View allAll Photos Tagged mediumformatcamera

#Kiev60 #zodiak8b #tmax400 #6x6 #fisheye #mediumformatcamera

Land's End

 

[Start 66 + Cinestill 50d]

#filmisnotdead #filmphotography #staybrokeshootfilm #analogphotography #instantfilm #fujifp300b #fp3000b #blackandwhiteinstant #mamiya67 #mediumformatcamera

Салют-C = Salyut-S, means Salute

Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.

Model: 1980, (produced between 1972-1980, quantity 30.000)

Medium format SLR film camera, film 120 roll, picture size 6x6cm

Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),

semi-automatic, interchangeable, filter thread 58mm, serial no.801181

Aperture: f/2.8 - f/22, setting ring and scale on the lens

Focus range: 0.6 - 10m, +inf.

Focusing: Fresnel ground glass screen, via the ring and scale on the lens

Lens relese: a button on left front side of the camera

** The shutter must be released before changing lenses to prevent damage to the lens

Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B

setting: combined with cocking knob, push-out and turn the knob clockwise only

** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly

Cocking knob: also winds the film, on the right side of the camera

** When cocking and film winding there are some odd noises, this is normal

Shutter release: a knob on the right front side of the camera, w/ cable release socket

Frame counter: advance type, auto reset, small window, on the right side of the Film magazine

Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter

Viewfinder: Waist level finder w/ a magnifying loop, interchangable

Mirror: not instant-return

Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30

Exposure meter: none

Memory dial: a lid, on the back side of the film magazine

Red window: for checking the film advance, under the memory dial

Back cover: as a Film magazine, interchangable,

Dark-slide: metallic, the slot is on the left side of the camera

**Dark-slide must be removed for cocking the shutter

**Dark-slide must be in its place for removing of the film magazine

Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;

**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine

** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only

Re-winding: by winding knob, pull-out and turn

Tripod sockets: two, old type 3/8'', on the bottom of the camera

Strap buttons

Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)

+ LENS

Manufactured by Carl Zeiss Jena, Dresden, former East Germany

Model: produced between 1967-70

aus Jena S (Sonnar) 180mm f/2.8

aperture: f/2.8-f/32

focus range: 1.7-40m +inf, w/DOF scale

serial no. 1262450

The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.

The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.

The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.

+original strap

First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.

Kiev-80 cameras are the export type of Salyut-S with a new name plate.

The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.

These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.

more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton

 

Another shot on my journey home. This, I feel, is extremely reflective on how airports actually feel. ;)

 

What I did, for the curious, is put a roll of 35mm film into my Lubitel, and then only advanced the film a tiny bit for each shot. If you've never worked with a medium format camera before, you don't advance it like a normal 35mm. You shoot, and then turn a knob until you reach the next frame. This can allow for an extremely free-wheeling process if you want it to, which I really enjoy.

Kiev60 #zodiak8b #fisheyelens #Kiev60 #toronto #pride

Camera: Pentacon Six

Film: Kodak Ektar 100

Camera: Agfa Isola 1

Film: Kodak T-MAX 100 (120 mm)

 

Copyright 2015 Hilde Heyvaert.

All rights reserved.

No unauthorized use, reproduction or distribution without prior permission.

 

Салют-C = Salyut-S, means Salute

Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.

Model: 1980, (produced between 1972-1980, quantity 30.000)

Medium format SLR film camera, film 120 roll, picture size 6x6cm

Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),

semi-automatic, interchangeable, filter thread 58mm, serial no.801181

Aperture: f/2.8 - f/22, setting ring and scale on the lens

Focus range: 0.6 - 10m, +inf.

