View allAll Photos Tagged modulation
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0018
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
London uk
Jagadish Adhikari
Actor | Comedian | Presenter | Theatre Artist | Media Professional
Gallery
(Professional stills / theatre & film photographs – to be added)
© Photographer credits (as applicable)
Representation
Open to agency representation
Available for casting on international platforms (UK EU Europe / Asia globally as per project)
Personal Details
Name: Jagadish Adhikari (also credited as Jay)
Gender: Male
Year of Birth: 1990
Age: 34 years
Acting Age: 22–48 years
Place of Birth: Thansing, Nuwakot, Nepal
Nationality: Nepalese
Current Base: Kathmandu (NP)
International Experience: France (Bordeaux, Paris)
Housing Options: Nepal, India France (EU uk and globally availability on project basis)
Physical Characteristics
Height: approx. 166 cm
Eye Color: Dark Brown
Hair Color: Black
Ethnicity / Heritage: South Asian / Himalayan (Nepalese)
Stature: Average, adaptable (character roles, comedic & dramatic)
Main Profession
Actor (Film, Television & Theatre)
Comedian / Stand-up Performer
Presenter (TV / Radio – RJ & VJ)
Media & Communication Professional
Languages
Nepali – Native
English – Fluent
Hindi – Fluent
French – Conversational / Professional working proficiency
Dialects / Accents
Nepali regional accents
Indian subcontinent neutral Hindi
South Asian English
International English (European influence)
Stage & Performance Skills
Improvisation
Character comedy
Social realism acting
One-man theatre performance
Street theatre & awareness drama
Voice modulation
Hosting & live audience interaction
Special Skills
Stand-up comedy
Script development & adaptation
Direction (theatre & television)
Communication strategy & media coordination
Social issue–based performance
Public speaking & moderation
Method acting for character roles
Filmography
Film
Mahapurush – Feature Film
Juvenile – Feature Film
Lakhapati Magne – Feature Film
AARYA – Feature Film
By-Road
Pachuto
Radhika
Satidevi
Danaraj
Sath Sath
Pralobhan (Indo–Nepali)
Farki Aune Chu Ma (Indian Nepali Film)
Television / Web Series
Jiwan-Chakra (2008) – Jay (Breakthrough Role)
Bharosa – Actor & Deputy Director
RisaniMaaf
Bhadragol
Sakkigoni
SARKHAR KO SIR
Halka Ramailo
U&I
College Nepal
Theatre
Performed in 18+ stage dramas across 88+ locations in Nepal, including:
Muna-Madan
Death of Happiness
Bahula Kaji Ko Sapna (as Bir Bahadur)
Ek Raat
Ek-Chihan
Numerous social awareness and humanitarian street plays
Awards & Recognition
Best Supporting Actor – NAFTA Awards (2009)
Recognized for contribution to socially engaged theatre and media
Education & Training
Doctorate (PhD) in Management –international university France (ongoing)
MBA – IAE Université de Bordeaux, France
M.A. in Sociology – Tribhuvan University, Kathmandu
Advanced Diploma in Management – Inspire College, London, UK
Acting Training:
National Theatre, Nepal
Hollywood Film Institute (Dov Simens)
Additional Professional Experience
Communication Officer – UN agencies
Media Coordinator & Advisor – NGOs & international projects
Social activist working with:
Nepal Red Cross Society
HEAN
Voice of Development
Availability
Film
Television
Web Series
Theatre
International Co-productions
Festivals & Experimental Cinema
Jagadish “Jay” Adhikari – Official Public Profile
Actor • Comedian • Media Personality • Advisor • Counselor • Researcher • Humanitarian
🔹 Basic Information
Full Name: Jagadish Adhikari
Also Known As: Jay / जय जगदीश अधिकारी
Date of Birth: February 21, 1990
Birthplace: Thansing–04, Nuwakot, Bagmati Province, Nepal
Nationality: Nepali
Marital Status: Unmarried
Family:
All belongs to Government officer & social actovist worker)
Father: Kedar Prasad Adhikari (Government officer & social worker)
Mother: Jayanti Adhikari
Brother: Dr. Ujjwal Adhikari cpunselor and astrologer
🔹 Academic Qualifications
PhD (ongoing Doctorate in Management)
Paris Institute of Management & Technology, France (2025–2027)
MBA – Master of Business Administration
IAE Université de Bordeaux, France (2023–2025)
Advanced Diploma in Management
Inspire College, London, UK (2020–2022)
B.A. in humanit8es and Social Science Tribhuvan University, Kathmandu, Nepal (2014–2018
🔹 Professional Identity
Jagadish “Jay” Adhikari is a multifaceted Nepali public figure an actor, comedian, director, media personality, counselor, advisor, and social activist whose creative journey spans Nepal, South Asia, and Europe. Known for his emotional depth, humor, and social engagement, he bridges entertainment, education, and cultural diplomacy.
