View allAll Photos Tagged modulation
I still need to shorten the front brake line some more. I don't know what I was thinking when I cut the line, but I still needed to take off 3 more inches than what I did. Cutting and bleeding the brake only took about 15 minutes, and with my Avid Bleed Kit it was very simple. I won't cut the line again today because I already put everything away. The next time I have a bunch of stuff out I'll cut and bleed the line again.
Even with the stock organic pads I can feel that these are just a bit stronger, but the big difference is modulation, and that was one of my biggest gripes with my Juicy's.
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Dub~STEP~ARCADE
a cross between a dub siren and atari punk console with A/D gen and LFO modulation
KITS NOW AVAILABLE
Nautel NV 7.5 transmitting into dummy load (DL is on top of equipment rack, behind the fluorescent light fixture and the little speakers.
Below the speakers:
Patch panel to send signal from transmitter to dummy load or antenna, and to hook up auxiliary transmitter.
Receiver to listen to signal.
Belar modulation monitor.
Sony HDR F1-HD radio receiver and Barix Exstreamer 1000 (extracts the analog signal out of the HD stream).
Orban 5500 processor for the FM audio.
Nautel Exporter (temporarily in the rack for setup of HD stream, normally at studio end).
Nautel Importer (temporarily in the rack for setup of HD stream, normally at studio end).
Laptop for setup, monitor, control.
Drawer for manuals, tools, emergency rations.
Davicom Mini MAC remote control.
Fan panels.
Uninterruptible Power Supply with additional battery pack.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the lounge, pool area and restaurant.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0241 Concha.JPG
Record ID: WB2010-0241
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the south facade of the hotel from the pool and lounge area with the brise-soleils also in view.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Water
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0274 Concha.JPG
Record ID: WB2010-0274
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Bruxelles - Belgique - 2014 (iphone 89)
Description: texte, phrase, "wait for the drop", anglais; monochrome, bleu
Référence: a term used in a group of people listening to house, techno, dubstep or DnB. a drop is usually preceded by an electronic drum beat and a modulation occasionally prompting one of the listeners to yell "here comes the drop!" the drop itself is a heavier beat, containing synth sounds and a heavier bass, anticipating listeners to attempt at dancing. of course none of them can because they're all a bunch white high school/college kids stooned and/or drunk off their ass.
Traduction: en attendant ...
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0019
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Camera: Polaroid SX-70 Land Camera PolaSonic Model2. Film: Impossible Project PX 70 Cool Color Shade.
The new frontiers of nanobioengineering and nanomedicine involve convergence of nanotechnology with fundamental physical and chemical sciences, engineering and medicine to produce breakthrough approaches for meeting healthcare challenges, such as cancer, neurological disorders, infectious diseases, age-related diseases, addiction, chronic pain, depression and obesity. Engineered nanoplatforms can now be developed for carrying various payloads for new, minimally invasive medical procedures, targeted delivery of multiple therapeutics, enhanced efficacy of existing treatments, and real-time monitoring of disease treatment. This presentation will describe our work on multifunctional polymeric, inorganic and hybrid heterostructured nanoparticles and nanostructures containing multiple imaging (linear and nonlinear optical, photoacoustic, magnetic, radiation, SPECT, PET) and sensing probes. Coupled with targeting capability and therapeutic and genetic payloads, these nanoplatforms provide targeted combined diagnostics and therapy. A major focus of our research is on light-based biotechnology (biophotonics). We have developed optical nanotransformers, which, on demand, convert incident photons in-situ to another wavelength suitable for deep tissue imaging or for affecting a therapy. A new direction for us is brain research and neurophotonics for functional mapping and modulation of brain activities. The talk will end with a discussion of new multidisciplinary opportunities and challenges to overcome.
