View allAll Photos Tagged mediumformatcamera
Brookwood Cemetery
Pentacon six, Flektogon 50mm 1:4 and expired ( 1970's) Kodak Tri-X, rated this at 100 iso and developed in Rodinal 1 + 100 for 1 hour.
plastic lens, color flash (blue/yellow/red/white). uses 120 film.
pictures i've taken with this camera: www.flickr.com/photos/redkiwiphotography/sets/72157624957...
Салют-C = Salyut-S, means Salute
Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.
Model: 1980, (produced between 1972-1980, quantity 30.000)
Medium format SLR film camera, film 120 roll, picture size 6x6cm
Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),
semi-automatic, interchangeable, filter thread 58mm, serial no.801181
Aperture: f/2.8 - f/22, setting ring and scale on the lens
Focus range: 0.6 - 10m, +inf.
Focusing: Fresnel ground glass screen, via the ring and scale on the lens
Lens relese: a button on left front side of the camera
** The shutter must be released before changing lenses to prevent damage to the lens
Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B
setting: combined with cocking knob, push-out and turn the knob clockwise only
** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly
Cocking knob: also winds the film, on the right side of the camera
** When cocking and film winding there are some odd noises, this is normal
Shutter release: a knob on the right front side of the camera, w/ cable release socket
Frame counter: advance type, auto reset, small window, on the right side of the Film magazine
Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter
Viewfinder: Waist level finder w/ a magnifying loop, interchangable
Mirror: not instant-return
Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30
Exposure meter: none
Memory dial: a lid, on the back side of the film magazine
Red window: for checking the film advance, under the memory dial
Back cover: as a Film magazine, interchangable,
Dark-slide: metallic, the slot is on the left side of the camera
**Dark-slide must be removed for cocking the shutter
**Dark-slide must be in its place for removing of the film magazine
Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;
**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine
** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only
Re-winding: by winding knob, pull-out and turn
Tripod sockets: two, old type 3/8'', on the bottom of the camera
Strap buttons
Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)
+ LENS
Manufactured by Carl Zeiss Jena, Dresden, former East Germany
Model: produced between 1967-70
aus Jena S (Sonnar) 180mm f/2.8
aperture: f/2.8-f/32
focus range: 1.7-40m +inf, w/DOF scale
serial no. 1262450
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.
The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.
+original strap
First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.
Kiev-80 cameras are the export type of Salyut-S with a new name plate.
The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.
These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.
more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton
Agfa Apx 100 (expired)
Agfa Rodinal R09 1+50
Mamiya m645
Mamiya sekor c 80mm f/1.9
Immediately after returning from my trip to Paris/ London I started thinking about shooting other formats than solely 645. I have grown pretty accustomed to the 6 by 4,5cmformat (which I really love by the way), but I thought that it would be a great challenge to explore the larger 6 by 7cm format. So I started digging into the Mamiya 67 camera's. Soon I discovered that I preferred the electronic version (RZ67) over the mechanic version (RB67).
A few weeks ago I found and bought a great set, which is in excellent condition. Apart from the RZ67 body it contained a 120 film back, a waist level finder, ae prism finder, electric winder, the sekor Z 50mm f/4.5 and the sekor Z 180mm f/4.5. So, the set is pretty much complete! The only thing that I'd like to have now is a 110mm f/2.8 lens.
Now I have learn how to use and handle this beast. Unfortunately I haven't had much time to use it and the first roll was not entirely flawless... The camera is bulky and heavy, making it challenging to use without a tripod!
The first results are slowly rolling in, so stay tuned for more!
And thus begins my foray into Medium format photography. All new 6x6 Photos from the Bronica coming soon...
This is the "Kodak Tourist", It is a folding-type camera produced by Kodak from 1951 to 1958 as part of their Tourist line of folding cameras. The Tourist was one of the last folding cameras Kodak produced. There was even a 828 version released called the "Tourist II".
Click here to see a PDF of the manual for the Kodak Tourist:
Rocks at Petra.