🎭 Acting & Performing Arts Career
Early Journey
Began with Red Cross street plays, performing for humanitarian awareness.
Formal training at:
National Theatre, Nepal rastriya nachghar (2008)
Hollywood Film Institute under Dov Simens (2016)
Theatre / Stage Performances (88+ Shows Worldwide)
Performed across Nepal, India, Bangladesh, the UK, France, and Spain. Major plays include:
Muna-Madan
Death of Happiness
Bahula Kaji Ko Sapna (as Bir Bahadur)
Ek Raat
Ek-Chihan
Numerous social, educational, and awareness dramas
📺 Television & Web Series
Jiwan-Chakra (as Jay)
Bharosa – Actor & Deputy Director
RisaniMaaf
Bhadragol
Kya Jamana Aa
Sakkigoni
SARKHAR KO SIR
Halka Ramailo
U&I
College Nepal
🎬 Films
Nepali Cinema
Juvenile
Lakhapati-Magne
AARYA
Sath Sath
Danaraj
Mahapurush
By-Road
Pachuto
Radhika
Satidevi
Bhojpuri & Indian Nepali Films
Pralobhan
Farki Aune Chu Ma
🏆 Awards & Honors
Major Achievements
Best Supporting Actor – NAFTA (2009)
Teej Music Award – Global Actors Association
Appreciations & Recognitions
Honored by:
NRNA UK – Sir Tulsi Ram Poudel (British Army)
NRNA France – Nirmal Aryal
Nepalese Embassy in Paris – H.E. Mohan Krishna Shrestha
Dr. Ram Saran Mahat – Nuwakot Mahotsob
Bagmati Province Chief Minister
Nepal Chambers of Commerce
IME Group Nepal
Minister of Communication, Nepal
Gagan Thapa
French Embassy in Nepal – H.E. Yves Carmona
Malteser International
Shakti Samuha Nepal
🎤 Media & Communication
RJ/VJ & Presenter – Notably “JayHos”
Media Coordinator & Advisor – UN agencies & international organizations
Deputy Director – TV series including Bharosa, Series Aasha, Jiwan Chakra
Stand-Up Comedy – Humor mixed with philosophy & social commentary
Motivational Speaker & Storyteller
🌍 Humanitarian & Social Work
Active contributor to:
HEAN
Nepal Red Cross Society
Voice of Development
Advisor – Utpala Foundation Nepal
Promoting youth leadership, cultural preservation, and creative empowerment.
Uses drama, media, and public speaking to support:
Education
Mental health
Social awareness
Humanitarian causes
🌐 Online Presence & Media Coverage
Featured in:
YouTube (performances, interviews, BTS videos)
News portals: Tourism Mail, The Rising Nepal, Ekantipur
Professional listings: IMDb, Filmweb, LinkedIn, NepaleseArtist.com
Cultural events, cooking competitions, food-safety campaigns
Stage festivals and international programs
📚 Special Interests & Creative Projects
Experimental one-man films
Nepali & bilingual audiobook scripts
Photography and documenting global cultures
Has traveled to 33+ countries since 2009
Exploring themes of exile, identity, humor, introspection, philosophy
Explore8848 – Online Counselling Center
Founder: Jagadish Adhikari
A micro-entreprise counseling initiative offering:
One-on-one emotional counselling
Stress & adaptation coaching
Cross-cultural support
Guidance for international students in Europe
Career & academic counseling
Group workshops & webinars
Services in Nepali, English, and simple French
Mission: Provide accessible, empathetic, culturally informed mental and emotional support.