Silicon nanowires
Lab-on-a-chip (LOC) systems for molecular diagnostics at very low concentrations are becoming increasingly important for applications requiring high-throughput biomolecular analyses, such as protein arrays for basic molecular biology research, disease marker identification, and pharmaceutical drug screening. Techniques and methods used for protein arrays are improving, however, progress has been hindered by size and detection constraints. First, conventional protein arrays require relatively large sample volumes. One strategy for overcoming this problem is to significantly decrease the size and consequently the sample volume of the protein interaction assay, an ideal application of LOC. Secondly, the detection of protein and chemical pathogens (targets) is currently most commonly done using fluorescence detection of the probe-target binding. Although very sensitive, fluorescence detection suffers from the need to label the molecular target, which can lead to alterations in target-receptor interactions caused by conformational changes or steric hindrance induced by the label. The efficiency of labeling varies from protein to protein, making comparisons a challenge. In addition, attaching fluorophores may influence the way in which proteins bind to other molecules causing background signals. For these reasons, there is considerable effort to investigate alternatives for fluorescent detection. Label-free sensors detect the hybridization of an affinity complex using a variety of methods including optical, mechanical, and electrochemical techniques. We are exploring the sensing limitations of silicon nanowires (Si-NWs) to electrochemically detect probe-target binding based on surface charge modulation, hence label-free detection. Si-NW sensors can be considered as nanoscale versions of the ion-sensitive field effect transistor (ISFET) sensors, invented by prof. dr. ir. Piet Bergveld in 1969, the previous chair holder of the BIOS group. The Si-NWs have been reported as capable of providing a highly sensitive label-free biomolecular sensor that can be manufactured into dense arrays and additionally provide a real-time electrical output that easily integrated with conventional data recording equipment. However, the majority of these reports fail to carefully study the sensing limitations, critical device characteristics and interface behavior.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
History Of Electronic Dance Music Documentary. Directed by Iara Lee
www.vjsmag.com/wp-content/uploads/2013/04/MV5BMTQ5ODA5NjE...
www.vjsmag.com/modulations-documentary/
#Films#Documentary, #Music
After almost eighteen years of deceptive silence, Brazen is back with Distance, an ambitious indie-rock epic where melancholic modulations and vocal harmonies intertwine on a soaring instrumental carpet. The eight tracks that make up the album are characterised by refined songwriting, carried by an epic breath that makes each track a journey in its own right. Composed, arranged and recorded remotely between London and Geneva over the course of almost a decade, the album is as musically polished as it is rich in narrative twists. The meticulous care taken in its conception gives it a timeless character that in no way detracts from its emotional intensity.
I had two bodies that I used in racing. The one on the right was mostly used and when it was new, the plastic fairing was in better shape. Note the "1701" Star Trek reference on the numbering... hehehe...
HMJ300B-TDD
SoleNode IP Mesh Microwave Video Transmitter
HMJ300B-TDD transmitter combined with other SoleNode Receiver to create a fluid self forming, ad hoc, mobile and dynamic surveillance mesh network.
Just using a single frequency to routes video, voices and data, GPS around the wireless network, mostly simplifying frequency management, and the entire mesh just need 2Mhz of bandwidth (4,6,8,16Mhz as optional)
Using HMJ's patented COFDM modulation and therefore offer excellent RF penetration and performance in multipath and harsh environment.
The highly flexible mesh topology ensure video, voice and data, GPS can be exchanged between moving nodes in a point-to-point or multi-point fashion, also each node can be acted as repeater for expanded range.
HMJ300B-TDD transmitter can be connected to third party composite cameras using the AVI option or Third party IP cameras can also be directly connected to the SoleNode mesh network.
Optional AES128 or AES256 encryption make safe and secure link.
Using provided Commander PC software application in-build mapping display to configure and monitor the deployed mesh network and surveillance system, and video can be real-time viewed on PC device or recorded using compatible recorders.
www.dropbox.com/s/sqft3gycu6nyg85/IP%20Mesh%20Vdieo%20Tx%...
More information, please visit our website at en.hmjtx.com, detailed datasheet available on request.
Here's some spec's on this sweet system. It's a "Matrix" system, meaning that it has the ability to change all of it's routings on every preset.
Instead of being tied to one signal flow you can have any signal flow you want, when you want. Which is pretty handy for score music composer & guitar instrumental musician who has to constantly change the signal flow.
The switcher has a software interface that allows you to create an icon for each device and it's corresponding input(s) & Output(s), then using the mouse, connect the rig you want to have at that moment with no extra devices connected to the signal path for the cleanest path possible from pick ups to speakers.
A matrix switcher has 16x Inputs & 16x Outputs, so we decided to put 5 switchers in this system, connected them to each other & bunch of other cool gear. Each switcher has a "Group" responsibility:
1. "Master" - Magnetic & Piezo Inputs + 4x Amplifiers + 1 Axe FX ("Front End" of 4 Wire Config) + Multiple Connections to the other Switchers
2. "Harmonics" - Octave, Fuzz & Overdrive devices.
