View allAll Photos Tagged modulation
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
about 0 to 100% duty cycle, up to 4kW (if used with not included heat-sinks), about 28kHz pulse width modulation frequency (PWM)
Stereo Viewer for all my photos: jongames.com/stereophoto/
Here, we've pretty much settled on curve of intensity change, but we wanted to see what it would look like where all the LEDs are always on at a low level, but pulsing to higher intensity.
This is all being done with pulse width modulation and an arduino.
Next step, more LEDs, brighter, with a wider view angle.
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
From Minas Gerais in Brazil comes this 4" wide specimen of optical calcite placed upon a reflective CD-R disc. A green laser beam is directed through the crystal in the direction shown by the arrow. Green laser light is scattered as it enters and exits the calcite. Within the calcite the laser beam stimulates red fluorescence likely due to manganese impurities.
The photo was taken through red laser goggles acting as a high Q magenta (green rejection) notch filter.
Contains:
Calcite (FL Orange Red >Green Laser) Act: Mn?
Shown under green laser light.
Series best viewed in Light Box mode using Right and Left arrows to navigate.
Backpanel: fuses.
Designed by Robert Moog in 1970, the Minimoog Model D synthesizer is still regarded as the Rolls Royce equivalent for analog keyboard-based synthesizers. Specifically designed for touring musicians, the minimoog exported electronic music experiments from university labs out to the masses - and her deep farting bass-sounds (think of Kraftwerk's Autobahn), lead and space bleeps and sweeps have become HUGELY popular over the last 38 years.
There were originally 13,000 minimoogs produced between 1970 and 1981. After a brief hiatus during the digital-synth craze in the 1980s, the minimoog enjoyed a resurgence of interest among musicians since the 1990s...and yes, it's becoming harder to get a hold on one.
I obtained this Mini from a studio garage sale back in 1989 for US$ 150 (in prime condition - save the crackling external input knob). After lying dormant for 7 years now, it's time to bring life back into this 1973 model D mini. Tropical humidity heavily damaged the furnishing. It needs re-tuning of the oscillators, cleaning of the electronic board, new switches for filter modulation, and thinking about a new base panel.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the south side of the hotel from the pool and lounge area located in the center of the hotel.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Trees
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0273 Concha.JPG
Record ID: WB2010-0273
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
about 0 to 100% duty cycle, up to 4kW (if used with not included heat-sinks), about 28kHz pulse width modulation frequency (PWM)
Stereo Viewer for all my photos: jongames.com/stereophoto/
My first QSL card from outside the United States. Hector lives in Cienfuegos, Cuba, 1149 miles from my location in Louisville, Kentucky.
QSO: www.flickr.com/photos/jmschneid/8556896541
Current callsign is KB4BB
Sarah Perkins | Springfield MO
"Pierced Container" (2010)
Sterling, copper, enamel
As a maker of hollowware, I use properties of the metal: the plasticity, the permanence and the dimensionality. As an enameler, I use properties of the glass: the preciousness, the surface qualities and the color. In my work these properties function together to make a whole, with the two materials complementing and completing each other, rather than one being visually more important than the other.
My work reflects my emotional response to my environment, often referring to landscape, body part or natural object. Some of the forms are based directly on plants, fruits, rock formations and other natural objects. The colors and enamel imagery are derived from natural objects as well because I find the natural modulations of color, texture and surface very appealing and very intimate.
Dimensions: 20" wide X 10" tall X 12" deep.
Uses standard 1/4" jacks for audio out and patch panel.
Monophonic, with low-pass filter, envelope (HADSR) controls, LFO, pitch width modulation, white and pink noise generation, and external signal in jack.
About the Korg MS-10:
Además de abreviación para Bogotá, bta es:
BlueTooth Address
Bluetooth is a wireless protocol for exchanging data over short distances from fixed and mobile devices, creating personal area networks (PANs). It was originally conceived as a wireless alternative to RS232 data cables. It can connect several devices, overcoming problems of synchronization.
Bluetooth uses a radio technology called frequency-hopping spread spectrum, which chops up the data being sent and transmits chunks of it on up to 79 frequencies. In its basic mode, the modulation is Gaussian frequency-shift keying (GFSK). It can achieve a gross data rate of 1 Mb/s. Bluetooth provides a way to connect and exchange information between devices such as mobile phones, telephones, laptops, personal computers, printers, Global Positioning System (GPS) receivers, digital cameras, and video game consoles through a secure, globally unlicensed Industrial, Scientific, and Medical (ISM) 2.4 GHz short-range radio frequency bandwidth. The Bluetooth specifications are developed and licensed by the Bluetooth Special Interest Group (SIG). The Bluetooth SIG consists of companies in the areas of telecommunication, computing, networking, and consumer electronics
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
From Don Edwards San Francisco Bay National Wildlife Reserve, near Drawbridge, the Weep Site, north connector, on Feb. 18, 2008. Salinity = 52-PPT. Photomicrograph taken at 1,000x magnification, oil immersion, with Hoffman Modulation optics. This Cyanobacterial filament exhibited a well-defined sheath and was not motile. This filament represents the majority of Cyanobacterial filaments found at this site at this date. By May, as the Weep Site evaporated and the salinity went up above 100-PPT, the Cyanobacteria vanished, to be replaced by a community of Dinoflagellates.
