View allAll Photos Tagged materials
pour la photographie
La lumière et le temps
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Base materials
for photography
Light and time
- 285 -
Un día como cualquier otro de agosto decidí ir a pasar la mañana a Castellbisbal.
Bien, comencé la mañana con el Ermewa, seguido fue el Químico de Abroñigal y Plaza.
Pasados unos minutos la señal de la vía 4 cambió su aspecto de parada a anuncio de precaución con una "R" en la alfanumérica que significa que el itinerario está hecho para ir a Rubí.
A los pocos minutos vi una 253, de vista parecía de Renfe Mercancías, pero al acercarse vi que pertenecía a AMF.La sorpresa fue que iba aislada, cuando no suelen hacerlo.
Según la información de un amigo, estaban de rotación cambiando a la 253.004 por la 253.003.
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253.003 Vicálvaro-Portbou/Cerbere.
I got my material out to make a new knitting bag. So glad I found this appropriate material. All ironed and ready to go.
Projects to work on while staying home.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 45.116+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Friday 17th March 2023
CREATIVE RF gty.im/1464674365 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 5,842nd frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of approximately Sixteen metres at 16:20pm on Wednesday 7th November 2018, off sæbraut 41 and Ingolfsgarour where it crosses the Sculpture and shore walk in Reykjavik, Iceland.
Here we look over towards Viðey Island and Viðey House which was built in the 18th century for Skuli Magnusson, Treasurer General of Iceland under the Danish Sovereign and 'father of Reykjavik. To it's left we see Viðeyjarkirka, a stone built church constructed between the years 1767 to 1774 .
It was designed by Danish architect Georg David Anthon and was consecrated in 1774.
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Nikon D850 Focal length: 120mm. Hand held with Nikkor VR vibration reduction enabled on Normal setting. Shutter speed: 1/160s Aperture: f/4.0 Iso200 RAW (14 bit uncompressed) Image size L 8256 x 5504 FX). Colour space. Adobe RGB. AF-C focus 51 point with 3-D tracking. Manual exposure. Matrix metering. Auto 0 white balance (8030K). Nikon Distortion control on. Vignette control Normal.
Nikkor AF-S 24-120mm f/4G ED VR. Phot-R ultra slim 77mm UV filter. Nikon EN-EL15a battery. Matin quick release neckstrap. My Memory 128GB Class 10 SDXC. Lowepro Flipside 400 AW camera bag. Nikon GP-1 GPS module.
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LATITUDE: N 64d 8m 53.10s
LONGITUDE: W 21d 55m 30.74s
ALTITUDE: 16.0m
RAW (TIFF) FILE: 130.00MB NEF: 90.10MB
PROCESSED (JPeg) FILE: 25.80MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.20 (14/01/2021) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Material Circulante: UDD 0461
Hora: 15:01
Data: 07-06-2017
Local: Virtudes (PK 52 - Linha do Norte)
Serviço: Comboio Especial n.º 95266 (Entroncamento --» Lisboa - Santa Apolónia)
Material Circulante: UME 34xx
Hora: 08:16
Data: 14-10-2017
Local: Tadim (PK 46 - Ramal de Braga)
Serviço: U 15214 (Braga --» Porto - São Bento)
Paul Eppling (1949-2016)
St. Petersburg, Florida Pablo's Pup
Metal sculpture, 19 ½ × 15 × 16 in.
On loan from Florida CraftArt
#AbFav_TEXTURES
During the studio session with the materials I've collected over the years.
Not only is the feel important and the visual quality important, but I also like the smell of materials...
This is a shimmering piece of organza.
It's an ongoing process that you are witnessing, the creative struggles of a photographer, tee hee.
Photography has changed, one used to have ideas and be creative BEFORE, arrange and set everything up, do the shoot on the day, adrenaline pumping stuff... then... at last, the results, that was about it, maybe a little bit of retouching!
NOW, that's when it starts for most, no prints, a screen and a whole new skill: 'photoshopping', a lot more work than it used to be, from scanning my negs on 'high res' to finish, much more time-consuming than the wet darkroom, he?
I'm not complaining just stating a fact and reviewing a situation.
Have a wonderful day and thank you for your time, Magda, (*_*)
For mor of my other work visit here: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
portrait, woman, material, shimmering, organza, blond, black-background, studio, colour, design, horizontal, "Magda Indigo", eyes
Material Circulante: CP 1557 + 3 Schindler + CP 2609
Hora: 10:55
Data: 08-11-2022
Local: Alcains (PK 103 - Linha da Beira Baixa)
Serviço: Comboio Especial n.º 13856 (Covilhã --» Entroncamento) [PTG Tours]
Temple. Phuket Thailand
4 Years after the 2004 Tsunami
en.wikipedia.org/wiki/2004_Indian_Ocean_earthquake_and_ts...
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Praktica MTL 5B - Helios 44mm
ilford HP5
Visit my WebSite www.ValeriaSpiga.com
ALL RIGHTS RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission
¡Como echamos de menos el material convencional en Salamanca!