Clients: Nepali diaspora, international students, expats, and multicultural communities across Europe.
🌟 Personal Philosophy
“From the narrow streets of Nuwakot to the stages of Europe,
my journey has never been about fame —
it has always been about the message.
Art can heal, educate, and unite people across borders.”
Jagadish “Jay” Adhikari
⭐ Signature Quote
“From the narrow streets of Nuwakot to the stages of Europe, my journey has never been about fame — it has always been about the message. Art can heal, educate, and unite people across borders.” Jagadish “Jay” Adhikari
🎭 Acting • Creativity • Art
“Acting is not about pretending — it is about revealing the truth we hide from ourselves.”
“Every character I play teaches me something about humanity.”
“Humor is my bridge; emotion is my language.”
“Art is my passport. It lets me travel beyond borders, cultures, and identities.”
“A single performance can touch a thousand hearts — that is the power of storytelling.”
🌍 Humanitarian • Social Work
“I believe social responsibility begins with awareness — and awareness begins with a story.”
“Humanitarian work is not charity; it is compassion in action.”
“When we uplift one voice, we empower an entire community.”
“Service is the highest form of art.”
🎤 Media Personality • Communication
“Communication is not just speaking — it is connecting, understanding, and empowering.”
“The microphone is a tool; the real message comes from the heart.”
“Media can create narratives, but we must choose narratives that create hope.”
Counsellor • Explore8848 Founder
“Everyone carries a silent story. Counselling is the art of listening to what remains unspoken.”
“Emotional strength is not the absence of struggle — it is the courage to continue.”
“In a foreign land, guidance isn’t a luxury; it is a lifeline.”
“Healing begins when someone finally says: ‘I understand you.’”
📚 Philosophical • Life Journey Quotes
“Life has taken me across 33 countries, but the journey within has been the longest.”
“Identity is not where you were born — it is what you choose to become.”
“The world teaches you geography; struggles teach you humanity.”
“Exile is not always a place. Sometimes it is a feeling we learn to transform into strength.”
🎬 Professional Mission & Vision
“My mission is simple: use art, communication, and compassion to create meaningful impact.”
“Entertainment becomes powerful when it educates. Education becomes powerful when it inspires.”
“I stand at the intersection of creativity and responsibility.”
✨ Short Taglines / Public Bio Headers
These are perfect for posters, websites, or official documents:
Actor. Comedian. Counselor. Researcher. Humanitarian.
Where art meets responsibility.
A storyteller shaped by struggle, service, and global journeys.
Creativity with purpose.
Turning experiences into expression, and expression into impact.
Dr. Jagadish Adhikari (Jay)
Nepalese Actor | Academic | Consultant | Cultural Strategist
Currently based in Paris, France
Contact: +33 7 73 28 75 57
+9779841015016 | Email: drjadhikari@gmail.com
Professional Snapshot
Dr. Jagadish Adhikari, professionally known as Jay, is a multidisciplinary professional whose work spans performing arts, strategic communication, and humanitarian engagement. Known for blending creativity with institutional expertise, he bridges theatre, media, and advisory roles to advance social awareness and cross-cultural dialogue.
Actor / Director / Comedian: National theatre, TV series, and films (including Chakkar, Juvenile, and Sakkigoni).
Consultant / Advisor: Strategic communication and humanitarian programs for UNICEF, UNDP, and French Embassy Nepal.
Academic: PhD in Management (ongoing), MBA from IAE Université de Bordeaux, MA in Sociology from Tribhuvan University.
