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Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Species of Melosira from the salt pond site NS-1 in Heron's Head Park, San Francisco, on San Francisco Bay. This was taken with Hoffman Modulation Contrast Optics at 1,000x, from a wet mount slide. This shows the barrel structure of a single cell of this colonial diatom.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Great power and modulation, but these suckers have been binding lately. The wheels will not spin freely which makes pedalling VERY tiring!
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the east side of the hotel, which has brise-soleils to filter the sunlight and let the breezes through.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0246 Concha.JPG
Record ID: WB2010-0246
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0015
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Product Description
2.4" Wireless Digital Baby Monitor Talk Camera IR Video
This digital baby monitors set allows you to watch your baby with a portable receiver. Unlike with traditional analogue systems, this Digital baby monitor set can dynamically and automatically select best frequency for video and audio transmission. This means you can see good quality video and audio without interference including WiFi. The wireless signal can be kept private from other wireless device to ensure security.
Product Features:
►Baby monitor wireless kit
►LCD color screen with high resolution
►Stable signal and anti-jamming technology
►Portable monitor helps you to keep an eye on your baby while you are not around him
►Built-in microphone for both camera and LCD receiver support you talk with your baby
►200m transmission distance without block
►With built-in rechargeable Li-battery, works for nearly 3 hours
►Great protection for each family who has a lovely baby
►Can also be used in many different security purposes
Product Specifications:
LCD Receiver:
►LCD: 2.4" TFT LCD color screen
►Definition: 480 (W) x 240 (H)
►Receiving signal: Video& Audio
►Frequency: 2.400~ 2.483 GHZ
►Sensitivity: ≤-85dBm
►TV system: PAL/ NTSC
►Modulation model: GFSK
►Battery: Built in 3.7V/ 350mAh Li Battery
►Switch off: when power supply below 3.3V
►Working temperature: -10~50℃
►Power: DC 5V/ 800mA
►Power consumption: less than 3W
►Color: White
►Size: 123 x 72 x 24 mm
►Weight: 200g
Wireless Camera:
►Image device: CMOS Image sensor
►TV system: PAL/ NTSC
►Valid pixel: PAL: 628 x 582 NTSC: 510 x 492
►Horizontal definition: 380 TV line
►Scan frequency: PAL/ CCIR: 50Hz, NTSC/ EIA: 60Hz
►Minimum illumination: 3Lux/F1.2
►Frequency: 2.400~ 2.483 GHZ
►Transmission signal: Video and Audio
►Transmission distance: 200M (in open area)
►Night vision: 10m
►Power supply: DC 5V/ 800mAh
►Battery: Built in 3.7V/ 350mAh Li Battery
►Power consumption: less than 1W
►Working temperature: -20~60℃
Packing including
►1 X Wireless LCD Receiver
►1 X Wireless Camera
►2 X power adapters (UK plug, 100-240V, 50/60Hz)
►1 X English Instruction Manuals
sevenpanda.com/2.4-Wireless-Digital-Baby-Monitor-Talk-Cam...
►1X Earphone
►1 x AV-Out cable
►1 x Antenna
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Interior view of the main entrance and lobby area.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Stone
Plants
Water
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0256 Concha.JPG
Record ID: WB2010-0256
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
We produce this model as “Pick-up Activator” FET design preamp for bass guitar, under “Alen Geere”, our other brand. This is electric guitar version that boost the signal +5dB at maximum volume level. It has improved tone control and a switch for boost/cut between 200-800 Hz of frequencies. This option bring all humbucker-loaded guitars to standard “Tele” side an incredible way. High input and low output impedances are ideal for driving long cables. It’s also suitable with bass.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: General view of the west facade of the hotel, including the center pool and lounge area.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0240 Concha.JPG
Record ID: WB2010-0240
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Oh, to explain the wonder that is leaving one's place of employ as the sun comes bombarding across the sky. People always comment on how crazy it must be to work from midnight until 8 in the morning, but I love it. It's misbehaving. It's wrong. Sick and lovely and wrong.
I viewed this lovely set from Wave of Modulation and had a tiny orgasm.
I love the sun, don't be mistaken. However, I fucking love the night.
