View allAll Photos Tagged multiples
Experimental multiple exposure with a pregnant model I worked with a few years ago at the University of Sydney before a film class.
Also taken with a green Hoya Pop Colour Filter.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Portra 800 35mm C41 film.
Some colour multiple exposures with the LomoApparat in the City of London. Another walk back to the train station from the office
LomoApparat
Portra 160
_DSC6819_NKD500
Daina
Posem-nos en situació,
Aiguamolls de l'Empordà, s'acaba el dia i per tant la llum. Són les 19:31:57 del 17 de Març, encara no s'ha canviat l'hora.
Les daines, tot el dia amagades i tímides, segurament pensant-se que ningú les vigilava em van regalar un munt de corredisses i salts com si d'un ballet es tractés.
20.000 ISO i 1/800 , això és el que n'he obtingut.
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Pongámonos en situación,
Aiguamolls de l'Empordà, se termina el día y por lo tanto la luz. Son las 19:31:57 del 17 de Marzo, aún no aplicamos hora de verano.
Los gamos, todo el día escondidos y tímidos, seguramente pensando estar solos me regalaron múltiples saltos y carreras como si de un ballet se tratase.
20.000 ISO y 1/800, esto es lo que he obtenido.
analogue multiple exposure
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i can't quit thinking about harry potter.. and it's scary to think i only have one more book, and then the series is over.
Experimental multiple exposure with the fountain at Piazza Barberini in Rome taken with Hoya Pop Colour Filters.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
Multiple Exposure in Seattle of the corner of a brick wall with an alley.
Nikon F65. Kodak Gold 200 35mm C41 film.
It's still dark (although ISO 16,000 helps) and the Saturday morning Huddersfield streets are quiet as an unidentified Northern Class 144 Pacer diesel multiple unit rattles across Paddock viaduct with 2B05 the 07.15 Huddersfield to Sheffield train.
Multiple exposure of the fountain at Sydney's Hyde Park, with Hoya's Pop Color Filters (red, blue, green).
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
A quiet moment in a frenzy of crowd activity on the beachfront.
9 Exposures in average mode - in camkera multiple exposures
Loving how I am able to paint gradients and curves with this new tool - this is a cropped version of a test shot but am slowly working out how to use it to its best advantage!
Experimental multiple exposure of the entrance to Belanglo State Forest, with a closeup of part of a fence, using a red Hoya Pop Colour filter.
Nikon F65. Fujifilm Pro 160S 35mm C41 film.
It may not share too many things with "Inception" outside of a slight similarity in means of quantum teleportation, but "Source Code" does have an ending that's worthy of interpretation, much like Christopher Nolan's (much weaker) hit from last year. In fact, some of the same theories applied to "Inception" could work for Duncan Jones' new "director-for-hire" follow-up to "Moon." I'll wait until after the jump to go into details, since obviously this discussion will include spoilers. But while I do believe Jones (and maybe to a lesser degree the original screenwriter, Ben Ripley) sets up a precise idea of what happens at the end, I've already encountered people with different thoughts on it. Because of the confusion, I must note that by "two places at once" I mean within the same dimension/reality/timeline and didn't intend to dismiss the parallel worlds idea. But even with that said, I might have been confusing myself. He could technically be in two places at the same time the way there are simultaneously two Martys in 1955 in "Back to the Future," due to time travel. I just mean his consciousness itself could not be split in half. Anyway, I'm giving myself another headache.
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Multiple exposure of the sandy beach at Waikiki with the water.
Nikon F4. Fujifilm Velvia 100 35mm E6 slide film.
These rocks have a vituperative common name thanks to their predilection for sinking ships. A nine frame multiple exposure just makes the matter worse, frankly.
Hand-held & polarised on Druidston.
The shutter keeps running at Pelcomb Portraits.