The rope & pulley prototype set up at ITP for a user testing session. When my right side faces the computer, pulling the rope towards my body triggers a note on the MIDI synthesizer. Pulling the rope with increasing speed increases the volume of the note as well as a sound modulating parameter. Decreasing the pulley's speed decreases the volume and modulation parameter. When the pulley stops rotating, the system turns off the note on the synthesizer.
This synth has lots of knobs for direct control over all the important parameters but also has a deep menu system with lots of possibilities.
A very underrated synth but I love it!
Demos:
(1) Modulation Sequencers:
www.youtube.com/watch?v=hQCDXRs3O7A
(2) Stunning vocoder based song
www.youtube.com/watch?v=QGdHsdL9op4
(3) Dance, not my style but a good demo.
JW4103 optic talk setwith Red Light Source 60KM
Description
JW4103 Optical Talk Set is an intelligent and efficient instrument that combines in one set the functions of both a digital optical phone and a stabilized light source. It is widely used in operations of installation, optical testing, maintenance and fiber attenuation value testing in data network, CATV and Telecommunication network. The JW4103 Talk Set can carry out full-duplex communication with high quality connection and not be affected by distance.
Features:
Full-duplex digital communication with high quality conversation connection and low background noise
Together with Optical Clip-on Coupler, enables on line communications available
Combining functions of both a digital optical phone call and a stabilized light source
Large LCD display with backlight
Low battery power indication
Applications:
Maintenance in Telecom
Maintenance CATV
Test Lab of optical fibers
Other Fiber Optic Measurements
Specification:
Type
JW4103
Wavelength(nm)
1310/1550
Emitter Type
FP-LD
Transmission Distance
≥ 80km
Dynamic Range
40dB
Output Power
-5~-7dBm(9/125um), CW or 2KHz, 1KHz, 270Hz Modulation
Output Stabvlity
± 0.1dB/± 0.25dB(1/8hrs) CW
Power Supply
Rechargeable Battery + Power Supply Adaptor
Battery Operating Time
5 hours
Optical Connector
FC/PC
Operating Temperatrue(C)
-10 ~ +60
Storage Temperatrue(C)
-25 ~ +70
Dimension(mm)
215X115X55
A 1995, 'V.34 (28800)' Zoom Telephonics FaxModem
Details :
PCMCIA V.34 28800
Card Type : Fax, Modem (asynchronous)
Maximum Data Rate : 28.8Kbps
Maximum Fax Rate : 14.4Kbps
Data Bus : PCMCIA Type II
Fax Class : Class I & II
Data Modulation Protocol : Bell 103/212A
ITU-T V.21, V.22, V.22bis, V.23, V.32,
V.32bis, V.34
Rockwell V.FC
Fax Modulation Protocol : ITU-T V.17, V.21CH2, V.27ter, V.29, V.33
Error Correction/Compression : MNP10, V.42bis
NEWS!
"Zoom V.34XE FaxModem named price/performance leader by PC Professionell magazine.
Boston, MA, Feb. 12, 1996 - The Zoom FaxModem V.34XE has been chosen as the price/performance leader by PC Professionell magazine in a comparison of 14 competing V.34 external faxmodems selling in Germany. The award was announced in the February 1996 issue of PC Professionell, a leading German monthly computer trade magazine published by Ziff Verlag GmbH, a subsidiary of Ziff-Davis Publishing Company.
In its review, PC Professionell commented: "The V.34XE FaxModem, a first-time participant, skyrocketed to the front of the pack." The review concluded that the V.34XE's high connectivity and throughput performance, extended status reporting lights, and reasonable cost, plus Zoom's service and 7-year warranty "left the competition behind." "
A nice example of an 'early' modem thats had minimal use. Comes boxed with all cables / connectors, user manual and software you'll need.
Websites :
www.zoomair.com/techsupport/dial_up/external.shtml
www.zoomair.com/techsupport/dial_up/2836C.shtml
Headset (HS02) assembly showing placement of Tx coil interface about the left eye. The Class-AB coil driver is controlled via a 50MHz Direct Digital Synthesizer DDS that includes high speed Frequency and Phase modulation control of telemetry data. The headset Virtex6 FPGA controls the DDS class-AB coil driver.
