View allAll Photos Tagged multiples
Experimental multiple exposure of a fountain at Lions Park in Bowral. Used Hoya Pop Colour filters. This is my first time using this film.
Nikon F4. AF Nikkor 50mm F1.4D lens. Rollei Crossbird 200 35mm C41 processed film.
Multiple class 92 light engine moves between Crewe and Wembley and Wembley and Dollands Moor were a common sight at this period. Here 'Jane Austen' has 'Dante', Sweelinck' and 'Schubert' bound for Chunnel duties as a 455 and 4-VEP pass overhead on the Victoria - Brighton main line.
Sitting there in one of my multiple picnics, I ate a tomato. I cut the part of the tomato that once held it to the plant (stalk, I think it is called,) and put it aside on a stone.
The stalk looked like an octopus, so I took its photo and decided to show it to you.
Hope you like this little, colorful, and naughty octopus.
Experimental multiple exposure, with trying out a wide aperture, & using a green Hoya Pop Colour filter on the other shot.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Industrial 100 35mm C41 film.
Experimental multiple exposure of a pregnant model I worked with earlier this year, taken at Victoria Park in Sydney.
Nikon F4. AF Nikkor 24mm F2.8D lens. Kodak T-Max 400 35mm B&W film.
I've got multiple options in life:
I can see: all the colours in the world,
breath, hear, smell, feel, walk, touch and taste.
A lot to be grateful for!
Also posted on my blog:
After a 21 year restoration Class 105 Diesel Multiple Unit approaches Burrs Country Park halt in glorious Autumn sunshine on the East Lancashire Railway.
For healthier pics take One-A-Day
Day ?? (sorry, skipped a few days)
Playing with my camera in my hotel room at the The Pod Hotel
Northern 195003
1E62 Chester [12:27] to Leeds [14:40]
3 minutes late (13:02) arriving at Newton-le-Willows.
2025 Keith Jones All Rights Reserved.
Multiple exposure of Emilie, a pregnant model I worked with mid November. Taken at Victoria Park.
Nikon F4. Nikkor 50mm F1.2 lens. Bergger Pancro 400 35mm B&W film.
Multiple exposures of some prints of Giulietta Masina in La Strada, an original French program for La Strada, & a Casanova lithograph.
Nikon F4. AF Nikkor 50mm F1.4D lens. Ilford Delta 3200 35mm B&W film.
Experimental multiple exposure with a pregnant model I worked with earlier this year, with one shot using a Green Hoya Pop Colour Filter & made slightly out of focus. Taken at Victoria Park near the University of Sydney.
Nikon F4. AF Nikkor 24mm F2.8D lens. Kodak Pro Image 100 35mm C41 film.
I set up my multiple flashes to take Hummingbird shots in my backyard. Well, this time I was almost too close. I almost didn't get the entire bird in the frame.
Allen's Hummingbird
Selasphorus sasin
Member of Nature’s Spirit
Good Stewards of Nature
© 2018 Patricia Ware - All Rights Reserved
Full frame
Multiple exposure of the texture of a tree, with the other shot water dripping from a fountain.
Taken at Lions Park in Bowral.
Nikon F4. AF Nikkor 50mm F1.4D lens. Rollei Crossbird 200 35mm C41 processed film.
The multiple facets of Second Life have always fascinated and passionated me and I’m still amazed by the will for diversity and creativity in the pixels incarnation.
The idea that each avatar is the projection of a real person somewhere on this planet is dizzying… That these avatars can communicate in real time using their own appearance, directly from their imagination, culture, personality, desires is fantastically rich.
It is true that we encounter here Narcissus syndrome, but still something else that ego is at work here, I think.
Are we not just looking for our secret self, this being hidden in each of us and who accompanies us all along our lives, do not we give to him through our avatar the opportunity to express its relevance or his impertinence?
I would like to show the meeting with this entity humano / Virtual ... find the spark of life, the detail, the feature that brings life to the inert, and witness this phenomenon by deploying a series of portraits ..
If anyone recognizes his avatar and doesn’t want to appear in this serie, I will remove the photo, if someone wants to add his name I will add it :)
Les multiples facettes de Second life m'ont toujours fascinée et passionnée et je reste émerveillée par cette volonté de diversité et de créativité dans l'incarnation des pixels.
L'idée que chaque avatar est la projection d'un individu bien réel quelque part sur cette planète est vertigineuse. Que ces avatars puissent communiquer en temps réel utilisant cette apparence qui leur est propre, directement issue de leur imagination, culture, personnalité, désirs est fantastiquement riche.
Il est vrai qu'ici nous rencontrons le syndrome de Narcisse, mais tout de même quelque chose d'autre que l'ego est à l'oeuvre ici, il me semble.
N'est-on pas tout simplement à la recherche de notre moi secret, cet être caché en chacun de nous et qui nous accompagne tout au long de notre vie, ne lui donnons nous pas à travers notre avatar la possibilité d'exprimer sa pertinence ou son impertinence?
J’ai voulu montrer la rencontre avec cette entité humano/virtuelle… trouver l'étincelle de vie, le détail, la particularité qui apporte la vie à l'inerte, et témoigner de ce phénomène en déployant une suite de portraits..
Si quelqu’un se reconnait et ne veut pas apparaitre dans cette série, je retirerai la photo, si au contraire quelqu’un veut ajouter son nom je l’ajouterai :)
This waterfall has multiple braids cascading into pools and onto boulders. Very spectacular, especially at the end of dry season, when conditions are the driest.
too many mirrors to ignore! 😛 walking around in an antique mall.
------------------
HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
-------------
All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission...Just ask!
© VanveenJF Photography
Canon AE-1
FD 50mm f/1.8
Kodak Portra 400
Double Exposure
I'll be in Japan January 10 - 24, so I won't be posting again until late January. I will also have prints up and running around that time, though if you want a specific print right now, contact me.
23-Sep-2023 16:19
Ilford HP5+ rated @ EI 400
Developed in HC110 Dilution H (1+63) for 11 mins @ 20C
Pre-Wash 5 mins
Inversions for first 30 sec
Two Inversions every 30 sec
Two water Stop Baths of 1 min each
Ilford Rapid Fixer (1+4) [Fix twice clearing time]
Fixer clearing time 45 seconds : Fixed for 90 sec total
Inversion washes for 11 minutes, multiple water changes
Ilford Surfactant : 2 mins
Bronica SQAi + 110mm Macro
Highlight = 16
Shadow = 13
Midpoint = 14.5
Filters : None
Final LV=14.5
1/250 sec @ f18