The Sage. Sage Gateshead announced that they will be finding a new name for the venue prior to The Sage opening in 2024. On 13 September 2023 the venue announced its new name, The Glasshouse International Centre for Music.

 

Building

The centre occupies a curved glass and stainless steel building designed by Foster and Partners, Buro Happold (structural engineering), Mott MacDonald (engineering consultants) and Arup (acoustics), with views of Newcastle and Gateshead Quaysides, the Tyne Bridge and the Gateshead Millennium Bridge.

 

The Glasshouse contains three performance spaces; a 1,700-seater, a 450-seater, and a smaller rehearsal and performance hall, the Northern Rock Foundation Hall. The rest of the building was designed around these three spaces to allow for maximum attention to detail in their acoustic properties. Structurally it is three separate buildings, insulated from each other to prevent noise and vibration travelling between them. The gaps between them may be seen as one walks around inside. A special 'spongy' concrete mix was used in the construction, with a higher-than-usual air capacity to improve the acoustic. These three buildings are enclosed (but not touched) by the now-famous glass and steel shell. Sage One was intended as an acoustically perfect space, modelled on the Musikverein in Vienna. Its ceiling panels may be raised and lowered and curtains drawn across the ribbed wooden side walls, changing the sound profile of the room to suit any type of music. Sage Two is a smaller venue, possibly the world's only ten-sided performance space.

 

The building is open to the public throughout the day.

 

Concerts

The Glasshouse will host concerts from a wide range of internationally famous artists, and those who have played at the venue include Above and Beyond, Blondie, James Brown, Bonobo, Andy Cutting, De La Soul, Nick Cave, George Clinton, Bill Callahan, Crosby, Stills & Nash, Dillinger, Grace Jones, Gretchen Peters, Elbow, Explosions in the Sky, the Fall, Herbie Hancock, Mogwai, Morrissey, Mumford & Sons, Pet Shop Boys, Sunn O))), Nancy Sinatra, Snarky Puppy, Sting, Yellowman, Shane Filan of Westlife and others. In February 2015, it was one of the hosts of the second annual BBC Radio 6 Music Festival.

 

It is also home to Royal Northern Sinfonia, of which The Guardian wrote there is "no better chamber orchestra in Britain", and frequently hosts other visiting orchestras from around the world. The current music director for Royal Northern Sinfonia is the pianist and conductor Lars Vogt. In late 2014, Royal Northern Sinfonia collaborated with John Grant, performing at Sage Gateshead, and other venues throughout the UK. Recordings from this tour were made available as a limited edition CD and 12" record via Rough Trade Records in 2015.

 

Opinion

There has been popular debate surrounding what was Sage Gateshead. The venue is popular in the local area because of its concerts, and also its accessible learning courses for all ages and its constant interaction with local schools and academies through programmes such as Sing Up and the option of school visits.

 

Awards

2019: UK National Lottery 25th Birthday Award - Best Arts, Culture and Film

2019: Julie's Bicycle Creative Green 2 Star

2019: Gold Standard - Attitude is Everything

2018: Gold Award for Inclusive Tourism (North East Tourism Awards)

2018: Gold Award for Business Tourism (Visit England Awards for Excellence)

2005: Local Authority Building of the Year

2005: British Construction Industry Awards

2005: RIBA Award for Inclusive Design

 

Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.

 

Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.

 

In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.

 

History

Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.

 

A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.

 

Early

There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.

 

The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).

 

During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.

 

Industrial revolution

Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.

 

In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.

 

Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.

 

In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.

 

Regeneration

In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.

 

In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.

 

Governance

In 1835, Gateshead was established as a municipal borough and in 1889 it was made a county borough, independent from Durham County Council.

 

In 1870, the Old Town Hall was built, designed by John Johnstone who also designed the previously built Newcastle Town Hall. The ornamental clock in front of the old town hall was presented to Gateshead in 1892 by the mayor, Walter de Lancey Willson, on the occasion of him being elected for a third time. He was also one of the founders of Walter Willson's, a chain of grocers in the North East and Cumbria. The old town hall also served as a magistrate's court and one of Gateshead's police stations.

