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Name: Chicken broth cube
Product Description:This product uses fresh chicken meat as raw material, processed through the latest technology, widely used in soup, stir-fries, modulation broth, taste better fresh and delicious, can be used instead of MSG..
Product specifications: 10g×60blocks /box
10g×30blocks /box
Mr yan
e-mail:yjxa31@gmail.com
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the south facade of the hotel from the pool and lounge area with the brise-soleils also in view.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Water
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0274 Concha.JPG
Record ID: WB2010-0274
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Was trying to show the "Anglebaby", or modulation part of the pedal. Can get flanging, phasing and thousands of other crazy sounds!!!
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Nautel NV 7.5 transmitting into dummy load (DL is on top of equipment rack, behind the fluorescent light fixture and the little speakers.
Below the speakers:
Patch panel to send signal from transmitter to dummy load or antenna, and to hook up auxiliary transmitter.
Receiver to listen to signal.
Belar modulation monitor.
Sony HDR F1-HD radio receiver and Barix Exstreamer 1000 (extracts the analog signal out of the HD stream).
Orban 5500 processor for the FM audio.
Nautel Exporter (temporarily in the rack for setup of HD stream, normally at studio end).
Nautel Importer (temporarily in the rack for setup of HD stream, normally at studio end).
Laptop for setup, monitor, control.
Drawer for manuals, tools, emergency rations.
Davicom Mini MAC remote control.
Fan panels.
Uninterruptible Power Supply with additional battery pack.
Blueberries:
Blueberries are among the highest anti-oxidant value fruits. The ORAC value of 100 g fresh blueberries is 5562 TE (Trolex equivalents). Their antioxidant value largely derived from poly-phenolic anthocyanidin compounds such as chlorogenic acid, tannins, myricetin, quercetin and kaempferol.
Strawberries:
Fresh berries are an excellent source of vitamin-C (about 98% of RDI), which is also a powerful natural antioxidant. Consumption of fruits rich in vitamin C helps body develop resistance against infectious agents, counter inflammation and scavenge harmful free radicals.
Bananas:
There are about 110 calories in a banana
* Safe and pure enough for baby's first solid food
* Bananas are a terrific, heart-healthy food
* A nutrient dense food that's ideal for any diet or weight-loss program
* Fat-, cholesterol- and sodium-free
* Provides an excellent source of vitamin B6
Yogurt/yakult:
Claims regarding the benefits of Yakult consumption are supported by an array of scientific studies, according to the manufacturer's website.Those could range from maintenance of gut flora,modulation of the immune system, regulation of bowel habits and constipation and finally effects on some gastrointestinal infections.
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Kurzwellen-Handfunkgerät im 10, 11- und 12 meter Band (24,9 - 29,7 MHz)
Für Funkamateure stehen durch Sonderprogrammierung die Bereiche des 10 und 12 meter Bandes mit 4 Watt Sendeleistung in AM/FM/USB/LSB Modulation zur Verfügung.
Durch spezielle Programmierung auch als reines CB-Funkgerät (mit Länderschalter) in vielen Ländern Europas für Jedermann genehmigungs- und gebührenfrei zugelassen.
A (slightly excessive) experimental setup for the March solo gig. The new Guyatone ST2 gives pickups a big fat boost which drives the HOG. The HOG is split into a "clean" and an effected channel. The "clean" channel drives the second effects loop (Yamaha NE-1, DOD Classic Fuzz, Crybaby and Vox 1904). The "clean", the HOG and the second effects loop all run through the first effects loop with a stereo Line 6 Echo Park giving the whole thing an ambient shimmer.
A previous version of this setup featured a Boss Super Shifter (on Harmonist mode for octave up, and Pitchshifter mode for octave down) which was placed either at the beginning or the end of the second effects loop. This wasn't sufficiently distinct from the HOG other than when it was being fuzz-wahed.
This setup is probably too big for the gig anyway. Something using the Super Shifter rather than the HOG, perhaps with some ring modulation, might work better. But all in all, the boosting effect of the new Guyatone Compression Sustainer had a rather bracing effect upon all and sundry and on that basis this should be thought of as a partial triumph!
