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I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.

 

Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.

Part of Open House New York (OHNY) 2017, where on a weekend once a year many beautiful architectures and spaces normally not open to public are open for people to see.

 

This year I visited the Brooklyn Navy Yard. An old navy yard with long history that have been converted to commercial spaces.

 

Again this year photography wise I decided to go with my Hasselbald 500 C/M, 50mm, 80mm and 150mm set, and left my digital home. So, all were done on film. It was a fun afternoon walking around and taking pictures in there.

 

Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Filter: Kodak series VIII #8 yellow. Film: Kodak T-MAX 400. Developer: Kodak D76 1:1 10.25mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.

Mamiya 645 Super /

Mamiya 80 mm 2.8 @ 4.0 /

Ilford FP4 plus 125/120 / Adox Adolux APH 09

  

/ scan from the negative

Another cross process medium format! :)

 

I shot this in Bellows Falls, Vermont, on my way to New York from Sonja's wedding. I had a little bit of time before the train arrived so I stopped and got lunch from a little café next to the train station. I got a rhubarb lemonade- it was pretty awesome.

Camera: Pentacon Six

Film: Kodak Tri X

Medium format camera with 35mm film

 

Kiev-60

Kodak Vision3 500T

Mir-26B 45mm f3.5

Kiev-60

Kodak Aerocolor 125

Volna-3 80mm f3.5

 

Shot with a Zeiss Super Ikonta IV using Ilford XP2 medium format film.

Lubitel 166 Universal, Russian TLR produced by LOMO between 1983-1996.

This model has the s.n. 92276042

Lens: Triplet-22 4,5/75

Shutter speed: B, 1/15 - 1/250/s

Yashica MAT 124-G

Ilford XP2 medium forma film.

Kiev-60

Kodak Portra 400

Volna-3 80mm f2.8

A Seagull twin lens reflex 6x6 120 roll film camera (on a garden bench in the snow).

 

My Photos on Flickriver

Kiev-60

Kodak Aerocolor 125

Volna-3 80mm f2.8

 

Camera - Mamiya 645 Pro TL

Film - Fujifilm Pro 400C 120mm

.

Taken at Gray Manor Hotel in Cholderton, England

A northbound Acela speeds up #2 main at CP Winans in Halethorpe, MD on Amtrak's P&W Line, June 3, 2024.

Foma RetroPan 320

Pentax 6X7, Takumar 55mm f3.5

July, 2018.

New Windsor, Maryland.

 

This is a panorama consisting of three color negative photographs.

 

Mamiya 645 Pro TL

Mamiya 80 ƒ/1.9 N

Kodak Ektar 100

The Find Lab

 

Andrew H Wagner (C)2018. All Rights Reserved.

www.andrewhwagner.com

 

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Yashica MAT 124G

Kodak Portra 800 medium format film

Tahiti Bay, June 14, 2009.

Yashica Mat 124g

Kodak Ektar 100

I got the old vintage camera . What about you ?

m645AF + 8O/2.8AF

EktaColor 16O exp 2012

Kodak Ektar 100

Converted into black and white

Mamiya 645 Pro

Mamiya- Sekor c 80mm F/2.8 N

 

This photo is part four of my Paris series. This part was shot on an expired roll of Ektar 100.

 

Paris: Kodak Ektar 100 | Kodak Portra 160 | Kodak Portra 400 | Fuji pro 400H

 

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Kiev60 + zodiak8b + tmax400 push to 800asa

Arbuckle, California

Zeiss Super Ikonta IV

Ilford XP2 medium format film

Typha shot using Kodac Ektar 100 color film.

Pentax 67

Super-Multi-Coated Takumar 135mm f/4

Brookwood Cemetery

 

Pentacon six, Flektogon 50mm 1:4 and expired ( 1970's) Kodak Tri-X, rated this at 100 iso and developed in Rodinal 1 + 100 for 1 hour.

Yashica Mat 124G

Ilford XP2 medium format film

#Kiev60 #porta160 #carlzeiss

plastic lens, color flash (blue/yellow/red/white). uses 120 film.

 

pictures i've taken with this camera: www.flickr.com/photos/redkiwiphotography/sets/72157624957...