With most of their adversaries crippled, writhing on the ground, the Doctor calls out to Lady Gaga.
Doctor: 'Grab Zandar, Gaga! Now is a good time to leave!'
The Doctor's companion does just that, grabbing Zandar off the chair and helping him out the door, right behind Copperhead and Eels. The pair of Cobras stop outside the room and look up to find the Doctor standing before them.
Doctor: 'Now might be a good to for you to leave as well.'
Copperhead and Eels look at each other, then run! The Doctor motions to Lady Gaga.
Doctor: 'Come on, Gaga. The shock from the cerebro-pulse won't last much longer! Pond should have things set up for us outside.'
Zandar: 'Cerebro-pulse?'
Lady Gaga looks at the Doctor who motions for his companion to offer an explanation.
Lady Gaga: 'It is a beam triggered by the Doctor's sonic screwdriver...'
The Doctor interrupts, flustered.
Doctor: 'Not a beam, Gaga. An ultrasonic frequency that alters the rhythmic cerebro-modulation of those under the influence of a cerebro-shell. It causes the sensation of pain and creates a numbness in the lower half of the body, but there is no actual damage to the recipient. The pain is imagined as opposed to inflicted.'
Lady Gaga rolls her eyes.
Lady Gaga: 'Is there a difference?'
Doctor: 'Yes, of course there's a difference! Now, we'd best move! Pond awaits!'
With an array of hardware controls, MPK Mini lets you record, compose, and perform with virtual instruments, effect plugins, and DAWs whenever inspiration strikes. It features 25 velocity-sensitive synth-action keys, a 4-way thumbstick for dynamic pitch and modulation manipulation, 8 backlit velocity-sensitive MPC-style pads, and 8 assignable Q-Link knobs. Plus, two banks expand the number of MPC-style pads to 16 for extended creative capabilities.
More Info / Available here:
www.recordcase.de/en/AKAI+Professional+MPK+Mini.htm?pid=G...
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
The Dirty Carter Electronic Sound Generating Instrument was designed by John Richards (Dirty Electronics) and Chris Carter from legendary Industrial pioneers Throbbing Gristle. It was produced for a special performance by Carter and the 25 strong Dirty Electronics Ensemble in 2010. It was originally designed as a touch controlled instrument with the player's skin resistance completing the circuit. This hard wired modification by A.S.M.O. gives more control and predictability by wiring all to the touch contacts to pots and switches. An additional low pass resonant filter has been added, LFO and an external CV socket for filter modulation.
The case is made of stained ply and the front panel is covered with black leatherette.
All rights reserved.
This parade instalation was desgned & produced by the e Institute for Aesthetic Modulation, is a sub-group of Collective:Unconscious. IFAM has produced work in installation art and visual theater since 1993 at such venues as Theater for the New City, Here, The Knitting Factory, Exit Art, La Plaza Cultural, The 6B Garden, The Coney Island Mermaid Parade, The Pyramid Club, and Mustard.
Collective: Unconscious is a confederation of artists working in the visual and performing arts, founded in early 1995 in the Lower East Side of New York City. www.ifam.net/
June 23, 2007
Founded in 1983 by Coney Island USA, the Mermaid Parade celebrates the sand, sea, salt air and the beginning of summer. Participants dress in hand-made costumes as mermaids, Neptunes, various sea creatures, and the occasional wandering lighthouse. Each year, a celebrity King Neptune and Queen Mermaid rule over the proceedings, riding in the parade and assisting in the opening of the Ocean for the summer swimming season. Attending celebrities in the past have included David Byrne, Queen Latifah, Ron Kuby, Curtis Sliwa, Moby and Theo. The Parade is followed by the Mermaid Parade Ball
For more Mermaid Parade and Coney Island images see www.flickr.com/photos/artedelares/sets/72157600584117640/ and www.flickr.com/photos/artedelares/sets/888721/
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
Home, still feeling sick. I decided to finally go and look at the circuit.
The two diode 555 pwm, MOSFET low-side power switch, excess
instrumentation and rat's nest wiring. :)
The Dirty Carter Electronic Sound Generating Instrument was designed by John Richards (Dirty Electronics) and Chris Carter from legendary Industrial pioneers Throbbing Gristle. It was produced for a special performance by Carter and the 25 strong Dirty Electronics Ensemble in 2010. It was originally designed as a touch controlled instrument with the player's skin resistance completing the circuit. This hard wired modification by A.S.M.O. gives more control and predictability by wiring all to the touch contacts to pots and switches. An additional low pass resonant filter has been added, LFO and an external CV socket for filter modulation.
The case is made of stained ply and the front panel is covered with black leatherette.
