View allAll Photos Tagged multilayer
This ought to interrupt the ag implement series; I have been working on it for a few days! Evening slide at McIntosh Lake in Frogmont called for a three section, three layer RAW pano. I watched the sky develop all afternoon and it was clear that my personal God, Ra, had galloped his chariot nearly all the way across the sky for another day across Mac Lake. My God is far the most powerful of all gods and incredibly reliable when he established his twenty-four hour schedule even if he did slip a second recently! I can usually sync my life to his schedule with a bit of effort. I made a dash out to the lake as the evening snuck on and the great clouding slipped away from the Divide. I found this silhouette exposure in the captures that needed to be worked on. The sun was already behind the sunset clouds and illuminating the foothills from behind although I managed to pluck some detail from around the lake. I decided to see if I could could pull as much of the sky detail back as I could while still leaving the silhouette effect. I did what I could within the reality left considering the lenses that could pull this off. I got all the definition I could in the super bright clouds. Still, I got a hint of the grasses by the shore. Across the lake and to the right is the McIntosh-Lohr Farm Agricultural Museum on Highway #66. Rocky Mountain National Park with Meeker and Longs peaks, is under the sun.
The daily heat was beginning to break for the day, as I headed for a walk around the south side across Dawson Park. You can't let the grass grow on sky opportunities around here! I was wondering what I might be able to pull off with a sunset across a wide capture at a new venue of McIntosh Lake. I thought a scene might set up here considering the sky. was lined up over Rocky Mountain National Park. With Meeker and Longs off to the left, I assumed that a great alignment would be possible at this time of year. Later in the season would call for shots from Flanders Park on the north side.
I knew that I could come close to controlling the density range would require three layers from the RAW and masks for the sky and water. I thought that I could pull off a three tier, three stage pano using just my monopod without auto-pano software, maybe not! One key is to keep splitting the horizon, if level, across the multiple shots. I struggled to reconstitute the three panned views. It would be very much easier using the podzilla and test view the scene using the D700's artificial horizon while panning. I could probably do a better job prepanning the shot on the monpod than I did. I thought that I did! Basically, don't try this at home. I am not sure what caused the scaling deviances on my pan. At least, I have previously accomplished multilayer panos before and understood the logical steps so I took on the three stage, three layer pano anyway. I did have to fudge a triangle I missed between two of the pan angles. Of course, it takes some work to tackle and edit a file that approaches 1 gigabyte in size. See the file list comment. I started losing the sky light as I panned east. I had to build a mask for the sky and another for the water.
I had plenty of time in the evening for the sky to display and spent time waiting for ephemeral views before the clouds scudded east. The old watched pot syndrome, I suppose. In any case I have long since learned that if I want the max from this nano-crystal coated Nikkor, I need to polish the filter and front surface of the lens impeccably. I always carry a soft cloth for that purpose so as long as it was already on the tripod, There can be NO lint on the front surfaces to bounce interference around. Voila, no flare anywhere is detectable because I buffed her up. The only real problem is that you should check the on-line Nikkor price list before you run into the store with your savings. This quality is considerably expensive.
First light for my new lens
1 stack of 19 images, Canon 800D at ISO 800, Takumar 135mm f2.5 lens at f4, 30s exposures, Omegon Lx2 tracking mount. 45 darks, 120 biases. Processed in PixInsight as below
***** Integration
lightvortexastronomy tutorial (www.lightvortexastronomy.com/tutorial-pre-processing-cali...)
* CC defect list + master dark
* weighing: (15*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin)) + 15*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin)) + 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin))+50
* img 1135 reference
* star align - distortion relaxed to 0.3
* integration - winsorized sigma clipping
***** Linear processing
*** Crop
*** DBE, 0.5 tolerance
*** Color calibration
* SNCR 0.5
* Background neutralization (using small area under middle star as sample background - hard to find true neutrality in Orion flickr.com/photos/deepskycolors/16774216742/in/faves-1833...)