My 1/35 scale AFV Club Stryker M1126 8X8 infantry combat vehicle is done! Much to my surprise, this kit went together with only a couple minimal fit issues, self induced! I had expected it to be a bit on the iffy side as the kit has been in my stash for many years now, and older kits tend to be less engineered than recent ones, but it turned out to be an enjoyable build.
I decided to to it as a vehicle that has been in the field for a while during the summer, perhaps on maneuvers in a training facility, so the weathering is not that heavy. I did use burnt sienna oils with mineral spirits (my first use of this thinner with oils as I usually use the less odorous Turpenol) to do some of the filtering and dirtying but the majority of the modulation is done using the usual black undercoat with white accent under main color coat method.
I also used a very light coat of Tamiya buff thinned way down and sprayed on at a foot or so from the model to create a light dusty look as well. That especially worked well on the tires, which are vinyl mounted to plastic hubs (really nicely detailed tires I might add). I did do some panel accenting with Tamiya Black Panel Liner around the raised hull elements. I sanded the tire treads to make them look worn which really brought out that detail, in my opinion.
The decals went on quite easily and released from their carrier sheet with little to no time needed, not like the previous couple of kits i have worked on…a very delightful development! I did use the Micro Set and Sol method to embed them, but the vehicle numbers all silvered on me (think I should have used more gloss under them to relieve this issue). I am still ok with that as you can always weather to compensate after the fact. Prior to weathering, everything was clear coated with Testor’s Dull Coat…still my favorite flat coat.
For once I have few criticisms of the kit and am delighted to add it to my ever growing shelf of diverse armor builds. Definitely a fun build!
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Orange Juice Drive is in a classical RAT type circuit and sounding topolgy. We add extra switch for select between symmetric or asymmetric clipping. Not operable with battery.
Brug verbindingsdam naar Javaeiland en KNSM-eiland
Build in 1995. Architect Hans van Heeswijk
The Verbindingsdam in the Eastern Docklands of Amsterdam was the railroad link between manmade harbour islands and a vast switchyard. For this reason, the dam and bridge traverses the water obliquely instead of going straight across.
The islands and railway yard have been redeveloped into residential areas. The railroad became tramway and capacity for other forms of traffic had to be increased. The islands had to remain accessible at all times, so the design of the bridge is in two parts to allow phased construction. To emphasize the “bridge” character, the original flat girders were replaced by arches.
Compared to its span, the bridge is extremely wide. Separating the deck into three parts provides a spatial modulation. The bridge deck is supported by beams that are suspended from above with cables running through the slits in the deck.
By night the road is illuminated from above. Spotlights from underneath cast a glow on the white painted steel construction.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The wall and roof assemblies were considered for their thermal performance and efficiency of use. Insulated concrete forms (ICF) walls are used on the load bearing axis’ where openings are limited (exposure wall) or absent (party wall). The concrete provides superior stability, i.e. no shrinkage, and durability over framed walls. The layout of walls and openings (west elevation/A4) allowed for the whole or half block modules so that no cutting was required. There was no waste from these forms. In addition ICF walls have an R value of 22.7 and no thermal bridging - which effectively increases their performance over that value. The mass of the concrete provides some modulation to temperature swings
Light (2x6@24” centre) framed walls were used on the south and north elevations where larger opening and greater transparency was desired. A soya based closed cell spray foam with recycled fiber (Polar Foam) was applied to the exterior framed walls resulting in an R value of 35. Polar Foam was also used to insulate floors suspended over unheated space, increasing the R value over traditional ‘batt’ insulation while also mitigating the thermal bypass (air gap) between insulation and heated space. Made to measure pre-engineered joists and beams where used throughout. These assemblies contributed to an estimated 60% reduction in construction waste. Finally, the extra deep roof trusses specified allowed for a vented roof with combined R59 batt with . The flat roof allows for the future provision of solar collectors or photovoltaic panels. Triple glazed windows and double glazed doors with argon filled spaces and low e coatings add to the thermal performance.
The simplicity of the basic parti – light stick framing suspended between insulated concrete walls (party/ party or exposure / party) – anticipates extrapolation into 3 -plex, 4-plex and row housing arrangements. A variety of roof forms and inclinations can accommodate the requirements of solar collectors or photovoltaic panels orientation particular to the site. The clear span structure will allow for plan variations in design or for adaptive re-use without the need for structural modification.
Close-up of the light controller.