3. "Dynamics" - Compressors, EQ's Filters, Synthesizers.
4. "Modulations" - Chorus, Phaser, Flanger, UniVibe, & Tremolo.
5. "Time" - Delays & Reverbs + Axe FX ("Back End") for Reverb, Delay & Looper.
Any order & combination of series & parallel is possible, the possibilities for signal routings are only limited by the player's imagination...
On April 6 I performed at the Woodview Coffeehouse open mic. My past two times there I'd included excerpts from my novel Covenant . But since we were in the middle of Passover in addition to Good Friday, I read from my 20-years-ago journal entry, "The Old Men of Revere Beach." After beginning with extemporaneous a cappella singing, I put my Yiddish brogue to good use here.
I was also fascinated by an instrument that one of the featured performers (in the duo Pete Price and Mike Roberts) used. He called it a "paddlewheel harmonica," which I think is the perfect name for it, although my Google search for that term turned up empty. For the first part of the set I couldn't help but notice this weird thing on the floor. From where I sat, it didn't even look like a musical instrument. Then it literally came into play for a song with a "modulation" (change in key) and captivated me. You can see one here.
When I told Mary about the harmonica, she expressed her interest in a slide kazoo. Simple enough, I thought. Not. I've found references to alto slide kazoos, tenor slide kazoos, contrabass slide kazoos, electric slide kazoos, and discussion on what kind of a mouthpiece to use on a slide kazoo. Though I believe the "left-handed E-flat slide kazoo" mentioned in one post plays in the same orchestra as PDQ Bach's Left-Handed Sewer Flute, lovingly detailed on the cover of this debut album, which I grew up with along with other mishegas.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Last week a co-worker said, "I have never in my life felt more like a widget than I do at this place."
Thanks, Wave Of Modulation, for the assist.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
This is the Karnage VST Plugin, an analogue/subtractive synth that was a result of a collaboration between Kriminal and Krakli Software. An absolute beast of a synth. Very useful for making noise, industrial, and electronic music
Features:
-Two oscillators with width (fatness setting) and wave-shape control, a sub oscillator/white noise oscillator mixable with a level control.
-24db/12db Filter modulated by a dedicated envelope, velocity, and up to 2 LFOs.
-A dedicated ring modulation section that can use keyboard tracking, velocity, envelope, and up to 2 LFOs for modulation of Ring Freq.
-Amp section where amplitude can be modulated by velocity and a dedicated envelope - with it's own built-in compressor. Plus Velocity control of Amp and Filter ADSR Decay.
-A performance section that has Poly-Mono switch, Glide, Glissando and retrigger switches with Time control on the glide. Glide can be routed to OSC1, OSC2 or Both.
-A dedicated distortion unit which uses pre and post filtering (it is this which can give Karnage its unique sound). The modulation (LFO1 or LFO2) is of the pre-post cutoff but the types of filters are set by the shape control so all sorts of effects are possible from a phasing type of modulation to a vocally formant shifting effect, (talk-box effect).
-Two LFOs, whose rate is controlled manually or by host tempo. Destinations are Filter, Ring Modulation and Distortion for both LFOs and you can apply each LFO to more than one destination at once. The LFOs also have MIDI Trigger On/Off (Gate).
-Full set of 128 presets by a variety of respected patch-makers.
via
Eine kürzlich veröffentlichte Studie der McGill University weist auf Sojamilch als die beste pflanzliche Milchoption hin, aber die Realität ist nicht ganz so einfach.
Die Studie untersuchte die vier am häufigsten konsumierten pflanzlichen Milchprodukte auf der ganzen Welt: Soja, Mandeln, Reis und Kokosnuss. Sie verglichen sie nicht nur miteinander, sondern auch mit Kuhmilch, die aus ernährungsphysiologischer Sicht der „klare Gewinner“ war: Die Autoren schreiben, dass sie die „perfekte Zusammensetzung der Nährstoffe“ für Kühe hat und der Zusammensetzung des Menschen ähnelt Muttermilch.