 

Current

In 1974, following the Local Government Act 1972, the County Borough of Gateshead was merged with the urban districts of Felling, Whickham, Blaydon and Ryton and part of the rural district of Chester-le-Street to create the much larger Metropolitan Borough of Gateshead.

 

Geography

The town of Gateshead is in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne at a latitude of 54.57° N and a longitude of 1.35° W. Gateshead experiences a temperate climate which is considerably warmer than some other locations at similar latitudes as a result of the warming influence of the Gulf Stream (via the North Atlantic drift). It is located in the rain shadow of the North Pennines and is therefore in one of the driest regions of the United Kingdom.

 

One of the most distinguishing features of Gateshead is its topography. The land rises 230 feet from Gateshead Quays to the town centre and continues rising to a height of 525 feet at Queen Elizabeth Hospital in Sheriff Hill. This is in contrast to the flat and low lying Team Valley located on the western edges of town. The high elevations allow for impressive views over the Tyne valley into Newcastle and across Tyneside to Sunderland and the North Sea from lookouts in Windmill Hills and Windy Nook respectively.

 

The Office for National Statistics defines the town as an urban sub-division. The latest (2011) ONS urban sub-division of Gateshead contains the historical County Borough together with areas that the town has absorbed, including Dunston, Felling, Heworth, Pelaw and Bill Quay.

 

Given the proximity of Gateshead to Newcastle, just south of the River Tyne from the city centre, it is sometimes incorrectly referred to as being a part of Newcastle. Gateshead Council and Newcastle City Council teamed up in 2000 to create a unified marketing brand name, NewcastleGateshead, to better promote the whole of the Tyneside conurbation.

 

Economy

Gateshead is home to the MetroCentre, the largest shopping mall in the UK until 2008; and the Team Valley Trading Estate, once the largest and still one of the larger purpose-built commercial estates in the UK.

 

Arts

The Baltic Centre for Contemporary Art has been established in a converted flour mill. The Glasshouse International Centre for Music, previously The Sage, a Norman Foster-designed venue for music and the performing arts opened on 17 December 2004. Gateshead also hosted the Gateshead Garden Festival in 1990, rejuvenating 200 acres (0.81 km2) of derelict land (now mostly replaced with housing). The Angel of the North, a famous sculpture in nearby Lamesley, is visible from the A1 to the south of Gateshead, as well as from the East Coast Main Line. Other public art include works by Richard Deacon, Colin Rose, Sally Matthews, Andy Goldsworthy, Gordon Young and Michael Winstone.

 

Traditional and former

The earliest recorded coal mining in the Gateshead area is dated to 1344. As trade on the Tyne prospered there were several attempts by the burghers of Newcastle to annex Gateshead. In 1576 a small group of Newcastle merchants acquired the 'Grand Lease' of the manors of Gateshead and Whickham. In the hundred years from 1574 coal shipments from Newcastle increased elevenfold while the population of Gateshead doubled to approximately 5,500. However, the lease and the abundant coal supplies ended in 1680. The pits were shallow as problems of ventilation and flooding defeated attempts to mine coal from the deeper seams.

 

'William Cotesworth (1668-1726) was a prominent merchant based in Gateshead, where he was a leader in coal and international trade. Cotesworth began as the son of a yeoman and apprentice to a tallow - candler. He ended as an esquire, having been mayor, Justice of the Peace and sheriff of Northumberland. He collected tallow from all over England and sold it across the globe. He imported dyes from the Indies, as well as flax, wine, and grain. He sold tea, sugar, chocolate, and tobacco. He operated the largest coal mines in the area, and was a leading salt producer. As the government's principal agent in the North country, he was in contact with leading ministers.