* Color calibration w/background and structure detection
*** Deconvolution
* Created star_mask_large - large scale structure 2, small scale 1, noise threshold 0.1, scale 8
* Created range mask - extracted luma, applied standard STF, then histogram shadow = 0.25 mids = 0.3 high = 1
* Deconvolve with range mask on, 100 interations, custom PSF, dark 0.01 bright 0.004, local deringing with star mask, wavelet regularization
*** Star reduction
Small star mask - noise 0.15, scale 4, small scale 3 comp 1, smoothness 8, binarize, midtones = 0.02
Range mask from that, 0.05-1
Apply, erosion operator 2 iterations 0.6 with shape oval
*** Linear noise reduction
jonrista.com/the-astrophotographers-guide/pixinsights/eff...
*TGV - small noise
Created TGV masks - extracted luminosity, standard stretch (luminance_mask), curved it with black point at ~0.2 and white at ~0.5, moved histogram point to middle (tgv_mask)
apply tgv mask inverted to the image, give luma mask as local support
TGV chroma str 7 edge protection 2E-4 smoothness 2 iterations 500
TGV luma str 5 edge protection 1E-5 smoothness 2 iterations 500
*MMT - larger noise and TGV artifacts
Created MMT mask - extract luminosity, standard stretch, move histogram point to 75%, apply low range -0.5. Apply inverted
MMT mask - 8 layers, threshold 10 10 7 5 5 2.5 2 2 on rgb
*****Nonlinear
***Initial stretch
*Autostretch, apply to hist
*Create full star mask, max(star_mask_large, star_mask_small)
* HDR transform, 8 layers, B3 spline, star mask applied inverted, preserve hue, lightness mask
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial
* created a new multiscale linear transform, kept 4 layers using linear interpolation
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, used as mask on blurred version
* used curves to create s shape in luminance, inflection 3/4 up, and pump up saturation a lot
* pixelmath sum the 3, rescaled, back to original image
**Second
* new multiscale linear transform, keep 5 layers
* diff from original
* extract luminance from blurred image, to use as a mask
* masked blurred image with its own luminance, gave it s-shaped RGB curve, big boost in saturation
* pixelmath sum the 3, rescaled, back to original image
***Star and nebula mask:
Range select to catch nebulas, blur with 3 a troux wavelet iterations (removing first 5 layers), add to star mask to obtain star and nebula mask
***Local histogram equalization
kernel 32 contrast 1.5 amount 0.35, with star and nebula mask on
***Nonlinear NR
*Luminance mask, clipped shadows
*ACDNR stdev 4 chroma 2 luma, amount 0.9 chroma 0.7 luma
***Dark structure enhance
* 5x5, 3 iterations, amount 0.25
*** Sharpen
* Sharpen with multiscale linear transform, bias layers 2-6 (0.05, 0.05, 0.025, 0.012, 0.006)
window seat, plz - is a photobook about two of my biggest passions: flying and photography.
Find more here: bit.ly/_windowseat_plz
I’m a window seat guy. I still remember once when the airline reassigned seats and dropped me in the center right of a middle line of four on a 14-hour flight. I never ever flew with them again. Bad airline.
Mine is not a fixation, it’s a necessity, when I sit at the window I breathe. I breathe the chilled air outside, I drink the bright light, and I fill my mind with emotions. What’s out there is like a child’s toy box full of surprises to me. I spot nerdy stuff like geography maps and city layouts, but I also see artsy paintings of colors, nuances and shapes.
And I photograph, which is another great passion of mine. I know, purist photographers do not shoot through windows, not to mention a multilayer stretched acrylic window that generously and randomly enriches your photos with flares and odd hues - as you’ll find in many of the images reproduced in this book. But ask me if I care. Window seat photography is part of the whole experience, and for me a pleasurable one.
Hence, I give you window seat, plz and I truly hope you'll enjoy it as much as I did in the making.
window seat, plz is a great collection of beautiful pictures presented both in print and digital. Each format has over 70 images taken in a 20 years span zigzagging the skies, and the airports.
