View allAll Photos Tagged mediumformatcamera
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow (#8) Film: Kodak Tri-X 400 at 800. Developer: Kodak D76 1:1 12 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
My Mamiya 6 MF system fits into the previous generation Crumpler "Four Million Dollar Home" like it was designed for it! This includes all three lenses, hoods and film.
31st January, 2021
Hasselblad 501CM
Distagon 50mm f4 FLE
Kodak Portra 400
f4, 1/60
Scanned by local lab
Some adjustment with PSE
I would have loved to take the photo properly with a tripod but I forgot to pack it on our little trip to Mount Field National Park.
So I had to do my best and had to set the lens to the widest aperture, handhold the camera and shoot at 1/60 seconds.
Fortunately, the shutter and hand shakes weren't too bad and I think the photo came out okay.
Voigtlander Bessa 6x9 produced 1937. It's a medium format folder that uses 120 Film to produce 8 6x9 negatives, 16 if using the 6x4.5 mask. This unit sports a Compur shutter with Voigtar lens. Got lucky with this unit with an almost good as new condition but unfortunately no 645 mask.
The Bessa 6×9 has some clever engineering touches: a door-mounted shutter release lever that retracts when the camera is closed; a self-closing pop-up Albada or sports finder with flip-up mask; and a sturdy spring-loaded release for the bellows, with a unique door-mounted sliding lever. The red windows have a spring-loaded cover opened by a twist knob on the back. That’s not all, without the 645 mask in place, turning the knob only reveals the window corresponding to the 6×9 size. When you put the mask in, a tab presses a button in the door upon closing, and it switches automatically to the 645 frame counting.
Colton and I went out in the rain and found this spot to shoot something that satisfied our needs and sheltered our cameras from the rain. This was the first I have shot with Ilford Delta 3200. I really like this film.
Medford Oregon overpass.
Zeiss Super Ikonta IV
Ilford Delta 3200 medium format film
aspen, colorado
november 1977
hunt breakfast
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
For a long time I wanted to use my 4x5 and 8x10 lenses on a smaller film format, specifically 6x9, with the ease of a focal plane shutter and enough bellows extension to focus. Finally yesterday I found the time to mount on the back of an old Burke and James 4x5 camera a 6x9 Graflex back I had banging around for the longest time.
Very pleased with this simple mod, also considering that this little Graflex focal plane shutter can reliably go all the way up to 1/600th of a second, and that is without stressing the tension excessively. Another positive note is that the B&J camera, with its 5x5 lens board accommodates larger lenses such as the 14"inch Verito, the Kodak Portrait (as pictured) or the 50cm Jena, giving me very interesting results on the smaller (6x9) film size.
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
Seen at a car show at the Reese Volunteer Fire Company's fairground recently. The '67 Barracuda was my very first Hot Wheels Red Line car, given to me as part of a Hot Wheels track set complete with a jump for Xmas 1970. My brother got the exact same set but his car was a different Spectraflame color. Mine was purple while his was an Aqua Blue. I've loved the '67 Cuda ever since. I still have my purple Cuda which I restored about 10 years ago to it's original SpectraFlame Purple. Harman Phoenix 200 (100 ISO), Rolleicord III
Dateline: North of El Dora, CO [in the rockies] on a cold day, circa 1993.
Camera: Mamiya C330f [6x6]
Film: Fujichrome 100
Hand tank processed, Kodak E6 hobby pack.
All loaded up for tomorrow's outing to Kaskaskia wildlife refuge in southern IL.
Bronica SQAi 120mm 6x6 backs + a 35mm back loaded with ADOX Scala 50.
The back in the middle has Kentmere PAN 100 [hard to read from the glare.
Doing all B&W this first Bronica session of 2024.
Rollei RPX 100 & 400
FomaPan 400
A new product. ALVANDI-HASSELBLAD H to Graflok adapter. It is for mounting all Hasselblad H backs to large format camera with Graflok system. Thanks to @maverick.christian from France. Thanks to @yazdanh.
www.mr-alvandi.com/products/ALVANDI-Hasselblad-H-to-Grafl...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
"Better Watch Out For That Squirrel!" - Secret Service Officer
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Kodak portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
The 'Veluwsche stoomtrein maatschappij' or VSM is a dutch heritage railway between Apeldoorn and Dieren. They collect, restore and operate a large collection of old steam- and diesel engine. Every first weekend of September they organize a large festival in which all active and/ or operable locomotives are used.
The weather was good and it seemed like a good and fun photo opportunity.
Terug naar toen: Digital, Kodak Ektar 100 and Kodak Portra 160
Kodak portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
The 'Veluwsche stoomtrein maatschappij' or VSM is a dutch heritage railway between Apeldoorn and Dieren. They collect, restore and operate a large collection of old steam- and diesel engine. Every first weekend of September they organize a large festival in which all active and/ or operable locomotives are used.
The weather was good and it seemed like a good and fun photo opportunity.
Terug naar toen: Digital, Kodak Ektar 100 and Kodak Portra 160
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab.
Andrew H Wagner (C)2018. All Rights Reserved.
Салют-C = Salyut-S, means Salute
Manufactured by Arsenal Factory, Kiev, Ukraine, USSR.
Model: 1980, (produced between 1972-1980, quantity 30.000)
Medium format SLR film camera, film 120 roll, picture size 6x6cm
Lens: Arsenal Vega-12 B 90mm f/2.8, Salyut B mount (Hasselblad type),
semi-automatic, interchangeable, filter thread 58mm, serial no.801181
Aperture: f/2.8 - f/22, setting ring and scale on the lens
Focus range: 0.6 - 10m, +inf.
Focusing: Fresnel ground glass screen, via the ring and scale on the lens
Lens relese: a button on left front side of the camera
** The shutter must be released before changing lenses to prevent damage to the lens
Shutter: horizontal focal plane metallic curtain, speeds: 30 -1 /1000, + B
setting: combined with cocking knob, push-out and turn the knob clockwise only
** When changing shutter speeds, to prevent damage to the shutter system, the shutter must be cocked firstly
Cocking knob: also winds the film, on the right side of the camera
** When cocking and film winding there are some odd noises, this is normal
Shutter release: a knob on the right front side of the camera, w/ cable release socket
Frame counter: advance type, auto reset, small window, on the right side of the Film magazine
Warning signal windows: for shutter cock/release, and film non exposed/exposed, red or white, two, on the magazine and on the body, in foremost of the counter
Viewfinder: Waist level finder w/ a magnifying loop, interchangable
Mirror: not instant-return
Flash PC socket: left side of the camera, w/ X and FP settings dial, synch. 1/30
Exposure meter: none
Memory dial: a lid, on the back side of the film magazine
Red window: for checking the film advance, under the memory dial
Back cover: as a Film magazine, interchangable,
Dark-slide: metallic, the slot is on the left side of the camera
**Dark-slide must be removed for cocking the shutter
**Dark-slide must be in its place for removing of the film magazine
Film loading: via a special sliding-off part from the Film magazine, removing by a pop-up semi-circle lever, on the left side of the magazine;
**Winding to the first frame: by turning the semi-circle pop-up lever right side of the film magazine
** Install the newly loaded film magazine when the shutter cocked and dark-slide in its place only
Re-winding: by winding knob, pull-out and turn
Tripod sockets: two, old type 3/8'', on the bottom of the camera
Strap buttons
Serial no. 8002892 (stamped on the back side of the body, first two digits of the serial number indicate the production year)
+ LENS
Manufactured by Carl Zeiss Jena, Dresden, former East Germany
Model: produced between 1967-70
aus Jena S (Sonnar) 180mm f/2.8
aperture: f/2.8-f/32
focus range: 1.7-40m +inf, w/DOF scale
serial no. 1262450
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. There was a trademark trial between Stuttgart and Dresden Carl Zeiss Jenas and finally Dresden left to use Carl Zeiss name.
The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
The lens names Biotar, Biometar, Sonnar, Tessar, Triotar were replaced by the letter B, Bm, S, T, Tr.
+original strap
First models of Salyut were probably the near copies of Hasselblad 1600. Salyut-S is the very modified model of the first Salyut.
Kiev-80 cameras are the export type of Salyut-S with a new name plate.
The Salyut was the first attempt by the Soviet camera industry to produce a sophisticated SLR medium format camera.. The Soviets claimed that both the Hasselblad and the Salyut were derived from a Nazi prototype, however none of these supposed forerunners have ever been seen so this origin is dubious.
These cameras were very expensive at 400 Rubles, which represented 6 months salary to the average Soviet citizen.
more info: Fotoua by Alexander Komarov, Communist cameras by Nathan Dayton, Matt Denton
Interesting sculpture. "The Unknown Bureaucrat" by Magnús Tómasson.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Porta 160 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Rivoli (Turin), Piedmont.
Taken with a Zeiss Ikon Nettar 517/16
My personal website www.lucemozioni.com
My new photobook, Some days in Copenhagen
My photobook, United States Coast to Coast
Fabrizio Zago
© All rights reserved
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
If you know what's wrong with this camera, please comment below.
Each photo focused on the center circle in the test chart.
Mirror was locked up before each shot.
Aperture left to right f/2.8, f/5.6 & f/16
Camera seems to be focusing behind the target. I suspect an issue with the registration distance to the focusing screen.
Film stock: Kodak Vision 2383 Color Cine Print Film
ISO: 3-6
Format: 135
Camera: Zenza Bronica EC 6x6 camera
Lens: Nikkor 75mm F2.8
Developer: Caffenol C-L (minus restrainer)
Time: 35 min @ 20 degC semi-stand