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photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Boy Harsher @ Red Hat Amphitheater, Raleigh, NC on Thursday, April, 28, 2022.
Setlist:
Keep Driving
Fate
Westerners
Come Closer
Tears
(Unknown)
Modulations
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Intention: I intended to capture the shape created by the IKEA store using a focal length of 21mm.
Reference: Freeman says that b/w “allows more expression in the modulation of tone, in conveying texture, the modeling of form, and defining shape”. I wanted to highlight the geometric shape of the IKEA store.
Outcome: I love the way this image turned out. The shape of the IKEA store became well-defined through b/w.
Edits: The image was straightened, and adjusted for levels and exposure. Vibrance and saturation were adjusted slightly before the image was converted to black and white using an adjustments filter. I adjusted by color to ensure the typography and shape of the building stood out against the sky with minimal sharpening and noise reduction.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
NXL000755H - IP54 Variable Frequency Drive 7 A, 3 kW, 400 Vac, size MF4
NXL INVERTER COD.CAASA NXL00075C5H1SSS
Equivalent to Trend model: NXL0007C5 now NXLAA07C5
The new range of variable frequency drives with single-phase/three-phase power supply and three-phase output for all variable capacity applications.
Designed to respond to the requirements of: - variable speed of fans in air handling systems; - modulation of compressor operation; - variable flow-rate of system supply pumps and evaporator pumps on chillers; - control of condensing pressure in fan assemblie.
Unleash your creativity and play 50 virtual instruments and synthesizers, take off with an unlimited number of sound creations. Download more free instrument plug-ins and host software from www.behringer.com
Velocity-sensitive USB/MIDI keyboard featuring 61 full-size keys and unbeatable programming versatility, real-time control and playability
USB/audio interface to connect your instruments and mixer, etc. to your computer for recording and playback
Powerful DAW software Ableton® Live Lite 4 BEHRINGER Edition included
Plug and play with Mac OS® X and Windows XP®
8 real-time rotary controls plus 10 assignable switches
Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility
Full 128 tone range via the octave shift function with multi-purpose LED status indication
Separate MIDI Out allows controlling external samplers, synths and other equipment
Runs via USB bus, batteries or a power adapter (not included)
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Pattern of a dual pendulum swinging a modulated LED. The LED is an RGB tricolor, and the modulation is manually controlled through a microcontroller.
"The Jazz Station Big Band proves to be one of the most promising ensembles in Europe. The writing is ingenious and ambitious and the arrangements are deep and meaningful. Their astute use of odd time signatures, metric modulations and free improvisation keeps the listener engaged and interested but there's also great lyricism, simplicity and beauty in their work. Definitely a high quality release from an ensemble that has unlimited potential"
Antonio Sanchez
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Modulation: 11 tipos.
Treble:
Cabinet: Precence
MOD/PEDAL MOD: Speed/pitch/Bottom
AMB/PEDAL AMB: tone
Me estoy trasladando.. antes www.flickr.com/murodelacalle, ahora flickr.com/pillerias.
Pottery is not just a significant and traditional craft in Vietnam, but also an important means of livelihood. The Thanh Ha Pottery Village in Hoi An is a famous example in this type of an establishment that aims at furthering tradition as well as employment. They used clay mixing techniques, burning and baking time and heat modulations to bring out different colors.The craftsmen also modulate all these aspects to achieve immense durability in their products.
Tektro CR720. Needed to go with this brake for pad adjustment. Good modulation and power, but I have to watch out for heel strike.
Pattern of a dual pendulum swinging a modulated LED. The LED is an RGB tricolor, and the modulation is manually controlled through a microcontroller.
Virtual and Physical Wiimote - two way communication in and out of Second Life
The aim of this project is to control the speed of a fan with a control panel in Second Life. To control the motor, a pulse width modulation (PWM) powers the fan. With this method, the speed will be controlled by the mean value of the signal, depending of its duty cycle.
Virtual World and Serious Games Research Team
University of Ulster, Magee (Northern Ireland)
Picture by: Kerri McCusker
"The Jazz Station Big Band proves to be one of the most promising ensembles in Europe. The writing is ingenious and ambitious and the arrangements are deep and meaningful. Their astute use of odd time signatures, metric modulations and free improvisation keeps the listener engaged and interested but there's also great lyricism, simplicity and beauty in their work. Definitely a high quality release from an ensemble that has unlimited potential"
Antonio Sanchez
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Here's a rather dark shot using an RGB programmable strobe system we've put together over the past few days. The object being photographed is a spinning helix made from flat disks stacked up like steps on a spiral staircase. The helix is mounted to the hub of a muffin fan.
The lighting system uses three individual analog pulse-width modulation (PWM) circuits that each drive one of the RGB color channels. The system under test is using 1 watt Luxeon LEDs- the drivers can source up to 6.5 amps at up to 35 VDC, so a lot of LEDs can be driven at once, if desired.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
BCUC
South Africa
With its hypnotic hip-hop vibe and punk-rock energy, BCUC (Bantu Continua Uhuru Consciousness) taps in to the spirit of its ancestors and the creative, rebellious energy of its hometown, Soweto. This outspoken and astounding seven-member band uses “incantations” in Zulu, Sotho and English, funky modulations and more to bring to the world the voice of their people. There are ritual songs, around-the-fire hood songs, shebeen songs, church songs, all used as weapons of political and spiritual liberation. The Africa portrayed by BCUC is not poor, but rich in tradition, rituals and beliefs. This band is about today and the future, infused with all that is the past.
Two amplitude-modulating square waves. This only shows the first few cycles of an OSC1 "on" phase, there was more.
Created by FM3, which consists of FM3 is Zhang Jian and Christiaan Virant, the Buddha Machine 1 was an instant hit a couple years back. It is one of those things that the world doesn't need but it just seems to be fun and fascinating for many people.
Now the Buddha Machine 2 has been recently released although its only available in Thailand via mail order. The easiest way to get it is from White Noise records in Hong Kong www.whitenoiserecords.org. It is just about 1000 Baht for a Buddha Machine plus shipping to Thailand.
So what does it do? The Buddha Machine has several prerecorded samples on its chip that are all ambient sounds that loop indefinitely. You just let it play and get a never stopping ambient sound that is supposed to sooth and relax. The Buddha Machine 2 has some new features compared to the first version such as a pitch modulation wheel where you can change the pitch of the sounds.
It has been so successful that several knock offs have been released. There is an Internet version available at www.zendesk.com/external/wall where you can listen to the sounds of the Buddha Machine. There is even an iphone application of the Buddha machine that can be found here: itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?i...
FM3 homepage
[image: Inline image 1]
Therefore, Timothy, cherish the Sabbath. Pray and give worship, offer up
thanksgiving in My name. Be refreshed and washed in The Word, renewed in
the presence of God... *My son, speak of Me on the Sabbath, declare My name
and My glory! And when others draw near, speak to them also; yea, testify
of My Passion on the Sabbath day! Share My Word and My love, and blow this
trumpet! For My Kingdom comes!* from:
trumpetcallofgodonline.com/index.php5?title=Remember_The_...
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.