View allAll Photos Tagged modulation
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Manchmal behält sich ein(e) Künstler(in) eine gewisse Autonomie vor der Alchemie der Bilder und verwehrt dem Konzept dessen Rolle als Katalysator zwischen dem Selbst und der Geschichte seines/ihres Diskurses. Dies scheint bei unserem nächsten Gast auch der Fall zu sein; in einigen seiner Werke stürzt Karsten Konrad die Logik des Raums und strebt nach einer zeitlosen Strömung. Als Einleitung des vorigen Vortrags erwähnte ich die Archetypen; auch hier bekommt der Archetyp einen eigenen Leib. Es ist, als würde der Künstler komplexe Permutationen erschaffen und sie dann zu Form, in einem bestimmten Muster, koagulieren; oder als würde eine Bewusstseinsebene auf eine andere treffen. Aus der Quadratwurzel der zwei sich überschneidenden Zustände entsteht eine spektrale Modulation, die sich in stabile Formen zerlegt. Da bezeugen wir die Auflösung der Realität in einem Feld beliebiger subjektiver Projektionen, die völlig bewusst jenseits der Nüchternheit, jenseits des Subjekts, jenseits des Enthusiasmus pulsieren. Diese Veränderungen nennen wir Kunst - und über sie werden wir am 27. Mai mehr erfahren können...
Sometimes, an artist retains a certain autonomy before the alchemy of images and refuses to grant the concept its role of catalyzer between the Self and the history of his/her discourse. This seems to be also the case with our guest. In some of his works, Karsten Konrad overthrows the spatial logic and aspires to create an atemporal flow. I had mentioned archetypes in the previous introduction; it appears that here, too, the archetype is granted a body of its own. It is as if the artist would make complex permutations and would subsequently coagulate them into a shape, following a certain pattern - or as if a level of the consciousness would overlap on another. The square root of the two dissolving states would then result in a spectral modulation that divides itself in stable forms. In other words, we witness the dissolution of reality into an aleatory range of subjective projections that are knowingly guided to pulsate beyond lucidity, beyond enthusiasm, beyond the subject. These transformations are what we call art - and on the 27th of May we will have the chance to know more about them...
Luciana Tamas
Purple LED lights as seen in room light, with the eyes (and camera) held steady. But are there REALLY purple LEDs in there?
Manchester Cathedral.
St Mary Window, 1980.
By Antony Hollaway (1928-2000).
In 1963 the stained glass designer and craftsman Tony Hollaway was introduced to the Manchester architect, Harry Fairhurst. Eight years later, after they had worked together on commissions in Cheshire and Liverpool, Fairhurst sought Tony's advice about a plan for five large stained-glass windows in Manchester Cathedral.
Thus was Tony asked to design and make the first window, the St George in the inner south-west aisle. It was completed in 1973. Further windows followed in 1976 and 1980 and the final window, Revelation was installed in 1995.
Detail: The St Mary Window. Designed by Antony Hollaway, 1980. (This is in the Tower.)
The circle, which dominates the window, is the ancient Christian symbol of perfection. It is marred by the death of Jesus in the form of a shart of leight or the sword. This is a direct reference to the prohecy of Simeon to the Blessed Virgin at the time of the Presentation of Jesus in the Temple. (“A sword shall piee through your own Soul also”. Luke 2: 35).
This destoryed the perfection of the circle which is compensated for visually the the arcs of red and yellow. “And there appeared a great wonder in Heaven: a women clother with the sun, the moon under her feet …” (Revelation 12:1). These radii restore the symmetry required for formal and design purposes.
These are seven shades of blue within the circle, blue being a colour traditionally associated with St Mary the Virgin. The circle contains a serpent. This is a multiple image best understood under the following headings:
The circle placed upon these blocks of colour are letter forms both upper and lower case which are essentially to create a pattern. However, they may be re-assembled to read verses from the Magnificate: left to right. The act of re-assembling the letters is intended to concentrate the mine on the text which would not necessarily result from ‘easy reading’.
The above details are intended to present:
1. A suitable light modulation for this part of the building.
2. A relationship with the two adjoining windows.
3. A monumentality and dignity appropriate to the Architecture and to the special place of this window in the Scheme, and of the Virgin Mary among the Patron Saints of the Cathedral.