This Boss CE-2 Chorus clone really turned out great. I did one of these some time back using the Madbean Pork Barrel board and an MN3007 bucket brigade chip. Great sound. The last great Boss Chorus circuit, IMO.
Sometimes when I was banging away with a humbucker-equipped guitar I'd hear a little distortion, though. So I started thinking about building one of these with a 3PRR board for 12 volt operation.
I decided to do it up right. Nice powder-coated steel enclosure. I got a Fulltone 3PDT switch. Vintage Dakaware knobs. The whole enchilada. Expensive pedal to build, really. Those enclosures are $30. I think the switch was like $16. The bucket brigade and clock chip pair was something like $20.
Turns out that extra voltage is exactly what the circuit needed, though. It's extremely well-behaved now. On paper it seemed like the additional headroom wasn't going to be all that big a deal, but it was enough to make it a much nicer pedal.
By the way, you can see how I always set it. Slowest speed and deepest modulation. I was telling someone I know that I always feel like just leaving it running at this setting because there's almost nothing I play that doesn't sound good to me like this. He's all, "Yeah, it works for Robin Trower!" Which actually kind of is what Trower does with his Univibe.
That two-tone blue is a cool color, incidentally. It looks like a normal blue in the oven up until the last few minutes and then the upper layer of dark blue begins to contract and expose the layer of light blue below it. The first time I saw it happening I thought I'd screwed up somehow. I'm like, "What's going on!?!?" Chill, bro...that's how it do. Heh...
Ween has always occurred to me as a musical chameleon. You want thrashy, idiotic punk? Ween can do that. Do you want a moving, emotional ballad? Ween can do that, too. Do you want an obviously drug-fueled voyage into dissonant sound and grating, nonsensical vocals? Ween can serve that up hot with a side of grits.So, it shouldnt seem strange that Ween can do country, and country is what you get in 12 Golden Country Greats. Now, country is a genre of music I tend to admire from afar - I never want to get too close, lest I start feeling urges to square-dance with a ten-gallon hat and tight jeans. So having Ween do a country album gave me the excuse to get into country, even if it was largely the Ween version. But then again, a little parody never hurt anyone, and this album is a must for Ween fans and anyone who wants a little absurdity with their country.Ween pulls off the endeavor by bringing in a bunch of ringers (some of whom they name during songs), who obviously have the whole country thing down to a T. Although Dean Ween is by all accounts one of the most talented guitar-Gods around (or, at least, by all my accounts), he probably couldnt handle a steel guitar too well, so Ween took this concept to its logical conclusion and brought in fiddlers, steel guitarists, a drummer, etc., which give almost all the tracks a good, solid grounding in the basics of the genre. The Ween-ness is brought in courtesy of the lyrics; for a Ween album, the vocals are mostly straight and modulation-free, so its up to the lyrical content to remind you that yes, these are the same guys behind such timeless classics as Touch My Tooter and Fat Lenny.The lyrics make the album, sometimes going light on the absurdity (Japanese Cowboy, Powder Blue) to laying it on thick (You Were the Fool, Im Holding You) to just being downright hilarious (Piss Up a Rope, Help Me Scrape the Mucous Off My Brain). For Ween fans, I suspect, the lyrics are where its at, because even after you know what Ween is going to say in a given song, its still somehow fresh and funny the tenth time you hear it. The lyrics shine for most of the time in 12 Golden Country Greats, with comedy being the main aim, though sometimes the only joke is hey, look, were doing country!Musically, the songs are generally catchy and well-paced. Since I dont know country very well, I can only postulate that the songs reflect a range of country styles within country itself - nowhere is this more apparent than in the cheerfully homophobic Mister Richard Smoker, which seems to be plucked out of the days of ragtime, and the almost normal I Dont Want to Leave You On the Farm, which I can only assume is closer to bluegrass. I could be wrong, but I dont really care. The only song that really drags for the casual listener not familiar with Weens forays into the lengthy, annoying song that never seems to end (Black Jack, anyone?) is Fluffy. But Fluffy is probably the funniest piece here, and sucks you in to its world of lazy front porches and excited dogs with its slow-motion, warped approach.So, overall, this album is musically solid, lyrically brilliant, funny, and delightfully misnamed. Where the remaining two golden country greats went, only Ween knows, but Gene and Dean turn in a 10-song tribute/mockery of country that stands out as being both authentic and ridiculous. On a personal note, I was once dating a girl who was a true country fan. Wondering if she might like this album, I played it for her. She was horrified. But, as I said before, if youre a fan of Ween, this album cannot be missed, or left on the farm. For More 5 Star Reviews 12 Golden Country Greats [Explicit]
Born in the year 2715 to Fred and Roberta Starks of Earth, Crytala grew up in a very happy family setting. She was a very smart little girl in everything she did, but at 8yrs old she was being bullied in school, so her father had her enrolled in every form of martial arts he could think of, considering the fact that his daughter was an only child. So for her protection, he had her trained not withholding her education. By the time she reached college she majored in communications.
