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The Yak-141M project started In November 1973. It’s predecessor, Yak-38 didn’t live up to expectations, in fact it’s abilities were miserable. The future fighter was design around (specially ordered for this plane) lift/cruise engine Soyuz R-79V-300. On 26th June 1974 project was officially started. At first, designers wanted R-79 to be the only engine of new fighter, but quickly it became clear, that the plane would not be able to balance in hover mode. After many experiments with different configurations, designers revert to Yak’s-38 powerplant layout, with one main lift/cruise engine and two lift engines only for hover mode. The two lift engines were Kolesov RD-41 turbojets. The final design, was finalized in July 1980. Whole project had many delays, especially there were problems with R-79 engine – it was supposed to be the first engine in the world, to be capable of afterburner usage in both horizontal and vertical thrust mode. To enable the plane vertical takeoff, engine was capable of thrust-vectoring up to 95 degrees- solution used here by designers was for years a secret, and today F-35B is using exactly the same idea. General layout of new fighter wasn’t a revolution, it’s similar in general shape to the Mig-25 – Yak-141M was originally projected to be an interceptor, similarly to Foxbat. As a carrier fighter, Yak featured folding wings. The airframe was mostly made of composites (26% of aircraft weight) and . However in the mid 80’ Soviet military changed their requirements- they wanted Yak-141M to be a true multi-role fighter, what resulted in big changes in aircraft systems. Yak-141M used S-41M radar, it was a derivative of N001 Zhuk radar, used in Mig-29M. It was a multi-role radar, that permitted the fighter to carry , new advanced missiles, both air-to-air and air-to-ground. The airframe was ready in late 1984, but due to engine problems, the first flight took place on 9th March 1987. After another period of engine/airframe problems, in 1989 began manufacturer’s flight tests. Yak-141M hovered for the first time on 29th December 1989. The tests showed, that Yak-141M with full ordnance load, clearly outperformed the Harrier in similar configuration. However in clear configuration, there wasn’t a clear-cut winner. Yak-141M was viewed, as a replacement for Yak-38, on Type 1143 aircraft carriers (Novorossiysk, Minsk Baku (Admiral Gorshkov) and Kiev). On 26th September 1991 Yak-141M made its first landing on carrier. The same day, another prototype, made first, fully vertical landing. On 5th October prototype “77 Yellow”, during vertical landing, fell onto the deck and burst into flames, pilot ejected safely. Although the trials were resumed, with “75 Yellow”, this crash served as a pretext for ending Yak-141M project. Due to collapse of Soviet Union, Soviet Navy had to make cutbacks, and Yak-141M was one. In fact it wasn’t needed anymore: Russia scraped three Kiev-class carriers: Novorossiysk, Minsk and Kiev. Fourth one, Gorshkov was later sold to India. Without suitable carriers (Kuznetsov was able to carry more capable Su-33), Yak’s fighter lost it’s sense. Yak-141M was displayed at Farnborough 92 and MAKS 1991 and 1993 airshows, for few years Yakovlev tried to attract foreign investors but without success. Yak-141M in 1991 established many world records (taking them from Harrier) in its class. There were projects of new versions of Yak-141M, but none of them become real.

 

Length: 18.30 m (60 ft 0 1/2 in)

Wingspan: 10.105 m (33 ft 1 3/4 in)

Height: 5.00 m (16 ft 5 in)

Wing area: 31.7 m² (341 ft²)

Empty weight: 11,650 kg (25,683 lb)

Max takeoff weight: 19,500 kg (42,989 lb)

Max vertical take-off weight: 15800kg (34840 lb)

Maximum/vertical take-off external stores load: 2600kg (5730 lb)/1000kg (2205 lb)

Internal fuel load: 4400kg (9700 lb)

 

Maximum speed: 1,800 km/h (1,118 mph, Mach 1.4+)

Range: 2,100 km (1,305 mi)

Service ceiling: 15,000m (49200 ft)

g-load: 7G

 

Armament;

5 external stores with capacity of 2600kg

Air-to-air (4 underwings stores): R-77, R-73, R-27

Air-to-surface (centerline store): Kh-31A/P, Kh-35, Kh-58, Kh-25MP

Canon- one GSz-301 caliber 30mm

Durham - Easter Monday 2008.

