View allAll Photos Tagged multilayer
New paper, new dimensions, new align technique.
Framed looks realy good.
Paper: Saunders Waterford CP (NOT) 356g
Not sure to what to even call this. 12 shot Multilayer tamarack all from different angles. A raven decided to fly in at the end to check things out. A nod to Pep Ventosa
Día típico de otoño... cerca de la puesta de sol / Typical autumn day... near sunset.
8006 - Raw image post-edited with RawTherapee.
Santiago, Chile.
1 stack of 58 60s images, Canon 800D at ISO 800, Canon 400mm f5.6 lens at f6.3, iOptron Skyguider Pro tracker. 120 darks, 120 biases. Processed in PixInsight as below
* CC defect list + master dark (sigma = 8)
* Subframe selection
30*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin))
+ 30*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin))
+ 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin)
+ 20
Eccentricity < 0.7 && SNRWeight > 1 && FWHM < 5. Keep frames 7173 and 7177 even though they failed the rejection conditions, for meteors
* star alignment:
img 8411 ref, frame adaptation (let's see if this works)
* ESD integration, range exclude
* drizzle integration, gaussian kernel\
*****Linear processing
*** Initial
* Crop
* DBE tolerance 3
*** CC
* PCC on Pleiades, default settings pixel size 2, background neutralization upper limit 0.0012
*** Decon
* star mask creation: extract luminance get starmask with starnet, then range mask 0.1-1 (1). from stretched luminance range mask 0.55-1 (2). Pixel math max the 2 as binary_star_mask. 4x dilate, 6x convolve
* PSF - ezdecon script
* background mask -ezdecon script and curves
* with background mask on, inverted, apply decon 100 iterations on luminance, deringing global dark 0.01 light 0.002 and local deringing with binary star mask, wavelet regularization
*** Denoise
Using jonrista.com/the-astrophotographers-guide/pixinsights/eff... as implemented by EZSuite.
* EZDenoise, TGV 1500 edge 1e-5, default MMT
***** Nonlinear
*** Initial stretch
* Masked stretch, default settings
* using a contrasty luminance as mask, curves stretch
*** Stretched color mods
* with binary_star_mask protecting stars, ACDNR on chrominance, lightness mask, stdev 4 iterations 6
* CC background ref upper limit 0.125
* invert, SNCR green 1, invert again (to fix magenta hues in whites)
* SNCR green 0.8
*** Star mods
* extract star mask with starnet, blur 3 layers of a trous, curve boost
* with it on, curve saturation upwards. Clone stamp out big stars - small_star_mask
* using that as a start, EZStarReduce using morphological transformation
* with small_star_mask on, unsharp mask 0.9, w/ deringing
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial (fine details)
* created a new multiscale linear transform, kept 5 layers
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, s-shaped RGB curve used as mask on blurred version
* used curves to create s shape in RGB (asymmetrical, like a camera curve) and pump up saturation a lot
* pixelmath sum the 3, rescaled, back to original image
**Second (nebula)
* created a new multiscale linear transform, kept 7 layers, and diff from original
* extract luminance from diff, s-shaped RGB curve. Use as mask on blurred version
* slight boosts in sat and RGB
* pixelmath sum the 3, rescaled, back to original image
*** Finishers
* EzDenoise, TGV 1500 edge 8e-3, default MMT
* LHE kernel 512 contrast 1.5,slight boost in sat, 50-50 mix with original
* LHE kernel 256 contrast 1.5, 20-80 mix with original
* dark structure enhance
* MMT sharpen, 6 layers biases 0.05 0.05 0.025, 0.025, 0.012, 0.005 with luminosity mask s-curved for more contrast
Multilayer gum bichromate over cyanotype on Fabriano hot press 300lb paper. 7.5x10in. on 11x15in paper. Digital capture, RGB digital negatives.
Riders On the Storm
Paper: Hahnemuhle Leonardo 600g raugh (56x76cm)
Casa Milà - La Pedrera, Antonio GAUDI, Barcelona, Catalunya
(EXPLORED)
! RUIVA !
stencil de 15 cores com 15 camadas .
60 X 50 cm .
ARTESTENCIVA 2011
( não é a definitiva , proximos dias posto a definitiva )
A leopard in its natural habitat
This is a rework of my old leo 2
The tank's specs:
Armament: 120mm L55, coaxial 7.62mm machine gun and one anti-aircraft, 7.62 mm MG3
Accessories: Infrared night vision, NBC protection system.
Crew: 4
Armor: Standard spaced multilayer armour, improved armour protection over the front turret and turret interior has been fitted with spall liners
Weight: 62 tonnes combat condition
Speed: 72 km/h maximum
Range: 500 km
Dimensions
Length, 7.70 m; Width, 3.70 m; Height, 3.00 m
The tree is my lightly modified version of Paultox's
‘Escaleras a Adam’ / ‘Stairs to Adam’, (MADRID, ESPAÑA, 2018)
Sigma SD1, Nikon PC f3,5/35 mm
Impresión de pigmento multicapa sobre aluminio recubierto de gesso
Multilayer pigment printing on gesso coated aluminum
Exhib/Expo: ‘Viewfinder. A way of looking’/ ‘Viewfinder. Una forma de mirar’, by Boris Savelev
Espacio Cultural Serrería Belga‘, Madrid, PhotoEspaña, 2024.
Until July 14, 2024
! WARNING: THIS PICTURE IS EDITED !
Press "L" for a better view.
~Body:
Hair: VCO - MAO
Eyes: REVERIE - Caroline
~Clothes&accessories:
Headband: FIKA - Soft Bunny
Necklace: AvaWay - LETTER
Collar: Random.Matter - Cermet
Bra: Aloe - Amore
Shorts: FACS - Frill Jean
Flannel: SEUL - Lazy Flunnel
Fishnet: SSD - Kittenish
Socks: Rotten - Amora
A macro in square format of the multilayer-petaled hibiscus from our front garden shot backlit in the "studio"
First attempt at instax transparency (2 photos, back peeled off, then remaining images overlaid and scanned in. The first was probably done too late as it was very hard to get the layers off, hence the experimentation with a scourer) instructions found here: shootitwithfilm.com/how-to-make-instax-transparencies/
In 1936 the film factory in Wolfen produced the first practicable multilayer color film in the world, the Agfa Color New - In 1964, the trademark change from Agfa to ORWO (in VEB Film- und Chemiefaserwerk Agfa Wolfen/GDR)
Hahnemuhle Leonardo 600g rough 56x76 cotton 100% paper
Fuji XE1 / Elmar f=9cm 1:4 Lens by E. Leitz Wetzlar
Paper: Hahnemuhle Leonardo 600g raugh (56x76cm)
Fuji XE-1 / Voigtländer UltraWide Heliar 12mm
Gdańsk Shakespeare Theatre (Gdańsk, Poland) , architect: Renato Rizzi
TTF - zebra couple ( multilayer stencil on Wood 40x30cm ) Finished version #tothefullest #ttf #forsale #stencil #stencils #zebra #wild #tier #spraypaint #streetart #streetartdaily #streetartistry #stencilart #streetartnews #wildnis #outside #outdoor #beautiful #safari #animal #animals #african #zebrastreifen #zebras - Made with @montanacans Gold
Low reflective glass with a special multilayer coating on the glass surface and suppressed the surface reflection to about 0.8%.
By using interference of light, by suppressing reflection, reflection of the glass surface is reduced.
AGC "Clear sight"