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durante una semana me marcho a Asturias, para hcer un curso intensivo "Pintando paisajes en Asturias".
Es algo nuevo para mi, tomar apuntes, pintar en el campo etc . . .
Espero volver con algún trabajo que merezca la pena enseñar.
Material needed:
-Leatherette
-Needle and yarn
-2 Pop buttons
-Super glue
-Clear wrap
-Barbie shoes
-8 Metal beads
*These boots were a part of my Road Warrior dressed OOAK doll.
I am reworking the material for transparent parts in Blender Cycles. The set up is completely different and I have to re-assess all the hex values. Here is the current state.
Let me know which ones you would change if any.
2023 CPM Monochromatic Drawing. Materials Used: Stonehenge Cream paper 9 “x 12”. Pencils: Prismacolor Verithins: Golden Brown, Dark Brown. General’s ColorTex: Bistre, Warm Sepia.
Materials: gouache on paper. Dimensions: 20.2 x 32.5 cm. Inscriptions: E Galien-Laloue' (lower left). Auctioned by Bonhams. Source: www.evernote.com/shard/s194/res/987ab1b8-dcd5-43ad-8f8a-6.... First seen on Facebook, posted by Christa Zaat
Material Circulante: DD 450
Hora: 16:32
Data: 10-06-2015
Local: Marinha Grande (PK 153 - Linha do Oeste)
Serviço: Comboio n.º 30410 (Alfarelos --» Caldas da Rainha) [Deservagem]
FDNY 593 HAZ TAC Rescue Medics Ambulance HAZMAT Hazardous Material Fire Department New York Manhattan New York August 2013
Thanks for viewing my photos on Flickr. I can also be found on Twitter
I am also developing a You Tube channel. Please have a look at my videos and make sure you subscribe so you can be first to see when I have uploaded a new video. I will no longer be uploading videos to Flickr.
Material Circulante: UDD 0453
Hora: 16:50
Data: 29-07-2023
Local: Patã (PK 312 - Linha do Algarve)
Serviço: R 5908 (Faro --» Lagos)
Materials: watercolor and gouache. Dimensions: 29.2 x 50.2 cm. Source: 4.bp.blogspot.com/-bOSVYPIo9Cw/UjRJTlEYfFI/AAAAAAAAPpU/K6.... I have changed the light and contrast of the original photo.
Some boys kiss me, some boys hug me
I think they're okay
If they don't give me proper credit, I just walk away
They can beg and they can plead
But they can't see the light (That's right)
'Cause the boy with the cold hard cash is always Mister Right...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Shopping in beautiful downtown Oatman, Arizona...
#AbFav_TEXTURES
During the studio session with the materials I've collected over the years.
Not only is the feel important and the visual quality important, but I also like the smell of materials...
This is a shimmering piece of organza.
It's an ongoing process that you are witnessing, the creative struggles of a photographer, tee hee.
Photography has changed, one used to have ideas and be creative BEFORE, arrange and set everything up, do the shoot on the day, adrenaline pumping stuff... then... at last, the results, that was about it, maybe a little bit of retouching!
NOW, that's when it starts for most, no prints, a screen and a whole new skill: 'photoshopping', a lot more work than it used to be, from scanning my negs on 'high res' to finish, much more time-consuming than the wet darkroom, he?
I'm not complaining just stating a fact and reviewing a situation.
Have a wonderful day and thank you for your time, Magda, (*_*)
For mor of my other work visit here: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
portrait, woman, material, shimmering, organza, blond, black-background, studio, colour, design, horizontal, "Magda Indigo", eyes
Meuser Hardsuit Schmiedes workhorse, the MHS Material Handler.
Also look at:
MHS 412 Prototype
www.flickr.com/photos/131098005@N08/31933390763/in/datepo...
MHS 482 Sprinter
www.flickr.com/photos/131098005@N08/31933968323/in/datepo...
We live in a material world and I'm a material... man. So I had to find a new job and I focused all resources on this task. A new contract is signed, so now I can see what you were up to!
PS I. Attached: counting donations in the Trichy temple. It doesn't happen very often, so we were quite lucky!
PS II. The photo is so-so, but IMHO it matched my message :-)
ALL RIGHT RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission
Model : Marzia
canon eos 300d
Tamron 17-35
starblitz with umbrella on the right and sigma dg 500 on camera
Hdr from single RAW file
Material Circulante: CP 9004
Hora: 13:46
Data: 05-12-2019
Local: Azurva (PK 30 - Linha do Vouga)
Serviço: Comboio n.º 32301 (Aveiro - Vouga --» Sernada do Vouga)
Materials: oil on canvas. Dimensions: 98.7 x 134.3 cm. Source: artvee.com/dl/a-country-road-2/. I have changed the light and contrast of the original photo. P.S. It is to be found on the site of the museum.