She became one of the greatest and most widely students known in the field of communications. And was accepted at the Belstar Space Academy in the year 2712 and majored in Universal Language Translation, Frequency and Range Modulation, Psychology, Pyschometrics, and Physics. While attending Belstar Space Academy Crytala met a fellow student Bodar, and fell in love with him. They spent a lot of time studying and working together, until Bodar had to dedicate his time and effort on The Phantom. After that they didn't see much of each other. So Crytala requested to be communications chief aboard The Phantom, to be close to Bodar. Bodar doesn't realize how Crytala feels, but out of his respect for their friendship and her qualifications, he takes her on as communications chief. And her adventure begins.
Crytala Starks (2007) Dingis Comics. art by Dingiswayo Norris July 27, 1966 - September 6, 2009
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the south facade that has brise-soleils, and screens to protect from the sun but let in the cool breezes.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0277 Concha.JPG
Record ID: WB2010-0277
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
named after a wonderful, highly complex bossa nova song with an unimaginable number of modulations in its short length. This butterfly is equally complex and short-lived.
Here's a link to Andy Williams' version www.youtube.com/watch?v=v7n7BeJbQoc
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
This is an old CB walkie-talkie, working in the Citizen Band on AM modulation, on 26.975 & 27.065 & 27.125 Mhz. Output power is less than 100mW.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
live at Protos Orofos. Photos by Achilleas Polychronidis
Mohammad:
Nikos Veliotis: cello
ILIOS: oscillators
Coti K: bass
Here is a very versitile and colorful sounding board finished this week for a local client.
The signal chain is as follows: Custom interface---Boss TU-2---Budda Wah---Bad Karma pedal---EH Phaser--EH Big Muff---Line Space Chorus--Boss FV-500L--TC Nova--Line 6 Verbzilla--Empress Tremolo---Interface.
The Interface is set up to switch between to guitars and a mic in and out for the Line 6 DL4 to be used on vocals.
Pretty much everything is covered: Modulation, Dist, Delay, Wah, Trem.
These modifications of this Gristleism are identical to the modifications made by A.S.M.O. and used by all four members of Throbbing Gristle at their last gig on 23rd October 2010 at Village Underground, Hackney, London, UK. The Gristleism has an added LFO circuit which modulates the pitch and rhythmically triggers the loops. The LFO has 5 controls" speed, depth, wave shape and two momentary switches to engage the modulation and loop trigger. There is also an added switched jack output to connect to larger amplification.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
The peony is named after Paeon (also spelled Paean), a student of Asclepius, the Greek god of medicine and healing. Asclepius became jealous of his pupil; Zeus saved Paeon from the wrath of Asclepius by turning him into the peony flower.
The family name "Paeoniaceae" was first used by Friedrich K.L. Rudolphi in 1830, following a suggestion by Friedrich Gottlieb Bartling that same year. The family had been given other names a few years earlier. The composition of the family has varied, but it has always consisted of Paeonia and one or more genera that are now placed in Ranunculales. It has been widely believed that Paeonia is closest to Glaucidium, and this idea has been followed in some recent works. Molecular phylogenetic studies, however, have demonstrated conclusively that Glaucidium belongs in Ranunculaceae, but that Paeonia belongs in the unrelated order Saxifragales.