All the teaching elements of the window are subordinate to the formal design requirements expressed in (3).
Here's some spec's on this sweet system. It's a "Matrix" system, meaning that it has the ability to change all of it's routings on every preset.
Instead of being tied to one signal flow you can have any signal flow you want, when you want. Which is pretty handy for score music composer & guitar instrumental musician who has to constantly change the signal flow.
The switcher has a software interface that allows you to create an icon for each device and it's corresponding input(s) & Output(s), then using the mouse, connect the rig you want to have at that moment with no extra devices connected to the signal path for the cleanest path possible from pick ups to speakers.
A matrix switcher has 16x Inputs & 16x Outputs, so we decided to put 5 switchers in this system, connected them to each other & bunch of other cool gear. Each switcher has a "Group" responsibility:
1. "Master" - Magnetic & Piezo Inputs + 4x Amplifiers + 1 Axe FX ("Front End" of 4 Wire Config) + Multiple Connections to the other Switchers
2. "Harmonics" - Octave, Fuzz & Overdrive devices.
3. "Dynamics" - Compressors, EQ's Filters, Synthesizers.
4. "Modulations" - Chorus, Phaser, Flanger, UniVibe, & Tremolo.
5. "Time" - Delays & Reverbs + Axe FX ("Back End") for Reverb, Delay & Looper.
Any order & combination of series & parallel is possible, the possibilities for signal routings are only limited by the player's imagination...
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
via
Eine kürzlich veröffentlichte Studie der McGill University weist auf Sojamilch als die beste pflanzliche Milchoption hin, aber die Realität ist nicht ganz so einfach.
Die Studie untersuchte die vier am häufigsten konsumierten pflanzlichen Milchprodukte auf der ganzen Welt: Soja, Mandeln, Reis und Kokosnuss. Sie verglichen sie nicht nur miteinander, sondern auch mit Kuhmilch, die aus ernährungsphysiologischer Sicht der „klare Gewinner“ war: Die Autoren schreiben, dass sie die „perfekte Zusammensetzung der Nährstoffe“ für Kühe hat und der Zusammensetzung des Menschen ähnelt Muttermilch.
Unter den Optionen auf pflanzlicher Basis setzte sich jedoch Sojamilch durch, und aus rein nährstoffbasierter Sicht ist es schwer zu argumentieren: Sojamilch, so die Wissenschaftler, „fand man heraus, dass es mit Kuhmilch am besten vergleichbar ist Gesamtnährstoffbilanz “, berichtet TIME. “Es ist auch der höchste Proteinanteil aller untersuchten alternativen Milchoptionen, mit etwa 7 bis 12 Gramm (und etwa 95 Kalorien) pro Portion.”
Im Vergleich dazu hat Reismilch vor allem relativ niedrige Nährstoffgehalte und einen höheren Zuckergehalt, was die Autoren der Studie zu der Überzeugung veranlasst, dass Säuglinge, die Reismilch konsumieren, sogar an Unterernährung leiden könnten. Kokosnussmilch war unterdessen sehr arm an Eiweiß, obwohl der Bericht seine Auswirkungen auf gutes Cholesterin gutheißt; und Mandelmilch, die reich an einfach ungesättigten Fettsäuren und relativ kalorienarm ist, war bei Eiweiß und Kohlenhydraten niedriger als bei Kuh- oder Sojamilch.
Gesundheit beginnt und endet nicht mit Nährstoffen
Nur weil Sojamilch ein ähnliches Nährwertprofil wie Kuhmilch aufweist, bedeutet dies jedoch nicht, dass es für Sie besser ist als andere pflanzliche Milch – oder sogar für Sie.
“Sojamilch kann eine sichere Alternative zu Kuhmilch sein”, sagt Dr. Mark Hyman, Direktor des Cleveland Clinic Center for Functional Medicine. “Es gibt jedoch eine Reihe wichtiger Vorbehalte.”
