View allAll Photos Tagged mediumformatcamera
A temple and Buddhist Park in Kanchanaburi.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselblad polarizer. Film: Kodak Portra 400. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
July, 2018.
Westminster, Maryland.
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Kodak Ektar 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Kiev 88, (1987 this model), medium format camera (120 roll film) produced by Kiev Arsenal
Standard lens: MC Volna-3 2.8/80mm
Shutter speed: B, 1/2s, 1/4s, 1/8s, 1/15s, 1/30s, 1/60s, 1/125s, 1/250s, 1/500s, 1/1000s
Soldiers Delight Natural Environmental Area, Maryland. September, 2017.
Mamiya 645 Pro TL
Mamiya 80mm Æ’/1.9
Fujifilm Acros 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Helena Lines And Highlights. October2026. Downtown Helena, Arkansas USA. KodakTmax400. Pentax645n. SMCPentax645-A75mm. YellowFilter. DiafineDeveloper5+5m. IlfordRapidFix5m. Washed:AGOFilmProcessor. CameraScan:FujifilmXH1.
A new product. ALVANDI-HASSELBLAD H to Graflok adapter. It is for mounting all Hasselblad H backs to large format camera with Graflok system. Thanks to @maverick.christian from France. Thanks to @yazdanh.
www.mr-alvandi.com/products/ALVANDI-Hasselblad-H-to-Grafl...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to be a Franciscian church.
Lens: SMC Pentax 75mm
Aperture: f/22
Film: T-Max 100
Helena, I Love You. October2025. A surviving business in downtown Helena, Arkansas USA. KodakTMAX400. Pentax645n. SMCPentax75mm. YellowFilter. DDXDeveloper1:4-11minutes. WaterStop-1minute. IlfordRapidFix-5minutes. Washed:AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1minute. CameraScan:FujifilmXH1.
If you’re new to the world of photography, you might not have heard of Hasselblad nor seen the cameras that it makes. But Hasselblad has actually been around for more than a century; it was founded by Victor Hasselblad in 1941 and has been making medium-format cameras since then. The...
Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/f2.8 CF, Fuji Velvia 50 roll film
www.mr-alvandi.com/gallery/color-photography/ahhar-008.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhà ar an phobal na mairbh a iompar ar thuras cúig mhÃle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhà anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid (visible in the far distance) to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Film: Kodak T-Max 100.
da'an, taiwan
bronica etr camera
zenza bronica zenzanon 40mm f/4 lens
kodak porta 160 processed to b&w with lightroom 6
Nice addition to my camera collection. Fun to use! STROBIST INFO: Three Nikon Speedlights off camera at 9,6,3 o'clock triggered by Flashwave III's. Manual camera exposure and Nikon 55mm f2.8 Micro on D300
This Look. October2025. Ektar is too clean. Rural look in the city. If you turn around the State Capital and downtown are right there. Little Rock, Arkansas USA. KodakEktar100. FujiGW69ii. FixedFujiEBC90mm. BelliniColorDeveloper. AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1m. CameraScan:FujifilmXH1.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
I was just finishing out the roll here, eager to see the results of my first roll of 35mm shot in a medium format camera. I should have been a little more patient because a few minutes later the sun was reflecting directly off the buildings making them appear to glow against the darkening sky.
Pentacon Six TL East German medium format camera with it's standard lens, Carl Zeiss Jena Biometar 2,8/80
Almost bought this beauty of a Rolleiflex. Immensely complete with strap, ready case, filters, cables, film-masks and everything. And well affordable too. The decision to leave it at the shop will haunt me for some time :)
This is the "Kodak No. 3A Autographic Model C". It s a large-format, folding camera produced by Kodak from 1916 to 1926, and was part of their "Autographic" line of cameras.
"3A" or 122 film was a large-format rollfilm introduced by Kodak in 1903. Sometimes called the "Postcard format", the frame size on the negative measured 3 1/4 by 5 1/2 inches (8.25 by 14 cm). Although rollfilm had been around since the 1880s, by 1900 there were some who still considered photographic plates to be superior. Plates were generally larger than most rollfilm formats available at the time (the larger the negative the better the image quality). Early rollfilms were prone to curling, and there were often problems with the emulsion which caused images to look dull and grainy. Also many photographers of the era saw rollfilm as being amateurish because unlike plates (which you developed yourself) rollfilm was sent away to be developed - thereby removing the photographer from the task of developing their photos. This meant anyone with little knowledge or experience with photography could take pictures. The large size of the 122 format was meant to entice photographers who were still using plates to switch to rollfilm.
Overall the camera itself is a fairly standard Kodak folding camera from the 1910s and 1920s. It is similar in design and has the same features as the No. 1A Autographic Kodak Junior.
Puis nous attendîmes deux jours, avant de pouvoir surfer.
Réveil à 7h du matin, le jour ne s'étant toujours pas levé, c'était l'heure d'enfiler sa combinaison au chaud puis faire chauffer le café avant d'ouvrir la porte coulissante. Here we are !
The red dot is set on the exposure value (EV) and the shutter speed and aperture settings are locked. Common in those days. Change to different shutter speed and the aperture is changed to retain correct setting for that light value.
The first Brownie was a very significant camera in the history of photography. It changes the way people take picture. Also, the No.2 was introduced with a new type of roll film, the 120 film of which still being made today and now know as medium format film.
I have soft spot for the Kodak Brownie box cameras after I picked up my first Brownie about 10 years ago, a No.2 Model E. Every since then I kept an eye out for nice Brownie and other box cameras.
And here is the first test roll from my new "old" Kodak Brownie No.2 Model F (1924-1933) all 8 frames from it (it is 6X9 format and you only get 8 shots per roll) After I did some restoration on it, cleaning, glued back the mirror in one of the view finder and etc the camera still work fine after all these years. (Picture of the camera coming soon)
Camera: 1924-1933 Kodak Brownie No.2 Model F. Film: Fomapan 100. Developer: Kodak D76 1:1 10mins @ 20*C. Digital Conversion: Epson V550 scanner and Lightroom 6.