Focusing: Fresnel ground glass screen, via the ring and scale on the lens

Lens relese: a button on left front side of the camera

** The shutter must be released before changing lenses to prevent damage to the lens

Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B

setting: combined with cocking knob, push-out and turn the knob clockwise only

** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly

Cocking knob: also winds the film, on the right side of the camera

** When cocking and film winding there are some odd noises, this is normal

Shutter release: a knob on the right front side of the camera, w/ cable release socket

Frame counter: advance type, auto reset, small window, on the right side of the Film magazine

Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter

Viewfinder: Waist level finder w/ a magnifying loop, interchangable

Mirror: not instant-return

Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30

Exposure meter: none

Memory dial: a lid, on the back side of the film magazine

Red window: for checking the film advance, under the memory dial

Back cover: as a Film magazine, interchangable,

Dark-slide: metallic, the slot is on the left side of the camera

**Dark-slide must be removed for cocking the shutter

**Dark-slide must be in its place for removing of the film magazine

Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;

**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine

** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only

Re-winding: by winding knob, pull-out and turn

Tripod sockets: two, old type 3/8'', on the bottom of the camera

Strap buttons

Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)

+ LENS

Manufactured by Carl Zeiss Jena, Dresden, former East Germany

Model: produced between 1967-70

aus Jena S (Sonnar) 180mm f/2.8

aperture: f/2.8-f/32

focus range: 1.7-40m +inf, w/DOF scale

serial no. 1262450

The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.

The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.

The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.

+original strap

First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.

Kiev-80 cameras are the export type of Salyut-S with a new name plate.

The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.

These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.

more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton

 

As I mentioned before, in August 2011 I visited my friend and photographer Tyler in Seattle. He was kind enough to provide me with a tour of nearby National Parks, which he documented quite well over the last few years since he moved into the area.

 

One day, I'll tell you a sad story about a very nice sunrise at Mount Rainier, but this story, far less sad, begins later that same day.

 

After breakfast at Rainier, we broke camp and took a few hours drive west to a quaint little town of Forks, WA, made famous by some teenage vampire novels you may have heard of. We stopped at a few places along the way and took some photos, but the main goal was to get to the Second Beach, a secluded place on the western side of the Olympic peninsula, in time for the sunset.

 

And we did, or so we thought. The First, Second and Third beaches are adjacent lagoons, each with its own trail leading back to the main road to La Push, WA. But, since it was an afternoon of a long day when we drove by, we didn't realize we took the trail for the Third beach until we hit the sand, a mile or so later.

 

Which was just as well, because it was a perfectly lovely place, and the dying light of the day provided great back lighting to the distant sea stacks. I started a new roll of Fuji Velvia film with two sunset shots, of which I prefer this one, with more dramatic clouds and nice reflection in the water. I wish I had a longer lens than the normal 80mm on my Mamiya 7 medium format camera, or that I were closer to the distant sea stacks, but it still ended up being a very nice photo.

 

Although remote, Olympic National Park is well worth the trip - in this post, I didn't even mention the central part of the park with rainforests, river valleys and dramatic waterfalls, like the Sol Duc Falls. By the time we got back to civilization, the weather cleared up very nicely. As a bonus from the visit, during our stop at a Starbucks I ended up picking up Hugh Laurie's excellent CD "Let Them Talk", which I like almost as much as these photos.

Copyright 2017 Hilde Heyvaert.

All rights reserved.

No unauthorized use, reproduction or distribution without prior permission.

Zeiss Ikon Nettar 518, German folding medium format camera manufactured by Zeiss Ikon Stuttgart.

This model is manufacturated probably after 1949.

Lens: Novar-Anastigmat 1:6.3 f = 75mm.

Vario shutter speeds: B, 1/25, 1/75s, 1/200s

I see some medium format pictures here on Flickr with the film border, I see others without... I'm still not sure of what I like more, what do you think?

 

Borken, Germany.