Find more here: bit.ly/_windowseat_plz
window seat, plz has been awarded:
- Gold Award BIFA2023
- Silver Award PX3 Prix de la Photographie Paris 2023
- 3rd Place IPA2023
- Bronze Award TIFA2023
A variation on my Simple Robin, folded from two overlapping sheets of paper (kami, 15cm), no cut, no glue.
Paper: Arche Aquarelle 640g 100%cotton
Nias Islanders (Indonesia) 1910. Made by J.P. Kleiweg de Zwaan. Rijksmuseum Amsterdam.
Sempre chapadão mais sempre atendo ao seu redor para registrar a rua e o seu cotidiano ... sempre de olho ao " mercado" tecnológico para estar usando os equipamentos mais modernos ( sendo assim sempre tento trabalhos de altíssima qualidade) .
Stencil de 10 camadas
I keep my gaze on you, while other people move
Where you lead me I will go
Guess the thorns are on and the bloom I always fear
I prefer to stay on the other side of the camera, but I kept listening to this James Blake song on repeat all week and this happened. There are about seven "me"s on this picture.
3. "Love Me in Whatever Way"
print number-year, technique, image area (aprox. paper size) cm.Paper: hand made (I made this piece of paper by myself at Paper Mill Duszniki Zdr., Poland) - extremely difficult for more than one layer. Needs strong sizing.
The Mausoleum of Hadrian, usually known as Castel Sant'Angelo is now a museum in Rome adjacent to the Vatican. Multi leveled round structure. Looking down you can see what Rome is all about - walk, walk, walk.
While most ESA personnel work from home during the COVID-19 pandemic, essential activities continue to take place on site across Agency establishments while following social distancing protocols.
In ESA’s Materials and Electrical Components Laboratory – one of a suite of labs based at the ESTEC technical centre in Noordwijk, the Netherlands – testing has continued on critical elements for several missions and projects.
For instance, the lab supported the ‘bakeout’ of the Filter Wheel Assembly for the Proba-3 formation flying mission’s main ASPIICS instrument – which will image the Sun’s ghostly surrounding atmosphere, or ‘corona’ from one satellite while another satellite blocks out the blinding solar disk.
The development of this payload was on the critical path, and the test had to be performed at very short notice just before Christmas. The successful bakeout took place with full personal protection measures in place, in order to host the customers arriving from abroad with the flight hardware.
Focusing on mission external elements, thermal endurance tests are currently underway on multilayer insulation (MLI) materials and solar cell assemblies. These tests are being carried out using the eXtreme Temperature Exposure System, XTES and XTES2 facilities – this latter facility having been procured and commissioned during the pandemic – which can reach and maintain incredibly high temperatures for long periods of time. For example, components of an MLI for the JUICE mission to Jupiter are undergoing a three-month test to address their thermal stability under mission representative conditions.
The lab is also supporting the development of new radiation-resistant coatings, by exposing them to ultraviolet and vacuum-ultraviolet light in the Synergistic Temperature Accelerated Radiation 2 (STAR2) facility).
All the environmental tests are aided by materials characterisation and analysis with state-of-the-art equipment, such as microscopic and spectroscopic analysis, thermo-optical measurements, thermal analysis and more. So the lab’s work has not halted, despite COVID-19 restrictions, but is proceeding as smoothly as possible.
Credits: ESA-Nuno Dias
First light for my Takumar 135mm f2.5 - heavy crop, but there wasn't anything else interesting in the field anyway :)
1 stack of 15 images, Canon 800D at ISO 800, Takumar 135mm f2.5 lens at f4, 30s exposures, Omegon Lx2 tracking mount. 45 darks, 120 biases. Processed in PixInsight as below
***** Integration
lightvortexastronomy tutorial (www.lightvortexastronomy.com/tutorial-pre-processing-cali...)