Er zitiert beispielsweise, dass 95 Prozent aller Sojabohnen gentechnisch verändert sind, das heißt, dass sie wahrscheinlich zumindest Spuren von Glyphosat enthalten, ein Herbizid, das von Monsanto als Roundup vertrieben wird. Ein Großteil des in den USA angebauten Sojas ist gentechnisch so konstruiert, dass er den Auswirkungen von Glyphosat standhält, was bedeutet, dass es mit der Chemikalie stark besprüht werden kann und wird, was zahlreiche Studien, einschließlich einer Überprüfung der Weltgesundheitsorganisation aus dem Jahr 2015, ergeben haben kann krebserregend sein.
Die Wahl von Bio-Sojamilch kann diese Probleme abmildern (obwohl betrügerische Einfuhren von herkömmlichem Soja im letzten Jahr bedeuten, dass es immer noch schwierig ist, absolut sicher zu sein, dass Ihre Sojamilch keine Pestizide enthält), aber Dr. Hyman weist darauf hin, dass sogar Bio-Sojamilch unerwünschte Inhaltsstoffe enthalten kann. Einige Sojamilch enthält Gerstenmalz – eine Glutenquelle – sowie Zucker und Carrageenan, einen Emulgator, der mit erhöhter Darmpermeabilität in Verbindung gebracht wurde (Carrageenan ist jedoch in der Lebensmittelindustrie nicht nur in Sojamilch verbreitet).
Einige Experten äußerten auch Bedenken hinsichtlich des Sojakonzentrats an Phytinsäure, einem in Nüssen und Samen enthaltenen „Anti-Nährstoff“, der es dem Körper möglicherweise erschwert, lebenswichtige Nährstoffe aufzunehmen und zu verdauen.
Das größte Problem im Zusammenhang mit Soja ist jedoch möglicherweise die Wirkung auf Östrogen.
Soja ist das Nahrungsmittel mit dem größten bekannten Isoflavon-Gehalt; Die Studie hebt diese pflanzlichen Nährstoffe für ihre krebsbekämpfenden Eigenschaften hervor. Isoflavone können jedoch auch die Produktion von Östrogen stimulieren. In einer Studie aus dem Nutrition Journal aus dem Jahr 2008 wird sogar darauf hingewiesen, dass aufgrund der krebsbekämpfenden Eigenschaften von Isoflavonen mit der Modulation von Östrogen Frauen mit Brustkrebsrisiko anfälliger werden können auf die Krankheit bei der Erhöhung ihres Isoflavonverbrauchs. Der Verbrauch großer Mengen Sojamilch war auch in einer Studie zur Umweltforschung 2017 mit der frühen Pubertät verbunden.
Milch bekommen? (Sicher, in Moderation)
Die Prämisse der Studie ist jedoch sehr verfälscht: Bei der Einstufung von Milchersatzstoffen nach Nährstoffgehalt gehen die Autoren der Studie davon aus, dass die Menschen Milchprodukte zu den Raten einnehmen, die die Bundesregierung empfiehlt. Ab 2015 empfehlen die Ernährungsrichtlinien des Bundes weiterhin, dass Erwachsene täglich zwei bis drei Portionen Milch trinken. Die meisten Ernährungsexperten sind sich jedoch einig, dass dies bei weitem nicht der beste Weg ist, um Nährstoffe zu erhalten.
„Milchprodukte sind ein Wachstumshormon“, erklärt die Naturheilkundlerin Serena Goldstein. Erwachsene, die Milchprodukte konsumieren, könnten am Ende Gewicht, Blutzucker und Hautprobleme aufgrund dieser Hormone bekommen. “Wir verlieren auch unsere Fähigkeit, Molkereiprodukte zu tolerieren, nachdem wir zwei Jahre alt sind. Daher ist es ein Faktor, der die Darmgesundheit stört, die mit schlechter Laune, Herz-Kreislauf-Erkrankungen, hormonellen Problemen usw. in Verbindung gebracht wurde.”
Selbst wenn ein Erwachsener sich dafür entscheidet, Kuhmilch in seine Ernährung aufzunehmen, sollte er sparsam konsumiert werden, was bedeutet, dass er sich auf andere Quellen für die mit Milch verbundenen Nährstoffe wie Kalzium, Eiweiß und bestimmte Vitamine verlassen muss. und Milch – egal, ob sie von einer Kuh oder einer Pflanze stammt – sollte „manchmal“ Nahrung sein.