Peony or paeony is a name for plants in the genus Paeonia, the only genus in the flowering plant family Paeoniaceae. They are native to Asia, Southern Europe and Western North America. Boundaries between species are not clear and estimates of the number of species range from 25 to 40.
Most are herbaceous perennial plants 1.5 - 5 feet (0.5 - 1.5 metres) tall, but some resemble trees up to 5 - 10 feet (1.5 – 3 metres) tall. They have compound, deeply lobed leaves, and large, often fragrant flowers, ranging from red to white or yellow, in late spring and early summer.
Over 262 compounds have been obtained so far from the plants of Paeoniaceae. These include monoterpenoid glucosides, flavonoids, tannins, stilbenoids, triterpenoids and steroids, paeonols, and phenols.
Biological activities include antioxidant, antitumor, antipathogenic, immune-system-modulation activities, cardiovascular-system-protective activities and central-nervous-system activities.
The herb known as Paeonia (Bai Shao, Radix Paeoniae Lactiflorae), in particular the root of Paeonia lactiflora has been used frequently in traditional medicines of Korea, China and Japan. Research suggests that constituents in Paeonia lactiflora - paeoniflorin and paeonol - can modulate IgE-induced scratching behaviors and mast cell degranulation.
HMJ300I-TDD
SoleNode IP Mesh Rack Style Microwave Video Transceiver
HMJ300I-TDD transceiver combined with other SoleNode Transmitter to create a fluid self forming, ad hoc, mobile and dynamic surveillance mesh network.
Just using a single frequency to route video, voices and data, GPS/Beidou around the wireless network, mostly simplifying frequency management, and the entire mesh just need 2Mhz of bandwidth (4,6,8,16Mhz as optional)
Using HMJ's patented COFDM modulation and therefore offer excellent RF penetration and performance in multipath and harsh environment.
Highly flexible mesh topology ensure video, voice and data, GPS/Beidou can be exchanged between moving nodes in a point-to-point or multi-point fashion, also each node can be acted as repeater for expanded range.
The HMJ300C-TDD transceiver incorporated with a rapid deployment IP camera system, that build-in mesh radio, IP encoder and battery into a dome chassis, sealed design meet IP66, ideal for rapid outdoor deployment.
Optional AES128 or AES256 encryption make safe and secure link.
Using provided Commander PC software application in-build mapping display to configure and remotely monitor the deployed mesh and surveillance system, and video can be real-time viewed on PC device or recorded using compatible recorders.
www.dropbox.com/s/sqft3gycu6nyg85/IP%20Mesh%20Vdieo%20Tx%...
You may visit our website en.hmjtx.com for more information, or send your inquiry directly to my mail sales@hmjtx.com;
More information, please visit our website at en.hmjtx.com, detailed datasheet available
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Pulse-width modulation - PWM eliminates unnecessary load on the alternator, fuel pump and cooling fan, adding a 0.4 percent improvement in fuel efficiency.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Pitch control via red dial or photocel. The photocel has 4 flashing leds mounted around it. Either 2 or 4 can be turned on and their brightness is controlled by the other red dial. This provides a neat semi random pitch modulation kinda effect.
See ‘Jacqueline Casey. Science and design’ in Eye 101: www.eyemagazine.com/feature/article/jacqueline-casey-science-and-design
Highlights from NPR (Neighborhood Public Radio) at MOCA's Engagment Party. "IN YOUR CAR" Day 2 of 3
While MOCA generally encourages green transportation, NPR asks that visitors bring their cars to this event. FREE parking will be available in public lot 7; entry is accessible from Judge John Aiso Street.
In Your Car will feature two concurrent sound projects broadcasting on local frequencies, Park Park Revolution and Ping Modulation.
Park Park Revolution will be a composition “played” by cars parked in the lot surrounding the Geffen Contemporary. NPR will divide the Geffen lot into four sections, with each assigned to its own broadcast frequency. Directed into parking spaces, drivers will be instructed to tune in their radios and turn up their volumes to create a quadraphonic matrix of sound.
Under the canopy located at the Geffen entrance, Ping Modulation will pay homage to artist Robert Rauschenberg’s Open Score. For this project, NPR will outfit ping-pong tables with contact microphones and sound processors; as visitors match off in games of table tennis, the noise of their play will be fed to radio broadcasts that will transform their participation into sound art.
