View allAll Photos Tagged multilayer
Namgyal Tsemo Monastery and the multilayers of mountains lit by the sun and clouds, as seen from Shanti Stupa in Leh, Ladakh, India July 9, 2008. Photo by Tim Chong
Holographic Lightbox on display now.
Come and see it live at the Oxo Tower Wharf in London.
Private view: 16 Dec from 18:30
Open for viewings from 17 until 20 December.
Paper: Hahnemuhle Leonardo 600g raugh (56x76cm)
Fuji XE-1 / Voigtländer UltraWide Heliar 12mm
Gdańsk Shakespeare Theatre (Gdańsk, Poland) , architect: Renato Rizzi
Regal Darner (Coryphaeschna ingens) - The Magnolia Loop, Brevard County Enchanted Forest Sanctuary, 444 Columbia Boulevard, Titusville, Florida
I probably should have titled this "A Troublesome Bugger", cause this guy was being quite difficult, As is often the way with royalty (especially the Harry & Megan type).
'Credit to Dah Wife for spotting him (8 - 10 feet off the ground in a tangle of leaves and tree branches). And try as I might, there was only one line of sight through the leaves where I could see the whole bugger (at a distance under 10 feet), and from that POV he was right up against other leaves and sticks, so there was no way to isolate him for a clean BG.
What to do, what to do?
So, I went with the a close portrait to crop out the clutter, and then did a couple of other crops for those who like to view the details on the whole bug.
'Pretty amazing what the Sony FE 100-400mm F4.5-5.6 GM OSS lens can do at 10 feet, and the α1 body (with it's multilayer sensor), did a nice job keeping down the digital noise at the higher mags.
Then, after a number of "documentary" shots from a couple more distant POVs, I tried spooking him with a fallen branch to see it he would land on a more photogenic perch, but he was having none of that, and off into the woods he flew looking for Megan. :{(
Law
Philosophy (Quadrivium)
Theology
Medicine
Four Faculties of Wrocław University (in XVIII century). Originals are 3m high baroque scultures, standing on corners of Maths Tower's view terrace. Made in 1733 by Fritz Mangoldt, survived all the storms of Wrocław's history. My version is made especialy for current exhibition and shown two floors underneath.
All are 4/5 layer gum dichromates 43x65cm on Arches 640 paper.
It shows clearly how difficult is to make
consistent series using this unrepeatable technique.
TTF - just an Ape ( handcutted multilayer stencil on Vinyl ) #tothefullest #ttf #forsale #stencil #stencils #ape #affe #tier #spraypaint #streetart #handcutted #streetartdaily #streetartistry #stencilart #streetartnews #chimpanzee #affentheater #outside #beautiful #apes #animal #animals #affen #look #looking - Made with @montanacans Gold
Multi-Layer Experiments:
I'm quite bored. It's cold, I don't want to go out and shoot, I'm lazy. Because of that only playing around with Photoshop. Usually I don't have a lot of interest in those things, but you got to do something, don't you?
I only took the photo !! I have no claim to the artwork !!
artist : otto schade / osch
details : www.flickr.com/photos/55034210@N05/33211263534/in/datepos... , www.flickr.com/photos/55034210@N05/33242150243/in/datepos...
This is a huge Statue at Sinful Rest and is under restoration. I did a multilayer Wind light compositions crossing out section of it.
Built to explore the icy mountains of Pluto's surface, New Horizons II's heart is warmed by the nuclear heat of recycled atom bombs.
Built for Round One of the 2019 Bio-Cup. Theme is "Solar System" and my assigned category is Pluto.
Idea here was to build near-future follow-up mission to New Horizons, which famously mapped Pluto's surface in 2015 and discovered the distinctive heart shape.
This time the aim is to physically land on the dwarf planet and take samples of frozen nitrogen, methane and water ice with the aid of its excavator tool, gyroscopic legs, multilayer insulation, auxiliary cameras and a plutonium power source.
More images on the TTV Messageboards.
This is for Kay MusK to thank her for her kindness and support! And she is, like me, a dog lover!
- Multicouche d'effet violet
Ceci est pour Kay MusK pour la remercier pour sa gentillesse et son soutien! Et elle adore les chiens comme moi!