Camera test: Zeiss Ikon Simplex 511/2 (6x9)

Kodak Portra 160VC | f/16 | 1/100

 

My personal website www.lucemozioni.com

 

My new photobook, Some days in Copenhagen

 

My photobook, United States Coast to Coast

 

Fabrizio Zago

© All rights reserved

I need to clean these old images up a bit but I guess this gives you the idea

Mamiya 645 Pro TL

Mamiya 45 ƒ/2.8 N

Fuji 400H

The Find Lab

 

Andrew H Wagner (C)2018. All Rights Reserved.

www.andrewhwagner.com

 

Facebook | Twitter | Instagram | 500px

Pentax 6x7 loaded with Kodak Gold 200 medium format film shot at box speed. November 18th 2022. Fairland, OK

Medium format camera with 35mm film

 

Kiev-60

Fujicolor C200

Mir-26B 45mm f3.5

   

Camera - Mamiya 645 Pro TL

Lens - Sekor 80mm f/2.8

Film - Ektar 100 and Portra 400

A vintage Rolleiflex 2.8.

Pentax 6x7 loaded with ilford HP5 400 pushed 1 stop to 800 medium format film, Colorado Road Trip June 2022

m645AF + Sekor C- 80/1.9

Fuji 400 PN

Camera: Agfa Click 1

Film: Lomography color negative 400 (120 mm)

 

Copyright 2015 Hilde Heyvaert.

All rights reserved.

No unauthorized use, reproduction or distribution without prior permission.

 

Hasselblad 501C

Carl Zeiss Planar 80mm f2.8

Lomography 400

Chance shot with a Holga 120N ("Pretty in Pink" model) using medium format Portra 400 film. This shot will be "favored" by Colton Allen AKA Daiku_San (Fancy Lad).

Mamiya 645 Pro TL

Mamiya 45 ƒ/2.8 N

Fuji 400H

The Find Lab

 

Andrew H Wagner (C)2018. All Rights Reserved.

www.andrewhwagner.com

 

Facebook | Twitter | Instagram | 500px

Салют-C = Salyut-S, means Salute

Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.

Model: 1980, (produced between 1972-1980, quantity 30.000)

Medium format SLR film camera, film 120 roll, picture size 6x6cm

Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),

semi-automatic, interchangeable, filter thread 58mm, serial no.801181

Aperture: f/2.8 - f/22, setting ring and scale on the lens

Focus range: 0.6 - 10m, +inf.

Focusing: Fresnel ground glass screen, via the ring and scale on the lens

Lens relese: a button on left front side of the camera

** The shutter must be released before changing lenses to prevent damage to the lens

Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B

setting: combined with cocking knob, push-out and turn the knob clockwise only

** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly

Cocking knob: also winds the film, on the right side of the camera

** When cocking and film winding there are some odd noises, this is normal

Shutter release: a knob on the right front side of the camera, w/ cable release socket

Frame counter: advance type, auto reset, small window, on the right side of the Film magazine

Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter

Viewfinder: Waist level finder w/ a magnifying loop, interchangable

Mirror: not instant-return

Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30

Exposure meter: none

Memory dial: a lid, on the back side of the film magazine

Red window: for checking the film advance, under the memory dial

Back cover: as a Film magazine, interchangable,

Dark-slide: metallic, the slot is on the left side of the camera

**Dark-slide must be removed for cocking the shutter

**Dark-slide must be in its place for removing of the film magazine

Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;

**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine

** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only

Re-winding: by winding knob, pull-out and turn

Tripod sockets: two, old type 3/8'', on the bottom of the camera

Strap buttons

Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)

+ LENS

Manufactured by Carl Zeiss Jena, Dresden, former East Germany

Model: produced between 1967-70

aus Jena S (Sonnar) 180mm f/2.8

aperture: f/2.8-f/32

focus range: 1.7-40m +inf, w/DOF scale

serial no. 1262450

The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.

The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.

The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.

+original strap

First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.

Kiev-80 cameras are the export type of Salyut-S with a new name plate.

The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.

These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.

more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton

 

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

Shot with medium format Tri X film and Yashica Mat 124G.