Unter den Optionen auf pflanzlicher Basis setzte sich jedoch Sojamilch durch, und aus rein nährstoffbasierter Sicht ist es schwer zu argumentieren: Sojamilch, so die Wissenschaftler, „fand man heraus, dass es mit Kuhmilch am besten vergleichbar ist Gesamtnährstoffbilanz “, berichtet TIME. “Es ist auch der höchste Proteinanteil aller untersuchten alternativen Milchoptionen, mit etwa 7 bis 12 Gramm (und etwa 95 Kalorien) pro Portion.”
Im Vergleich dazu hat Reismilch vor allem relativ niedrige Nährstoffgehalte und einen höheren Zuckergehalt, was die Autoren der Studie zu der Überzeugung veranlasst, dass Säuglinge, die Reismilch konsumieren, sogar an Unterernährung leiden könnten. Kokosnussmilch war unterdessen sehr arm an Eiweiß, obwohl der Bericht seine Auswirkungen auf gutes Cholesterin gutheißt; und Mandelmilch, die reich an einfach ungesättigten Fettsäuren und relativ kalorienarm ist, war bei Eiweiß und Kohlenhydraten niedriger als bei Kuh- oder Sojamilch.
Gesundheit beginnt und endet nicht mit Nährstoffen
Nur weil Sojamilch ein ähnliches Nährwertprofil wie Kuhmilch aufweist, bedeutet dies jedoch nicht, dass es für Sie besser ist als andere pflanzliche Milch – oder sogar für Sie.
“Sojamilch kann eine sichere Alternative zu Kuhmilch sein”, sagt Dr. Mark Hyman, Direktor des Cleveland Clinic Center for Functional Medicine. “Es gibt jedoch eine Reihe wichtiger Vorbehalte.”
Er zitiert beispielsweise, dass 95 Prozent aller Sojabohnen gentechnisch verändert sind, das heißt, dass sie wahrscheinlich zumindest Spuren von Glyphosat enthalten, ein Herbizid, das von Monsanto als Roundup vertrieben wird. Ein Großteil des in den USA angebauten Sojas ist gentechnisch so konstruiert, dass er den Auswirkungen von Glyphosat standhält, was bedeutet, dass es mit der Chemikalie stark besprüht werden kann und wird, was zahlreiche Studien, einschließlich einer Überprüfung der Weltgesundheitsorganisation aus dem Jahr 2015, ergeben haben kann krebserregend sein.
Die Wahl von Bio-Sojamilch kann diese Probleme abmildern (obwohl betrügerische Einfuhren von herkömmlichem Soja im letzten Jahr bedeuten, dass es immer noch schwierig ist, absolut sicher zu sein, dass Ihre Sojamilch keine Pestizide enthält), aber Dr. Hyman weist darauf hin, dass sogar Bio-Sojamilch unerwünschte Inhaltsstoffe enthalten kann. Einige Sojamilch enthält Gerstenmalz – eine Glutenquelle – sowie Zucker und Carrageenan, einen Emulgator, der mit erhöhter Darmpermeabilität in Verbindung gebracht wurde (Carrageenan ist jedoch in der Lebensmittelindustrie nicht nur in Sojamilch verbreitet).
Einige Experten äußerten auch Bedenken hinsichtlich des Sojakonzentrats an Phytinsäure, einem in Nüssen und Samen enthaltenen „Anti-Nährstoff“, der es dem Körper möglicherweise erschwert, lebenswichtige Nährstoffe aufzunehmen und zu verdauen.
Das größte Problem im Zusammenhang mit Soja ist jedoch möglicherweise die Wirkung auf Östrogen.
Soja ist das Nahrungsmittel mit dem größten bekannten Isoflavon-Gehalt; Die Studie hebt diese pflanzlichen Nährstoffe für ihre krebsbekämpfenden Eigenschaften hervor. Isoflavone können jedoch auch die Produktion von Östrogen stimulieren. In einer Studie aus dem Nutrition Journal aus dem Jahr 2008 wird sogar darauf hingewiesen, dass aufgrund der krebsbekämpfenden Eigenschaften von Isoflavonen mit der Modulation von Östrogen Frauen mit Brustkrebsrisiko anfälliger werden können auf die Krankheit bei der Erhöhung ihres Isoflavonverbrauchs. Der Verbrauch großer Mengen Sojamilch war auch in einer Studie zur Umweltforschung 2017 mit der frühen Pubertät verbunden.