* CC defect list + master dark
* weighing: (15*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin)) + 15*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin)) + 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin))+50
* img 1176 reference
* star align - distortion relaxed to 0.3
* integration - winsorized sigma clipping
***** Linear processing
*** Crop
*** DBE, 0.5 tolerance
*** Color calibration
* SNCR 0.5
* Background neutralization (full background)
* Color calibration w/structure detection
*** Deconvolution
* Created star_mask_large - large scale structure 2, small scale 1, noise threshold 0.1, scale 8
* Created range mask - extracted luma, applied standard STF, then histogram shadow = 0.25 mids = 0.3 high = 1
* Deconvolve with range mask on, 100 iterations, custom PSF, dark 0.01 bright 0.004, local deringing with star mask, wavelet regularization
*** Linear noise reduction
jonrista.com/the-astrophotographers-guide/pixinsights/eff...
*TGV - small noise
Created TGV masks - extracted luminosity, standard stretch (luminance_mask), curved it with black point at ~0.2 and white at ~0.5, moved histogram point to middle (tgv_mask)
apply tgv mask inverted to the image, give luma mask as local support
TGV chroma str 7 edge protection 2E-4 smoothness 2 iterations 500
TGV luma str 5 edge protection 1E-5 smoothness 2 iterations 500
***** Nonlinear
* Autostretch STF/histo
* HDR multiscale transform, with large star mask on, preserve hue,
* Canon banding correction
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial
* created a new multiscale linear transform, kept 4 layers using linear interpolation
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, used as mask on blurred version
* used curves to create s shape in luminance, inflection 3/4 up, and pump up saturation a lot
* pixelmath sum the 3, rescaled, back to original image
**Second
* new multiscale linear transform, keep 5 layers
* diff from original
* extract luminance from blurred image, to use as a mask
* masked blurred image with its own luminance, gave it s-shaped RGB curve, big boost in saturation
* pixelmath sum the 3, rescaled, back to original image
***Dark structure enhance
* 5x5, 3 iterations, amount 0.25
*** Sharpen
* Sharpen with multiscale linear transform, bias layers 2-6 (0.05, 0.05, 0.025, 0.012, 0.006)
Tad Sae Waterfalls can be accessed only by boat and best during rainy season. Here we arrived at end of a very scenic Tad Sae waterfalls. The waterfall stream flows into the Nam Khan river. The waterfall is divided into 3 limestone steps. There are numerous cascades and pools with turquoise water. This is an ideal place for bathing. In the weekend locals have their picnic's here and during weekdays it's a very quiet place. A place to enjoy a good picnic lunch looking at the waterfalls and take time for relax and swim. BieJee and Samantha going to have a refreshing jump into water of the Tad Sae waterfall.
Photo taken at the Tad Sae Waterfalls south of Luang Prabang - Laos. It's a burst shooting 1x, 2x, 3x of BieJee and Samantha processed with multilayers.
De Tad Dae watervallen zijn minder hoog maar veel talrijker dan de watervallen van Kuang Si. Hier konden mijn kinderen gelukkig wel lekker zwemmen en waren er geen bloedzuigers. De water ligt iets dichterbij Luang Prabang en wordt in het weekend bezocht door de lokale bevolking die er dan komt picknicken. Doordeweeks heb je hier het rijk alleen. Een plaats om lekker te genieten van een picknick met een prachtig uitzicht op de waterval. BieJee en Samantha nemen beide een lekkere frisse duik in deze prachtige waterval.
1 stack of 50 images, Canon 800D at ISO 800, Asahi Takumar 135mm f2.5 lens at f4.0, 1m exposures, Omegon Lx2 tracking mount. 45 darks, 120 biases. Processed in PixInsight as below
***** Integration
lightvortexastronomy tutorial (www.lightvortexastronomy.com/tutorial-pre-processing-cali...)