Herreninsel, Prien am Chiemsee (Germany)

 

Taken with a Zeiss Ikon Nettar 517/16

Kodak T-Max 100

f/16 - 1/100 seconds - yellow filter

 

My personal website www.lucemozioni.com

 

My new photobook, Some days in Copenhagen

 

My photobook, United States Coast to Coast

 

Fabrizio Zago

© All rights reserved

Rb67 Rollei 80s film 150mm soft focus lens no disc wide open

Olympus Chrome Six RII B & III B

Fotobox MOM, Hungarian medium format, box type camera, produced by MOM (Magyar Optikai Muvek) Budapest, use 120 roll film.

Lens: Achromat 1:7,7/75

Shutter speed: B, 1/25s, 1/50s, 1/100s

 

Beach Pictures Series

1/1600sec f4 ISO200 PENTAX645D

CARLZEISS TELE-TESSAR F350mm f4

Mount Adapter Rayqual

 

Test of hasselblad for Tele-Tessar F350mm f4 attached to Pentax645D.

ヘリコイドグリスが絞りにまわってしまい、故障していた350mmが戻ってきた。高画素故か、ウィンカーのレンズにモアレが殆ど見えない。メーカーでの評価が低いレンズと聞くが、大好きなレンズ。

Салют-C = Salyut-S, means Salute

Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.

Model: 1980, (produced between 1972-1980, quantity 30.000)

Medium format SLR film camera, film 120 roll, picture size 6x6cm

Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),

semi-automatic, interchangeable, filter thread 58mm, serial no.801181

Aperture: f/2.8 - f/22, setting ring and scale on the lens

Focus range: 0.6 - 10m, +inf.

Focusing: Fresnel ground glass screen, via the ring and scale on the lens

Lens relese: a button on left front side of the camera

** The shutter must be released before changing lenses to prevent damage to the lens

Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B

setting: combined with cocking knob, push-out and turn the knob clockwise only

** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly

Cocking knob: also winds the film, on the right side of the camera

** When cocking and film winding there are some odd noises, this is normal

Shutter release: a knob on the right front side of the camera, w/ cable release socket

Frame counter: advance type, auto reset, small window, on the right side of the Film magazine

Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter

Viewfinder: Waist level finder w/ a magnifying loop, interchangable

Mirror: not instant-return

Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30

Exposure meter: none

Memory dial: a lid, on the back side of the film magazine

Red window: for checking the film advance, under the memory dial

Back cover: as a Film magazine, interchangable,

Dark-slide: metallic, the slot is on the left side of the camera

**Dark-slide must be removed for cocking the shutter

**Dark-slide must be in its place for removing of the film magazine

Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;

**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine

** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only

Re-winding: by winding knob, pull-out and turn

Tripod sockets: two, old type 3/8'', on the bottom of the camera

Strap buttons

Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)

+ LENS

Manufactured by Carl Zeiss Jena, Dresden, former East Germany

Model: produced between 1967-70

aus Jena S (Sonnar) 180mm f/2.8

aperture: f/2.8-f/32

focus range: 1.7-40m +inf, w/DOF scale

serial no. 1262450

The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.

The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.

The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.

+original strap

First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.

Kiev-80 cameras are the export type of Salyut-S with a new name plate.

The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.

These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.

more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton

 

Sorry no self portrait tonight. Lightroom is chugging away at a massive backup (been doing 3 hours now) and looks like it will finish while I sleep. :)

 

Instead, I bring you another sprocket photo. I think this is going to be a common theme with my Lubitel photos, too-- double exposures! It's just too easy to do. and by "too easy" I do not mean "simple for the neat effect", I mean "Be careful or you'll double expose that!" The camera, just by the way it works, does not care if you take several exposures before winding because it does not track where on the roll of film you are.

 

Anyway. I love this caution tape. I love the light leaks. I love the weird colour. Just all of it. I love it. I may make it into a poster for my office. It's available as a print, if you want one for your office too. :)

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