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With an array of hardware controls, MPK Mini lets you record, compose, and perform with virtual instruments, effect plugins, and DAWs whenever inspiration strikes. It features 25 velocity-sensitive synth-action keys, a 4-way thumbstick for dynamic pitch and modulation manipulation, 8 backlit velocity-sensitive MPC-style pads, and 8 assignable Q-Link knobs. Plus, two banks expand the number of MPC-style pads to 16 for extended creative capabilities.
More Info / Available here:
www.recordcase.de/en/AKAI+Professional+MPK+Mini.htm?pid=G...
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
All rights reserved.
This parade instalation was desgned & produced by the e Institute for Aesthetic Modulation, is a sub-group of Collective:Unconscious. IFAM has produced work in installation art and visual theater since 1993 at such venues as Theater for the New City, Here, The Knitting Factory, Exit Art, La Plaza Cultural, The 6B Garden, The Coney Island Mermaid Parade, The Pyramid Club, and Mustard.
Collective: Unconscious is a confederation of artists working in the visual and performing arts, founded in early 1995 in the Lower East Side of New York City. www.ifam.net/
June 23, 2007
Founded in 1983 by Coney Island USA, the Mermaid Parade celebrates the sand, sea, salt air and the beginning of summer. Participants dress in hand-made costumes as mermaids, Neptunes, various sea creatures, and the occasional wandering lighthouse. Each year, a celebrity King Neptune and Queen Mermaid rule over the proceedings, riding in the parade and assisting in the opening of the Ocean for the summer swimming season. Attending celebrities in the past have included David Byrne, Queen Latifah, Ron Kuby, Curtis Sliwa, Moby and Theo. The Parade is followed by the Mermaid Parade Ball
For more Mermaid Parade and Coney Island images see www.flickr.com/photos/artedelares/sets/72157600584117640/ and www.flickr.com/photos/artedelares/sets/888721/
Blacktron Gold - Listening and Assault Unit
Spacecraft equipped with:
- stereo cockpit
- optoechoic head
- white noise generator
- modulation metronome
- dual megabass cannon
- large aperture antenna with phrase scanning
- dual IR (iridium) jam-session-er
- powerful pro-tone torpedo
- dual frequency Hi-Fi-per sonic missiles
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
After almost eighteen years of deceptive silence, Brazen is back with Distance, an ambitious indie-rock epic where melancholic modulations and vocal harmonies intertwine on a soaring instrumental carpet. The eight tracks that make up the album are characterised by refined songwriting, carried by an epic breath that makes each track a journey in its own right. Composed, arranged and recorded remotely between London and Geneva over the course of almost a decade, the album is as musically polished as it is rich in narrative twists. The meticulous care taken in its conception gives it a timeless character that in no way detracts from its emotional intensity.
Plaster cast, 1813
(date carved in plaster with Author’s inscription)
Current placing: Scarpa wing, cm 175x103x64
This is the marble model which can be found at the Hermitage in S.Petersbourg (Russia). Another plaster cast representing the Grazie can be found in the Council Chamber at Possagno. There are some variations on the model: instead of a stele, a tree trunk acts as a stand): This is a marble cast which can be found at the Museum in Edinburgh (Scotland- UK). The poetical expression of the Grazie represents sweetness, affection as well as agility and harmony: the three goddesses have just come out from the fountain where they had been bathing (Carlo Scarpa actually wanted to place them near a fountain), they embrace each other creating a pleasant interlacement. They bow their heads tenderly creating a harmonious modulation of bodies. The firmness of their flesh as well as the delicacy of their nimble bodies make this work one of the best-known masterpieces by Canova.
Here's some spec's on this sweet system. It's a "Matrix" system, meaning that it has the ability to change all of it's routings on every preset.
Instead of being tied to one signal flow you can have any signal flow you want, when you want. Which is pretty handy for score music composer & guitar instrumental musician who has to constantly change the signal flow.