Typical Bank Holiday - it snowed - alot!

The weather was so atrcious this day that it sort of spoilt playing with Fuji.

I think it shows as this batch of photos isn't exactly wonderful.

As I am posting them I know I will probably delete most of them later.

 

I only took this photo as I was following the guy in the kilt!

I am shallow.

But then I slipped in the sludge and gave up.

Never mind..

We are hot and cranky here! It's 100degrees and they are saying it will be 100 - 107 for 10 days, we have no AC, it makes life a bit miserable. :(

Battling against the drizzle and spray at Overton, Gower, Wales, UK. No graphics please.

Not a good night to have to wait for the tram. Sydney 2015.

© Henk Graalman

One looks at the other,

the other won't look back;

I stare at the two of them there,

unable to agree,

always at odds with each other;

It makes me sad

and I don't want to look at either of them anymore -

they are miserable creatures,

destructive in every way,

harmful to each other

and to all who cross their path;

So I turn away from the mirror,

because I hate those miserable souls

drowning in their sea of red,

red,

red...

 

i'm not talking about a radio station.

 

poor little baby has a high fever and is miserable. hope this will pass soon. she has only been sick once before and it was just a cold. this is horrible, it has taken some of gemma's happy spirit away. she is being a trooper though.

Cold, Wet, Rainy, Grey, Windy and Dull.

I woke up to a very miserable morning...grey, wet and dark.

SPNC 8 "Show beauty where apparently there is none." - Guido Steenkamp

This photo was taken in Louth, where my secondary school is. It was a chilly winters day and this elderly gent was playing his accordion for everyone - looks happy, doesn't he?!

for some musical theatre. We'll, it's taken about a year to get this far.

I took Rachel to see Les Miserables in London's West End

....something to cheer you up..

It was a miserable day today in Cape Town so decided that indoors was the best option.

This is like my alone/depressed portrait. I'm showing someone who has had enough. My hair covering my face adds to the mood, and also a lot of the image being quite dark helps.

A close to 15,000 ft manifest train pulls into Centertown Siding on a chilly Sunday evening in late September. A cold front is sweeping through dropping temps 30 degrees into the low 60's with steady rain. To make matters worse, the train had stalled out on Centertown Hill due to mechanical issues and needed to be assisted by two units from the following train. This train will put half of its train in Centertown and the rest at Shell siding in California Mo. The helper units will return to their own train and proceed to make their original journey. Meanwhile Amtrak as usual has to wait for this mess to sort out.

 

A miserable looking robin and evidently he is not to happy at being photographed

i couldn't help myself.

Brisbane on Horizion miserable day

A outwardly happy, inwardly miserable salesman.

 

petesimon.blogspot.com/2009/03/salesman.html

Created on the iPad with Sketch Club

RAPENVIVO - 11 / 04 / 2015

Not a happy looking pair.

 

CDV by McKenney of Portland, Maine

Pintadas miserables que menudean en Cataluña desde hace ya mucho tiempo (más de nueve años la de esta foto al pie de una carretera) atestiguan una realidad que espanta (foto tomada en Sant Antoni de Vilamajor).

 

Más información sobre la violencia independentista en Cataluña:

 

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Más información sobre el partidismo político en el mismo municipio (Sant Antoni de Vilamajor):

 

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Blog especializado en poner de manifiesto las tropelías que cometen muchos nacionalistas en Cataluña:

 

eduardo-gonzalez-palomar.blogspot.com.es/

 

Do you live in West Wales (Pembrokeshire, Carmarthenshire or Ceredigion)? If so, I could photograph you like this FREE of charge. Happy to answer any and all questions - just ask.

Mingle Media TV and Red Carpet Report hosts, Linda Antwi, Ashley Bornancin and Erin White were on the hottest red carpet out there, Oscars Red Carpet at the Dolby Theatre on Sunday after a busy time attending events, getting interviews and photos and bringing you the story from the events we covered. Be sure to watch out for our special magazine for Awards season 2013 coming next week.