Published on May 2, 2011
by MOCA
What are Hypertrophic Scar?
Hypertrophic Scars are raised, red, rigid, inflexible cell-like, and cosmetic problems precipitated due to multiple underlying dermal injuries such as burn, surgery, and trauma during which aberrant wound healing with more pathological deposition of the extracellular matrix than degradation leads to their spawning.
How Hypertrophic Scar affected population?
Hypertrophic Scar Epidemiology –
•Females and males have equal risk of developing Hypertrophic Scar.
•Adolescents and pregnant women may have a greater probability of forming Hypertrophic Scar.
•Incidence rates of Hypertrophic Scar have been reported as high as 91% following extensive trauma, such as a deep burn injury, suggesting a role for the extent of trauma in their development.
Hypertrophic Scar Market Outlook
According to DelveInsight, Hypertrophic Scar market in 7MM is expected to change in the study period 2017-2030. The key driver for the surge in Hypertrophic Scar market size is the rise in number of incident/prevalent cases.
Neodyne Biosciences’ Embrace Advanced Scar Therapy System has been approved by the FDA top treat HTSs. It delivers mechano-modulation therapy to the injury site and surrounding tissues. The device includes a simple disposable applicator that transfers a predetermined level of strain to a single use adhesive silicone sheet, which is then adhered over the closed scar. This unique mechanism of action provides a uniform compressive strain, or stress-shield around a closed scar, which can minimize collagen proliferation and formation of scar tissue. The Embrace device was cleared by the FDA in September 2011 and is the only FDA-Cleared scar therapy system designed to relieve tension around incisions, general cuts and lacerations to prevent the formation of new, visible, raised scars before they start.
The Hypertrophic Scar market outlook of the report helps to build the detailed comprehension of the historic, current, and forecasted Hypertrophic Scar market trends by analyzing the impact of current therapies on the market, unmet needs, drivers and barriers and demand of better technology.
To know more, request report pages of Hypertrophic Scar Market Landscape @ www.delveinsight.com/report-store/hypertrophic-scar-market
Which are the leading companies in Hypertrophic Scar market?
The pipeline of Hypertrophic scars is quiet weak with few potential key players, such as Henry Ford Health System/ Gladerma, Phio Pharmaceuticals and others.
The dynamics of HTS market is anticipated to change in the coming years owing to the improvement in the research and development activities so that market will comprise of efficient treatment options. The launch of emerging therapies is expected during the forecast period of 2020–2030.
Request sample pages for more information on Hypertrophic Scar Market Report @ www.delveinsight.com/sample-request/hypertrophic-scar-market
the river on whose banks i was growing up, but in another place of switzerland.
the 30th of january was such a milky, dimmy day, with nevertheless glaring light, that i decided to take this one with a white balance modulation. so it got this red tones.
From the sketch: "His address is the most genial that can be conceived, its bonhomie irresistible. He speaks in a loud, clear voice, idiosyncratically, with a constant modulation of tone; his staccato rhythm gives the sense of moment-by-moment thought, as if he were picking a way with bare feet through broken glass. When excited, he speaks with greater speed, though still in clipped rhythm, and lifts up his voice an octave to become, even, squeaky at times. His conversation proper is a peculiar form of performance art, made up of tragedy, comedy and the broadest of all possible farce. He has an organic, uninhibited flow of talk, always overswelling its boundaries and sweeping everything before it right and left. He is very earnest, intense, emphatic; thumps the table with his fist; shocks the nerves of the fastidious."
Photo by Alastair Johnston from the Poltroon Press website.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Top trace: VCO (voltage-controlled oscillator) output. Bottom trace: 8.2Hz modulation signal from phase-shift oscillator.
I bought my self a PreenFM2 sound generator kit for my birthday in October 2016. Half of the fun was to assemble it. My first electronic device that I soldered together myself. Lots of resistors, capacitors and ICs that has to fit according to a schematic.
What I need it for? Don't know at the moment. Learn how to program FM synth sounds. A very complicated discipline that requires knowledge in the inners of Frequency Modulation synthesis.