Cultural Engagement: Founder/Contributor of Explore 8848, fostering international cultural exchange.
Professional Experience
Customer Service – Grand Hotel General Restaurant, France (Oct 2023 – Present)
Senior Counselor – Study Destination Centre Education Consultancy (Nov 2019 – August 2023)
Advised students on academic pathways, managed client relations, supported international education processes
COMMunication Relationship Officer – UNICEF WASH Program partnerships woth SSC Sunrise Social Club Nuwakot Nepal (Jan 2013 – Sept 2019)
Administration, event coordination, stakeholder relations
Character Artist – National Media Production (Chakkar, Juvenile, etc.)
Drama Actor / Director & Stand-up Comedian – Active in national government cultural programs like radio nepal nepal police nepal army rastriya nachghar m art theater mandala theater actors studio Kantipur film academy Oscar film academy and polygon college for masters in journalism since 2008 till date..
Education & Certifications
PhD Ongoing
MBA completed – IAE Université de Bordeaux, France
BA humanities and social sciences – Tribhuvan University, Kathmandu
Certofied English Proficiency from london uk TOEIC Speaking 160 (Level 7), Writing 155 (Level 7)
Professional Memberships: Film Artistes Association of Nepal & UK Artist Unions (ID: 00274)
Driving License: nepal and UK Provisional (Categories A, B, f, k, p)
Specialized Training & Recognition
UNICEF Nepal: Training on Harmonized Approach to Cash Transfer (HACT)
GATE College: Certificate of Appreciation for contribution to World Food Safety Day
Cultural Corporation (Sanskritik Sansthan): Recommendation for promoting Nepali culture
Acting National theater nepal
Hollywood Film Institute under Dov Simens California usa
Cover Letter (Summary)
I am writing to express my interest in a professional position within your organization. With over a decade of experience spanning education consultancy, administration, and the creative sector, I bring a unique combination of strategic thinking, creativity, and public engagement.
My career combines international academic expertise (PhD and MBA) with hands-on experience in performing arts, including theatre, television, and film. I have contributed to UNICEF, UNDP, and cultural initiatives that link policy with public communication.
I am confident that my interdisciplinary experience and adaptability would allow me to make a meaningful contribution to your organization. I look forward to discussing how my skills align with your needs.
Yours sincerely,
Jagadish Adhikari
Wikipedia-Style Biography
Jagadish Adhikari (Jay) is a Nepalese actor, presenter, academic, and consultant. Born in Thansing, Nuwakot, Nepal, he began his career with street theatre for social awareness under the Nepal Red Cross Society. He later trained formally at the National Theatre of Nepal and the Hollywood Film Institute (USA).
Adhikari has appeared in TV series (Sakkigoni, Halka Ramailo), films (Chakkar, Juvenile), and multiple stage productions. He served as Deputy Director of Nepal Television dramas Bharosa and Jiwan Chakra.
Academically, he holds a PhD in Management, an MBA from IAE Université de Bordeaux, and an MA in Sociology. He has worked with UNICEF, UNDP, and the French Embassy, contributing to development communication, DRR, and institutional accountability worked woth Mr Jagadishwor Thapa.
Currently based in Paris, France, he contributes to the Explore 8848 cultural initiative, fostering international cultural exchange.
Artist’s Statement
I come from a land of hills where stories are not written—they are lived.
My earliest stage was the street, my first audience a community, and my first purpose service.
I perform because listening alone is not enough.
I study because feeling alone is not sufficient.
Theatre taught me how emotion moves people; management taught me how systems move societies. Between these disciplines, I learned that human dignity is both an art and a structure—fragile, yet designable.
I exist between stages:
Between the village and the world
Between comedy and consequence
Between exile and belonging
When I perform, I do not escape reality—I return to it with sharper language.
When I consult, I do not abandon creativity—I apply it where policy meets people.
Explore 8848 is not a brand; it is a metaphor: ascent without domination, ambition without erasure, and global movement without forgetting origin.