 

William Hawks originally a blacksmith, started business in Gateshead in 1747, working with the iron brought to the Tyne as ballast by the Tyne colliers. Hawks and Co. eventually became one of the biggest iron businesses in the North, producing anchors, chains and so on to meet a growing demand. There was keen contemporary rivalry between 'Hawks' Blacks' and 'Crowley's Crew'. The famous 'Hawks' men' including Ned White, went on to be celebrated in Geordie song and story.

 

In 1831 a locomotive works was established by the Newcastle and Darlington Railway, later part of the York, Newcastle and Berwick Railway. In 1854 the works moved to the Greenesfield site and became the manufacturing headquarters of North Eastern Railway. In 1909, locomotive construction was moved to Darlington and the rest of the works were closed in 1932.

 

Robert Stirling Newall took out a patent on the manufacture of wire ropes in 1840 and in partnership with Messrs. Liddell and Gordon, set up his headquarters at Gateshead. A worldwide industry of wire-drawing resulted. The submarine telegraph cable received its definitive form through Newall's initiative, involving the use of gutta-percha surrounded by strong wires. The first successful Dover–Calais cable on 25 September 1851, was made in Newall's works. In 1853, he invented the brake-drum and cone for laying cable in deep seas. Half of the first Atlantic cable was manufactured in Gateshead. Newall was interested in astronomy, and his giant 25-inch (640 mm) telescope was set up in the garden at Ferndene, his Gateshead residence, in 1871.

 

Architecture

JB Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that "no true civilisation could have produced such a town", adding that it appeared to have been designed "by an enemy of the human race".

 

Victorian

William Wailes the celebrated stained-glass maker, lived at South Dene from 1853 to 1860. In 1860, he designed Saltwell Towers as a fairy-tale palace for himself. It is an imposing Victorian mansion in its own park with a romantic skyline of turrets and battlements. It was originally furnished sumptuously by Gerrard Robinson. Some of the panelling installed by Robinson was later moved to the Shipley Art gallery. Wailes sold Saltwell Towers to the corporation in 1876 for use as a public park, provided he could use the house for the rest of his life. For many years the structure was essentially an empty shell but following a restoration programme it was reopened to the public in 2004.

 

Post millennium

The council sponsored the development of a Gateshead Quays cultural quarter. The development includes the Gateshead Millennium Bridge, erected in 2001, which won the prestigious Stirling Prize for Architecture in 2002.

 

Former brutalism

The brutalist Trinity Centre Car Park, which was designed by Owen Luder, dominated the town centre for many years until its demolition in 2010. A product of attempts to regenerate the area in the 1960s, the car park gained an iconic status due to its appearance in the 1971 film Get Carter, starring Michael Caine. An unsuccessful campaign to have the structure listed was backed by Sylvester Stallone, who played the main role in the 2000 remake of the film. The car park was scheduled for demolition in 2009, but this was delayed as a result of a disagreement between Tesco, who re-developed the site, and Gateshead Council. The council had not been given firm assurances that Tesco would build the previously envisioned town centre development which was to include a Tesco mega-store as well as shops, restaurants, cafes, bars, offices and student accommodation. The council effectively used the car park as a bargaining tool to ensure that the company adhered to the original proposals and blocked its demolition until they submitted a suitable planning application. Demolition finally took place in July–August 2010.

 

The Derwent Tower, another well known example of brutalist architecture, was also designed by Owen Luder and stood in the neighbourhood of Dunston. Like the Trinity Car Park it also failed in its bid to become a listed building and was demolished in 2012. Also located in this area are the Grade II listed Dunston Staithes which were built in 1890. Following the award of a Heritage Lottery Fund grant of almost £420,000 restoration of the structure is expected to begin in April 2014.

