View allAll Photos Tagged mediumformatcamera

Pentax 67

SMC Takumar 55mm

Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.

 

The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.

 

Lens: SMC Pentax 75mm

Film: Kodak T-Max 100

ISO: 100

Aperture: f/8

Shutter: 1/125 Sec

"A" street. Ashland Oregon

Rolleiflex 3.5F

Ilford XP2 medium format film

Here's a Kodak Chevron from 1953-56. Rather distinctive looking medium format (620 film) RF camera presumably by Kodak designer Arthur Crapsey who also designed the very similar looking Kodak Signet. Nice huh? Oh, and it's not mine. Dang.

#rb67 #ektar100 #mamiyarb67 #mediumformat

Hasselblad 500C with Zeiss Distagon 50, 120 roll back (12), chimney finder, MeFoto RoadTrip tripod

 

See a photo taken during the pictured shoot with this camera here:

 

flic.kr/p/2hP33fa

Camera - Mamiya 645 Pro TL

Lens - Sekor 80mm f/2.8

Film - Ektar 100 and Portra 400

Mamiya 645 Pro TL

Mamiya 45 Æ’/2.8 N

Fuji 400H

The Find Lab

 

Andrew H Wagner (C)2018. All Rights Reserved.

www.andrewhwagner.com

 

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Taken with the YashicaMat 124G and Kodak Ektar 100.

 

The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z

Subject: Jaegers of the Russian Imperial Army during the Napoleonic Wars. Early 19th century.

 

Moscow festival of historical reconstruction "Times and Epochs". Mitino Landscape Park. Summer of 2024.

  

Fujicolor PRO 400H (expired) +Pentax 67+ SMC Pentax 165/2.8 (Cropped)

Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Ektar 100 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.

An Agfa Isolette III medium format folding camera. This camera takes 6x6 negatives on 120 film. It has an uncoupled rangefinder, a Prontor SV shutter and an Apotar 85 4.5 lens. The Isolette III with apotar lens was made in 1954.

I finally developed and scanned these back from my shoot in February! Medium format is just my absolute favorite, and I can't wait until I shoot this wedding in a few months so I can buy another Hasselblad. The last one didn't survive the sand :[ </3

  

120 Film - Hasselblad

Model: Jessica Rangel

Photography/Costume/Props/MUA: Nico Nordström

Make up/Assistance: Audrey Starks

Props/Assistance: Michael McBride

Travel/Assistance: Decker Derdeyn

 

I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.

 

Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.

I am tired of planning and toiling

In the crowded hives of men;

Heart-weary of building and spoiling,

And spoiling and building again.

And I long for the dear old river,

Where I dreamed my youth away;

For a dreamer lives forever,

And a toiler dies in a day..................

- O'Reilly

.

 

Goodness! you hypocrite, come out of that,

Live your life, do your work, then take your hat.

I have no patience towards

Such conscientious cowards.

Give me simple laboring folk,

Who love their work,

Whose virtue is song

To cheer God along..................

- Thoreau

.

.

 

And I, the while, the sole unbusy thing,

Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where Amaranths blow,

Have traced the fount whence streams of nectar flow.

Bloom, O ye Amaranths ! bloom for whom ye may,

For me ye bloom not ! Glide, rich streams, away !

With lips unbrightened, wreathless brow, I stroll :

And would you learn the spells that drowse my soul ?

Work without Hope draws nectar in a sieve,

And Hope without an object cannot live.

- Coleridge

Rolleicord VB ~ White Face

Kodak Tri- X 400 @ 1600

Rodinal ( 1+50 )

Nous fîmes escale dans le charmant village de Faucogney, chez les Cathoz.

Ce village doit son charme idyllique aux montagnes qui l'entourent mais aussi et surtout à sa population éclectique.

Artistes et artisans, français, allemands et suisses, petits et grands se côtoient et font de Faucogney un lieu apaisant, plein d'histoires.

Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselbald (O) orange filter. Film: Kodak TMAX 100. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.50 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.

Shot with Yashica Mat 124G and Tri-X 120 film.

 

Pentax 6x7 loaded with Kodak Portra 800 medium format film, shot and developed at Box speed. December 2019

Hasselblad 500c

CZ Sonnar 150/4

Fuji 400H

Cutting across the field with her dog.

Ashland, Oregon

Voigtlander Bessa II 6X9

Kodak Portra 400 medium format

 

Yeah...just a totally normal work day for Bob and me. Go to Adolph Gasser Photography in S.F. buy a Voigtlander Bessa, some medium format film...then go to Mojo Bicycle Cafe swill a beer or two in between impromptu photo shots...then on to Dino's on Fillmore for food.

Rb67 127kl lens

Home developed XTOL

mamiya rb67 180kl lens provia100f

Taken with the YashicaMat 124G and Kodak Ektar 100.

 

The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z

A Koni-Omega Rapid M used a 90mm Hexanon f3.5, and was popular among crime-scene and police photographers back in the old days. Shot both 120 and 220 film. I also used the "Rapid" version when I was a biomedical photographer back in the 1970s.

Mamiya 645AF

Mamiya 80/2.8AF

Tri- X 400 @ 1600

www.jarlvanhoother.com

Ensign "ALL-DISTANCE" camera made in England by the Houghton Butcher Manufacturing Company Ltd London, dates from 1929 AFAIK.

Meniscus lens, just one shutter speed approx. 1/30 sec, 3 sliding set apertures that approximate f/11, f/16 and f/22.

Shutter does not cock, it is sprung and has flip-flop type operation.

There are tripod sockets for P and L formats.

This camera has 4 patents listed on the frame:

Patent 27103 1926, which refers to the ingenious frame counter / film flattening device.

Patents 248274, 270823 and 271186, I can't trace, but at a guess, may refer to the extending lens, the hinged box design, maybe the waist level portrait and landscape finders, or possibly the sprung roller tensioners. Any help with these patent numbers would be much appreciated.

The original price of 12/- (12 shillings) is marked inside, as well as a label which says "To Obtain the Best Results with this Camera ask for - 2 1/4B ENSIGN Speedy FILM".

 

This is an astonishingly clever mechanism, a true design classic.

 

Bought in a market in Dublin, together with canvas case, which is inscribed:

W Montgomery

Union Rd

Blackburn

 

Sauvie Island Pumpkin Patch

Portland, Oregon

October 2014

Kiev60 +mir26b 45mm/3.5 lomography100 film

Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* Meter: Minolta Auto Meter VF. Film: Ultrafine Extreme 400. Developer: Kodak D76 1:1 14mins. Digital conversion: Epson V550 scanner and Lightroom 6.

Copyright 2015 Hilde Heyvaert.

All rights reserved.

No unauthorized use, reproduction or distribution without prior permission.

Lens: Pentax 105 mm 2.4

Aperture: f22 @ 1/4 sec.

Film: Ilford Pan F Plus, ISO 125.

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