See laneboysrc.blogspot.sg/2012/07/diy-car-light-controller-f... for details.
Notice that there are two chips stacked on top of each-other on the left. These are the LED drivers. In our Dingo I used PWM (pulse width modulation) to control the brightness of the LEDs. However, due to the low speed of the microcontroller this causes flickering when filming at high shutter speeds.
To improve this for the XR311 I use two chips, one for full brightness (20mA) and one for half brightness (~8.5mA).
Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Om Yoga Ashram is starting a new session 200-hour YTTC in Dharamsala India. Our yoga Teacher’s (Guru) is very qualified and spiritual. The 200-hour YTTC is a practice to elaborate your body towards spirituality and meditation, this will bring you to controlling the inner energy, stability, and focus. After completing the 200-hour YTTC program you have to ability to share it and move towards the 300-hour YTTC program.
200-hour YTTC Program Activities:
Study about types of yoga asana
Art of sequencing and improvisation in the Yoga class
Intelligent use of props to help improve practice at its early stages
Cultivation of Command through voice modulations
Yoga Postures with their Sanskrit Names and terminology
Confidence-building through practice Yoga teaching
Principles of anatomy-physiology and its correlation with Yogic Science.
Yoga Philosophy, Yoga Ideas
Spirituality and ethics with Business of Yoga
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
amorphica.com/networked.html
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Listen: A Music and Video Experiment
Featured video art and experimental music throughout the Murphy Art Center -- including Alchemy in Suite 3, Suite 4 next door and multiple spaces upstairs near Big Car. www.bigcar.org
Friday, March 6, 2009.
Big Car's First Friday show for March featured a bevy of local, regional, national and international video and sound artists. All of the music accompanied video art projections. The night included a show of Herron video artists in Suite 214 next door to Big Car (see artist statements below), a program of experimental videos from other local artists in Suite 3 and 4 on street level (J. Andrew Salyer, Jennie Mynhier, Laura Salyer, Jim Walker, Flounder Lee) and a Microcinema screening (FATELESS, Color + Modulation, SLIDE, Hub Culture Retrospectives: Antarctica, Independent Exposure: Asthmatic Kitty Records Edition 2008, The Collected Films of Ryan Jeffery, Op Art, Modular Moves, Jellies: The Art of Nature) also in Suite 214. For more about Microcinema visit www.microcinema.com.
The night's musical offerings in Suite 215 (Big Car's regular space) and in other nearby spaces included performances by Butler University's Ensemble 48 (playing a soundtrack to the silent film "Man with the Movie Camera"), Marck Ferrari, Ben Ishmael Revival, Shiny Black Shirt, Sea Krowns, Ensemble 48, Actuel, Playboy Psychonauts, Stallio, Sky Thing and Tonos Triad.
Also in the street level space that night, Big Car also hosted the installation "Unified Fields" that featured the interactive music and art of duo Mana2 (Jordan Munson, Michael Drews).
The event was sponsored by Microcinema and was a partnership with the Toby at the IMA.
I had two bodies that I used in racing. The one on the right was mostly used and when it was new, the plastic fairing was in better shape. Note the "1701" Star Trek reference on the numbering... hehehe...
This project is part of SOUND CAMPUS, The Wild State exhibition.
In this performance, I am using the Guzheng, a Chinese zither, with a specially constructed audio processing hardware. The instrument is used with a newly developed alternate tuning and novel playing techniques. The core of this instrument consists of an analog microphone preamplifier with filter, constructed by me, plus a digital sound processor on a single board computer (Raspberry Pi) running Pure Data. They all form the amplified and filtered Guzheng signal which is processed through granular synthesis, frequency modulation and amplitude modulation.