 

Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:

twitter.com/TheRedCarpetTV

www.facebook.com/RedCarpetReportTV

www.redcarpetreporttv.com

Here are the 2013 Oscar Winners by Studio:

•20th Century Fox - 4 Oscars

•Sony - 3 Oscars

•Universal - 3 Oscars

•Warner Bros - 3 Oscars

•Weinstein Co - 3 Oscars

•Disney - 2 Oscars

•DreamWorks - 2 Oscars

•MGM - 2 Oscars

•Sony Pictures Classics - 2 Oscars

•Focus Features - 1 Oscars

For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:

www.minglemediatv.com

www.facebook.com/minglemediatvnetwork

www.facebook.com/RedCarpetReportTV

www.youtube.com/MingleMediaTVNetwork

www.flickr.com/MingleMediaTVNetwork

www.twitter.com/minglemediatv

Follow our host, Linda at https://twitter.com/LindaIsSoGirlie

Follow our host, Ashley at https://twitter.com/AshleyBInspired

 

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners-the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY

www.oscars.org

www.facebook.com/TheAcademy

www.youtube.com/Oscars

www.twitter.com/TheAcademy

 

Ashley's Look -

Ring by LuciousS - www.LuciousS.com

 

Erin's Look -

Dress by Emil Couture www.emildesign.com/ courtesy of The Ross Group http://www.thereelrossgroup.com/

Hair by Maeven Marie Ramirez salon-eleven.com/

Make Up by Veronica Matiar salon-eleven.com/

 

Linda's Look -

Dress by Shekhar Rahate - www.ShekharRahate.com

Necklace by Erin Fader Jewelry Design - www.ErinFader.com

 

BEST PICTURE

 

• "Amour" Margaret Menegoz, Stefan Arndt, Veit Heiduschka and Michael Katz, Producers

• "Argo" Grant Heslov, Ben Affleck and George Clooney, Producers - WINNER

• "Beasts of the Southern Wild" Dan Janvey, Josh Penn and Michael Gottwald, Producers

• "Django Unchained" Stacey Sher, Reginald Hudlin and Pilar Savone, Producers

• "Les Misérables" Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers

• "Life of Pi" Gil Netter, Ang Lee and David Womark, Producers

• "Lincoln" Steven Spielberg and Kathleen Kennedy, Producers

• "Silver Linings Playbook" Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers

• "Zero Dark Thirty" Mark Boal, Kathryn Bigelow and Megan Ellison, Producers

 