Material Circulante: UTD 592.227
Hora: 11:08
Data: 16-10-2014
Local: Carapeços (PK 55 - Linha do Minho)
Serviço: Comboio n.º 31305 (Contumil --» Valença) [Ensaio das UTD 592.2]
flickriver.com/photos/javier1949/popular-interesting/
Sede de la SGAE en Santiago de Compostela
Rúa das Salvadas 2, Finca Simeón, Parque de Vista Alegre. Santiago de Compostela
ARQUITECTO: Antón García-Abril -Ensamble Studio- Proyecto 2005 Construcción 2006-08
Tras la inauguración de la Escuela de Altos Estudios Musicales en la Finca Simeón, Antón García Abril y el Ensamble Estudio recibieron el encargo de proyectar y construir, en el mismo recinto, la nueva sede en Galicia de la Sociedad General de Autores de España. La nueva sede compostelana de la SGAE es un ejercicio arquitectónico de alto riesgo, cuyo resultado construido ofrece toda una lección de las posibilidades significativas y sensoriales de la arquitectura contemporánea. La concepción arquitectónica del edificio es fiel al espíritu de la ciudad de Santiago, al desarrollo de una identidad singular y un diálogo con la historia y la memoria del lugar, así como una estrecha relación con el lenguaje contemporáneo. La parcela es bastante conflictiva, al estar ubicada al borde del parque de Vista Alegre, obliga a tomar una decisión trascendental: generar una transición entre la calle y el parque, o un muro que separe ambos. Se adopta la segunda opción, y se lleva ese carácter de muro a ambos lados de la edificación.
Ocupa una superficie de 4000 m2 y consta de cuatro áreas funcionales: Formación con diversas aulas; Administrativa con oficinas; Difusión con un auditorio con un aforo de 200 butacas y laboratorio de audio y vídeo digital, un estudio de grabación y un plató multiusos; y finalmente un espacio dedicado a la Exhibición y a la promoción. Organiza su programa en un sistema espacial complejo, definido por dos planos curvados dispuestos en paralelo, el de vidrio impreso que sigue la alineación de la calle, y el de las moles pétreas, que se presenta al interior de la finca, entre los que se dispone una fina membrana perfectamente tensa. Entre este plano interior y la piel de vidrio se dispone todo el programa menudo de despachos y áreas administrativas. Entre el mismo plano y la fachada de grandes piedras se abre en toda la altura y longitud del edificio un gran vestíbulo-pasillo de acceso. El auditorio, los espacios de formación y los laboratorios se disponen en el volumen bajo rasante en la finca y abiertos hacia la rúa das Salvadas.
El edificio presenta el enfrentamiento de tres muros que corren a lo largo de un espacio longitudinal. Un muro de piedra cóncavo mirando al jardín interior de la finca, una pared interior plana hecha de fundas de CD, y una pared convexa de cristal translúcido a la calle, sobre la alineación exterior de la finca. Todos ellos trabajan como filtros de las distintas situaciones urbanas delimitar y organizar el programa en franjas funcionales. La pared interior, construida con 500.000 carátulas de CD, es un plano situado en medio de los elementos exteriores curvos, muro de piedra y pared de cristal. La pared de cristal transparente ofrece un rostro discreto a la calle, el control de la luz y las vistas de los espacios según su actividad y necesidades. Su composición material y calidad lo hacen aparecer como una ventana de cristal con diferentes grados de transparencia, una pared hecha de luz y color, en claro contraste con la pared de piedra del lado contrario, al interior de la finca, formada con gigantescas piezas de granito apenas elaboradas. Cada una de las piedras irregulares que construyen ese muro pesa unas 22 toneladas y mide alrededor de 2 m de altura por 0'2 m de ancho y 1,60 m de fondo, en posición inestable, quedan engarzadas en una estructura metálica calada. Se ha buscado ligar la tradición gallega del uso de la piedra desde un lenguaje muy contemporáneo, utilizando losas de piedra apilada para crear un espacio intermedio con luz filtrada, buscando la abstracción de un muro en Galicia: mampuestos de granito colocados a hueso. El muro adquiere un carácter agresivo y refleja la fuerza del material, evocando la belleza y poética de las construcciones megalíticas.
arquitecturaespectacular.blogspot.com.es/2010/06/sede-de-...
www.santiagoturismo.com/programadores-culturais/sede-sgae
www.santiagoturismo.com/arquitecturas-de-autor/470
compostimes.com/2012/12/arquitectura-en-compostela-sede-d...
Please make sure to try a DEMO before your purchase.
• Customizable via HUD
• Materials enabled
• Sizes: Altamura, Belleza, Niramyth, Signature, Slink
INFO: All the details are visible when Advanced Lighting Model (ALM) is enabled, as shown in the main picture.
To wear this product you need a bento enabled viewer.