„Alles in allem ist ein bisschen ungesüßte Bio-Sojamilch ohne Carrageen oder Gerstenmalz in Ordnung, sollte aber kein Grundnahrungsmittel sein“, sagt Hyman. „Wenn Sie es in Ihren Kaffee geben wollen, ist es in Ordnung. Wenn Sie jeden Tag einen großen Sojalatte trinken, ist das wahrscheinlich keine gute Idee. “
Also, welche Milch soll ich trinken?
Hyman und Goldstein bevorzugen beide Kokosnuss- oder Nussmilch; Goldstein merkt an, dass sie in der Regel vorschlägt, dass ihre Kunden Kokosnussmilch, Mandelmilch oder Hanfmilch wählen, da sie gute Quellen für gesunde Fette sind, was bedeutet, dass sie ein wenig mehr Durchhaltevermögen haben und weniger wahrscheinlich Ihren Blutzucker ansteigen lassen , wie Reismilch kann.
Für welche Milch Sie sich auch entscheiden, Sie sollten unbedingt sicherstellen, dass sie aus einer sauberen Quelle stammt: Kokosnussmilch in Dosen ohne Zusatzstoffe oder hausgemachte Nussmilch ist eine ausgezeichnete Wahl für Ihren Morgenkaffee.
Die Post Ist Sojamilch die gesündeste pflanzliche Milch? erschien zuerst bei Health Beauty ABC.
The post Ist Sojamilch die gesündeste pflanzliche Milch? appeared first on Natürliche Alternative Heilmittel - Körper | Geist | Zuhause.
VIEW OF PATIENT POSITIONER
.IN THE FOREGROUND IS THE RANGE MODULATION SYSTEM, TO PINPOINT WHERE THE BEAM STOPS IN THE PATIENT. IN THE BACK- GROUND ARE THE DOSE MEASURING DEVICES.
For more information or additional images, please contact 202-586-5251.
Dub~STEP~ARCADE
a cross between a dub siren and atari punk console with A/D gen and LFO modulation
KITS NOW AVAILABLE
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Die Elektronenröhre PCF 802 hatte auf der Leiterplatte des schwarz-weiss Fernsehers von Metz (Modell 6060) zwischen der Sinus-Generatorspule und der Impulsformerspule seinen Steckplatz.
Eine Elektronenröhre ist ein elektronisches Bauelement, das aus einem evakuierten oder gasgefüllten Kolben aus Glas, Stahl oder Keramik besteht, in den mehrere Elektroden, mindestens eine Kathode mit Heizung und eine Anode, eingelassen und von außen kontaktiert sind. Sie dient zur Gleichrichtung, Erzeugung, Verstärkung oder zur Modulation von elektrischen Signalen.
Radioröhren: ECC85, EL84 und EABC80
Eine Auswahl an Elektronenröhren
Die Rimlockpentode EF42
6L6GC-Röhren: links General Electric ca. 1960, rechts Svetlana Electron Devices, Russland ca. 2000
Im Inneren der Röhre treten Elektronen aus einer Glühkathode als freie Elektronen aus (Elektronenemission) und fliegen unter dem Einfluss eines elektrischen Feldes zu einer Anode. Durch ein Steuergitter zwischen Kathode und Anode lässt sich der Strom beeinflussen, denn durch unterschiedliche Gitterspannungen bzw. elektrische Felder kann man den Elektronenfluss hemmen oder verstärken. Darauf beruht die Verwendung der Elektronenröhre als Verstärkerröhre oder Oszillator.
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
yamaha tx81z sound module
excellent condition
with manual
make an offer
will ship
The TX81Z uses the same synthesis method as the classic Yamaha DX-7.
Voice Banks
The TX81Z has 5 banks of 32 voices each. Banks A-D contains 128 factory preset voices, and bank I (internal) has 32 user voice memories for storing edited edited presets of totally new voices that are created by the user.
Play Single Mode
Play Single mode allows one voice to be played at a time, using chords of up to 8 notes.
Play Performance Mode
Performance Mode allows the TX81Z to act as several independent instruments. The maximum number of notes can be set for each instrument, and any combination is possible with a total of 8 notes. The Note Limit function creates any type of split or double effect even when playing notes on one MIDI channel.