The switcher has a software interface that allows you to create an icon for each device and it's corresponding input(s) & Output(s), then using the mouse, connect the rig you want to have at that moment with no extra devices connected to the signal path for the cleanest path possible from pick ups to speakers.
A matrix switcher has 16x Inputs & 16x Outputs, so we decided to put 5 switchers in this system, connected them to each other & bunch of other cool gear. Each switcher has a "Group" responsibility:
1. "Master" - Magnetic & Piezo Inputs + 4x Amplifiers + 1 Axe FX ("Front End" of 4 Wire Config) + Multiple Connections to the other Switchers
2. "Harmonics" - Octave, Fuzz & Overdrive devices.
3. "Dynamics" - Compressors, EQ's Filters, Synthesizers.
4. "Modulations" - Chorus, Phaser, Flanger, UniVibe, & Tremolo.
5. "Time" - Delays & Reverbs + Axe FX ("Back End") for Reverb, Delay & Looper.
Any order & combination of series & parallel is possible, the possibilities for signal routings are only limited by the player's imagination...
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the outdoor shower and spa area by the beachfront pool.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0280 Concha.JPG
Record ID: WB2010-0280
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
VIEW OF PATIENT POSITIONER
.IN THE FOREGROUND IS THE RANGE MODULATION SYSTEM, TO PINPOINT WHERE THE BEAM STOPS IN THE PATIENT. IN THE BACK- GROUND ARE THE DOSE MEASURING DEVICES.
For more information or additional images, please contact 202-586-5251.
Name: Chicken broth cube
Product Description:This product uses fresh chicken meat as raw material, processed through the latest technology, widely used in soup, stir-fries, modulation broth, taste better fresh and delicious, can be used instead of MSG..
Product specifications: 10g×60blocks /box
10g×30blocks /box
Mr yan
e-mail:yjxa31@gmail.com
Airbrushed various Alclads onto the tripod after polishing the helmet (hohoho).
I thought I'd try colour modulation for the first time on the tanks. Looks crazy now but it should tone down nicely.
A pedal for aggressive, mid-gain, fuzz like clipping drive tone fans. High output capability can used for pushing an amplifier. It also acts as a clean boost, when drive knob is all the way down. Operable with battery.
Controls: Volume, Fine, Gain (6 position rotary switch)
Boy Harsher @ Red Hat Amphitheater, Raleigh, NC on Thursday, April, 28, 2022.
Setlist:
Keep Driving
Fate
Westerners
Come Closer
Tears
(Unknown)
Modulations
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Bluetooth Keyboard For iPad 2 with Black Aluminum Docking.The aluminum bluetooth keyboard case for the iPad 2 has a thin, eye-catching design.Made from aluminum with a high-grade finish, matching the design, look and feel of today's hottest tablets. A built-in physical keyboard allows for fast, responsive typing.
Sleek and stylish design with unique and useful features makes it an essential accessory to buy for your iPad2.Special function keys for music control, volume control, slideshow, home, search, etc.
Please note, this is an after-market item, it is not manufactured by Apple.
Feature:
Bluetooth standard: V2.0
Type: 82 keys
Operating distance: 10m
Modulation system: GFSK
Operation voltage: 3.0-5.0V
Working current: <5mA
Standby current: 2.5mA
Sleeping current: <200uA
Charging current: ≥100mA
Standby time: 60 days
Charging time: 4-5 hours
Charging input: DC 5V mini USB
Battery capacity: 1600mAh
Battery life: 3 years
Continuous working time: 55 hours
Key strength: 80 +/-10g
Key life: 5 million times
Operating temperature: -10-55℃
Size: 24.5cm (9.6") x 19cm (7.5") x 1.3cm (0.45")
Weight: 298g
Two colors to choose, Black and White ( Review White Bluetooth keyboard for iPad 2)
Package Content:
1 x Bluetooth iPad 2 keyboard
1 x Charging cable
1 x English manual
Note: Last 100pcs at this promotion price, pls confirm your order soon before it out of stock!
www.dealmelody.com/bluetooth-keyboard-for-ipad-2-with-bla...