* CC defect list + master dark
* weighing: (15*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin)) + 15*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin)) + 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin))+50
* img 1507 ref
*****Linear processing
*** Crop
*** DBE, 1.5 tolerance
*** Star mask creation
* star_mask_large: large scale structure 2, small scale 1, noise threshold 0.1, scale 6, binarize
* star_mask_small: noise 0.15, scale 4, small scale 3 comp 1, smoothness 8, binarize, midtones = 0.02
* star_mask_all - sum of star masks
*** Color calibration
* SNCR 0.5 on green, preserve lightness
* apply a trous wavelet transform to star mask all, keep residual of 4 (blurred_star_mask)
* invert image
* apply SNCR 0.9 on green, preserve lightness
* remove mask
* invert image again
* Background neutralization
* Color calibration w/background and structure detection
*** Deconvolution
* Created range mask - extracted luma, applied standard STF, then histogram shadow = 0.2 mids = 0.25 high = 1 and a trous wavelet transform keeping residual of 4
* Deconvolve with range mask on, 100 interations, luminance, custom PSF, dark 0.025 bright 0.004, local deringing with star_mask_large, wavelet regularization
*** Star reduction
* Apply, erosion operator w/star mask small, 4 iterations 0.15
*** Linear noise reduction
jonrista.com/the-astrophotographers-guide/pixinsights/eff...
*TGV - small noise
Created TGV masks - extracted luminosity, standard stretch (tgv_luma_mask), curved it with black point at ~0.2 and white at ~0.5, moved histogram point to middle (tgv_mask)
apply tgv mask inverted to the image, give luma mask as local support
TGV chroma str 7 edge protection 2E-4 smoothness 2 iterations 500
TGV luma str 5 edge protection 1E-5 smoothness 2 iterations 500
*MMT - larger noise and TGV artifacts
Created MMT mask - extract luminosity, standard stretch, move histogram point to 75%, apply low range -0.5. Apply inverted
MMT mask - 8 layers, threshold 10 10 7 5 5 2.5 2 2 on rgb
*****Nonlinear
***Initial stretch
* extract luminance, autostretch, apply to hist - luminance channel
* Apply masked stretch to main image, 100 iterations, HSV Value, background reference
* Extract a and b channels from masked stretch image
* Combine
***Gradient HDR compression, default settings
***Denoise
* Using luma mask, apply MLT with 4 layers, amount 0.5, 2 iterations first 2 layers and 1 iteration layers 3 and 4, thresholds 3 2 1 0.5
*** Clean up background
*Range mask 0.35-1, smoothness 2
*Add star_mask all for star_galaxy_mask. Apply inverted
*MLT on 8 layers on chroma, bias layers 5-8 -1
*histogram transformation, mids 0.6
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial (fine details)
* created a new multiscale linear transform, kept 4 layers using linear interpolation
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, used as mask on blurred version
* used curves to create s shape in luminance and pump up saturation a lot
* pixelmath sum the 3, rescaled, back to original image
**Second (galactic colors)
* new multiscale linear transform, keep 5 layers
* diff from original
* extract luminance from blurred image, to use as a mask
* masked blurred image with its own luminance, gave it s-shaped RGB curve, big boost in saturation. Shift pinks to blues with H curve
* pixelmath sum the 3, rescaled, back to original image
**Third (galaxy arms shape)
* new multiscale linear transform, keep layers 6, 7, 8
* diff from original
** extract M31 structure only
* extract luminance from blurred image
* iif(inellipse(2400, 2200, 1250, 400), multi678_L, 0)
* clone out stars and M110
* histogram midtones to 0.2 - m31_mask
*masked blurred image with own luminance, gave big boost in RGB/K, some boost in saturation
* pixelmath sum the 3, rescaled, back to original image
***Local histogram equalization - kernel 192, contrast 1.5, blend 0.5
***Further galaxy adjustments (from www.lightvortexastronomy.com/tutorial-example-m31-androme...)
* Create galaxy_mask: Range mask 0.35-1, smoothness 2, iif(inellipse(2400, 2200, 1300, 450), galaxy_mask, 0), substract star_mask_all, clean edges with clone tool
* Apply
* MLT 8 layers chrominance, pump up bias on 5-8 0.025 0.025 0.05 0.05
* Color saturation raised blues a bit (widely) and reds quite a bit more (more narrowly)
* Remove mask
*** Darken
* DarkStructureEnhancer, 8 layers, 0.7, 3x3
* DarkStructureEnhancer, 8 layers, 0.7, 5x5
* Very slight s-shape on all image luminance
*** Sharpen
* Sharpen with multiscale linear transform, bias layers 2-6 (0.05, 0.05, 0.025, 0.012, 0.006)
I still remember about colours ( unexpected natural in this case) Paper: Carson Montval 300g
print number-year, technic, image area ( paper size) cm.