Available on Marketplace
Photographed during a visit to the station with the Fire Brigade Society. A huge word of thanks to all involved
Material Circulante: CP 5601 + 6 Sorefame Renovada IC + 1 Corail
Hora: 16:55
Data: 15-06-2023
Local: Monte Novo - Palma (PK 66 - Variante de Alcácer)
Serviço: IC 672/3 (Faro --» Lisboa - Oriente)
To keep from going stale you must forget your professional outlook and rediscover the virginal eye of the amateur. Brassai
Mauritania
The Recipe
5 mins pre soak
8.30 mins Ilford ID11
Stop 2 mins
5 mins Ilford Fixer
10 mins wash
plus a bit of wash aid
Material Circulante: CP 1973 + 10 Us
Hora: 08:26
Data: 01-08-2014
Local: Livração (PK 54 - Linha do Douro)
Serviço: Comboio Especial n.º 92211 (Gaia --» Pocinho)
Snowfall on the Selenga River Delta, Russian Federation is featured in this image photographed by an Expedition 29 crew member on the International Space Station. This photograph illustrates the Selenga River Delta built out into Lake Baikal in Russia. The Selenga River delta (center) is lobate in form, with an intricate network of distributary channels and levees surrounded by marshlands building out into Lake Baikal. This suggests that development of the delta is governed by the sediment load carried by the river, and any modifications of form due to lake tides or waves are relatively minor. Further out, dark brown depositional bars are visible forming a rough arc marking the edge of the delta. Snow cover on the river floodplain highlights numerous secondary channels, as well as channels previously occupied by the river but now abandoned. The regular outlines of agricultural fields to the southwest and northeast of the river are also highlighted by the snow cover. Lake Baikal is a World Heritage Site. The Selenga River is the major contributor of water to Lake Baikal; it occupies approximately 82 per cent of the watershed area for the lake. The wetlands of the Selenga River delta are designated as a RAMSAR site and provide valuable habitat for more than 170 species of birds, including many that are migrating. Like Baikal, the Selenga Delta is home to unique ecosystems, including more than 70 rare or endangered species of plants and animals. Waters of the Selenga River serve many (and differing) uses in both Mongolia and Russia, including support of agriculture, provision of drinking water, light industry, mining, recreation, and tourism. These uses also contribute to degradation of the river water quality, downstream availability of water, and ecological impacts. For example, a pulp and paper plant in the city of Selenginsk (lower left) has been tied to high levels of pollution in the river. International efforts to integrate management of the Selenga River basin for both ecological and economic sustainability are ongoing.
Image credit: NASA
View original image:
spaceflight.nasa.gov/gallery/images/station/crew-29/html/...
More about space station research:
www.nasa.gov/mission_pages/station/research/index.html
There's a Flickr group about Space Station Research. Please feel welcome to join! www.flickr.com/groups/stationscience/
View more than 400 photos like this in the "NASA Earth Images" Flickr photoset:
www.flickr.com/photos/28634332@N05/
_____________________________________________
These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
my wife asked me,
where have you been the last three hours ?
I created a picture.
Wow, she said, looks like a Mackintosh.
I didn't think of Charles Rennie ... I was just in a flow ...
I said, pretending to be indignant
and smiled at her ...
:::))) ...
have left the grid several times, that's the only way good things happen ...
grid versus texture versus pattern ...
;-) ...
Because I mentioned Ch.R.Mc ...
I could have also mentioned Oswald Mathias Ungers ...
Mackintosh was contradictory in a contradictory time of upheaval ... he admired the style, Wiki thinks, because of its restraint and economy of means rather than ostentatious accumulation; its simple forms and natural materials rather than elaboration and artifice; and its use of texture and light and shadow rather than pattern and ornament. In the old western style, furniture was seen as ornament that displayed the wealth of its owner; the value of the piece was established according to the length of time spent creating it. In the Japanese arts furniture and design focused on the quality of the space, which was meant to evoke a calming and organic feeling to the interior.
At the same time a new philosophy concerned with creating functional and practical design was emerging throughout Europe: modernism. The central aim in modernism was to develop a purity of expression with designs explicitly responsive to intended building use. Ornament and traditional styles were demoted. Although Mackintosh has been counted as a pioneer of modernism, his work always retained a decorative sensibility and features ornament. Mackintosh took his inspiration from his Scottish upbringing and blended them with the flourish of
Art Nouveau
and the simplicity of Japanese forms.
While working in architecture, Charles Rennie Mackintosh developed his own style: a contrast between strong right angles and floral-inspired decorative motifs with subtle curves (for example, the Mackintosh Rose motif), along with some references to traditional Scottish architecture. The project that helped make his international reputation was the Glasgow School of Art (1897–1909). During the early stages of the Glasgow School of Art Mackintosh also completed the Queen's Cross Church project in Maryhill, Glasgow. It is the only built Mackintosh church design and is now the Charles Rennie Mackintosh Society headquarters. As with his contemporary
Frank Lloyd Wright,
Mackintosh's architectural designs often included extensive specifications for the detailing, decoration, and furnishing of his buildings. The majority, if not all, of this detailing and significant contributions to his architectural drawings were designed and detailed by his wife Margaret Macdonald whom Charles had met when they both attended the Glasgow School of Art. Their work was shown at the eighth
Vienna Secession Exhibition
in 1900.
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