Milch bekommen? (Sicher, in Moderation)
Die Prämisse der Studie ist jedoch sehr verfälscht: Bei der Einstufung von Milchersatzstoffen nach Nährstoffgehalt gehen die Autoren der Studie davon aus, dass die Menschen Milchprodukte zu den Raten einnehmen, die die Bundesregierung empfiehlt. Ab 2015 empfehlen die Ernährungsrichtlinien des Bundes weiterhin, dass Erwachsene täglich zwei bis drei Portionen Milch trinken. Die meisten Ernährungsexperten sind sich jedoch einig, dass dies bei weitem nicht der beste Weg ist, um Nährstoffe zu erhalten.
„Milchprodukte sind ein Wachstumshormon“, erklärt die Naturheilkundlerin Serena Goldstein. Erwachsene, die Milchprodukte konsumieren, könnten am Ende Gewicht, Blutzucker und Hautprobleme aufgrund dieser Hormone bekommen. “Wir verlieren auch unsere Fähigkeit, Molkereiprodukte zu tolerieren, nachdem wir zwei Jahre alt sind. Daher ist es ein Faktor, der die Darmgesundheit stört, die mit schlechter Laune, Herz-Kreislauf-Erkrankungen, hormonellen Problemen usw. in Verbindung gebracht wurde.”
Selbst wenn ein Erwachsener sich dafür entscheidet, Kuhmilch in seine Ernährung aufzunehmen, sollte er sparsam konsumiert werden, was bedeutet, dass er sich auf andere Quellen für die mit Milch verbundenen Nährstoffe wie Kalzium, Eiweiß und bestimmte Vitamine verlassen muss. und Milch – egal, ob sie von einer Kuh oder einer Pflanze stammt – sollte „manchmal“ Nahrung sein.
„Alles in allem ist ein bisschen ungesüßte Bio-Sojamilch ohne Carrageen oder Gerstenmalz in Ordnung, sollte aber kein Grundnahrungsmittel sein“, sagt Hyman. „Wenn Sie es in Ihren Kaffee geben wollen, ist es in Ordnung. Wenn Sie jeden Tag einen großen Sojalatte trinken, ist das wahrscheinlich keine gute Idee. “
Also, welche Milch soll ich trinken?
Hyman und Goldstein bevorzugen beide Kokosnuss- oder Nussmilch; Goldstein merkt an, dass sie in der Regel vorschlägt, dass ihre Kunden Kokosnussmilch, Mandelmilch oder Hanfmilch wählen, da sie gute Quellen für gesunde Fette sind, was bedeutet, dass sie ein wenig mehr Durchhaltevermögen haben und weniger wahrscheinlich Ihren Blutzucker ansteigen lassen , wie Reismilch kann.
Für welche Milch Sie sich auch entscheiden, Sie sollten unbedingt sicherstellen, dass sie aus einer sauberen Quelle stammt: Kokosnussmilch in Dosen ohne Zusatzstoffe oder hausgemachte Nussmilch ist eine ausgezeichnete Wahl für Ihren Morgenkaffee.
Die Post Ist Sojamilch die gesündeste pflanzliche Milch? erschien zuerst bei Health Beauty ABC.
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Jerusalem, Israel: In an outdoor, shopping-mall network of pedestrian streets, an art construction runs overhead like a canopy. It consists of a long series of closely spaced wires, strung with numerous, loosely hanging gold-colored tags. When contemplating this construction attentively, one notices a subtle modulation of light flowing through it continuously, back and forth, from end to end. It isn’t clear to me, however, whether this effect was created, simply, by gentle breezes flowing through the mall’s network of streets, or whether (the more likely case, in my estimation) it was electronically controlled.
(3/4)
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more
An inspirational Tejano song with strong tropical flavors and a hot Spanish lead guitar.
Accordion - Lee Fitzsimmons * Lead Spanish guitar - Lee Fitzsimmons * Sparkly keyboards, Organ, and Classic analog sounds - Lee Fitzsimmons * Ibanez electric bass guitar - Lee Fitzsimmons * Drums, chime tree, shakers, and (it needs more) cowbell - Lee Fitzsimmons
This inspirational song features a very relaxing groove that is in no hurry, yet is still packed with a sheer intensity that drives it right along at a sure and steady pace. There are two main sections of the piece. The A section features a very identifiable melodic hook played on accordion and organ that instantly makes the listener pay attention and want to sing along. The B section provides nice contrasting relief by presenting a two part melodic figure played on Spanish guitar and analog keyboard. The B section is further empowered by syncopated chordal accents supplied by the rest of the ensemble.