TTF - Portrait no. 093 ( handcutted multilayer stencil on Wood 30x40cm ) FINISHED VERSION - #face #tothefullest #ttf #stencil #stencils #portrait #portraits #hat #portrait #beautiful #montanacans #streetart #layers #stencilstuff #streetartdaily #streetartistry #stencilart #eye #streetartnews #urbanart #monochrome #urbanartwork #makro #multilayer #stencilworx #man #newyorkcity #skalpell - Made with @montanacans Gold
I worked with Adobe panorama tools for the first time. It gives better control over color than MS ICE. However, it's slow and heavy. Probably, it does not suit well for stitching of many multilayer shots.
At Sinful Rest you never know if the Titans are attacking or defending the Capital but you will find them there. This is a Multilayered Crisom Windlight with the Sun set a lower hemisphere to create this effect.
,
Plz Visit here for details www.amazon.com/Canon-70-200mm-II-Telephoto-Cameras/dp/B00...
Also see amazon purchaseHere
Pay Visit to my:Getty Image // Face Book// Red Bubble // My Album at National Geography [NGA]
NO Graphics and Invitations / Self promotion by Image / HTML or WEB Links
Image Serial No# 288316122011-FB
Description :
The Takeaway
Fixed focal length lenses are smaller, have faster (wider) maximum apertures, (usually) focus closer, and are usually (but not always) sharper than zoom lenses.
Zoom lenses are more convenient. Rather than changing lenses, you merely have to turn a ring (or push and pull).
Two or three zoom lenses take up less space in your bag and are easier and lighter to carry around (and carry onboard an airplane) than six to eight fixed prime lenses.
Lenses made by your camera manufacturer are sharper, better made and pricier than third-party lens manufacturers… except when they aren’t.
Variable-aperture lenses tend to be lighter, smaller and less expensive than comparable fixed-aperture lenses.
If you plan using teleconverters and Polarizing filters, you should consider sticking to wider-aperture (faster) lenses.
Two-touch zooms are preferable to push-pull zooms.
Image stabilization is a good idea because there’s nothing worse than a photograph that would be terrific if it weren’t so blurry.
If you plan on shooting lots of close-up pictures, consider a true macro as opposed to a lens that features “close focusing.”
Weatherproof does not mean waterproof.
Multilayer coatings, ED glass, fluorite glass and aspheric surfaces are good things.
As a rule, you get what you pay for.
~
Preface: For access to full size and Hi-res images you need to add me as a contact, although please note, your profile will be checked and those with Racist, Anti Semitic or Sexual Content also those who do not use Buddy Icon , do not have a profile information and No self content available in the stream will be refused.
Also, anyone who do not comment but only click for Faves , use Graphics for self promotion or invitation or makes a Racist, Anti-Semitic or Nasty comments of any sort which makes Others Embraced will be blocked from any sort of access to my Photo stream.
_______________________________________
.POST box
______________________________________
,
If you Think you want to draw My Attention / Appreciate/ Critic / Even put a comment not suitable for this Image , and Still you want a note / message for me .
Feel free & Drop it to my
POST BOX Here
If you are Unable to reach me there plz do click Post Box -2 Here
Anos de experiências e muita coisa vivida dentro da fotografia lhe trouxe um pouco de antipatia com as novas mídias.
E com isso é taxado como rabugento por sempre criticar tudo e há todos mais com um conhecimento e um olhar absurdo que poucos hoje ou no passado conseguem ter.
Stencil de 10 camadas ...
( ao poucos irei subir todos os seres e suas historias por aqui )
em exposição até dezembro na Nex Coworking !
little acorns grow
~ some times our parents & guardians are not trying to over shadow us, but protect us from the eliments of life.
We need to learn to find the sunbeams and follow our dreams from between their protective branches.