Get It From: www.24freepostage.com/
Hot Pink Aluminum Bluetooth (White Keyboard) Wireless Thinnest Slim Case Cover For iPad 2 3 Gen
Feather:
Hot Pink Background Aluminum Faceplate (White Keyboard)
1.The Bluetooth keyboard of ipad is the world's thinnest, and it is just 16.5mm after the merger with ipad. single thickness of Bluetooth keyboard of ipad is only 11mm. The machine weighs just 280 grams, so that it is the world's best carry-on performance Bluetooth keyboard.
2.Maximum Scissor keyboard is designed for ipad, the keyboard pitch to 16.6mm. Chocolate-style keycap's design allows users to experience a more good sense compared to other Bluetooth keyboard. Undoubtedly, the experience of mobile Bluetooth keyboard is the best.
3.Enclosure made of aluminum alloys is used to make the machine more attractive, fashionable, and more integration with ipad native.
4.The Bluetooth keyboard of ipad can be used just by a movement to place ipad on the slot of machine, and is the world's most convenient to use
Description:
Function:
1.Bluetooth 2.0 interface standard
2.Operating Distance to 10 meters.
3.Modulation System:GFSK
4.Lithium Battery Capacity:160mA
5.Uninterrupted Working Time:55hours
6.Operatin Voltage:3.0-5.0V
7.Standby Time:60days
8.Charging Time:4-5hours
Material:
Aluminum & Electronic Components
Package:
1 x Wireless Keyboard (iPad 2/3 & Support is not include)
1 x USB Power Charger Cable
Compatible:
iPad 2/3 Gen
Heading: 1-2 business day
A large Amoeba, magnified 200x, flows over filaments of Cyanobacteria. At the Weep Site, Don Edwards San Francisco Bay National Wildlife Reserve. Feburary 10, 2008. 200x magnification; Olympus Hoffman Modulation Contrast optics; Nikon Coolpix 885 camera.
a combined device for modulation and demodulation, for example, between the digital data of a computer and the analogue signal of a telephone line.
Perhaps linking a hospital car park with medieval chain mail is not such an outlandish idea, especially if it’s a Cambridge University teaching hospital. It certainly didn’t seem so for Allies and Morrison and Devereux Architects, who were commissioned by Addenbrooke’s to design one on for the expanded Rosie Maternity Hospital’s campus. The D&B proposal they came up with is lavished with playfulness and delight. The twisted yellow-painted aluminium facade that runs the full length and height of the building draws its inspiration from the rape seed fields that used to stretch away on the site, the twist creating a weaving modulation that imposes even while it dematerialises the mass.
The judges pronounced the design vision and detailing excellent throughout, along with rigorous and clear approaches to accessibility and way-finding – all-important in this medical environment.
Varisu trailer highlights ;Vijay’s strong comeback a from ‘Varisu action to romance .Thiraipattarai also provides body language , dialogue modulation, cinema workshop, fight, dance, video shoot, photo shoot, etc
Manchester Cathedral.
St Mary Window, 1980.
By Antony Hollaway (1928-2000).
In 1963 the stained glass designer and craftsman Tony Hollaway was introduced to the Manchester architect, Harry Fairhurst. Eight years later, after they had worked together on commissions in Cheshire and Liverpool, Fairhurst sought Tony's advice about a plan for five large stained-glass windows in Manchester Cathedral.
Thus was Tony asked to design and make the first window, the St George in the inner south-west aisle. It was completed in 1973. Further windows followed in 1976 and 1980 and the final window, Revelation was installed in 1995.
Detail: The St Mary Window. Designed by Antony Hollaway, 1980. (This is in the Tower.)
The circle, which dominates the window, is the ancient Christian symbol of perfection. It is marred by the death of Jesus in the form of a shart of leight or the sword. This is a direct reference to the prohecy of Simeon to the Blessed Virgin at the time of the Presentation of Jesus in the Temple. (“A sword shall piee through your own Soul also”. Luke 2: 35).