Program Change Table
The TX81Z memory contains a Program Change Table that allows the user to specify which voice (banks I, A-D) is to be selected in response to each MIDI program change (1-128). If the Program Change Table contains a performance number, the entire setup of the TX81Z (independent settings for all 8 instruments) can be changed by pressing one switch on the keyboard.
Micro Tune Tables
Incoming Note On messages can be routed through one of the 13 Micro Tune Tables (2 user-programmable, 11 preset) to produce non-standard intonation. Eleven scales such as Mean Tone, Werckmeister, Pythagorean and Kirnberger are preset, and two memories are provided for custom scales.
Three Effects
One of three effects (Pan, Transposed Delay, Chord Set) can be selected for use in each performance memory. Using Pan, the sound can be periodically shifted between two outputs. The Transposed Delay effects lets one note trigger a delayed, transposed note, with delay time, transposition, number of repetitions, and velocity of the delayed note being set by the user. Chord Set assigns up to 4 notes to be sounded by a single incoming note. 12 notes can be named, with a different chord for each.
Oscillator Wave Select
Oscillator Wave Select gives the user a choice of 8 different waveforms to use in each operator, generating sounds more complex than were possible with previous 4-operator FM synthesizers.
EG Shift
EG Shift sets the range of the envelope, and can determine a minimum operator output level even before a note is played.
Voice Function
Poly/Mono, Pitch Bend Range, Portamento Time, and Transpose can be set for each voice. MIDI controllers on a keyboard can regulate pitch or amplitude modulation, and a Breath Controller can control two additional parameters - EG Bias and Pitch Bias.
words from the New Forms Facebook event page:
Sound Migrations is a unique collaborative project which began when Meredith Bates, an award-winning violinist, invited interdisciplinary artist and musician Lief Hall and visual artist Josema Zamorano to co-create an improvisational music-video performance as the final part of her artist residency at Western Front.
Their collaboration converged, looking for a dialogue between aural, visual, and spatial experiences, reflecting on migrations and the living transformations that are part of it: sound becoming body movement, voice becoming ocean waves, music becoming awareness of space, wind becoming texture, the forest becoming cellular copulation, colour becoming mood, perception becoming the environment itself.
The video-performance by Josema Zamorano was created in dialogue with the moment by using a digital camera as instrument to "play" two photomontages that depict abstracted landscapes.The imagery, read via body movements and gestural modulations over the lens, was processed in camera to produce moving colour fields, projected live throughout the venue.
Assembled. The orange backdrop is the cutdown parachute =)
Using full power (10mW) MSK modulation at 915Mhz with a bitrate of 250 kbps I was able to get over 1000ft of line-of-sight range. I have since changed this to 2-FSK at 38.4kbps which should give me another 12dB of range. I'll test this again once I get real antennas.
Name: Chicken broth cube
Product Description:This product uses fresh chicken meat as raw material, processed through the latest technology, widely used in soup, stir-fries, modulation broth, taste better fresh and delicious, can be used instead of MSG..
Product specifications: 10g×60blocks /box
10g×30blocks /box
Mr yan
e-mail:yjxa31@gmail.com
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the south facade of the hotel from the pool and lounge area with the brise-soleils also in view.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Water
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0274 Concha.JPG
Record ID: WB2010-0274
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Was trying to show the "Anglebaby", or modulation part of the pedal. Can get flanging, phasing and thousands of other crazy sounds!!!
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Nautel NV 7.5 transmitting into dummy load (DL is on top of equipment rack, behind the fluorescent light fixture and the little speakers.
Below the speakers:
Patch panel to send signal from transmitter to dummy load or antenna, and to hook up auxiliary transmitter.
Receiver to listen to signal.
Belar modulation monitor.
Sony HDR F1-HD radio receiver and Barix Exstreamer 1000 (extracts the analog signal out of the HD stream).
Orban 5500 processor for the FM audio.
Nautel Exporter (temporarily in the rack for setup of HD stream, normally at studio end).
Nautel Importer (temporarily in the rack for setup of HD stream, normally at studio end).
Laptop for setup, monitor, control.
Drawer for manuals, tools, emergency rations.
Davicom Mini MAC remote control.
Fan panels.
Uninterruptible Power Supply with additional battery pack.