I seek convergence—where laughter reveals truth, governance remembers empathy, and identity survives movement. I am a student of systems, a practitioner of performance, and a witness to migration. What I offer is not perfection, but presence—on stage, in policy, and within the ongoing conversation of belonging.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Interior view of lobby that leads to the courtyard entrance
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Stone
Glass
Water
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0284 Concha.JPG
Record ID: WB2010-0284
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Interior view of lobby that leads to the courtyard entrance
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Glass
Water
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0285 Concha.JPG
Record ID: WB2010-0285
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0013
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
This project is part of SOUND CAMPUS, The Wild State exhibition.
In this performance, I am using the Guzheng, a Chinese zither, with a specially constructed audio processing hardware. The instrument is used with a newly developed alternate tuning and novel playing techniques. The core of this instrument consists of an analog microphone preamplifier with filter, constructed by me, plus a digital sound processor on a single board computer (Raspberry Pi) running Pure Data. They all form the amplified and filtered Guzheng signal which is processed through granular synthesis, frequency modulation and amplitude modulation.
For further information please visit:
ars.electronica.art/keplersgardens/soundcampus/
Credit: Christoph Punzmann
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more
fm-modulations;
Gaudeamus Live Electronics Festival;
Muziekgebouw aan 't IJ, Amsterdam,
November 22nd, 2006;
all rights reserved: co broerse
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0017
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0023
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0015
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Corners of Houston, Lafayette, Mulberry and Jersey, Nolita
The Puck Building, originally the home of Puck magazine, is one of the great surviving buildings from New York's old publishing and printing district.
The red-brick round-arched structure occupies the entire block bounded by East Houston, Lafayette, Mulberry and Jersey Streets, and has been one of the most prominent architectural presences in the area since its construction one hundred years ago. The building is further distinguished by the large statue of Puck at the building's East Houston and Mulberry Street corner; this is among the city 's most conspicuous pieces of architectural sculpture.
Puck was, from its founding in 1876 until its demise in 1918, the city's and one of the country's best-known humor magazines. Published in both English and German-language editions , Puck satirized most of the public events of the day. The magazine featured color lithographic cartoons produced by the J. Ottman Lithographic Company, largest in the country, which shared the Puck Bllilding space.
The current building is the result of three stages of construction, all supervised by architect Albert Wagner; the building and its additions read as a single unified composit ion. The style is an adaptation of the Romanesque
Revival, which had reached great popularity in the 1880s through the works of H. H. Richardson. Wagner's Romanesque, however, was not Richardsonian. A German-born architect, Wagner had worked in New York for Prague-trained Leopold Eidlitz, and his version of the Romanesque appears to reflect the round-arched Gernan "Rundbogenstil" that Eidlitz had brought to New York several decades earlier.
The Puck Building remains one of the most striking 19th-century industrial buildings in lower Manhattan. The comic magazine was founded by Joseph Keppler (1838-1894) and Adolph Schwarzman first appeared in German in 1876. Puck's attitude varied from d humor to merciless satire. Politicallv, in Keppler's time, supported the Democratic Party, but it was never a partisan magazine. It ridiculed poiitical corruption, monopolies, labor unions, suffragism, and all forms of graft, extravagance, and unjustice. It reviewed theater and musical performances. It laughed at fashions and different fads.
In March 1885, with the magazine's circulation and success on the rise, Keppler, Schwarzmann and Ottman purchased property on the southwest corner of East Houston and Mulberry Streets to be the site of a building to house both Puck and the Ottman company. The location was at the fringes of what was then New York's printing district, whose -center was the Astor Library on Lafayette Street (then Lafayette Place). The authors of a Puck supplement issued on the occasion of its tenth anniversary wrote that "Houston street marks the southernmost boundary of a region much affected by large publishing houses."
