View allAll Photos Tagged multiples
I combined multiple exposures of a single RAW file in Photoshop to increase the contrast and vibrance of this shot.
Ich hab verschiedenen Varianten aus einer RAW-Datei in Photoshop kombiniert, um den Kontrast und die Farbdynamik zu verbessern. In Kürze gibt es dazu ein Video-Tutorial.
This forecourt was situated at 38 Alcester Road South in King's Heath, Birmingham and adjacent to the car showroom posted at the same time as this photo. All sorts of brands are visible - for petrol there is Regent, National, Esso, Shell and Cleveland and Shellubrication Service is also offered. As well as the main brand of Morris cars being offered there is a sign for Vauxhall; Michelin Tyres and Champion Spark Plugs are also well represented. Mobil Oil Tecalemit and Havoline oils are also seen on signs here. Overall this is a wonderful photo showing great detail in excellent clarity. It is now a large Sainsbury supermarket - a fate which is not uncommon for such premises. Here's the same view today www.google.co.uk/maps/@52.4315383,-1.8929371,3a,75y,224.8...
10 years separate the 2 units, both sporting CP's Multi-Mark scheme, sitting along Franklin Street on the south side of Bensenville Yard. In the distance is 1971 built GP38AC #3015, and up front is 1981 built SD40-2 #6018. Both were built by GMD.
Experimental multiple exposures of the sign at Parco Federico Fellini, with Hoya Pop Coloured filters (red, green, blue).
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
First generation diesel multiple-unit trains filmed on a Sunday in either the late 1970's or early 1980's on the local 'all stations' service along the Great Eastern Main Line. Normally this service would use electric trains but on this day the power has been switched off (along part of the route served) as part of an upgrade process converting the line from 6.25Kv AC to 25Kv AC.
These trains are at platforms 17 and 18 in the now demolished 'high number' trainshed at London Liverpool Street station.
Indicates multiple options for the resource that the client may follow. It, for instance, could be used to present different format options for video, list files with different extensions, or word sense disambiguation.
Multiple exposure during a maternity shoot at Sydney University.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Neopan Acros 100 35mm B&W film.
ex filanda "Il Barco"
Experimenting with multiple exposure after seeing the inspiring work of these artists:
Andrew Gray
Chris Friel
Alexey Titarenko
P.S. Unfortunately there is no way to save a raw file of the double exposure, only jpg sorry.
The diesel multiple units series 600 were built by Sorefame. The first twenty entered service in 1979 as 2-car DMU's. They were extended in 1989 with a center car to 3-car DMU's. That same year also six complete new 3-car DMU's entered service as series 650.
Estação de Campanhã, Porto
Sculptural portrait representing the Biblical King David, in a chapel in l'Abbaye de Cluny, in the town of Cluny (in the département of Saône-et-Loire, located in Bourgogne / Burgundy, in eastern France), on a mostly clear late afternoon in mid-October.
The Chapelle Saint-Jean-de-Bourbon was built towards the end of the 15th century, in "flamboyant Gothic" style. The biblical portraits around its walls have varying, individualised features and show surviving traces of polychromy -- multiple colours of paint.
The abbaye Saint-Pierre et Saint-Paul de Cluny was initially founded in 909 or 910 by Guillaume le Pieux / William the Pious, duc d'Aquitaine. The Benedictine establishment soon became noted as the key center of a monastic and intellectual revival -- sometimes referred to as the "10th-century Renaissance" -- retaining power, wealth, and political and cultural influence at least through the 12th century and, in some respects, into the late Middle Ages. Cluniac monasteries were founded throughout France and elsewhere in Europe; for example, there were numerous Cluniac priories in England and in German lands of the Holy Roman Empire.
