View allAll Photos Tagged mediumformatcamera
I shot this with my Zeiss Super Ikonta IV using Kodak TMAX 100 medium format film. This is northern California a few miles south of the Oregon border.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
I am tired of planning and toiling
In the crowded hives of men;
Heart-weary of building and spoiling,
And spoiling and building again.
And I long for the dear old river,
Where I dreamed my youth away;
For a dreamer lives forever,
And a toiler dies in a day..................
- O'Reilly
.
Goodness! you hypocrite, come out of that,
Live your life, do your work, then take your hat.
I have no patience towards
Such conscientious cowards.
Give me simple laboring folk,
Who love their work,
Whose virtue is song
To cheer God along..................
- Thoreau
.
.
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where Amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye Amaranths ! bloom for whom ye may,
For me ye bloom not ! Glide, rich streams, away !
With lips unbrightened, wreathless brow, I stroll :
And would you learn the spells that drowse my soul ?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
- Coleridge
Thanks to @nicolasllasera to introducing ALVANDI Panoral 679 on YouTube.
www.mr-alvandi.com/products/panoral-679.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
This is the "Kodak Tourist", It is a folding-type camera produced by Kodak from 1951 to 1958 as part of their Tourist line of folding cameras. The Tourist was one of the last folding cameras Kodak produced. There was even a 828 version released called the "Tourist II".
Click here to see a PDF of the manual for the Kodak Tourist:
Codorus State Park, Pennsylvania.
July, 2018.
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Kodak Ektar 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Cutting across the field with her dog.
Ashland, Oregon
Voigtlander Bessa II 6X9
Kodak Portra 400 medium format
Fuji GSW690III, Kodak Portra 160, developed and scanned at Laboriver. Shot in November 2022 in Petra, Jordan - at the so-called Monastery building. It was pretty difficult to get a shot without any tourists, even though it was 6 pm and the Petra archaeological park was almost closed.
#analogphotography #filmphotography #kodak #kodakportra160 #fujifilmphotography #fujigsw #6x9 #mediumformat #mediumformatphotography #mediumformatfilm #mediumformatcamera #analog #petra #jordan
ALVANDI Shutter Speed Tester sent to Switzerland and Austria.
www.mr-alvandi.com/technique/Alvandi-shutter-speed-tester...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Alvandi Shutter Speed Tester and measuring Nikon FE2.
www.mr-alvandi.com/technique/Alvandi-shutter-speed-tester...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
His name is Moose
Become a fan: www.facebook.com/niconordstromphotography
Follow me: niconordstrom.tumblr.com/
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Lens: SMC Pentax 75mm
Film: Kodak T-Max 100
ISO: 100
Aperture: f/8
Shutter: 1/125 Sec
Was taking photos in my front yard with my new Holga and since I can't see the photos immediately I decided to get 'instant gratifcation' with this. Thank you, SK!
Салют-C = Salyut-S, means Salute
Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.
Model: 1980, (produced between 1972-1980, quantity 30.000)
Medium format SLR film camera, film 120 roll, picture size 6x6cm
Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),
semi-automatic, interchangeable, filter thread 58mm, serial no.801181
Aperture: f/2.8 - f/22, setting ring and scale on the lens
Focus range: 0.6 - 10m, +inf.
Focusing: Fresnel ground glass screen, via the ring and scale on the lens
Lens relese: a button on left front side of the camera
** The shutter must be released before changing lenses to prevent damage to the lens
Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B
setting: combined with cocking knob, push-out and turn the knob clockwise only
** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly
Cocking knob: also winds the film, on the right side of the camera
** When cocking and film winding there are some odd noises, this is normal
Shutter release: a knob on the right front side of the camera, w/ cable release socket
Frame counter: advance type, auto reset, small window, on the right side of the Film magazine
Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter
Viewfinder: Waist level finder w/ a magnifying loop, interchangable
Mirror: not instant-return
Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30
Exposure meter: none
Memory dial: a lid, on the back side of the film magazine
Red window: for checking the film advance, under the memory dial
Back cover: as a Film magazine, interchangable,
Dark-slide: metallic, the slot is on the left side of the camera
**Dark-slide must be removed for cocking the shutter
**Dark-slide must be in its place for removing of the film magazine
Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;
**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine
** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only
Re-winding: by winding knob, pull-out and turn
Tripod sockets: two, old type 3/8'', on the bottom of the camera
Strap buttons
Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)
+ LENS
Manufactured by Carl Zeiss Jena, Dresden, former East Germany
Model: produced between 1967-70
aus Jena S (Sonnar) 180mm f/2.8
aperture: f/2.8-f/32
focus range: 1.7-40m +inf, w/DOF scale
serial no. 1262450
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.
The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.
+original strap
First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.
Kiev-80 cameras are the export type of Salyut-S with a new name plate.
The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.
These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.
more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Kodak Ektar 100
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part four of my Paris series. This part was shot on an expired roll of Ektar 100. I think this is the first time that an entire roll of expired Ektar has behaved nicely. Usually colors are jumping all over the place..
For some reason I wonder what this image would have looked like without that Citroën Cactus..
Paris: Kodak Ektar 100 | Kodak Portra 160 | Kodak Portra 400 | Fuji pro 400H
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Today I received an Parcel. Inside was my "new" Camera. An Agfa Isolette V
Made by Agfa Munich.
Heute erhielt ich ein Paket mit meiner "neuen" Kamera. Einer Agfa Isolette V.
Hergestellt von den Agfawerken München.
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Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
My 61 Bug shot with a "Pretty in Pink" (thanks Colton) Holga 120N using Ilford HP5 medium format film.
Pentax 6x7 loaded with Kodak Portra 800 medium format film, shot and developed at Box speed. December 2019
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400C 120mm
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Taken at Gray Manor Hotel in Cholderton, England
Fort Balance.
Built in 1855 in response to the "Russian Scare". Ref. www.wellingtoncityheritage.org.nz/buildings/objects/49-fo...
Pictures from 2005 do not show any graffiti, however somewhere in time it has become graffiti central.
Tagging aside, some of the "artists" show flair and wit with their creations. The whole site is ablaze with colour. Color for US viewers :).
Pentax 67, Pentax 67 75mm f4 @ f8 or F11. Kodak Gold 200.
Neg photographed with Fujifilm X-H2, Pentax-A 50 mm f2.8 Macro. Processed with FilmLab and ACDSee.