View allAll Photos Tagged mediumformatcamera
A picture of a huge camera via my camera. It is tucked away behind a fence at a museum.
Westminster, CA
Amtrak's Crescent to New Orleans is southbound on the #3 main passing the MARC station at Halethorpe, MD on the Northeast Corridor, April 22, 2024.
Cinestill 400D
Pentax 6X7
The leaves were starting to change...My favorite time of the year. View On Black
*This is a continuing cross country trip that was taken right after 9/11 a number of people have asked about our trip wanting to know where we stopped along the way, and what it was like driving across country at that time. The trip starts with the images taken of the World Trade center in simpler times. You might want to go back and check them out to understand the purpose of this trip. I the hope you enjoy the ride!
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Ektar 100 +2
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Iran, Karaj, Shahrestanak, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50 roll film.
www.mr-alvandi.com/gallery/color-photography/shahrestanak...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
The hands of time move very slowly in this remote
valley on the California/Nevada border.
In fact, for some they don’t move at all. . .
Taken with a Holga medium format toy camera.
Taken on our recent Death Valley adventure. After the mines shut down a century ago, the burros who worked the mines were set free and their descendants roam the desert to this day wherever a natural spring can be found
Taken with a Holga plastic camera and film that expired in 2001. Nothing captures the strangeness and solitude of the desert like a Holga toy camera. It uses medium format 120 film, yet its imperfections and flaws can create a ghostly and unpredictable image.
miaoli, taiwan
bronica etr camera
zenza bronica zenzanon 40mm f/4 lens
ilford delta 100 film - expired may 2015 (220 film back)
Patapsco Valley State Park, Maryland. September, 2017.
Mamiya 645 Pro TL
Mamiya 80mm ƒ/1.9
Fujifilm Acros 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400 C 120mm
Taken in Chipping Norton and South London.
Patapsco Valley State Park, Maryland. September, 2017.
Mamiya 645 Pro TL
Mamiya 80mm ƒ/1.9
Fujifilm Acros 100
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
An abandoned winch at the Miners' Village.
More information: www.glendaloughmines.com/
Film: Ilford Pan F Plus, ISO 125.
Södermalm, Stockholm, Sweden. Zeiss-Ikon Super Ikonta III (Zeiss-Ikon model # 531/16) folding coupled rangefinder medium-format (6x6) camera from mid-1950s, with Zeiss-Opton Tessar 75mm/3.5 lens, on Ilford HP5 Plus 400 film. The 531/16 was among Zeiss-Ikon's last in their deluxe medium-format folder series.
Iran, Panoral 617 camera, Schneider Super Angulon 90/5.6, Schneider IIIC center filter, Fujicolor Superia 100, 120 color negative 6x17 roll film
www.mr-alvandi.com/gallery/panorama/lavizan-024.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
I've been looking through my archive of film shot in 2025 and decided to post some that haven't been uploaded before.
This image was shot on Lomo CN800, which I have to admit, is not my favourite film stock.
Shot in Feb2025, 3rd attempt at digitising (Jan2026)
Film stock: Lomography Color Negative 800
ISO: 800 (shot @ ISO400)
Format: 120
Aspect: 6x4.5 (rare film back for this model Bronica)
Camera: Bronica ECTL
Lens: Nikkor-P 200mm F4
Digitised: Camera Scan
Developer: C41 @ Sydney Super8 Photo Lab
Chatswood, Sydney, NSW, Australia. June 2019.
Fomapan 400 pushed 2 stops. Cinestill DF96 monobath developer.
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/60s f/2.8.
Alvandi-Hasselblad SWC ground glass adapter on Hasselblad 500 C/M
www.mr-alvandi.com/products/hasslblad-swc-groundglass-ada...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
A sodden path wound its way through the wet woodland, each step squelching in the saturated earth. Late autumn had stripped the trees bare, their skeletal branches reaching out like gnarled fingers against the heavy grey stormy clouds overhead. The sky loomed low, a blanket of oppressive steel, casting a muted, monochrome palette over the entire scene. Raindrops hammered the ground, creating ripples in puddles that mirrored the dark, tumultuous heavens.
Leaves, now brown and brittle, lay scattered and sodden, crunching softly underfoot. The air was thick with the scent of damp moss and decaying foliage, each breath heavy and cold. Tall ferns and slender birches stood sentinel along the path, their trunks slick with rain, shadows deepened by the lack of vibrant color. Mist clung to the ground, swirling around tree roots and obscuring the distance, giving the forest an ethereal, almost otherworldly feel.