I used the inbuilt Camera of an iPad mini and multilayer images with the SnapSeed application to make this photograph.Title taken from a line in the song “Things have changed” by Robert Zimmerman (Bob Dylan).
- can be somewhat confusing... Inspired (or, rather, provoked) by an Agent, who was in turn inspired by a true master of multiple exposures. I'm just messing about with a (poor) imitation of the techique - my own PS recipe :)
From 2 squares of duo-paper (painted with acrylics), folded as one
An outstanding model designed by Nicolas Terry. And he kindly shared the diagram freely.
Diagram: in Tanteidan 12th convention book or freely at
www.origami-shop.com/images/Image/File/Diagrams/Multilaye...
Thank you so much, Nicolas!
Our daily challenge - Travel
I've been to New York in 2010 and it was an overwhelming experience. I've tried to visualize that feeling.
Thanks to Eliza for the multilayer inspiration :-))
More overwhelming on Black...
1 stack of 45 images, Canon 800D at ISO 800, Samyang 16mm f2 lens at f2.8, 1m exposures, Omegon Lx2 tracking mount. 45 darks, 120 biases. Processed in PixInsight as below
***** Integration
lightvortexastronomy tutorial (www.lightvortexastronomy.com/tutorial-pre-processing-cali...)
* CC defect list + master dark
* weighing: (15*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin)) + 15*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin)) + 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin))+50
* img 1311 ref
*****Linear processing
*** Crop
*** Background extraction:
DBE tolerance 3, no points placed on the Milky Way
*** Color calibration
SNCR 0.5
Background neutralization
Color calibration
***Deconvolution
Created star mask for larger stars - large scale structure 2, small scale 1, noise threshold 0.1, scale 6,
Extracted luminance, STF autostretched, histoed peak in middle to get a range mask
Deconvolve with range mask on, 80 interations, custom PSF, dark 0.01 bright 0.004, local deringing with star mask, wavelet regularization
*** Star reduction (for small and mid stars)
Small star mask - noise 0.15, scale 4, small scale 3 comp 1, smoothness 8, binarize, midtones = 0.02
Range mask from that, 0.05-1
Apply, erosion operator 4 iterations 0.15
*** Linear noise reduction
jonrista.com/the-astrophotographers-guide/pixinsights/eff...
*TGV - small noise
Created TGV masks - extracted luminosity, standard stretch (tgv_luma_mask), curved it with black point at ~0.2 and white at ~0.5, moved histogram point to middle (tgv_mask)
apply tgv mask inverted to the image, give luma mask as local support
TGV chroma str 7 edge protection 2E-4 smoothness 2 iterations 500
TGV luma str 5 edge protection 1E-5 smoothness 2 iterations 500
*MMT - larger noise and TGV artifacts
Created MMT mask - extract luminosity, standard stretch, move histogram point to 75%, apply low range -0.5. Apply inverted
MMT mask - 8 layers, threshold 10 10 7 5 5 2.5 2 2 on rgb
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial
* created a new multiscale linear transform, kept 4 layers using linear interpolation
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, used as mask on blurred version
* used curves to create s shape in luminance and saturation, inflection 3/4 up
* pixelmath sum the 3, rescaled, back to original image
**Second
* new multiscale linear transform, keep 5 layers
* diff from original
* extract luminance from blurred image, to use as a mask
* masked blurred image with its own luminance, gave it s-shaped RGB curve, slight boost in luminosity, big boost in saturation
* pixelmath sum the 3, rescaled, back to original image
**Third
* new multiscale linear transform, keep 8 layers
* diff from original
* extract luminance from blurred image, to use as a mask, hist stretch it (multi_8_substracted_L)
* luminosity increase (1 curve), saturation (even more)
* pixelmath sum the 3, rescaled, back to original image
*** Darken
* DarkStructureEnhancer, 8 layers, 0.7, 3x3
* DarkStructureEnhancer, 8 layers, 0.7, 5x5
*** Color saturation
* truncated star mask with pixelmath, iif(star_mask_total > 0.5, 0.4, 0)
* applied a troux wavelet transform 4 layers, extracted residuals
* applied mask inverted
* bumped reds strongly, green-blues less strong
*** Sharpen
* Sharpen with multiscale linear transform, bias layers 2-6 (0.05, 0.05, 0.025, 0.012, 0.006)
This time I tried to liven things up by creating a diorama. There is a newly created pickup truck as well but we will save that for another time since its not today's main subject.