Publishing houses, periodicals, and printers were located throughout the neighborhood during the 1880s and 1890s, and it was a natural choice for Puck. The original building was erected in 1885-86 to the designs of Albert Wagner, but went through several additions and alterations. In August 1890, spurred by the continuing growth of the magazine, Keppler, Schwarzann, and J. Ottman's heirs bought the adjoining property to the south at 281 Mulberry Street and erected an addition to the Puck Building in 1892-93, again to Albert Wagner's design. The two-year delay was caused by uncertainty in 1890, about the potential route of a proposed new rapid transit line.
Although the Puck Building is too late to be considered part of the Rundbogenstil, it appears to show the influence of Wagner's earlier experience with it. Such a connection would help explain both the references to the style as "Renaissance," and its dissimilarity to the then more popular Richardsonian version of the Romanesque.
The enormous red brick structure has been a commanding presence in the neighborhood since the time of its construction. Its identity was further announced by the statue of Puck at the Houston and Mulberry Street corner of the building, where the two main entrances originally met, one on either street. There is also a smaller statue over the Lafayette Street entrance. The larger '"Puck" on East Houston Street was apparently designed by Henry Baerer, the sculptor of the bust of Beethoven in Central Park. The designer of the smaller "Puck" is not known.
The Puck Building today comprises the original 1885-86 structure and the 1892 addition, less the western portion of each removed in 1898; the Lafayette Street elevation dates from the latter alteration, but duplicates the earlier design. The building occupies an irregular lot bounded by East Houston Street on the north, Mulberry Street on the east, Jersey Street on the south, and Lafayette Street on the west.43 Despite the complexity of its building history, the Puck reads as a single structure retaining the integrity of its original design. The original portion is seven stories high, and the addition nine, but otherwise they are practically identical in design and material.
The building's architectural effects derive from the rhythms set up by arches of varying width, within bays of equal width, and from an adept use of red brick which creates the modulations in the piers, the definition of the arches, and the corbeling of the cornice. Cast-iron window enframements, statuary, and wrought-iron entrance gates, and the cast-iron and glass vault-lighting, provide the necessary contrast in materials.
The original section now comprises four bays on Lafayette Street, three bays on East Houston, and six bays on Mulberry. On Mulberry, the bays are defined by large brick piers that run the full height of the building. Each pier is actually in two sections: a wider pier at the first and second stories, and a narrower pier above. Each pier has a small brownstone base and rests on a five-foot high block of polished gray granite; each is banded in projecting brick. Within each bay at the first and second stories is a double-story brick arch, with projecting brick edges. Ihthin the arch, each bay consists of an upper arched lunette and a lower rectangle, separated by a cast-iron transom. The lunette contains a central double-hung one-over-one window, flanked on either side by a swing window topped by a quarter-arch pane. Beneath the spandrel are three large rectangular windows with transoms above and six-paned basement windows below.
The second and fourth bays south of East Houston Street contain secondary storefront entrances; the door replaces the central rectangular window of each storefront. The first and second stories are set off from those above by a brownstone stringcourse, beneath which is a band of corbeling.
The second section of pier, running from the third story to the seventh story, is narrower than the lower section; each is banded and adorned with an elegant iron ornamental tie-rod end at the fourth story, and a smaller one at the top. At the third and fourth story each bay comprises a pair of two-story arches, each half the width of the arches below. These arches rest on small brick piers with patterned brick "capitals." Within each arch are a pair of four-over-four doublehung windows above the brick spandrel, and a similar pair below the spandrel; each window in the pair is separated from the one next to it by a slender cast-iron pier with neo-Grec detailing. The third and fourth story bay is topped by corbeling and a brownstone sillcourse above.
- From the 1983 NYCLPC Landmark Designation report
Animation companiesare encouraged locally and nationwide by merging colors with life. The animation companies in Delhi with feature services like Game modeling, 2D and 3D animationalong with modulations provides a platform for excellent. Get more info: www.corporatevideofilms.com/blog/animation-companies-rece...
