View allAll Photos Tagged mediumformatcamera
Location: St Thomas à Becket, Fairfield Church, Romney Marsh.
Nellie Vin ©Photography.
Medium size Film Camera.
Film 120
Scanner Epson Perfection V600 photo
Sydney, NSW, Australia.
July 2019.
Ilford FP4 pushed 2 stops. Ilfosol 3 developer.
Hasselblad 500c/m. Zeiss CF T* 50/4.
2min30sec f/4.
Epson V600 scan. LR CC dust and tones.
This couple was part of the KC Ren Fest Viking crew...I haven't figured out all the ins and outs of the different crews, but they all bring a certain flare to the festivities. For me the Ren Fest is a wonderful opportunity to hone my people picture skills because there are so many interesting characters and by and large most people expect to have their picture taken...this makes a huge difference for me. Image just a touch underexposed...tricky backlit scene, but I'm pleased overall with how this turned out. Minolta Autocord LMX on TriX 400 film. Self-developed with D76 at 1:1.
My old Pentacon six TL was gradually losing reliable shutter speeds and I was looking for a replacement until finding a rather nice used Mamiya 6RB67 Pro this summer. I shot the first 2 rolls of 120 film with it in summer and have just processed them - hence the following uploads.
A westbound Conrail empty hopper train has just exited the recently enlarged tunnel at Galitzen, PA. February 7, 1998 with SD40-2 6410 in the lead. Conrail had little more than a year left before CSX & NS would split it down the middle (sort of) with the Pittsburgh Line becoming part of Norfolk Southern. The 6410 went to CSX becoming the infamous 8888 of the May 21, 2001 runaway in Ohio. The second unit #6406 also went to CSX and became their 8887. The trailing 6399 went to Norfolk Southern becoming that road's 3353. There is a bit of a light flare at the top from when I loaded the 120 film into the Mamiya film back (it was cold and I was shaking quite a bit). Notice that the crew has very wisely placed their bag of ice on the nose of the unit to keep it from melting inside the warm cab.
Mamiya Super 23, Fujichrome RDP 100
Looking south from the John Eisenhower Bridge at Gettysburg National Military Park in south central Pennsylvania. Kentmere 100, Holga 120N.
Captured with a Chinon camera that I saved from getting crushed into pieces in a waste skip.
The camera worked excellently and a lens it had on it wasn't a bad performer either.
Taken with:
Chinon CX
Auto Chinon 55mm f/1.7
Kodak Tri-X 400
Scanned with:
Canon EOS 6D
Leica APO-Macro-Elmarit-R 100mm f/2.8
Early morning view of colourful workshop buildings on the Balmain East peninsula as seen from Ballast Point, Birchgrove.
Film stock: Reflx Lab Pro100
ISO: 100
Format: 120
Camera: Zenza Bronica EC-TL
Lens: Nikkor 75mm 1:2.8
Digitised: digital camera scan
Developer: C41 @ Sydney Super8 Photo Lab
MARC MP36 #12 shoves on the rear of a westbound to Washington DC as the train crosses venerable Thomas Viaduct at Relay, MD as the sun sets on April 22, 2024.
Cinestill 400D
Pentax 6X7
1st roll in 2018 ..
Kaibon palace..
Hasselblad 500CM and Distagon 60mm 3.5
Rollei RPX 400 with Rodinal
Based on recipe from pictorial planet (youtube video) - I ordered the chems and did a session with a few of my prints
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow. Film: Kodak Tri-X 400. Developer: Kodak D76 1:1 10 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Shot on the HASSELBLAD 503CW using KODAK PORTRA 400 color professional film. Not to be used without my permission.
Can anyone identify this truck?
Camera: 1946 Graflex auto RB
Negative: Ilford FP4
Developer: HC-110 dilution H
This camera didn't leave my side while traveling to the Ocala National Forest. This was taken at sunrise on Cocoa Beach, FL.
Holga 120N toy camera.
Film: Agfa RSXII 100. Expired 2005.
There's just something special about the colours you get with slide film.
Whenever I crop a picture into square format, I am imagining that I am taking a picture with Hasselblad.
I know there are other medium format cameras that will take 6x6 pictures and this is just my illusion.
You are what you shoot with. This is my prejudice.
The photographic world is divided into two groups of people: the Hasselblad film users and the rest of us.
My square composition of Rice Lake was taken with a DSLR.
Happy Friday and weekend to everyone!
I will be taking a short break and will see you all until mid next week.
Film stock: Kentmere 100
ISO: 100
Format: 120
Camera: Zenza Bronica ECTL 6x6 camera
Lens: Nikkor 75mm F2.8
Digitised: mirrorless camera and macro set up
Developer: 510-Pyro
Time: 60 min @ 20 degC semi-stand
A simple documentary portrait using distant window light .. while waiting for the light setup
Rolleiflex 2.8E Planar
Rollei RPX 400 rated 800 Rodinal
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I first fell in love with analog photography as a child, so maybe I'm a little bias - but there's just something magical about film that digital will never be able to compete with. The way film handles light and color just has such a special quality about it...
I've tried every form of analog photography from pinhole to using a massive 8x10 camera, and each format has its own "brand" of magic, and personally I must say that medium format is my favorite <3 I've become obsessed.
Brittany and I went out with the intent to get moody overcast photos, but as Texas is famous for - the weather changed in an instant. So we pulled over on the side of the road to shoot these with the little time we had Right as we were getting ready to get the shot a little ladybug landed on her finger
What's ya'lls favorite kind of format? Digital, analog? 35mm, large format, ect. ?
I took a similar shot last March on 35mm film, and although the focus was out the result was good enough to keep trying with analog. I took medium format this time and made sure of the focus. The only issue is that Cinestill 800T is tungsten balanced, and without tungsten temperatures come out incredibly blue. Actually, though, I don't mind it. I shot at EI3200 and pushed the development using the "rodinal push" technique. This has given grain, but it's very acceptable. I have also found that cinestill 800t needs at least 2 extra stops of exposure for reciprocity.
Dubbo, NSW, Australia.
October 2019.
Cinetsill 800T at EI3200.
Developed with R09 push (1:100 stand 10min) followed by a Cinestill C41 kit standard development.
Hasselblad 500c/m.
Zeiss C 40mm/f4.
1 hour exposure at f/4.
Scan Epson V600. LR CC dust and tones.