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Shot with a Hasselblad CM with 80mm lens on Ilford HP5.

test rolls from the hasselblad

quiet amy

hallway

Claremore, Oklahoma.

Shot with my Yashica Mat 124G on Ilford 100 Delta Pro film in 2008.

I didn't upload this before because look how weird the negative scan the lab gave me looks, in the sky area.

Hasselblad_500cm - Fujicolor Pro 160NS - Kit Tetenal C41 - Epson V500

[Mamiya RB67]: Cou 。阿里山邹族

Mamiya RB67 Pro S

Sekor 90mm f/3.5 K/L

Mamiyaflex C2

Kodak Portra 160

Developed with the C-41Kit from Argentix.ca

Digitized with an Olympus OM-D EM-5 and 60mm macro

Fuji GS645S

Dawlish Warren

120

"The bluest sky is infinitely high and crystal clear"

-Takatsuki Gentatsu, Rurouni Kenshin: Ishin shishi e no Requiem

Pentax 67 with Rachel

Camera: Mamiya RB67

Lens: 90mm

Film: Kodak Ektar 100

[Mamiya RB67]：Blossom in the mist 。雾里看花

Holga 120N, 120 Lomography Redscale XR 50-200. 31 July 2011.

September 12, 2010.

Shot with Fuji GW690III on Shanghai GP3 100 film, expired January, 2010. Developed in Calbe R09 ("Rodinal" clone), 1+125 solution, for 1 hour, 20 seconds water rinse and 6 minutes fix. – View at least large.

The Union Pacific Dining Hall is a very large and well proportioned building. It's hard to appreciate the scale until you realize that it is possible to park a Chevy Suburban, sideways in the fireplace inside the hall.

Early rail visitors disembarked here and entered for a mid day meal. It easily seats 300. This rail terminus was abandoned by the Union Pacific Railroad in the mid 60's and the entire railroad terminus was deeded to West Yellowstone in 1966.

It's undergoing a full restoration. A new roof was added last year: new thermopane windows, (to original sizes and shapes,) this year. Sealing of beams & rafters, (whole trees,) is ongoing.

Mamiya RB67 Pro S,

Mamiya Sekor 50mm, 1:4.5, C,

Kodak T-max 400,

NORITSU KOKI, QSS-32_33.