Plaster cast, 1813
(date carved in plaster with Author’s inscription)
Current placing: Scarpa wing, cm 175x103x64
This is the marble model which can be found at the Hermitage in S.Petersbourg (Russia). Another plaster cast representing the Grazie can be found in the Council Chamber at Possagno. There are some variations on the model: instead of a stele, a tree trunk acts as a stand): This is a marble cast which can be found at the Museum in Edinburgh (Scotland- UK). The poetical expression of the Grazie represents sweetness, affection as well as agility and harmony: the three goddesses have just come out from the fountain where they had been bathing (Carlo Scarpa actually wanted to place them near a fountain), they embrace each other creating a pleasant interlacement. They bow their heads tenderly creating a harmonious modulation of bodies. The firmness of their flesh as well as the delicacy of their nimble bodies make this work one of the best-known masterpieces by Canova.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the outdoor shower and spa area by the beachfront pool.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0280 Concha.JPG
Record ID: WB2010-0280
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
One cell of the colonial diatom Melosira shown with the filamentous alga. Photomicrograph taken with a Coolpix 885 at 3x zoom, using an Olympus microscope equipped with Hoffman Modulation Contrast optics, oil immersion at 1,000x magnification.
A pedal for aggressive, mid-gain, fuzz like clipping drive tone fans. High output capability can used for pushing an amplifier. It also acts as a clean boost, when drive knob is all the way down. Operable with battery.
Controls: Volume, Fine, Gain (6 position rotary switch)
Boy Harsher @ Red Hat Amphitheater, Raleigh, NC on Thursday, April, 28, 2022.
Setlist:
Keep Driving
Fate
Westerners
Come Closer
Tears
(Unknown)
Modulations
Bluetooth Keyboard For iPad 2 with Black Aluminum Docking.The aluminum bluetooth keyboard case for the iPad 2 has a thin, eye-catching design.Made from aluminum with a high-grade finish, matching the design, look and feel of today's hottest tablets. A built-in physical keyboard allows for fast, responsive typing.
Sleek and stylish design with unique and useful features makes it an essential accessory to buy for your iPad2.Special function keys for music control, volume control, slideshow, home, search, etc.
Please note, this is an after-market item, it is not manufactured by Apple.
Feature:
Bluetooth standard: V2.0
Type: 82 keys
Operating distance: 10m
Modulation system: GFSK
Operation voltage: 3.0-5.0V
Working current: <5mA
Standby current: 2.5mA
Sleeping current: <200uA
Charging current: ≥100mA
Standby time: 60 days
Charging time: 4-5 hours
Charging input: DC 5V mini USB
Battery capacity: 1600mAh
Battery life: 3 years
Continuous working time: 55 hours
Key strength: 80 +/-10g
Key life: 5 million times
Operating temperature: -10-55℃
Size: 24.5cm (9.6") x 19cm (7.5") x 1.3cm (0.45")
Weight: 298g
Two colors to choose, Black and White ( Review White Bluetooth keyboard for iPad 2)
Package Content:
1 x Bluetooth iPad 2 keyboard
1 x Charging cable
1 x English manual
Note: Last 100pcs at this promotion price, pls confirm your order soon before it out of stock!
www.dealmelody.com/bluetooth-keyboard-for-ipad-2-with-bla...
Get It From: www.24freepostage.com/
Hot Pink Aluminum Bluetooth (White Keyboard) Wireless Thinnest Slim Case Cover For iPad 2 3 Gen
Feather:
Hot Pink Background Aluminum Faceplate (White Keyboard)
1.The Bluetooth keyboard of ipad is the world's thinnest, and it is just 16.5mm after the merger with ipad. single thickness of Bluetooth keyboard of ipad is only 11mm. The machine weighs just 280 grams, so that it is the world's best carry-on performance Bluetooth keyboard.
2.Maximum Scissor keyboard is designed for ipad, the keyboard pitch to 16.6mm. Chocolate-style keycap's design allows users to experience a more good sense compared to other Bluetooth keyboard. Undoubtedly, the experience of mobile Bluetooth keyboard is the best.
3.Enclosure made of aluminum alloys is used to make the machine more attractive, fashionable, and more integration with ipad native.
4.The Bluetooth keyboard of ipad can be used just by a movement to place ipad on the slot of machine, and is the world's most convenient to use
Description:
Function:
1.Bluetooth 2.0 interface standard
2.Operating Distance to 10 meters.
3.Modulation System:GFSK
4.Lithium Battery Capacity:160mA
5.Uninterrupted Working Time:55hours
6.Operatin Voltage:3.0-5.0V
7.Standby Time:60days
8.Charging Time:4-5hours
Material:
Aluminum & Electronic Components
Package:
1 x Wireless Keyboard (iPad 2/3 & Support is not include)
1 x USB Power Charger Cable
Compatible:
iPad 2/3 Gen
Heading: 1-2 business day