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Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.

 

The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid (visible in the far distance) to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.

 

Film: Kodak T-Max 100.

da'an, taiwan

bronica etr camera

zenza bronica zenzanon 40mm f/4 lens

kodak porta 160 processed to b&w with lightroom 6

Bronica ETRS

Lomography 800

Fortepan 200

Expired 2001

Yashica A

Micro-mf

1:1, 12 mins

Scanner Canoscan 9000f

Rolleiflex 3.5F

Ilford XP2 medium format film

#Kiev60 #newyork #utakv #6x6 #tmax400 #fisheyelens

Yashica Mat 124G

Kodak Portra 800 medium format

Nice addition to my camera collection. Fun to use! STROBIST INFO: Three Nikon Speedlights off camera at 9,6,3 o'clock triggered by Flashwave III's. Manual camera exposure and Nikon 55mm f2.8 Micro on D300

This Look. October2025. Ektar is too clean. Rural look in the city. If you turn around the State Capital and downtown are right there. Little Rock, Arkansas USA. KodakEktar100. FujiGW69ii. FixedFujiEBC90mm. BelliniColorDeveloper. AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1m. CameraScan:FujifilmXH1.

Camera - Mamiya 645 Pro TL

Lens - Sekor 80mm f/2.8

Film - Ektar 100 and Portra 400

#Rb67 #rollei80s #mediumformat #120film #blackandwhitephotography

Sydney, NSW, Australia. December 2018.

 

Pentax 6x7. Takumar 55mm/f4.0. Provia 100.

 

30sec f/4.0.

Pentax 6x7 loaded with Kodak Gold 200 medium format film shot at Box Speed, December 2022.

The Livingroom Portraits Seria

 

Mamiya RB67 S, Mamiya Sekor C 127mm f3.8, Kodak Portra 400

Me #me #selfie #selfieonfilm

Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6

Rolleiflex 3.5

Portra 160vc

I was just finishing out the roll here, eager to see the results of my first roll of 35mm shot in a medium format camera. I should have been a little more patient because a few minutes later the sun was reflecting directly off the buildings making them appear to glow against the darkening sky.

Pentacon Six TL East German medium format camera with it's standard lens, Carl Zeiss Jena Biometar 2,8/80

Pentax 6x7 loaded with Kodak Gold 200 medium format film shot at Box Speed, December 2022.

Fujica GM670 Tmax400 yellow -2filter

Rodinal home developed

Almost bought this beauty of a Rolleiflex. Immensely complete with strap, ready case, filters, cables, film-masks and everything. And well affordable too. The decision to leave it at the shop will haunt me for some time :)

This is the "Kodak No. 3A Autographic Model C". It s a large-format, folding camera produced by Kodak from 1916 to 1926, and was part of their "Autographic" line of cameras.

 

"3A" or 122 film was a large-format rollfilm introduced by Kodak in 1903. Sometimes called the "Postcard format", the frame size on the negative measured 3 1/4 by 5 1/2 inches (8.25 by 14 cm). Although rollfilm had been around since the 1880s, by 1900 there were some who still considered photographic plates to be superior. Plates were generally larger than most rollfilm formats available at the time (the larger the negative the better the image quality). Early rollfilms were prone to curling, and there were often problems with the emulsion which caused images to look dull and grainy. Also many photographers of the era saw rollfilm as being amateurish because unlike plates (which you developed yourself) rollfilm was sent away to be developed - thereby removing the photographer from the task of developing their photos. This meant anyone with little knowledge or experience with photography could take pictures. The large size of the 122 format was meant to entice photographers who were still using plates to switch to rollfilm.

 

Overall the camera itself is a fairly standard Kodak folding camera from the 1910s and 1920s. It is similar in design and has the same features as the No. 1A Autographic Kodak Junior.

 

Puis nous attendîmes deux jours, avant de pouvoir surfer.

Réveil à 7h du matin, le jour ne s'étant toujours pas levé, c'était l'heure d'enfiler sa combinaison au chaud puis faire chauffer le café avant d'ouvrir la porte coulissante. Here we are !

The red dot is set on the exposure value (EV) and the shutter speed and aperture settings are locked. Common in those days. Change to different shutter speed and the aperture is changed to retain correct setting for that light value.

Shoot @ Riflessi Digital Point (via Nizza 143 - Torino)

The first Brownie was a very significant camera in the history of photography. It changes the way people take picture. Also, the No.2 was introduced with a new type of roll film, the 120 film of which still being made today and now know as medium format film.

 

I have soft spot for the Kodak Brownie box cameras after I picked up my first Brownie about 10 years ago, a No.2 Model E. Every since then I kept an eye out for nice Brownie and other box cameras.

 

And here is the first test roll from my new "old" Kodak Brownie No.2 Model F (1924-1933) all 8 frames from it (it is 6X9 format and you only get 8 shots per roll) After I did some restoration on it, cleaning, glued back the mirror in one of the view finder and etc the camera still work fine after all these years. (Picture of the camera coming soon)

 

Camera: 1924-1933 Kodak Brownie No.2 Model F. Film: Fomapan 100. Developer: Kodak D76 1:1 10mins @ 20*C. Digital Conversion: Epson V550 scanner and Lightroom 6.

Car Wash, Silver Lake, LA, CA

Bush walking in the Blue Mountains west of Sydney with my Bronica.

 

Film stock: Fujifilm Pro 400H Professional

ISO: 400

Expired: 05/2023

Format: 120

Camera: Zenza Bronica ECTL 6x6 camera

Lens: Nikkor 75mm F2.8

Digitised: mirrorless camera and macro set up

 

Developer: C41 @ Sydney Super8 Photo Lab

Bob, myself and Lori had a beer with Colton

'Rolleiflex 3.5F

Ilford XP2 medium format

1/15th @ f3.5

Kiev60 Volna3 tmax400 expired

It arrived today!! This is my new Lubitel 166B.

 

As you might have figured out, I really like old, Russian cameras Hey! I can't help it. They have a certain charm.

 

It is a twin lens reflex camera (rather than a single lens reflex - "SLR", as in "DSLR", the term you're most likely heard in the past few years). As you can see, it has two lenses on the front. The bottom on takes the picture, the top one is the view finder. It is a single lens with no directional adjustment so the picture is flipped. This doesn't personally bother me (I'm an astronomer- I conquered that brain puzzle years ago) but it does kind of help separate yourself from the image a bit and focus on composition.

 

I shot a test roll today and developed it! So much fun! I'm not sure if I did something wrong or if dear Lubbi has a bit of a light leak, I'll have to shoot some more to find out. :) Expect some groovy square images from me very soon!! -- it is a 6x6, which means the negative is square. It is nice to get away from the rectangle format we all know so much. (That may be why I like Chaika, too --- different kind of rectangle.)

Camera: Agfa Super Isolette

Lens: Solinar 75mm f3.5

Film: Fuji Neopan Acros 100

Developer: D76

Downtown CN Tower

#fujicaGM670 #provia100f

Certo Six Medium Format Folding Camera. Made in Germany in 1957.

 

Camera set:

www.flickr.com/photos/in2classics/sets/72157633362698872/

California

Yashica MAT 124-G

Kodak Portra 160 medium format film

GM670+ trix400 push to 1600asa developed in expired rodinal

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