For further information please visit:
ars.electronica.art/keplersgardens/soundcampus/
Credit: Christoph Punzmann
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the lounge, pool area and restaurant.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0241 Concha.JPG
Record ID: WB2010-0241
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0019
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
The new frontiers of nanobioengineering and nanomedicine involve convergence of nanotechnology with fundamental physical and chemical sciences, engineering and medicine to produce breakthrough approaches for meeting healthcare challenges, such as cancer, neurological disorders, infectious diseases, age-related diseases, addiction, chronic pain, depression and obesity. Engineered nanoplatforms can now be developed for carrying various payloads for new, minimally invasive medical procedures, targeted delivery of multiple therapeutics, enhanced efficacy of existing treatments, and real-time monitoring of disease treatment. This presentation will describe our work on multifunctional polymeric, inorganic and hybrid heterostructured nanoparticles and nanostructures containing multiple imaging (linear and nonlinear optical, photoacoustic, magnetic, radiation, SPECT, PET) and sensing probes. Coupled with targeting capability and therapeutic and genetic payloads, these nanoplatforms provide targeted combined diagnostics and therapy. A major focus of our research is on light-based biotechnology (biophotonics). We have developed optical nanotransformers, which, on demand, convert incident photons in-situ to another wavelength suitable for deep tissue imaging or for affecting a therapy. A new direction for us is brain research and neurophotonics for functional mapping and modulation of brain activities. The talk will end with a discussion of new multidisciplinary opportunities and challenges to overcome.
Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.
The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more
Silicon nanowires
Lab-on-a-chip (LOC) systems for molecular diagnostics at very low concentrations are becoming increasingly important for applications requiring high-throughput biomolecular analyses, such as protein arrays for basic molecular biology research, disease marker identification, and pharmaceutical drug screening. Techniques and methods used for protein arrays are improving, however, progress has been hindered by size and detection constraints. First, conventional protein arrays require relatively large sample volumes. One strategy for overcoming this problem is to significantly decrease the size and consequently the sample volume of the protein interaction assay, an ideal application of LOC. Secondly, the detection of protein and chemical pathogens (targets) is currently most commonly done using fluorescence detection of the probe-target binding. Although very sensitive, fluorescence detection suffers from the need to label the molecular target, which can lead to alterations in target-receptor interactions caused by conformational changes or steric hindrance induced by the label. The efficiency of labeling varies from protein to protein, making comparisons a challenge. In addition, attaching fluorophores may influence the way in which proteins bind to other molecules causing background signals. For these reasons, there is considerable effort to investigate alternatives for fluorescent detection. Label-free sensors detect the hybridization of an affinity complex using a variety of methods including optical, mechanical, and electrochemical techniques. We are exploring the sensing limitations of silicon nanowires (Si-NWs) to electrochemically detect probe-target binding based on surface charge modulation, hence label-free detection. Si-NW sensors can be considered as nanoscale versions of the ion-sensitive field effect transistor (ISFET) sensors, invented by prof. dr. ir. Piet Bergveld in 1969, the previous chair holder of the BIOS group. The Si-NWs have been reported as capable of providing a highly sensitive label-free biomolecular sensor that can be manufactured into dense arrays and additionally provide a real-time electrical output that easily integrated with conventional data recording equipment. However, the majority of these reports fail to carefully study the sensing limitations, critical device characteristics and interface behavior.
History Of Electronic Dance Music Documentary. Directed by Iara Lee
www.vjsmag.com/wp-content/uploads/2013/04/MV5BMTQ5ODA5NjE...
www.vjsmag.com/modulations-documentary/
#Films#Documentary, #Music
We produce this model as “Pick-up Activator” FET design preamp for bass guitar, under “Alen Geere”, our other brand. This is electric guitar version that boost the signal +5dB at maximum volume level. It has improved tone control and a switch for boost/cut between 200-800 Hz of frequencies. This option bring all humbucker-loaded guitars to standard “Tele” side an incredible way. High input and low output impedances are ideal for driving long cables. It’s also suitable with bass.
HMJ300B-TDD
SoleNode IP Mesh Microwave Video Transmitter
HMJ300B-TDD transmitter combined with other SoleNode Receiver to create a fluid self forming, ad hoc, mobile and dynamic surveillance mesh network.
Just using a single frequency to routes video, voices and data, GPS around the wireless network, mostly simplifying frequency management, and the entire mesh just need 2Mhz of bandwidth (4,6,8,16Mhz as optional)
Using HMJ's patented COFDM modulation and therefore offer excellent RF penetration and performance in multipath and harsh environment.
The highly flexible mesh topology ensure video, voice and data, GPS can be exchanged between moving nodes in a point-to-point or multi-point fashion, also each node can be acted as repeater for expanded range.
HMJ300B-TDD transmitter can be connected to third party composite cameras using the AVI option or Third party IP cameras can also be directly connected to the SoleNode mesh network.