 

Sport

Gateshead International Stadium regularly holds international athletics meetings over the summer months, and is home of the Gateshead Harriers athletics club. It is also host to rugby league fixtures, and the home ground of Gateshead Football Club. Gateshead Thunder Rugby League Football Club played at Gateshead International Stadium until its purchase by Newcastle Rugby Limited and the subsequent rebranding as Newcastle Thunder. Both clubs have had their problems: Gateshead A.F.C. were controversially voted out of the Football League in 1960 in favour of Peterborough United, whilst Gateshead Thunder lost their place in Super League as a result of a takeover (officially termed a merger) by Hull F.C. Both Gateshead clubs continue to ply their trade at lower levels in their respective sports, thanks mainly to the efforts of their supporters. The Gateshead Senators American Football team also use the International Stadium, as well as this it was used in the 2006 Northern Conference champions in the British American Football League.

 

Gateshead Leisure Centre is home to the Gateshead Phoenix Basketball Team. The team currently plays in EBL League Division 4. Home games are usually on a Sunday afternoon during the season, which runs from September to March. The team was formed in 2013 and ended their initial season well placed to progress after defeating local rivals Newcastle Eagles II and promotion chasing Kingston Panthers.

 

In Low Fell there is a cricket club and a rugby club adjacent to each other on Eastwood Gardens. These are Gateshead Fell Cricket Club and Gateshead Rugby Club. Gateshead Rugby Club was formed in 1998 following the merger of Gateshead Fell Rugby Club and North Durham Rugby Club.

 

Transport

Gateshead is served by the following rail transport stations with some being operated by National Rail and some being Tyne & Wear Metro stations: Dunston, Felling, Gateshead Interchange, Gateshead Stadium, Heworth Interchange, MetroCentre and Pelaw.

 

Tyne & Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central, Newcastle Airport , Sunderland, Tynemouth and South Shields Interchange.

 

National Rail services are provided by Northern at Dunston and MetroCentre stations. The East Coast Main Line, which runs from London Kings Cross to Edinburgh Waverley, cuts directly through the town on its way between Newcastle Central and Chester-le-Street stations. There are presently no stations on this line within Gateshead, as Low Fell, Bensham and Gateshead West stations were closed in 1952, 1954 and 1965 respectively.

 

Road

Several major road links pass through Gateshead, including the A1 which links London to Edinburgh and the A184 which connects the town to Sunderland.

 

Gateshead Interchange is the busiest bus station in Tyne & Wear and was used by 3.9 million bus passengers in 2008.

 

Cycle routes

Various bicycle trails traverse the town; most notably is the recreational Keelmans Way (National Cycle Route 14), which is located on the south bank of the Tyne and takes riders along the entire Gateshead foreshore. Other prominent routes include the East Gateshead Cycleway, which connects to Felling, the West Gateshead Cycleway, which links the town centre to Dunston and the MetroCentre, and routes along both the old and new Durham roads, which take cyclists to Birtley, Wrekenton and the Angel of the North.

 

Religion

Christianity has been present in the town since at least the 7th century, when Bede mentioned a monastery in Gateshead. A church in the town was burned down in 1080 with the Bishop of Durham inside.[citation needed] St Mary's Church was built near to the site of that building, and was the only church in the town until the 1820s. Undoubtedly the oldest building on the Quayside, St Mary's has now re-opened to the public as the town's first heritage centre.

 

Many of the Anglican churches in the town date from the 19th century, when the population of the town grew dramatically and expanded into new areas. The town presently has a number of notable and large churches of many denominations.

 

Judaism

The Bensham district is home to a community of hundreds of Jewish families and used to be known as "Little Jerusalem". Within the community is the Gateshead Yeshiva, founded in 1929, and other Jewish educational institutions with international enrolments. These include two seminaries: Beis Medrash L'Morot and Beis Chaya Rochel seminary, colloquially known together as Gateshead "old" and "new" seminaries.

 

Many yeshivot and kollels also are active. Yeshivat Beer Hatorah, Sunderland Yeshiva, Nesivos Hatorah, Nezer Hatorah and Yeshiva Ketana make up some of the list.

