View allAll Photos Tagged mediumformatcamera
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
This is the "Anny F" camera. It is a simple, cheap plastic, medium format camera which is a clone of the classic Diana F.
Like the Diana, the body of the Anny is made entirely out of a thin, brittle plastic which gives the camera a very light but flimsy feel. The camera features a simple single element plastic lens, plastic advance knob, and a metal hot shoe for a flash attachment. The camera has an adjustable focus from 4ft to infinity, two shutters speeds ("Instant" and "Bulb"), and three selectable aperture settings for "sunny", "partly-sunny", and "overcast" conditions. The camera also uses standard 120 film and produces sixteen 6x4cm frames on the negative.
Like other Lomography cameras such as the Holga, the Anny F is also prone to light leaks and its low-quality plastic lens creates a soft focus in pictures with a noticeable vignetting around the edges.
I have not been able to find much information on this camera in regards to when it was made and its manufacturer. However, one website I found claims it was made in the mid-1960s and possibly by the Hoei Sangyo Y.K. Company of Japan.
Poolbeg Lighthouse, at the end of the Great South Wall, Dublin Bay.
Camera: Pentax 67ii (handheld)
Lens: SMC 75mm
Film: Fujifilm Provia 100 ISO
Björns trädgård. Taken with Zeiss-Ikon Super Ikonta III medium-format, 6x6, folding rangefinder camera, on Ilford HP5 Plus 400 film. Lens: Zeiss-Opton Tessar 75mm/3.5. Looks like focus is OK and no light leaks. Last time I used B&W film was in the 1970s!
Viewed from Fossil Bone Picnic Area. Taken with a plastic body, Lomo Lubitel 166 Universal TLR camera with F4.5, 75mm glass lens. Lomography Color Negative 100 ISO 120 format film was used in the camera.
Camera: Holga 120N
Film: Ilford XP2 400 120 Film
Location: Hirst Wood
Date: March 2024
Another tree that I snap a lot... gotta love a photogenic tree! 😊
I like how the Holga produces unexpected results like this. I think there was a ray of light cutting through the trees which created the contrast. I always get magical photos in this wood, it's special to me ♥
Shot in midday in a narrow alley between two buildings using a Zero Image pinhole camera and Ektar 100 medium format film. 40 second exposure with Colton (ghost image) advancing slowly towards camera during exposure. Colton's concept and idea :)
Salone dell'Auto di Torino - Parco del Valentino 2017
Pentax 67 + smc Pentax 67 Macro 135mm f4
Kodak Portra 400
Explore every one!
We only go down this road once you know. . .
Taken with a Holga medium format plastic camera and expired 15 year old Fuji 120 film.
The Kororoit creek weaves its way through Sunshine, with mixed environments around it. A high speed Bombardier regional train crosses the creek surrounded by a mixture of native vegetation and suburban houses. All bathed in fabulous early spring light.
This image is from my recent solo exhibition entitled, ‘The natural the constructed & the in-between’ opened on the 9th of February and ran until the 7th of March. It was exhibited at Sunshine Artspaces, 2 City Place Sunshine.
Mamiya C330, 6x6 film camera.
Taken with a Canon EOS 30D + 50mm f2.5 macro lens.
Great stuff these old camera's.
The only bad thing right now is that the shutterspeeds aren't correct anymore. 1 second is almost 3 seconds. So it needs to repair.
Does anyone knows if there's a service manual so I can do it by myself?
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow (#8) Film: Kodak Tri-X 400 at 800. Developer: Kodak D76 1:1 12 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
My Mamiya 6 MF system fits into the previous generation Crumpler "Four Million Dollar Home" like it was designed for it! This includes all three lenses, hoods and film.
31st January, 2021
Hasselblad 501CM
Distagon 50mm f4 FLE
Kodak Portra 400
f4, 1/60
Scanned by local lab
Some adjustment with PSE
I would have loved to take the photo properly with a tripod but I forgot to pack it on our little trip to Mount Field National Park.
So I had to do my best and had to set the lens to the widest aperture, handhold the camera and shoot at 1/60 seconds.
Fortunately, the shutter and hand shakes weren't too bad and I think the photo came out okay.
Voigtlander Bessa 6x9 produced 1937. It's a medium format folder that uses 120 Film to produce 8 6x9 negatives, 16 if using the 6x4.5 mask. This unit sports a Compur shutter with Voigtar lens. Got lucky with this unit with an almost good as new condition but unfortunately no 645 mask.
The Bessa 6×9 has some clever engineering touches: a door-mounted shutter release lever that retracts when the camera is closed; a self-closing pop-up Albada or sports finder with flip-up mask; and a sturdy spring-loaded release for the bellows, with a unique door-mounted sliding lever. The red windows have a spring-loaded cover opened by a twist knob on the back. That’s not all, without the 645 mask in place, turning the knob only reveals the window corresponding to the 6×9 size. When you put the mask in, a tab presses a button in the door upon closing, and it switches automatically to the 645 frame counting.
Colton and I went out in the rain and found this spot to shoot something that satisfied our needs and sheltered our cameras from the rain. This was the first I have shot with Ilford Delta 3200. I really like this film.
Medford Oregon overpass.
Zeiss Super Ikonta IV
Ilford Delta 3200 medium format film
aspen, colorado
november 1977
hunt breakfast
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
For a long time I wanted to use my 4x5 and 8x10 lenses on a smaller film format, specifically 6x9, with the ease of a focal plane shutter and enough bellows extension to focus. Finally yesterday I found the time to mount on the back of an old Burke and James 4x5 camera a 6x9 Graflex back I had banging around for the longest time.
Very pleased with this simple mod, also considering that this little Graflex focal plane shutter can reliably go all the way up to 1/600th of a second, and that is without stressing the tension excessively. Another positive note is that the B&J camera, with its 5x5 lens board accommodates larger lenses such as the 14"inch Verito, the Kodak Portrait (as pictured) or the 50cm Jena, giving me very interesting results on the smaller (6x9) film size.
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
Seen at a car show at the Reese Volunteer Fire Company's fairground recently. The '67 Barracuda was my very first Hot Wheels Red Line car, given to me as part of a Hot Wheels track set complete with a jump for Xmas 1970. My brother got the exact same set but his car was a different Spectraflame color. Mine was purple while his was an Aqua Blue. I've loved the '67 Cuda ever since. I still have my purple Cuda which I restored about 10 years ago to it's original SpectraFlame Purple. Harman Phoenix 200 (100 ISO), Rolleicord III