Blueberries:
Blueberries are among the highest anti-oxidant value fruits. The ORAC value of 100 g fresh blueberries is 5562 TE (Trolex equivalents). Their antioxidant value largely derived from poly-phenolic anthocyanidin compounds such as chlorogenic acid, tannins, myricetin, quercetin and kaempferol.
Strawberries:
Fresh berries are an excellent source of vitamin-C (about 98% of RDI), which is also a powerful natural antioxidant. Consumption of fruits rich in vitamin C helps body develop resistance against infectious agents, counter inflammation and scavenge harmful free radicals.
Bananas:
There are about 110 calories in a banana
* Safe and pure enough for baby's first solid food
* Bananas are a terrific, heart-healthy food
* A nutrient dense food that's ideal for any diet or weight-loss program
* Fat-, cholesterol- and sodium-free
* Provides an excellent source of vitamin B6
Yogurt/yakult:
Claims regarding the benefits of Yakult consumption are supported by an array of scientific studies, according to the manufacturer's website.Those could range from maintenance of gut flora,modulation of the immune system, regulation of bowel habits and constipation and finally effects on some gastrointestinal infections.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Kurzwellen-Handfunkgerät im 10, 11- und 12 meter Band (24,9 - 29,7 MHz)
Für Funkamateure stehen durch Sonderprogrammierung die Bereiche des 10 und 12 meter Bandes mit 4 Watt Sendeleistung in AM/FM/USB/LSB Modulation zur Verfügung.
Durch spezielle Programmierung auch als reines CB-Funkgerät (mit Länderschalter) in vielen Ländern Europas für Jedermann genehmigungs- und gebührenfrei zugelassen.
A (slightly excessive) experimental setup for the March solo gig. The new Guyatone ST2 gives pickups a big fat boost which drives the HOG. The HOG is split into a "clean" and an effected channel. The "clean" channel drives the second effects loop (Yamaha NE-1, DOD Classic Fuzz, Crybaby and Vox 1904). The "clean", the HOG and the second effects loop all run through the first effects loop with a stereo Line 6 Echo Park giving the whole thing an ambient shimmer.
A previous version of this setup featured a Boss Super Shifter (on Harmonist mode for octave up, and Pitchshifter mode for octave down) which was placed either at the beginning or the end of the second effects loop. This wasn't sufficiently distinct from the HOG other than when it was being fuzz-wahed.
This setup is probably too big for the gig anyway. Something using the Super Shifter rather than the HOG, perhaps with some ring modulation, might work better. But all in all, the boosting effect of the new Guyatone Compression Sustainer had a rather bracing effect upon all and sundry and on that basis this should be thought of as a partial triumph!
My 1/35 scale AFV Club Stryker M1126 8X8 infantry combat vehicle is done! Much to my surprise, this kit went together with only a couple minimal fit issues, self induced! I had expected it to be a bit on the iffy side as the kit has been in my stash for many years now, and older kits tend to be less engineered than recent ones, but it turned out to be an enjoyable build.
I decided to to it as a vehicle that has been in the field for a while during the summer, perhaps on maneuvers in a training facility, so the weathering is not that heavy. I did use burnt sienna oils with mineral spirits (my first use of this thinner with oils as I usually use the less odorous Turpenol) to do some of the filtering and dirtying but the majority of the modulation is done using the usual black undercoat with white accent under main color coat method.
I also used a very light coat of Tamiya buff thinned way down and sprayed on at a foot or so from the model to create a light dusty look as well. That especially worked well on the tires, which are vinyl mounted to plastic hubs (really nicely detailed tires I might add). I did do some panel accenting with Tamiya Black Panel Liner around the raised hull elements. I sanded the tire treads to make them look worn which really brought out that detail, in my opinion.
The decals went on quite easily and released from their carrier sheet with little to no time needed, not like the previous couple of kits i have worked on…a very delightful development! I did use the Micro Set and Sol method to embed them, but the vehicle numbers all silvered on me (think I should have used more gloss under them to relieve this issue). I am still ok with that as you can always weather to compensate after the fact. Prior to weathering, everything was clear coated with Testor’s Dull Coat…still my favorite flat coat.