~
ai multilayer manipualted by pixlr and final creation in gimp
Hand cut stencils (18 Layers)
One-off original
Spray paint on fluorescent red Perspex.
1020x760x3mm
I had to re-cut a lot of the layers for this one after a flood in my studio last year. Really pleased to have got this one painted. : )
This will be showing at an Lift Rocks Museumn8 in Amsterdam thanks to the very nice people from Crack For Your Eyes
Regal Darner (Coryphaeschna ingens) - The Magnolia Loop, Brevard County Enchanted Forest Sanctuary, 444 Columbia Boulevard, Titusville, Florida
I probably should have titled this "A Troublesome Bugger", cause this guy was being quite difficult, As is often the way with royalty (especially the Harry & Megan type).
'Credit to Dah Wife for spotting him (8 - 10 feet off the ground in a tangle of leaves and tree branches). And try as I might, there was only one line of sight through the leaves where I could see the whole bugger (at a distance under 10 feet), and from that POV he was right up against other leaves and sticks, so there was no way to isolate him for a clean BG.
What to do, what to do?
So, I went with the a close portrait to crop out the clutter, and then did a couple of other crops for those who like to view the details on the whole bug.
'Pretty amazing what the Sony FE 100-400mm F4.5-5.6 GM OSS lens can do at 10 feet, and the α1 body (with it's multilayer sensor), did a nice job keeping down the digital noise at the higher mags.
Then, after a number of "documentary" shots from a couple more distant POVs, I tried spooking him with a fallen branch to see it he would land on a more photogenic perch, but he was having none of that, and off into the woods he flew looking for Megan. :{(
TTF - ocean horse ( multilayer stencil on Canvas ) Finished version #tothefullest #ttf #auftragsarbeit #stencil #stencils #horsesofinstagram #water #tier #spraypaint #streetart #streetartdaily #streetartistry #stencilart #streetartnews #wildnis #outside #outdoor #beautiful #fell #animal #animals #ocean #horse #pferde - Made with @montanacans Gold
Multilayer plywood artwork, 72x72cm. The details were laser cut, then spray painted and assembled by hand.
TTF - Portrait no. 095 ( handcutted multilayer stencil on Vinyl ) #sky #tothefullest #ttf #stencil #stencils #portrait #portraits #pixelstencil #vinylart #beautiful #pixel #streetart #layers #stencilstuff #streetartdaily #future #vinyls #streetartistry #stencilart #vinyl #streetartnews #urbanart #pixelart #urbanartwork #newstyle #stencilworx #looking up #forsale #resat - Made with @montanacans
Chuco Caballera
stencil de 7 camadas pintada na nova loja e estudio de tatto Laia .
Hoje inauguração regado a chops e hambúrguer !
Broader Vista Dramatic Summer Monsoon 2014 Brightly Lit, Towering Alto-Cumulous Cloud
IMG_4856 - Version 2
Regal Darner (Coryphaeschna ingens) - The Magnolia Loop, Brevard County Enchanted Forest Sanctuary, 444 Columbia Boulevard, Titusville, Florida
I probably should have titled this "A Troublesome Bugger", cause this guy was being quite difficult, As is often the way with royalty (especially the Harry & Megan type).
'Credit to Dah Wife for spotting him (8 - 10 feet off the ground in a tangle of leaves and tree branches). And try as I might, there was only one line of sight through the leaves where I could see the whole bugger (at a distance under 10 feet), and from that POV he was right up against other leaves and sticks, so there was no way to isolate him for a clean BG.
What to do, what to do?
So, I went with the a close portrait to crop out the clutter, and then did a couple of other crops for those who like to view the details on the whole bug.
'Pretty amazing what the Sony FE 100-400mm F4.5-5.6 GM OSS lens can do at 10 feet, and the α1 body (with it's multilayer sensor), did a nice job keeping down the digital noise at the higher mags.
Then, after a number of "documentary" shots from a couple more distant POVs, I tried spooking him with a fallen branch to see it he would land on a more photogenic perch, but he was having none of that, and off into the woods he flew looking for Megan. :{(