Mamiya 645af

Sekor C 80/1.9

Fuji 4OOH

Салют-C = Salyut-S, means Salute

Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.

Model: 1980, (produced between 1972-1980, quantity 30.000)

Medium format SLR film camera, film 120 roll, picture size 6x6cm

Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),

semi-automatic, interchangeable, filter thread 58mm, serial no.801181

Aperture: f/2.8 - f/22, setting ring and scale on the lens

Focus range: 0.6 - 10m, +inf.

Focusing: Fresnel ground glass screen, via the ring and scale on the lens

Lens relese: a button on left front side of the camera

** The shutter must be released before changing lenses to prevent damage to the lens

Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B

setting: combined with cocking knob, push-out and turn the knob clockwise only

** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly

Cocking knob: also winds the film, on the right side of the camera

** When cocking and film winding there are some odd noises, this is normal

Shutter release: a knob on the right front side of the camera, w/ cable release socket

Frame counter: advance type, auto reset, small window, on the right side of the Film magazine

Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter

Viewfinder: Waist level finder w/ a magnifying loop, interchangable

Mirror: not instant-return

Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30

Exposure meter: none

Memory dial: a lid, on the back side of the film magazine

Red window: for checking the film advance, under the memory dial

Back cover: as a Film magazine, interchangable,

Dark-slide: metallic, the slot is on the left side of the camera

**Dark-slide must be removed for cocking the shutter

**Dark-slide must be in its place for removing of the film magazine

Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;

**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine

** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only

Re-winding: by winding knob, pull-out and turn

Tripod sockets: two, old type 3/8'', on the bottom of the camera

Strap buttons

Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)

+ LENS

Manufactured by Carl Zeiss Jena, Dresden, former East Germany

Model: produced between 1967-70

aus Jena S (Sonnar) 180mm f/2.8

aperture: f/2.8-f/32

focus range: 1.7-40m +inf, w/DOF scale

serial no. 1262450

The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.

The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.

The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.

+original strap

First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.

Kiev-80 cameras are the export type of Salyut-S with a new name plate.

The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.

These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.

more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton

 

Agfa Apx 100 (expired)

Agfa Rodinal R09 1+50

Mamiya m645

Mamiya sekor c 80mm f/1.9

 

Immediately after returning from my trip to Paris/ London I started thinking about shooting other formats than solely 645. I have grown pretty accustomed to the 6 by 4,5cmformat (which I really love by the way), but I thought that it would be a great challenge to explore the larger 6 by 7cm format. So I started digging into the Mamiya 67 camera's. Soon I discovered that I preferred the electronic version (RZ67) over the mechanic version (RB67).

 

A few weeks ago I found and bought a great set, which is in excellent condition. Apart from the RZ67 body it contained a 120 film back, a waist level finder, ae prism finder, electric winder, the sekor Z 50mm f/4.5 and the sekor Z 180mm f/4.5. So, the set is pretty much complete! The only thing that I'd like to have now is a 110mm f/2.8 lens.

 

Now I have learn how to use and handle this beast. Unfortunately I haven't had much time to use it and the first roll was not entirely flawless... The camera is bulky and heavy, making it challenging to use without a tripod!

 

The first results are slowly rolling in, so stay tuned for more!

 

Mamiya RZ67

 

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Agfa Apx 100 (expired)

Agfa Rodinal R09 1+50

Mamiya m645

Mamiya sekor c 80mm f/1.9

 

Mamiya RZ67

 

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This is the "Kodak Tourist", It is a folding-type camera produced by Kodak from 1951 to 1958 as part of their Tourist line of folding cameras. The Tourist was one of the last folding cameras Kodak produced. There was even a 828 version released called the "Tourist II".

 

Click here to see a PDF of the manual for the Kodak Tourist:

www.cameramanuals.org/kodak_pdf/kodak_tourist.pdf

Rb67 150mm soft focus lens, red grad. filter

Rocks at Petra.

Shot with Fuji GSW690III on Kodak Portra 400, developed and scanned at Laboriver. Shot in November 2022 in Petra, Jordan.

#analogphotography #filmphotography #kodak #kodakportra400 #fujifilmphotography #fujigsw #6x9 #mediumformat #mediumformatphotography #mediumformatfilm #mediumformatcamera #analog #petra #jordan

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