Branches swayed and creaked in the persistent wind, their movements silent in the grayscale world. Occasionally, a lone bird flitted through the gloom, its silhouette stark against the overcast sky. The path seemed endless, a solitary journey through a serene yet somber landscape, where every sound and shadow was amplified in the quiet embrace of the monochrome woodland.
Amtrak train #20, the northbound Crescent speeds up the #2 main through the MARC station at Halethorpe, MD on June 3, 2024.
Ilford Delta 400 rated at 1600, developed in Xtol (stock)
Pentax 6X7, SMC Takumar 105mm f2.4 lens
An Estate Sale find from this Summer. I have a small collection of Argus cameras and this is one of my favorites. It is hard to believe that I was able to acquire this beauty for $10 with the original case. It also had an exposed roll of Kodak color film in it so I developed it after I got the camera home. There was one viewable image on the roll which I've included here. It is hard to say for sure but this is either a young lady getting ready for a Sadie Hawkins dance or possibly a Halloween getup. I was able to make contact with the seller a few days after I acquired the camera and he informed me that he bought the camera at an auction and had no idea who the young lady might be. I really like developing found film and I've gotten some interesting images from the 20 or so rolls I've developed since I've started collecting vintage film cameras. This particular camera is in amazing condition and is fully functional.
Part of Open House New York (OHNY) where on a weekend once a year many beautiful architectures and spaces normally not open to public are open for people to see.
And luckily this year again the TWA Flight Center at the JFK airport is open to public.
This is truly one of my favorite building in NYC. Designed by architect Eero Saarinen, opened in 1962. A survivor from the "Jet Age" and was made a National Register of Historic Places in 2005. I'm glade they preserve this beauty.
I've missed this one since I've learned about it for the past two years. Luckily I made it this year. I've heard that this could be the last time it opened for public view before it will close and transform it in to hotel with restaurants and etc.close and transform it in to hotel with restaurants and etc.
I decided to take the pictures the old fashion way and bought along my vintage 1973 Hasselblad 500C/M, with late '60s to early '70s 50mm, 80mm and 150mm Hasselblad chrome lenses. Luckily tripod was allowed so with my 500C/M mounted on it I walked around and enjoyed the beautiful space inside. Although I have to say that it was not easy taking pictures with my Hasselblad set up because there were so many people there, still I had fun and got stop by a few people because of the 500C/M one guy asked me if his son could take picture of him next to the Hasselblad, of course I said yes. Funny, I had my DSLR with me that day with wide zoom but I didn't use it at all!
The place was packed and the downside of this is that people were everywhere blocking many parts of the building. But it was good to see so many people interested in this beautiful place. I hope I will make it to another place next year's New York Open House.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 4.
Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/2.8 CF, Fuji Velvia 50 slide 120 roll film
www.mr-alvandi.com/gallery/color-photography/karaj-009.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
For Project 52: 2016, Week #13: Time
Kodak made a lovely lineup of Brownie cameras. These are some of them in order of year introduced to end of production:
Brownie Target Six-20: 1946-1952
Brownie Hawkeye (non-flash): 1949-1961
Brownie 127: 1952-1959
Brownie Holiday: 1953-1962
Brownie Reflex 20: 1959-1966
For more info on Brownie cameras: www.brownie-camera.com/
in a place where it seems no solution for all circumstances, always remember there is a Hope planted and ready to grow for you.
Yashica D | Fuji Velvia 50 | De La Salle University Dasmarinas |
Iran, Karaj, Shahrestanak, Hasselblad 500 C/M, Carl Zeiss Sonnar 180/f4 CF, Fuji Velvia 50 slide 120 roll film
www.mr-alvandi.com/gallery/color-photography/shahrestanak...
My Telegram channel: telegram.me/mreza_alvandi
My Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50
www.mr-alvandi.com/gallery/color-photography/firuzkuh-005...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
Iran, Gilan, Panoral 617 camera, Schneider Super Angulon 90/5.6, Fuji Velvia 50, 6x17 roll film.
www.mr-alvandi.com/gallery/panorama/gilan-002.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.
Shot on the Mamiya 7 mk2 using Kodak Ektar 100 color film. Not to be used or blogged without my permission. Picture a world with no fossil fuels, clean energy, promoting health and well being to our families.