Leopard 2A4 specs:
-Armament: 120mm L55, coaxial 7.62mm MG and one anti-aircraft 7.62 mm MG on top
-Accessories: Infrared night vision, NBC protection system.
Crew: 4
-Armor: Standard spaced multilayer armour, improved armour protection over the front turret and turret interior has been fitted with spall liners
-Weight:62 tons combat condition
-Speed: 72 km/h maximum road speed
-Range: 500 km
-Dimensions: Length, 7.70 m; Width, 3.70 m; Height, 3.00 m
The model's features:
-The gun can elevate up to 13 degrees if I replace the mantlet pieces with the 1x2 plates with a slide.
-Turret does full 360 rotation
-Suspension is my "pseudo suspension system", it is locked at an angle and the bars can only go downward hence the word "pseudo"
The scene is Inspired by Sergey Kovalyov's diorama
Other people's credits:
City debris models: alienwar9 from eurobricks, brickmania
M16 model by gabomastr from blender community
Well there goes my weekend :P
I only took the photo !! I have no claim to the artwork !!
artist : lapiz
merkel : www.flickr.com/photos/55034210@N05/27250511358/in/photost...
@Sanriku in Tohoku area
I would like to send floral tributes to still missing in this deep sea.
This photo idea inspired by miu37.
This ought to interrupt the ag implement series; I have been working on it for a few days! Evening slide at McIntosh Lake in Frogmont called for a three section, three layer RAW pano. I watched the sky develop all afternoon and it was clear that my personal God, Ra, had galloped his chariot nearly all the way across the sky for another day across Mac Lake. My God is far the most powerful of all gods and incredibly reliable when he established his twenty-four hour schedule even if he did slip a second recently! I can usually sync my life to his schedule with a bit of effort. I made a dash out to the lake as the evening snuck on and the great clouding slipped away from the Divide. I found this silhouette exposure in the captures that needed to be worked on. The sun was already behind the sunset clouds and illuminating the foothills from behind although I managed to pluck some detail from around the lake. I decided to see if I could could pull as much of the sky detail back as I could while still leaving the silhouette effect. I did what I could within the reality left considering the lenses that could pull this off. I got all the definition I could in the super bright clouds. Still, I got a hint of the grasses by the shore. Across the lake and to the right is the McIntosh-Lohr Farm Agricultural Museum on Highway #66. Rocky Mountain National Park with Meeker and Longs peaks, is under the sun.
The daily heat was beginning to break for the day, as I headed for a walk around the south side across Dawson Park. You can't let the grass grow on sky opportunities around here! I was wondering what I might be able to pull off with a sunset across a wide capture at a new venue of McIntosh Lake. I thought a scene might set up here considering the sky. was lined up over Rocky Mountain National Park. With Meeker and Longs off to the left, I assumed that a great alignment would be possible at this time of year. Later in the season would call for shots from Flanders Park on the north side.
I knew that I could come close to controlling the density range would require three layers from the RAW and masks for the sky and water. I thought that I could pull off a three tier, three stage pano using just my monopod without auto-pano software, maybe not! One key is to keep splitting the horizon, if level, across the multiple shots. I struggled to reconstitute the three panned views. It would be very much easier using the podzilla and test view the scene using the D700's artificial horizon while panning. I could probably do a better job prepanning the shot on the monpod than I did. I thought that I did! Basically, don't try this at home. I am not sure what caused the scaling deviances on my pan. At least, I have previously accomplished multilayer panos before and understood the logical steps so I took on the three stage, three layer pano anyway. I did have to fudge a triangle I missed between two of the pan angles. Of course, it takes some work to tackle and edit a file that approaches 1 gigabyte in size. See the file list comment. I started losing the sky light as I panned east. I had to build a mask for the sky and another for the water.
I had plenty of time in the evening for the sky to display and spent time waiting for ephemeral views before the clouds scudded east. The old watched pot syndrome, I suppose. In any case I have long since learned that if I want the max from this nano-crystal coated Nikkor, I need to polish the filter and front surface of the lens impeccably. I always carry a soft cloth for that purpose so as long as it was already on the tripod, There can be NO lint on the front surfaces to bounce interference around. Voila, no flare anywhere is detectable because I buffed her up. The only real problem is that you should check the on-line Nikkor price list before you run into the store with your savings. This quality is considerably expensive.