For once I have few criticisms of the kit and am delighted to add it to my ever growing shelf of diverse armor builds. Definitely a fun build!
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Orange Juice Drive is in a classical RAT type circuit and sounding topolgy. We add extra switch for select between symmetric or asymmetric clipping. Not operable with battery.
Brug verbindingsdam naar Javaeiland en KNSM-eiland
Build in 1995. Architect Hans van Heeswijk
The Verbindingsdam in the Eastern Docklands of Amsterdam was the railroad link between manmade harbour islands and a vast switchyard. For this reason, the dam and bridge traverses the water obliquely instead of going straight across.
The islands and railway yard have been redeveloped into residential areas. The railroad became tramway and capacity for other forms of traffic had to be increased. The islands had to remain accessible at all times, so the design of the bridge is in two parts to allow phased construction. To emphasize the “bridge” character, the original flat girders were replaced by arches.
Compared to its span, the bridge is extremely wide. Separating the deck into three parts provides a spatial modulation. The bridge deck is supported by beams that are suspended from above with cables running through the slits in the deck.
By night the road is illuminated from above. Spotlights from underneath cast a glow on the white painted steel construction.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The wall and roof assemblies were considered for their thermal performance and efficiency of use. Insulated concrete forms (ICF) walls are used on the load bearing axis’ where openings are limited (exposure wall) or absent (party wall). The concrete provides superior stability, i.e. no shrinkage, and durability over framed walls. The layout of walls and openings (west elevation/A4) allowed for the whole or half block modules so that no cutting was required. There was no waste from these forms. In addition ICF walls have an R value of 22.7 and no thermal bridging - which effectively increases their performance over that value. The mass of the concrete provides some modulation to temperature swings
Light (2x6@24” centre) framed walls were used on the south and north elevations where larger opening and greater transparency was desired. A soya based closed cell spray foam with recycled fiber (Polar Foam) was applied to the exterior framed walls resulting in an R value of 35. Polar Foam was also used to insulate floors suspended over unheated space, increasing the R value over traditional ‘batt’ insulation while also mitigating the thermal bypass (air gap) between insulation and heated space. Made to measure pre-engineered joists and beams where used throughout. These assemblies contributed to an estimated 60% reduction in construction waste. Finally, the extra deep roof trusses specified allowed for a vented roof with combined R59 batt with . The flat roof allows for the future provision of solar collectors or photovoltaic panels. Triple glazed windows and double glazed doors with argon filled spaces and low e coatings add to the thermal performance.
The simplicity of the basic parti – light stick framing suspended between insulated concrete walls (party/ party or exposure / party) – anticipates extrapolation into 3 -plex, 4-plex and row housing arrangements. A variety of roof forms and inclinations can accommodate the requirements of solar collectors or photovoltaic panels orientation particular to the site. The clear span structure will allow for plan variations in design or for adaptive re-use without the need for structural modification.
Close-up of the light controller.
See laneboysrc.blogspot.sg/2012/07/diy-car-light-controller-f... for details.
Notice that there are two chips stacked on top of each-other on the left. These are the LED drivers. In our Dingo I used PWM (pulse width modulation) to control the brightness of the LEDs. However, due to the low speed of the microcontroller this causes flickering when filming at high shutter speeds.
To improve this for the XR311 I use two chips, one for full brightness (20mA) and one for half brightness (~8.5mA).
Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Om Yoga Ashram is starting a new session 200-hour YTTC in Dharamsala India. Our yoga Teacher’s (Guru) is very qualified and spiritual. The 200-hour YTTC is a practice to elaborate your body towards spirituality and meditation, this will bring you to controlling the inner energy, stability, and focus. After completing the 200-hour YTTC program you have to ability to share it and move towards the 300-hour YTTC program.
200-hour YTTC Program Activities:
Study about types of yoga asana
Art of sequencing and improvisation in the Yoga class
Intelligent use of props to help improve practice at its early stages
Cultivation of Command through voice modulations
Yoga Postures with their Sanskrit Names and terminology
Confidence-building through practice Yoga teaching
Principles of anatomy-physiology and its correlation with Yogic Science.
Yoga Philosophy, Yoga Ideas
Spirituality and ethics with Business of Yoga
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
amorphica.com/networked.html
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]