This destoryed the perfection of the circle which is compensated for visually the the arcs of red and yellow. “And there appeared a great wonder in Heaven: a women clother with the sun, the moon under her feet …” (Revelation 12:1). These radii restore the symmetry required for formal and design purposes.
These are seven shades of blue within the circle, blue being a colour traditionally associated with St Mary the Virgin. The circle contains a serpent. This is a multiple image best understood under the following headings:
The circle placed upon these blocks of colour are letter forms both upper and lower case which are essentially to create a pattern. However, they may be re-assembled to read verses from the Magnificate: left to right. The act of re-assembling the letters is intended to concentrate the mine on the text which would not necessarily result from ‘easy reading’.
The above details are intended to present:
1. A suitable light modulation for this part of the building.
2. A relationship with the two adjoining windows.
3. A monumentality and dignity appropriate to the Architecture and to the special place of this window in the Scheme, and of the Virgin Mary among the Patron Saints of the Cathedral.
All the teaching elements of the window are subordinate to the formal design requirements expressed in (3).
yamaha tx81z sound module
excellent condition
with manual
make an offer
will ship
The TX81Z uses the same synthesis method as the classic Yamaha DX-7.
Voice Banks
The TX81Z has 5 banks of 32 voices each. Banks A-D contains 128 factory preset voices, and bank I (internal) has 32 user voice memories for storing edited edited presets of totally new voices that are created by the user.
Play Single Mode
Play Single mode allows one voice to be played at a time, using chords of up to 8 notes.
Play Performance Mode
Performance Mode allows the TX81Z to act as several independent instruments. The maximum number of notes can be set for each instrument, and any combination is possible with a total of 8 notes. The Note Limit function creates any type of split or double effect even when playing notes on one MIDI channel.
Program Change Table
The TX81Z memory contains a Program Change Table that allows the user to specify which voice (banks I, A-D) is to be selected in response to each MIDI program change (1-128). If the Program Change Table contains a performance number, the entire setup of the TX81Z (independent settings for all 8 instruments) can be changed by pressing one switch on the keyboard.
Micro Tune Tables
Incoming Note On messages can be routed through one of the 13 Micro Tune Tables (2 user-programmable, 11 preset) to produce non-standard intonation. Eleven scales such as Mean Tone, Werckmeister, Pythagorean and Kirnberger are preset, and two memories are provided for custom scales.
Three Effects
One of three effects (Pan, Transposed Delay, Chord Set) can be selected for use in each performance memory. Using Pan, the sound can be periodically shifted between two outputs. The Transposed Delay effects lets one note trigger a delayed, transposed note, with delay time, transposition, number of repetitions, and velocity of the delayed note being set by the user. Chord Set assigns up to 4 notes to be sounded by a single incoming note. 12 notes can be named, with a different chord for each.
Oscillator Wave Select
Oscillator Wave Select gives the user a choice of 8 different waveforms to use in each operator, generating sounds more complex than were possible with previous 4-operator FM synthesizers.
EG Shift
EG Shift sets the range of the envelope, and can determine a minimum operator output level even before a note is played.
Voice Function
Poly/Mono, Pitch Bend Range, Portamento Time, and Transpose can be set for each voice. MIDI controllers on a keyboard can regulate pitch or amplitude modulation, and a Breath Controller can control two additional parameters - EG Bias and Pitch Bias.
Garland Fielder 'White Cube', 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Garland Fielder 'A Theory of Everything' (version II), 2009, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
Our tiny dancing Dinoflagellate has become - or, perhaps, is becoming... Ciliate. Photomicrograph is at 1,000x magnification with Hoffman Modulation Contrast optics in an Olympus microscope. Camera is a Nikon Coolpix 885 at 3x zoom. Cyanobacterial filament, Dinoflagellate, and Ciliate came from Heron's Head Park salt marsh, pond site OS1, on San Francisco Bay.
Wow. 7.5 hours later it's finished.