First light for my new lens
1 stack of 19 images, Canon 800D at ISO 800, Takumar 135mm f2.5 lens at f4, 30s exposures, Omegon Lx2 tracking mount. 45 darks, 120 biases. Processed in PixInsight as below
***** Integration
lightvortexastronomy tutorial (www.lightvortexastronomy.com/tutorial-pre-processing-cali...)
* CC defect list + master dark
* weighing: (15*(1-(FWHM-FWHMMin)/(FWHMMax-FWHMMin)) + 15*(1-(Eccentricity-EccentricityMin)/(EccentricityMax-EccentricityMin)) + 20*(SNRWeight-SNRWeightMin)/(SNRWeightMax-SNRWeightMin))+50
* img 1135 reference
* star align - distortion relaxed to 0.3
* integration - winsorized sigma clipping
***** Linear processing
*** Crop
*** DBE, 0.5 tolerance
*** Color calibration
* SNCR 0.5
* Background neutralization (using small area under middle star as sample background - hard to find true neutrality in Orion flickr.com/photos/deepskycolors/16774216742/in/faves-1833...)
* Color calibration w/background and structure detection
*** Deconvolution
* Created star_mask_large - large scale structure 2, small scale 1, noise threshold 0.1, scale 8
* Created range mask - extracted luma, applied standard STF, then histogram shadow = 0.25 mids = 0.3 high = 1
* Deconvolve with range mask on, 100 interations, custom PSF, dark 0.01 bright 0.004, local deringing with star mask, wavelet regularization
*** Star reduction
Small star mask - noise 0.15, scale 4, small scale 3 comp 1, smoothness 8, binarize, midtones = 0.02
Range mask from that, 0.05-1
Apply, erosion operator 2 iterations 0.6 with shape oval
*** Linear noise reduction
jonrista.com/the-astrophotographers-guide/pixinsights/eff...
*TGV - small noise
Created TGV masks - extracted luminosity, standard stretch (luminance_mask), curved it with black point at ~0.2 and white at ~0.5, moved histogram point to middle (tgv_mask)
apply tgv mask inverted to the image, give luma mask as local support
TGV chroma str 7 edge protection 2E-4 smoothness 2 iterations 500
TGV luma str 5 edge protection 1E-5 smoothness 2 iterations 500
*MMT - larger noise and TGV artifacts
Created MMT mask - extract luminosity, standard stretch, move histogram point to 75%, apply low range -0.5. Apply inverted
MMT mask - 8 layers, threshold 10 10 7 5 5 2.5 2 2 on rgb
*****Nonlinear
***Initial stretch
*Autostretch, apply to hist
*Create full star mask, max(star_mask_large, star_mask_small)
* HDR transform, 8 layers, B3 spline, star mask applied inverted, preserve hue, lightness mask
***MLT stretch
www.stelleelettroniche.it/en/2014/09/astrophoto/m42-ngc19...
**Initial
* created a new multiscale linear transform, kept 4 layers using linear interpolation
* diffed from original image to create a "blurred" version of original image
* extracted luminance from original, used as mask on blurred version
* used curves to create s shape in luminance, inflection 3/4 up, and pump up saturation a lot
* pixelmath sum the 3, rescaled, back to original image
**Second
* new multiscale linear transform, keep 5 layers
* diff from original
* extract luminance from blurred image, to use as a mask
* masked blurred image with its own luminance, gave it s-shaped RGB curve, big boost in saturation
* pixelmath sum the 3, rescaled, back to original image
***Star and nebula mask:
Range select to catch nebulas, blur with 3 a troux wavelet iterations (removing first 5 layers), add to star mask to obtain star and nebula mask
***Local histogram equalization
kernel 32 contrast 1.5 amount 0.35, with star and nebula mask on
***Nonlinear NR
*Luminance mask, clipped shadows
*ACDNR stdev 4 chroma 2 luma, amount 0.9 chroma 0.7 luma
***Dark structure enhance
* 5x5, 3 iterations, amount 0.25
*** Sharpen
* Sharpen with multiscale linear transform, bias layers 2-6 (0.05, 0.05, 0.025, 0.012, 0.006)