At the bridge, a live Spanish guitar takes a quick lead and then sets up a tremendous modulation that presents the main theme that has been modulated up a whole step, as the Spanish guitar continues to dance around nimbly, cleverly weaving in and out between the nooks and crannies of the primary accordion melody. After a quick, yet effective coda, the piece ends...
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the outdoor showers with a large tiled curved wall.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Wood
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0282 Concha.JPG
Record ID: WB2010-0282
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Circulation, sound generation, modulation, by steel platen. Sound wave release into green space. Deconstruction, reconstruction, into parts component. Resultant noise delineation, outcome... .... .... phase distortion.
My MXR M169 CARBON COPY ANALOG DELAY PEDAL!
The MXR Carbon Copy Analog Delay features an entirely analog audio path, delivering rich, warm delay using old-school bucket brigade technology. The Carbon Copy boasts 600ms of delay time, with optional modulation via a top-mounted switch, and its simple three-knob layout gives you complete control over Delay Time, Mix (dry/wet blend), and Regeneration (delay repeats) - all in one incredibly compact pedal! For even more tonal options, you can also adjust width and rate control of the modulation via two internal trim pots. Giving you everything from crisp "bathroom" slap echoes to epic delays, all with the simple twist of a knob, stage-worthy blue LEDs and 9-volt operation round out this MXR Carbon Copy Analog Delay!
If you're asking what's all that? Take a look...
www.youtube.com/watch?v=FiZ95CXnPrA
Out of the box, this baby oozes great tone, and creates warm, silky-smooth repeats as you’d expect from an analog and importantly it doesn’t turn your tone overly dark as analog delays are apt to do. The Mod button adds a cool and super-subtle modulation similar to chorus, to smooth out the tone even more.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the southeast portion of the lounge and pool area located in the center of the hotel.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0239 Concha.JPG
Record ID: WB2010-0239
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
After almost eighteen years of deceptive silence, Brazen is back with Distance, an ambitious indie-rock epic where melancholic modulations and vocal harmonies intertwine on a soaring instrumental carpet. The eight tracks that make up the album are characterised by refined songwriting, carried by an epic breath that makes each track a journey in its own right. Composed, arranged and recorded remotely between London and Geneva over the course of almost a decade, the album is as musically polished as it is rich in narrative twists. The meticulous care taken in its conception gives it a timeless character that in no way detracts from its emotional intensity.
Brug verbindingsdam naar Javaeiland en KNSM-eiland
Build in 1995. Architect Hans van Heeswijk
The Verbindingsdam in the Eastern Docklands of Amsterdam was the railroad link between manmade harbour islands and a vast switchyard. For this reason, the dam and bridge traverses the water obliquely instead of going straight across.
The islands and railway yard have been redeveloped into residential areas. The railroad became tramway and capacity for other forms of traffic had to be increased. The islands had to remain accessible at all times, so the design of the bridge is in two parts to allow phased construction. To emphasize the “bridge” character, the original flat girders were replaced by arches.
Compared to its span, the bridge is extremely wide. Separating the deck into three parts provides a spatial modulation. The bridge deck is supported by beams that are suspended from above with cables running through the slits in the deck.
By night the road is illuminated from above. Spotlights from underneath cast a glow on the white painted steel construction.
Trek 7900 drop bar conversion. This was a garage queen in relatively good shape with minimal needs. This was the first day off the stand. While I've frame up built bikes in 2 days before, including painting the bike (not this one), this build took me almost 4 years from purchase to finish. Wasn't complex, just didn't have a reason to complete it. This photo is 4 days before it leaves on a 250mi week long trip (which other than 1 flat and some rack damage on Amtrak, it did fantastic, 0 mechanicals).
These are fantastic bikes still relevant today. Those V brakes, wet and loaded (with fresh pads and maintained braking surfaces) will stop as well as any mechanical disc. And thats really the only thing that these don't have that a new bike does. I personally run canti's on my 7900 because I don't like the stopping power (too much) of the XT V-brakes. The modulation of a cantilever cannot be beat and Avid Shorty Ultimates are trouble free to setup and maintain vs traditional cantis ( was running LX cantis)
For the full story including the gear and restoration info:
Blacktron Gold - Listening and Assault Unit
Spacecraft equipped with:
- stereo cockpit
- optoechoic head
- white noise generator
- modulation metronome
- dual megabass cannon
- large aperture antenna with phrase scanning
- dual IR (iridium) jam-session-er
- powerful pro-tone torpedo
- dual frequency Hi-Fi-per sonic missiles
7/16 (L29) is one kind of thread coupling RF coaxial connector, characteristic impedance is 50ohm. The characteristics of Huajian Electronics connector are its big power, low VSWR,less attenuation, low inter modulation, excellent nature of airtight. Our products are used by ZTE,China Mobile and China Telecom. They are used in connection with feeder cables in broadcast, television, ground launch system, monitoring of radar, microwave communication fields etc. Our company also produces many kinds of 7/16 cable assembly in mass scale, which can reduce your cost.
Material:
Center Contacts: Phosphor bronze, Silver plated
Bodies and Other Metal Parts: Brass, Ni plated
Insulator: PTFE
Seal Rings: Silicone Rubber
Gasket: Silicone Rubber
Technical Specifications:
Characteristic Impedance: 50Ω
Frequency Range: 0～11GHz
Contact Resistance:
Center Conductor: ≤ 1.5mΩ
Outer Conductor: ≤ 0.2mΩ
Insulator Resistance: ≥5000MΩ
Insulator Withstanding Voltage: 1500V
VSWR: ≤1.15
Connector Durability: 500cycles
Applicable Standard: MIL-C-39012
Brand: Huajian
Color: Silver
Size: 50.3mm
"iSwarm is a swarm of luminous “sea creatures” that interact with passers-by. Subtle and hardly visible by day, iSwarm comes alive at night. As daylight fades, the cells of iSwarm illuminate the waters of Marina Bay with fluorescent light reminiscent of natural phenomena such as bioluminescent algae or the Aurora Borealis. iSwarm reacts to groups of visitors by detecting human presence and greeting them with subtle modulation of its light patterns."
Connected Vehicle SafetyCars that look out for each other
With a little warning, many traffic accidents can be avoided altogether. Enabling cars and scooters to communicate and work together may be the first step to avoid collisions and other incidents. To do this, fast and reliable communication amongst vehicles is critical, even on crowded city streets. Intel Labs, through the Intel Collaborative Research Institute for Connected Context Computing, is exploring visible light from tail lights to support high-speed data transmission over the short distances between vehicles. The technology uses direct modulation of LED tail lights to encode data in the visible spectrum, while maintaining a constant ambient lighting state. At almost no
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
amorphica.com/networked.html
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Assembled. The orange backdrop is the cutdown parachute =)
Using full power (10mW) MSK modulation at 915Mhz with a bitrate of 250 kbps I was able to get over 1000ft of line-of-sight range. I have since changed this to 2-FSK at 38.4kbps which should give me another 12dB of range. I'll test this again once I get real antennas.
Here's some spec's on this sweet system. It's a "Matrix" system, meaning that it has the ability to change all of it's routings on every preset.
Instead of being tied to one signal flow you can have any signal flow you want, when you want. Which is pretty handy for score music composer & guitar instrumental musician who has to constantly change the signal flow.
The switcher has a software interface that allows you to create an icon for each device and it's corresponding input(s) & Output(s), then using the mouse, connect the rig you want to have at that moment with no extra devices connected to the signal path for the cleanest path possible from pick ups to speakers.
A matrix switcher has 16x Inputs & 16x Outputs, so we decided to put 5 switchers in this system, connected them to each other & bunch of other cool gear. Each switcher has a "Group" responsibility:
1. "Master" - Magnetic & Piezo Inputs + 4x Amplifiers + 1 Axe FX ("Front End" of 4 Wire Config) + Multiple Connections to the other Switchers
2. "Harmonics" - Octave, Fuzz & Overdrive devices.
3. "Dynamics" - Compressors, EQ's Filters, Synthesizers.
4. "Modulations" - Chorus, Phaser, Flanger, UniVibe, & Tremolo.
5. "Time" - Delays & Reverbs + Axe FX ("Back End") for Reverb, Delay & Looper.
Any order & combination of series & parallel is possible, the possibilities for signal routings are only limited by the player's imagination...