Shot with Fuji GSW690III on Kodak Portra 400, developed and scanned at Laboriver. Shot in November 2022 in Petra, Jordan.
#analogphotography #filmphotography #kodak #kodakportra400 #fujifilmphotography #fujigsw #6x9 #mediumformat #mediumformatphotography #mediumformatfilm #mediumformatcamera #analog #petra #jordan
Fuji GSW690III, Kodak Portra 160, developed and scanned at Laboriver. Shot in November 2022 in Petra, Jordan - at the so-called Monastery building. It was pretty difficult to get a shot without any tourists, even though it was 6 pm and the Petra archaeological park was almost closed.
#analogphotography #filmphotography #kodak #kodakportra160 #fujifilmphotography #fujigsw #6x9 #mediumformat #mediumformatphotography #mediumformatfilm #mediumformatcamera #analog #petra #jordan
Just purchased this Graflex 'Baby' Century Graphic (2 1/4 x 3 1/4), pictured here. It has a Wollensak 101mm f/4.5 lens. Got it with two roll film backs, 6x6 and 6x9. Been using the 6x9 for taking the first few pictures, several of which are posted here in my photostream following this one.
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Lens: SMC Pentax 75mm
Film: Kodak T-Max 100
ISO: 100
Aperture: f/8
Shutter: 1/125 Sec
Here's a Kodak Chevron from 1953-56. Rather distinctive looking medium format (620 film) RF camera presumably by Kodak designer Arthur Crapsey who also designed the very similar looking Kodak Signet. Nice huh? Oh, and it's not mine. Dang.
Hasselblad 500C with Zeiss Distagon 50, 120 roll back (12), chimney finder, MeFoto RoadTrip tripod
See a photo taken during the pictured shoot with this camera here:
Mamiya 645 Pro TL
Mamiya 45 ƒ/2.8 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Subject: Jaegers of the Russian Imperial Army during the Napoleonic Wars. Early 19th century.
Moscow festival of historical reconstruction "Times and Epochs". Mitino Landscape Park. Summer of 2024.
Fujicolor PRO 400H (expired) +Pentax 67+ SMC Pentax 165/2.8 (Cropped)
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Ektar 100 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
An Agfa Isolette III medium format folding camera. This camera takes 6x6 negatives on 120 film. It has an uncoupled rangefinder, a Prontor SV shutter and an Apotar 85 4.5 lens. The Isolette III with apotar lens was made in 1954.
I finally developed and scanned these back from my shoot in February! Medium format is just my absolute favorite, and I can't wait until I shoot this wedding in a few months so I can buy another Hasselblad. The last one didn't survive the sand :[ </3
120 Film - Hasselblad
Model: Jessica Rangel
Photography/Costume/Props/MUA: Nico Nordström
Make up/Assistance: Audrey Starks
Props/Assistance: Michael McBride
Travel/Assistance: Decker Derdeyn
I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
I am tired of planning and toiling
In the crowded hives of men;
Heart-weary of building and spoiling,
And spoiling and building again.
And I long for the dear old river,
Where I dreamed my youth away;
For a dreamer lives forever,
And a toiler dies in a day..................
- O'Reilly
.
Goodness! you hypocrite, come out of that,
Live your life, do your work, then take your hat.
I have no patience towards
Such conscientious cowards.
Give me simple laboring folk,
Who love their work,
Whose virtue is song
To cheer God along..................
- Thoreau
.
.
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where Amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye Amaranths ! bloom for whom ye may,
For me ye bloom not ! Glide, rich streams, away !
With lips unbrightened, wreathless brow, I stroll :
And would you learn the spells that drowse my soul ?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
- Coleridge
Nous fîmes escale dans le charmant village de Faucogney, chez les Cathoz.
Ce village doit son charme idyllique aux montagnes qui l'entourent mais aussi et surtout à sa population éclectique.
Artistes et artisans, français, allemands et suisses, petits et grands se côtoient et font de Faucogney un lieu apaisant, plein d'histoires.