Kate Beck
Modulation , 2010
Graphite of paper on aluminum floated in maple frame
12 x 12 inches
PG# KB.0017
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Blacktron Gold - Listening and Assault Unit
Spacecraft equipped with:
- stereo cockpit
- optoechoic head
- white noise generator
- modulation metronome
- dual megabass cannon
- large aperture antenna with phrase scanning
- dual IR (iridium) jam-session-er
- powerful pro-tone torpedo
- dual frequency Hi-Fi-per sonic missiles
It takes sound in, and depending what kind of data it is getting from the sensor (which senses tilt) it shifts the pitch of the audio signal up or down, and adds more or less distortion and then up puts the sound out.
For this photograph, I wanted to create a high-key photo. In chapter 4, Freeman states "with all the tonal modulation taking place in light tones, is high key". This is the technique that I was trying to achieve. I had to use the Dodge-&-Burn tool in PS to lighten some on the tones in this photo. Not my preferred style, but it was fun to try!
In the real-time sound installation "leaky insulation", the perception of the surrounding space is modulated by rhythmical waves of presence and absence of sound. Ambient sounds are captured by a microphone and the signal is passed through a microcontroller programmed to modulate the signal amplitude with a slow sine wave function. Headphones are employed as a permeable interface through which to encounter the filtered soundscape.
By inviting viewers to listen to ambient sounds through a cyclical modulation, connecting and disconnecting the listener from the soundscape, the work heightens awareness for rhythmicity in the environment, offering a window into synchronous and asynchronous events.
This exhibition was created as part of a PhD study.
Photo: Marta Beauchamp
My 1/35 scale AFV Club Stryker M1126 8X8 infantry combat vehicle is done! Much to my surprise, this kit went together with only a couple minimal fit issues, self induced! I had expected it to be a bit on the iffy side as the kit has been in my stash for many years now, and older kits tend to be less engineered than recent ones, but it turned out to be an enjoyable build.
I decided to to it as a vehicle that has been in the field for a while during the summer, perhaps on maneuvers in a training facility, so the weathering is not that heavy. I did use burnt sienna oils with mineral spirits (my first use of this thinner with oils as I usually use the less odorous Turpenol) to do some of the filtering and dirtying but the majority of the modulation is done using the usual black undercoat with white accent under main color coat method.
I also used a very light coat of Tamiya buff thinned way down and sprayed on at a foot or so from the model to create a light dusty look as well. That especially worked well on the tires, which are vinyl mounted to plastic hubs (really nicely detailed tires I might add). I did do some panel accenting with Tamiya Black Panel Liner around the raised hull elements. I sanded the tire treads to make them look worn which really brought out that detail, in my opinion.
The decals went on quite easily and released from their carrier sheet with little to no time needed, not like the previous couple of kits i have worked on…a very delightful development! I did use the Micro Set and Sol method to embed them, but the vehicle numbers all silvered on me (think I should have used more gloss under them to relieve this issue). I am still ok with that as you can always weather to compensate after the fact. Prior to weathering, everything was clear coated with Testor’s Dull Coat…still my favorite flat coat.
For once I have few criticisms of the kit and am delighted to add it to my ever growing shelf of diverse armor builds. Definitely a fun build!
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Considered one of the best aircraft control systems, the Eclipse 7 is loaded with features; 7-channels, 7-model memory, shift changeability so you can use any brand of FM 72MHz receiver, optional 50-channel SPECTRA synthesizer module to select any channel to fly on, and specific programming for helicopters, gliders, and glow, gas or electric fixed wing aircrafts. The Eclipse 7 has the quality, value, and features that you have come to expect from Hitec. For R/C Pilots that demand an extra level of performance and reliability, Hitec has created a “super fast response” PCM technology called “Quick Pulse Code Modulation” in the Eclipse 7. The “Quick” PCM signal has an incredible 0.011 second response rate for the solid control feel you want for your heli or gas powered airplane.