BEST FOREIGN FILM

Amour, Austria – WINNER

Kon-Tiki, Norway

No, Chile

A Royal Affair, Denmark

War Witch, Canada

BEST ANIMATED FEATURE FILM

Brave - WINNER

Frankenweenie

ParaNorman

The Pirates! Band of Misfits

Wreck-It Ralph

BEST ANIMATED SHORT FILM

Adam and Dog, Minkyu Lee

Fresh Guacamole, PES

Head over Heels, Timothy Reckart and Fodhla Cronin O’Reilly

Maggie Simpson in The Longest Daycare, David Silverman

Paperman, John Kahrs – WINNER

BEST LIVE ACTION SHORT FILM

Asad, Bryan Buckley and Mino Jarjoura

Buzkashi Boys, Sam French and Ariel Nasr

Curfew, Shawn Christensen - WINNER

Death of a Shadow (Dood van een Schaduw), Tom Van Avermaet and Ellen De Waele

Henry, Yan England

BEST DOCUMENTARY FEATURE

5 Broken Cameras

The Gatekeepers

How to Survive a Plague

The Invisible War

Searching for Sugar Man – WINNER

BEST DOCUMENTARY SHORT SUBJECT

Inocente, Sean Fine and Andrea Nix Fine – WINNER

Kings Point, Sari Gilman and Jedd Wider

Mondays at Racine, Cynthia Wade and Robin Honan

Open Heart, Kief Davidson and Cori Shepherd Stern

Redemption, Jon Alpert and Matthew O’Neill

BEST ACTOR

Bradley Cooper, Silver Linings Playbook

Daniel Day-Lewis, Lincoln – WINNER

Hugh Jackman, Les Miserables

Joaquin Phoenix, The Master

Denzel Washington, Flight

BEST ACTRESS

Jessica Chastain, Zero Dark Thirty

Jennifer Lawrence, Silver Linings Playbook – WINNER

Emmanuelle Riva, Amour

Naomi Watts, The Impossible

Quvenzhané Wallis, Beasts of the Southern Wild

BEST SUPPORTING ACTOR

Alan Arkin, Argo

Robert De Niro, Silver Linings Playbook

Philip Seymour Hoffman, The Master

Tommy Lee Jones, Lincoln

Christoph Waltz, Django Unchained – WINNER

BEST SUPPORTING ACTRESS

Amy Adams, The Master

Sally Field, Lincoln

Anne Hathaway, Les Miserables – WINNER

Helen Hunt, The Sessions

Jacki Weaver, Silver Linings Playbook

BEST DIRECTOR

Michael Haneke, Amour

Ang Lee, Life of Pi – WINNER

David O. Russell, Silver Linings Playbook

Steven Spielberg, Lincoln

Benh Zeitlin, Beasts of the Southern Wild

BEST ORIGINAL SCREENPLAY

Wes Anderson and Roman Coppola, Moonrise Kingdom

Mark Boal, Zero Dark Thirty

John Gatins, Flight

Michael Haneke, Amour

Quentin Tarantino, Django Unchained – WINNER

BEST ADAPTED SCREENPLAY

Lucy Alibar and Benh Zeitlin, Beasts of the Southern Wild

Tony Kushner, Lincoln

David Magee, Life of Pi

David O. Russell, Silver Linings Playbook

Chris Terrio, Argo – WINNER

BEST CINEMATOGRAPHY

Anna Karenina, Seamus McGarvey

Django Unchained, Robert Richardson

Life of Pi, Claudio Miranda – WINNER

Lincoln, Janusz Kaminski

Skyfall, Roger Deakins

BEST ORIGINAL SCORE

Anna Karenina, Dario Marianelli

Argo, Alexandre Desplat

Life of Pi, Mychael Danna – WINNER

Lincoln, John Williams

Skyfall, Thomas Newman

BEST ORIGINAL SONG

“Before My Time” from Chasing Ice, Music and Lyric by J. Ralph

“Everybody Needs A Best Friend” from Ted, Music by Walter Murphy; Lyric by Seth MacFarlane

“Pi’s Lullaby” from Life of Pi, Music by Mychael Danna; Lyric by Bombay Jayashri

“Skyfall” from Skyfall, Music and Lyric by Adele Adkins and Paul Epworth – WINNER

“Suddenly” from Les Misérables, Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

BEST COSTUME DESIGN

Anna Karenina, Jacqueline Durran – WINNER

Les Misérables, Paco Delgado

Lincoln, Joanna Johnston

Mirror Mirror, Eiko Ishioka

Snow White and the Huntsman, Colleen Atwood

BEST FILM EDITING

Argo, William Goldenberg – WINNER

Life of Pi, Tim Squyres

Lincoln, Michael Kahn

Silver Linings Playbook, Jay Cassidy and Crispin Struthers

Zero Dark Thirty, Dylan Tichenor and William Goldenberg

BEST MAKEUP AND HAIRSTYLING

Hitchcock, Howard Berger, Peter Montagna and Martin Samuel

The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane

Les Misérables, Lisa Westcott and Julie Dartnell – WINNER

BEST PRODUCTION DESIGN

Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

The Hobbit: An Unexpected Journey, Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright

Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson

Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock

Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson – WINNER

BEST SOUND EDITING - TIE

Argo, Erik Aadahl and Ethan Van der Ryn

Django Unchained, Wylie Stateman

Life of Pi, Eugene Gearty and Philip Stockton

Skyfall, Per Hallberg and Karen Baker Landers – WINNER

Zero Dark Thirty, Paul N.J. Ottosson - WINNER

BEST SOUND MIXING

Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia

Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes – WINNER

Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin

Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins

Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson

BEST VISUAL EFFECTS

The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White

Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott –WINNER

Marvel’s The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick

Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill

Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson.

the steam gondola on coniston water

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