In Cluny, the abbey church was constructed in three main phases, numbered Cluny I (consecrated in 926), Cluny II (consecrated in 981), and Cluny III (consecrated 1095), the last being the largest medieval church in Europe. Most of the relatively small part of the abbey complex that survives, from Cluny III, was built in the Romanesque style, ca. 1085 (1085 or 1088)-1130. Among the later surviving buildings are this chapelle Saint-Jean-de-Bourbon and the neoclassical 18th-century cloisters, built ca. 1750-1775, by which time the abbey had been in decline for centuries.
During the French Revolution, l'Abbaye de Cluny was suppressed, and its buildings were then sold off, many to be destroyed. Of the main church, only parts of the transepts can be seen. Helpfully, the museum on the site includes both three-dimensional physical models and virtual reconstructions of the successive phases, including a documentary film.
(Information partly from the Abbaye de Cluny website of the Centre des monuments nationaux, last consulted 29 October 2018, and the website Bourgogne romane, last consulted 26 October 2018.)
[Cluny abbey chapel portrait III King David 2016 oct 18 f; DSCF0767]
This is Multiple exposure done in Camera. I have seen postings by others and thought I would try it.
Experimental multiple exposure during a maternity shoot. I do multiple exposures all the time, but this one was more experimental as I was trying something with a wide aperture with the texture of the tree.
Nikon F4. AF Nikkor 50mm F1.4D lens. Ilford Super XP2 400 35mm C41 B&W film.
Too bad the d80 only combines 3 images in-camera.. But its still a cool effect, eh..?
Have a Good Day, People!!! :-)
R959 RCH - Volvo B10M-48, Plaxton Premiere 320 (C41F)
A4 XCL (XEL 24, T992 FRU) - Volvo B10M-62, Plaxton Premiere 320 (C53F)
Annett's (Mervyns Coaches, Micheldever)
St George's Road, Portsmouth
01 December 2017
Multiple exposure of the sign at Parco Federico Fellini, pointing the direction to the Grand Hotel, with a picture of the Maestro on the sign, with the street sign of Via Giulietta Masina, with a green coloured filter for the latter shot.
As a big fan of both, I've wanted to experiment with things as much as possible as sort of tributes, so even if you don't like what I'm doing with this Fellini stuff, its important to me.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film. Hoya Green Pop Coloured Filter.
A visit to Page, Arizona is not complete without a visit to one of the slot canyons! Lower Antelope Canyon is called Hazdistazí, or 'spiral rock arches' by the Navajo. It is longer, narrower and sometimes footing isn't even available, making it a more difficult hike than Upper Antelope. The Antelope Canyons are located in the Navajo Nation and to visit the slot canyon you must use a tour guide that has been authorized by the Navajo Nation.
This was taken in Lower Antelope Canyon and shows the power of the water eroding the Navajo Sandstone. From this location on the slot canyon floor it is 30 to 40 feet of curving Navajo Sandstone to the surface.The guide of the tour gave general guidelines or rules on how to get the best results when shooting in the slot canyons. The guidelines mentioned most often were that when shooting overhead to avoid any direct sunlight on the Navajo Sandstone and also to avoid including any sky in the composition. For this image I ignored his guidelines/rules with the aid of a sturdy and stable tripod, mirror lock up, multiple stop bracketing and a remote release.
"Antelope Canyon was formed by erosion of Navajo Sandstone, primarily due to flash flooding and secondarily due to other sub-aerial processes. Rainwater, especially during monsoon season, runs into the extensive basin above the slot canyon sections, picking up speed and sand as it rushes into the narrow passageways. Over time the passageways eroded away, making the corridors deeper and smoothing hard edges in such a way as to form characteristic "flowing" shapes in the rock." The description from Wikipedia
Best viewed large (L)
While there aren't enough microphones for all of the judges, there were still plenty of mics to be used and eventually put away. Making sure they were all accounted for, they were set down in this one spot. These mics were used for the judges to ask the contestants questions that would be useful in helping them decide who to vote for Doo Dah Queen.
This is a frame capture from HD video using the Canon EOS Rebel T6 camera, with the Canon 18-55mm zoom lens.