The pedals in their signal flow order starting lower right to left, middle right to left, then top right to left with their PSU.
Boss tu2 - DC Brick
Boss dd-5 Pink-label modded - dc brick
Boss dsd2 - DC Brick
Ibanez de7 - DC Brick
EHX memory man - Fuel Tank
Keeley Java Boost - Fuel Tank daisy chain
Keeley Time Machine Boost - Fuel Tank daisy chain
Red Witch Titan - Fuel Tank daisy chain
Empress Superdelay - own psu
Digitech Hardwire DL8 - Fuel Tank daisy chain
Boss rv-3 - DC Brick
Eventide Timefactor - own psu
Digitech Hardwire RV7 - Fuel Tank
Everything just sounds absolutely awesome. I'm completely happy with this setup, though I'm looking for a modulation pedal to stick in the Titan's effects loop.
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Purple LED lights as seen in room light, with the eyes (and camera) held steady. But are there REALLY purple LEDs in there?
The new frontiers of nanobioengineering and nanomedicine involve convergence of nanotechnology with fundamental physical and chemical sciences, engineering and medicine to produce breakthrough approaches for meeting healthcare challenges, such as cancer, neurological disorders, infectious diseases, age-related diseases, addiction, chronic pain, depression and obesity. Engineered nanoplatforms can now be developed for carrying various payloads for new, minimally invasive medical procedures, targeted delivery of multiple therapeutics, enhanced efficacy of existing treatments, and real-time monitoring of disease treatment. This presentation will describe our work on multifunctional polymeric, inorganic and hybrid heterostructured nanoparticles and nanostructures containing multiple imaging (linear and nonlinear optical, photoacoustic, magnetic, radiation, SPECT, PET) and sensing probes. Coupled with targeting capability and therapeutic and genetic payloads, these nanoplatforms provide targeted combined diagnostics and therapy. A major focus of our research is on light-based biotechnology (biophotonics). We have developed optical nanotransformers, which, on demand, convert incident photons in-situ to another wavelength suitable for deep tissue imaging or for affecting a therapy. A new direction for us is brain research and neurophotonics for functional mapping and modulation of brain activities. The talk will end with a discussion of new multidisciplinary opportunities and challenges to overcome.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Dub~STEP~ARCADE
a cross between a dub siren and atari punk console with A/D gen and LFO modulation
KITS NOW AVAILABLE
The layering corresponds to Milankovitch cycle
Graham P. Weedon:
"The 21 000 year (21 ka) precession cycle was detected in all three cases, the 100 ka eccentricity cycle in two cases and the 41 ka obliquity cycle in one. Filtering revealed that the supposed 21 ka sedimentary cycles are grouped into packets of four or five small and large amplitude cycles. The packets reflect the 100 ka modulation of the 21 ka precession cycle. Local disruption of the packaging can be used to locate hiatuses in pelagic strata."
source: jgs.lyellcollection.org/cgi/content/abstract/ 146/1/133
Die Elektronenröhre PCF 802 hatte auf der Leiterplatte des schwarz-weiss Fernsehers von Metz (Modell 6060) zwischen der Sinus-Generatorspule und der Impulsformerspule seinen Steckplatz.
Eine Elektronenröhre ist ein elektronisches Bauelement, das aus einem evakuierten oder gasgefüllten Kolben aus Glas, Stahl oder Keramik besteht, in den mehrere Elektroden, mindestens eine Kathode mit Heizung und eine Anode, eingelassen und von außen kontaktiert sind. Sie dient zur Gleichrichtung, Erzeugung, Verstärkung oder zur Modulation von elektrischen Signalen.