Specification
Coach Model MAN 18.350 HOCL/R
Chassis Length 11,850 mm
Chassis Width 2,526 mm
GVW 18,200 kg
Engine Type
Vertical, Water Cooled 6-cylinder 4-stroke Diesel Engine
With Common Rail Injection,
Exhaust Turbocharger and Intercooler
ECR, Replaceable Cylinders Liners
Engine Model MAN D2066 LUH13 Euro 4
Displacement 10,518 c.c
Maximum Output 257 kW (350 hp) @ 1,700 rpm
Maximum Torque 1,750 Nm @ 1,000-1,400 rpm
Bore 120 mm
Stroke 155 mm
Fuel Capacity 300 dm³
Transmission ZF 6S 1900 BO 6-speed Synchromesh Manual Transmission
ZF 6 HP 504C 6-speed Automatic Transmission
Voith D864.5 4-speed Automatic Transmission
Drive Axle MAN HY-1336-B
Suspension Capacity 13,000 kg
Front Axle MAN V9-82 SL
Suspension Capacity 8,200 kg
Brake
Dual Circuit Air Brake System to ADR Directives by Wabco
Front and Rear Axle Disc Brakes
Electronic brake system EBS (ABS, TCS)
Auxiliary Brake Manual Transmission: Engine Brake Valve (EBV)
Automatic Transmission: Integrated Retarder and
Water Cooled with Electric Pressure Modulation
Suspension
Air suspension with 6 identical rolling seals
With Integrated Elastic Stroke Limiter
Electronically Controlled Constant Entrance Height
Suspension Characteristics Under All Load Conditions
Front Suspension 2 x Air Bellows
2 x Shock Absorbers
1 x Level Control Values
1 x Stabilizers
Rear Suspension 4 x Air Bellows
4 x Shock Absorbers
2 x Level Control Values
1 x Stabilizers
he plant form of Ginseng Extract:
Ginseng is the dried root of Araliaceae. The active ingredients in ginseng include ginsenoside, non-saponin, small peptides and peptides, polysaccharides and so on.
Fuction of Ginseng Extract:
1. For the central nervous system: calming, promoting nerve growing, anti-convulsion & labor pains; anti-febrile.
2. For the cardiovascular system: anti-cardiac arrythmia & ischemia myocardial.
3. For the blood system: anti-hemolysis; stopping bleeding; bringing down blood coagulability; restraining blood platelets clotting; regulating blood-fat; anti-atherosclerosis; bringing down blood sugar.
4. For the modulation: anti-fatigues; anti-oxygen & blood deficit; anti-shock; anti-thirst.
5. For immunity system: improving achroacyte conversion; inducing immune factor growing; strengthening immunity.
6. For the incretion system: inducing serum proteins, bone marrow proteins, organ proteins, brain proteins, fat, stem cells proteins synthesis; inducing fat and sugar metabolism.
7. For the urinary system: antidiuresis.
Pittsburgh Generator
A dual oscillator built around two triangle core, wide range, periodic waveform generators. As a multipurpose signal generator, it can provide the basis of a wide range of complex sounds ideal for tuned percussion/noise, abrasive amplitude, frequency and timbral modulation. Tones, drones, textures, and drums to atonal, nintendo zipper/fart noises. This module was made for FM madness.
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
Guitar > Boss AW3 with Exp Pedal > TC Mojomojo > Boss ST2 > TC Dreamscape (hmm,... very versatile modulation) > TC Hall Of Fame > EHX Memory Boy
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Watch RajaniKanth Punch Dialgoues video ,whwn watching the video you will understand why he is such a superstar?Watch his ialogue delivery,dialogue modulation and style,Real superstar on indian cinema.Video is from ShalimarTelugumovies youtube channel
cinemababu.com/rajanikanth-punch-dialgoues-video/?cinemababu
Fully re-newed and modified GCB-95 Wah pedal. It has midrange, sweep range, color, gain, bass response and volume controls as a trimpot. The sweep cap also switchable by dip-switches.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the south facade that has brise-soleils, and screens to protect from the sun but let in the cool breezes.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0276 Concha.JPG
Record ID: WB2010-0276
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0018
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com