Optional AES128 or AES256 encryption make safe and secure link.
Using provided Commander PC software application in-build mapping display to configure and monitor the deployed mesh network and surveillance system, and video can be real-time viewed on PC device or recorded using compatible recorders.
www.dropbox.com/s/sqft3gycu6nyg85/IP%20Mesh%20Vdieo%20Tx%...
More information, please visit our website at en.hmjtx.com, detailed datasheet available on request.
Here's some spec's on this sweet system. It's a "Matrix" system, meaning that it has the ability to change all of it's routings on every preset.
Instead of being tied to one signal flow you can have any signal flow you want, when you want. Which is pretty handy for score music composer & guitar instrumental musician who has to constantly change the signal flow.
The switcher has a software interface that allows you to create an icon for each device and it's corresponding input(s) & Output(s), then using the mouse, connect the rig you want to have at that moment with no extra devices connected to the signal path for the cleanest path possible from pick ups to speakers.
A matrix switcher has 16x Inputs & 16x Outputs, so we decided to put 5 switchers in this system, connected them to each other & bunch of other cool gear. Each switcher has a "Group" responsibility:
1. "Master" - Magnetic & Piezo Inputs + 4x Amplifiers + 1 Axe FX ("Front End" of 4 Wire Config) + Multiple Connections to the other Switchers
2. "Harmonics" - Octave, Fuzz & Overdrive devices.
3. "Dynamics" - Compressors, EQ's Filters, Synthesizers.
4. "Modulations" - Chorus, Phaser, Flanger, UniVibe, & Tremolo.
5. "Time" - Delays & Reverbs + Axe FX ("Back End") for Reverb, Delay & Looper.
Any order & combination of series & parallel is possible, the possibilities for signal routings are only limited by the player's imagination...
On April 6 I performed at the Woodview Coffeehouse open mic. My past two times there I'd included excerpts from my novel Covenant . But since we were in the middle of Passover in addition to Good Friday, I read from my 20-years-ago journal entry, "The Old Men of Revere Beach." After beginning with extemporaneous a cappella singing, I put my Yiddish brogue to good use here.
I was also fascinated by an instrument that one of the featured performers (in the duo Pete Price and Mike Roberts) used. He called it a "paddlewheel harmonica," which I think is the perfect name for it, although my Google search for that term turned up empty. For the first part of the set I couldn't help but notice this weird thing on the floor. From where I sat, it didn't even look like a musical instrument. Then it literally came into play for a song with a "modulation" (change in key) and captivated me. You can see one here.
When I told Mary about the harmonica, she expressed her interest in a slide kazoo. Simple enough, I thought. Not. I've found references to alto slide kazoos, tenor slide kazoos, contrabass slide kazoos, electric slide kazoos, and discussion on what kind of a mouthpiece to use on a slide kazoo. Though I believe the "left-handed E-flat slide kazoo" mentioned in one post plays in the same orchestra as PDQ Bach's Left-Handed Sewer Flute, lovingly detailed on the cover of this debut album, which I grew up with along with other mishegas.
(le français suit l’anglais)
AM Clock Radio
Model: D-25
Manufacturer: Crosley Radio and Television Ltd.,
Toronto, Ontario
ca. 1951/52
Artifact no. pending
Made of green Bakelite, this 1950’s era clock radio takes its design queues from automobiles of the era. It featured 5 tubes, received in the AM band only, and has a clock with five functions which still works. To blend with décor, the D-25 series was available in six colours.
Canada Science and Technology Museums Corporation
www.technomuses.ca/our_corporation/index_e.asp
Photo: CSTMC/2014
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Radio-Horloge AM
Modèle : D-25
Manufacturier : Crosley Radio and Television Ltd.,
Toronto (Ontario)
ca. 1951/52
No. d'artefact : en attente
Fait de bakélite verte, le design de cette radio des années 1950 prend sont inspiration des automobiles de l'époque. Elle contient 5 tubes, reçoit dans la bande AM seulement, et dispose d'une horloge avec cinq fonctions qui fonctionne encore. Pour se fondre dans le décor, la série D-25 était disponible en six couleurs.
Société des musées de sciences et technologies du Canada
www.sciencetech.technomuses.ca/francais/index.cfm
SMSTC/2014