Radioröhren: ECC85, EL84 und EABC80
Eine Auswahl an Elektronenröhren
Die Rimlockpentode EF42
6L6GC-Röhren: links General Electric ca. 1960, rechts Svetlana Electron Devices, Russland ca. 2000
Im Inneren der Röhre treten Elektronen aus einer Glühkathode als freie Elektronen aus (Elektronenemission) und fliegen unter dem Einfluss eines elektrischen Feldes zu einer Anode. Durch ein Steuergitter zwischen Kathode und Anode lässt sich der Strom beeinflussen, denn durch unterschiedliche Gitterspannungen bzw. elektrische Felder kann man den Elektronenfluss hemmen oder verstärken. Darauf beruht die Verwendung der Elektronenröhre als Verstärkerröhre oder Oszillator.
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
Teisipäev, 14. aprill kell 19.30 ja 21.00
Kanuti Gildi SAAL (Pikk 20)
Pilet 10/7 eelmüügist, 12/7 enne kontserti
KAVAS:
“Rhythmus 21” (1921): Video Hans Richter, muusika Ove-Kuth Kadak (2015, esiettekanne) … 3’10”
“(üle)küllus” (2015, esiettekanne): Muusika ja video Aljona Kastjušina … 7’
“Controcorrente” (2012, Eesti esiettekanne): Muusika ja video Ivan Penov … 7’30″
“Phase Walk” (2015, esiettekanne): Henri Georg Viies … u 7’
“Cross modulation” (2015, esiettekanne): Muusika Ekke Västrik … 7’
“Ghosts and Whispers” (2014, Eesti esiettekanne): Muusika ja video Damiano Marconi … 6’30″
“Merkin” (2015, esiettekanne): Hendrik Tammjärv … u 7’
“Seppie senz’ossa” (2013, Eesti esiettekanne): Video Paolo Pachini, muusika Roberto Doati … 10’
“Rhythmus 21” (1921): Video Hans Richter, muusika Giovanni Tancredi (2015, esiettekanne) … 3’10”
Audiovisuaalsed kompositsioonid, versioon 1.2: visuaalne väljendus muusikalise mõtte laiendusena.
Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna audiovisuaalse kompositsiooni kontsert toob kokku selle valdkonna ajaloo olulise repertuaari ja EMTA audiovisuaalse kompositsiooni tudengite loomingu. Sel aastal esitleb EMTA muuhulgas rahvusvaheliselt tuntud heliloojate Paolo Pachini ja Roberto Doati audiovisuaalse kompositsiooni “Seppie senz’ossa” (2013) Eesti esiettekannet.
Kontserdi kunstiline juht on Paolo Girol.
Kestus: umbes 1 tund.
Saadaval piiratud hulk pileteid (kontsert kantakse ette kaks korda, igal kontserdil ainult 50 istekohta patjadel). Hilinejaid sisse ei lubata!
Koostöös Eesti Muusika- ja Teatriakadeemia kompositsiooniosakonna ja festivaliga “Saksa kevad”
words from the New Forms Facebook event page:
Sound Migrations is a unique collaborative project which began when Meredith Bates, an award-winning violinist, invited interdisciplinary artist and musician Lief Hall and visual artist Josema Zamorano to co-create an improvisational music-video performance as the final part of her artist residency at Western Front.
Their collaboration converged, looking for a dialogue between aural, visual, and spatial experiences, reflecting on migrations and the living transformations that are part of it: sound becoming body movement, voice becoming ocean waves, music becoming awareness of space, wind becoming texture, the forest becoming cellular copulation, colour becoming mood, perception becoming the environment itself.
The video-performance by Josema Zamorano was created in dialogue with the moment by using a digital camera as instrument to "play" two photomontages that depict abstracted landscapes.The imagery, read via body movements and gestural modulations over the lens, was processed in camera to produce moving colour fields, projected live throughout the venue.
Assembled. The orange backdrop is the cutdown parachute =)
Using full power (10mW) MSK modulation at 915Mhz with a bitrate of 250 kbps I was able to get over 1000ft of line-of-sight range. I have since changed this to 2-FSK at 38.4kbps which should give me another 12dB of range. I'll test this again once I get real antennas.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of the south facade of the hotel from the pool and lounge area with the brise-soleils also in view.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Water
Trees
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0274 Concha.JPG
Record ID: WB2010-0274
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta