View allAll Photos Tagged mediumformatcamera
da'an, taiwan
bronica etr camera
zenza bronica zenzanon 40mm f/4 lens
kodak porta 160 processed to b&w with lightroom 6
Kiev 88, (1987 this model), medium format camera (120 roll film) produced by Kiev Arsenal
Standard lens: MC Volna-3 2.8/80mm
Shutter speed: B, 1/2s, 1/4s, 1/8s, 1/15s, 1/30s, 1/60s, 1/125s, 1/250s, 1/500s, 1/1000s
Puis nous attendîmes deux jours, avant de pouvoir surfer.
Réveil à 7h du matin, le jour ne s'étant toujours pas levé, c'était l'heure d'enfiler sa combinaison au chaud puis faire chauffer le café avant d'ouvrir la porte coulissante. Here we are !
This is the "Kodak No. 3A Autographic Model C". It s a large-format, folding camera produced by Kodak from 1916 to 1926, and was part of their "Autographic" line of cameras.
"3A" or 122 film was a large-format rollfilm introduced by Kodak in 1903. Sometimes called the "Postcard format", the frame size on the negative measured 3 1/4 by 5 1/2 inches (8.25 by 14 cm). Although rollfilm had been around since the 1880s, by 1900 there were some who still considered photographic plates to be superior. Plates were generally larger than most rollfilm formats available at the time (the larger the negative the better the image quality). Early rollfilms were prone to curling, and there were often problems with the emulsion which caused images to look dull and grainy. Also many photographers of the era saw rollfilm as being amateurish because unlike plates (which you developed yourself) rollfilm was sent away to be developed - thereby removing the photographer from the task of developing their photos. This meant anyone with little knowledge or experience with photography could take pictures. The large size of the 122 format was meant to entice photographers who were still using plates to switch to rollfilm.
Overall the camera itself is a fairly standard Kodak folding camera from the 1910s and 1920s. It is similar in design and has the same features as the No. 1A Autographic Kodak Junior.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to be a Franciscian church.
Lens: SMC Pentax 75mm
Aperture: f/22
Film: T-Max 100
The red dot is set on the exposure value (EV) and the shutter speed and aperture settings are locked. Common in those days. Change to different shutter speed and the aperture is changed to retain correct setting for that light value.
I was just finishing out the roll here, eager to see the results of my first roll of 35mm shot in a medium format camera. I should have been a little more patient because a few minutes later the sun was reflecting directly off the buildings making them appear to glow against the darkening sky.
A Zeiss Ikon Nettar camera i picked up off ebay a little while back. Still putting the first film through it.
Zeiss Ikon Nettar
Novar-Anastigmat Lens 1:4.5 f=75mm
Vario Shutter
Aperture: f4.5-22
Shutter: B, 25, 75, 200
Made in Germany, no idea when.
Shot using macro light box from Strobist.com, Nikon D90 using SB600 camera right TTL +0.7 (outside of the box) and a little daylight coming in from the left / top.
If you’re new to the world of photography, you might not have heard of Hasselblad nor seen the cameras that it makes. But Hasselblad has actually been around for more than a century; it was founded by Victor Hasselblad in 1941 and has been making medium-format cameras since then. The...
Nice addition to my camera collection. Fun to use! STROBIST INFO: Three Nikon Speedlights off camera at 9,6,3 o'clock triggered by Flashwave III's. Manual camera exposure and Nikon 55mm f2.8 Micro on D300
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
July, 2018.
Westminster, Maryland.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Ektar 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow (#8) Film: Kodak Tri-X 400 at 800. Developer: Kodak D76 1:1 12 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Cuireadh daoine i gcré na cille i i Machaire Gathlán den chéad uair sa bhliain 1765. Roimhe sin bhí ar an phobal na mairbh a iompar ar thuras cúig mhíle dhéag trasna chnoc Thaobh a' Leithid fhad le reilig Thulacha Beaglaoich in aice leis an Fhál Carrach. Tá sean-bhallóg le feiceáil sa reilig. Deirter gur teach pobail a bhí anseo a thóg ord na bProinsiasach.
The old cemetary in Machaire Gathlán, West Donegal, was first used as a burial ground in 1765. Prior to that, the dead had to be carried across the hill of Taobh a’ Leithid (visible in the far distance) to the graveyard at Tulach Beaglaoich beside the town of Falcarragh. This was a journey of some fifteen miles. The ruin in the graveyard is reputed to have been a Franciscian church.
Film: Kodak T-Max 100.