View allAll Photos Tagged mediumformatcamera
Mamiya 645 Pro TL
Mamiya 45 Æ’/2.8 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Film: Ilford FP4 Plus
Lens: Pentax SMC 75mm
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400 C 120mm
Taken in Chipping Norton and South London.
Both are Rolleicord III, one on the left is with Zeiss Triotar and the one on the right with Schneider Xenar.
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Early morning. I hadn't even had a coffee. Phoenix struggling with so little light. I was hoping the even lighting might help but the trees were cast in too much shadow.
Katoomba, Blue Mountains, Sydney.
Film stock: Harman Phoenix 200
ISO: 100
Format: 120 (6x4.5)
Camera: Zenza Bronica EC-TL
Lens: Nikkor-O 50mm F2.8
Settings: f/11, 1/2s
Digitised: digital camera scan
Developer: C41 @ Sydney Super8 Photo Lab
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to be a Franciscian church.
Camera: Pentax 67II
Lens: SMC Pentax 105mm
Aperture: f/2.4
Shutter: 1/250 sec
Film: Ilford FP4 Plus, ISO 125
A view from the High Line.
Camera: Rolleicord III 75mm f3.5 Schneider Xenar. Meter: Minolta Auto Meter VF. Film: Kodak Ektar 100. Digital conversion: Epson V550 scanner and Lightroom 4
À Biarritz on a découvert les poke bowls dans un petit restaurant à l'angle d'une rue.
C'est un plat typique hawaïen, à base de poisson cru, riz ou quinoa. Les accompagnements peuvent varier : avocat, concombre, gingembre, germes de soja, tomate, citron... À votre guise !
Mamiya 645 Pro TL
Mamiya 45 Æ’/2.8 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Contents of Suitcase for 3 Days:
1 change of clothing
4 cameras:
1 medium format, 3 digital, 1 SLR
2 lenses
1 light meter
1 card reader
2 battery chargers
film - colour + black & white
Priorities? hmmmmmm
It's been a while since I've posted a sprocket photo from the Lubitel!. But what fun they are. I took this almost immediately after my portrait of a lubitel, which incidentally hit Flickr Explore! If you look closely you can see these trees in that background...
This looks funny because I kind of cheat when I run 35mm through it. I don't add any backing to the film (which you are suppose do do), so the film continually gets exposed as you shoot the roll. It did not help that this camera has lots of light leaks AND the film was 15+ year old film damaged by who knows what. I like the end result, though. Far better than I could have imagined myself in photoshop.
My beloved & holy of holies resting on the rocks whilst I climb around taking some pictures with my significantly less impressive DSLR.
C'est un de mes tricks préférés.
Ici, j'ai préparé les réglages de l'appareil puis Tony s'est chargé du reste.
Салют-C = Salyut-S, means Salute
Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.
Model: 1980, (produced between 1972-1980, quantity 30.000)
Medium format SLR film camera, film 120 roll, picture size 6x6cm
Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),
semi-automatic, interchangeable, filter thread 58mm, serial no.801181
Aperture: f/2.8 - f/22, setting ring and scale on the lens
Focus range: 0.6 - 10m, +inf.
Focusing: Fresnel ground glass screen, via the ring and scale on the lens
Lens relese: a button on left front side of the camera
** The shutter must be released before changing lenses to prevent damage to the lens
Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B
setting: combined with cocking knob, push-out and turn the knob clockwise only
** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly
Cocking knob: also winds the film, on the right side of the camera
** When cocking and film winding there are some odd noises, this is normal
Shutter release: a knob on the right front side of the camera, w/ cable release socket
Frame counter: advance type, auto reset, small window, on the right side of the Film magazine
Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter
Viewfinder: Waist level finder w/ a magnifying loop, interchangable
Mirror: not instant-return
Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30
Exposure meter: none
Memory dial: a lid, on the back side of the film magazine
Red window: for checking the film advance, under the memory dial
Back cover: as a Film magazine, interchangable,
Dark-slide: metallic, the slot is on the left side of the camera
**Dark-slide must be removed for cocking the shutter
**Dark-slide must be in its place for removing of the film magazine
Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;
**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine
** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only
Re-winding: by winding knob, pull-out and turn
Tripod sockets: two, old type 3/8'', on the bottom of the camera
Strap buttons
Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)
+ LENS
Manufactured by Carl Zeiss Jena, Dresden, former East Germany
Model: produced between 1967-70
aus Jena S (Sonnar) 180mm f/2.8
aperture: f/2.8-f/32
focus range: 1.7-40m +inf, w/DOF scale
serial no. 1262450
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.
The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.
+original strap
First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.
Kiev-80 cameras are the export type of Salyut-S with a new name plate.
The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.
These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.
more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton
1955 Olympus Chrome Six RII B (first variant) ~ the last medium format camera produced by Olympus. Production of the Olympus Flex TLR ended at the same time.
Manual focus legacy lens: Pen F H.Zuiko 42mm 1:1.2 @ f/2
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to be a Franciscian church.
Lens: SMC Pentax 75mm
Film: Kodak T-Max 100
ISO: 100
Aperture: f/22
Shutter: 1/8 Sec