 

Islam

Islam is practised by a large community of people in Gateshead and there are 2 mosques located in the Bensham area (in Ely Street and Villa Place).

 

Twinning

Gateshead is twinned with the town of Saint-Étienne-du-Rouvray near Rouen in France, and the city of Komatsu in Japan.

 

Notable people

Eliezer Adler – founder of Jewish Community

Marcus Bentley – narrator of Big Brother

Catherine Booth – wife of William Booth, known as the Mother of The Salvation Army

William Booth – founder of the Salvation Army

Mary Bowes – the Unhappy Countess, author and celebrity

Ian Branfoot – footballer and manager (Sheffield Wednesday and Southampton)

Andy Carroll – footballer (Newcastle United, Liverpool and West Ham United)

Frank Clark – footballer and manager (Newcastle United and Nottingham Forest)

David Clelland – Labour politician and MP

Derek Conway – former Conservative politician and MP

Joseph Cowen – Radical politician

Steve Cram – athlete (middle-distance runner)

Emily Davies – educational reformer and feminist, founder of Girton College, Cambridge

Daniel Defoe – writer and government agent

Ruth Dodds – politician, writer and co-founder of the Little Theatre

Jonathan Edwards – athlete (triple jumper) and television presenter

Sammy Johnson – actor (Spender)

George Elliot – industrialist and MP

Paul Gascoigne – footballer (Newcastle United, Tottenham Hotspur, Lazio, Rangers and Middlesbrough)

Alex Glasgow – singer/songwriter

Avrohom Gurwicz – rabbi, Dean of Gateshead Yeshiva

Leib Gurwicz – rabbi, Dean of Gateshead Yeshiva

Jill Halfpenny – actress (Coronation Street and EastEnders)

Chelsea Halfpenny – actress (Emmerdale)

David Hodgson – footballer and manager (Middlesbrough, Liverpool and Sunderland)

Sharon Hodgson – Labour politician and MP

Norman Hunter – footballer (Leeds United and member of 1966 World Cup-winning England squad)

Don Hutchison – footballer (Liverpool, West Ham United, Everton and Sunderland)

Brian Johnson – AC/DC frontman

Tommy Johnson – footballer (Aston Villa and Celtic)

Riley Jones - actor

Howard Kendall – footballer and manager (Preston North End and Everton)

J. Thomas Looney – Shakespeare scholar

Gary Madine – footballer (Sheffield Wednesday)

Justin McDonald – actor (Distant Shores)

Lawrie McMenemy – football manager (Southampton and Northern Ireland) and pundit

Thomas Mein – professional cyclist (Canyon DHB p/b Soreen)

Robert Stirling Newall – industrialist

Bezalel Rakow – communal rabbi

John William Rayner – flying ace and war hero

James Renforth – oarsman

Mariam Rezaei – musician and artist

Sir Tom Shakespeare - baronet, sociologist and disability rights campaigner

William Shield – Master of the King's Musick

Christina Stead – Australian novelist

John Steel – drummer (The Animals)

Henry Spencer Stephenson – chaplain to King George VI and Queen Elizabeth II

Steve Stone – footballer (Nottingham Forest, Aston Villa and Portsmouth)

Chris Swailes – footballer (Ipswich Town)

Sir Joseph Swan – inventor of the incandescent light bulb

Nicholas Trainor – cricketer (Gloucestershire)

Chris Waddle – footballer (Newcastle United, Tottenham Hotspur and Sheffield Wednesday)

William Wailes – stained glass maker

Taylor Wane – adult entertainer

Robert Spence Watson – public benefactor

Sylvia Waugh – author of The Mennyms series for children

Chris Wilkie – guitarist (Dubstar)

John Wilson - orchestral conductor

Peter Wilson – footballer (Gateshead, captain of Australia)

Thomas Wilson – poet/school founder

Robert Wood – Australian politician

find in the wood !!

thease had foam bits all over them + too much sliver in the film to use digital ice so enjoy

SONY DSC