Actualmente no hay relación directa con la ciudad condal, pero todo podría cambiar en pocos años, con la electrificación de la línea Medina - Salamanca, va a ser casi seguro que habrá un tren 121 o 120 entre la capital del Tormes y Barcelona, ya que muchos maquinistas charros están habilitándose para estos trenes modernos.
También hay rumores sobre la eliminación del TH Surex, se mantendría la rama del "Lusi" que podría realizar el servicio Lisboa - Salamanca - Madrid - Barcelona, y así poder enlazar en la capital catalana con un TGV, pero ya veremos como acaba esto...
El tren de la foto llevaba al final de la composición un coche cama 7100.
Mi artículo renovado sobre los coches de viajeros 7100:
suite101.net/article/los-coches-cama-de-viajeros-serie-71...
Gracias por vuestras visitas.
SPONSORED:
- Random Matter Girls Night Magazine
- Random Matter Girls Night Makeup Case
- Random Matter Girls Night Nail Polish
- Random Matter 1980's Hairbrush
- Random Matter 1980's Stereo
- Random Matter 1980's Telephone
STYLE:
- Doux Dani Hairstyle
- Jack Spoon. Blake Glitter Eyeshadow
- Jack Spoon. IMFF Eyeshadow
- SU! Cursed Romance Eyeliner
- [REVERIE] Karina Lipstick
WARDROBE:
- Catarsis JOANNA T-Shirt
- imbue bunny panties
ACCESSORIES:
- none!
SET:
- Soy Go Round Bed
- James & Dew Retro Glass Bricks
- [shwty] 8 ball pillow
- 7 Boob Throw Pillow
- HAIKEI YOUR BLOOM 10
- Apple Fall Stacked Magazines
- Random Matter Game Night Snacks
(not pictured but they helped me with this concept)
- junk. round rug orange print
- Fourth Wall Stud Wall Panels
- 7 #097
- Fancy Decor Fletcher Lamp
- FOXCITY Decor Sunset Lamp
Material Circulante: CP E214 + CEyf 4169 + CEyf 4178 + CEyf 466 + Napoli
Hora: 09:37
Data: 23-02-2020
Local: Eixo (PK 26 - Linha do Vouga)
Serviço: Comboio Especial n.º 20801 (Aveiro - Vouga --» Macinhata) [Comboios Históricos na Linha do Vouga]
Astronaut Patrick G. Forrester works with the Materials International Space Station Experiment (MISSE) during extravehicular activity.The first MISSE experiment exposed 750 material samples to space from 2001 to 2005 to collect information on how different materials weather the space environment. The objective of MISSE is to develop affordable opportunities to conduct critical space exposure tests of space materials and components planned for future spacecraft. The experiment was the first externally mounted experiment on the International Space Station. On May 18, 2014, the SpaceX Dragon returned the latest MISSE experiments, MISSE-8, to Earth. Materials scientists from NASA’s Marshall Space Flight Center in Huntsville, Alabama, helped prepare samples for flight and will analyze the samples post-flight. Marshall worked with commercial companies and other government agencies to fly 96 experiment samples on MISSE-8, including thermal control coatings, heat shield materials, solar array materials and environmentally friendly spacecraft components, such as multi-layer insulation, paint markings, and innovative polymers.
Image credit: NASA
More Marshall history images:
www.nasa.gov/centers/marshall/history/misse_140520.html
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These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
A grab shot (the original is rather lop-sided) of 31116 propelling empty wagons towards Dunstable at Luton Bute Street on 7 January 1988. The working is unknown, but possibly for scrap material to be picked up at Vauxhall Motors. This was the last year of operation, with the exception of a final railtour in 1989 and a weed-killing train in 1990 (2 x class 20s, did anyone photograph that one?!).
About the only thing still surviving in this picture is the pub, which has been boarded up and derelict for years now. All else has been swept away; the Luton Bus Leyland National, the bridge, 31116 and Green Shield stamps!
Pentax K1000/50mm
Ilford FP4
Material Girl cover shoot - www.materialgirl-mag.com
♥ ♥ ♥ ♥ ♥ ♥ ♥
Photography - Lucia O'Connor-McCarthy
Styling - Coline Bach
Make-up - Elias Hove using Illamasqa cosmetics
Hair - Adlena Dignam using Kevin Murphy
Set - Stéphanie Kevers
Photo assistants - Chloe Taylor, Becca Sellers
Styling assistants - Esther MK, Kelsang Dorjee Dongsar
Models - Belle & Layla @ Select, Stacey @ Models1
SPECIAL THANKS to my lovely parents for be amazing on the day!
All images © Lucia O'Connor-McCarthy
KUMU, Estonian National Museum of Art
The international competition for the new art museum in Tallinn, organised in 1994, attracted a total of 233 entries. All the prizes went to Finnish architects, who had already had the chance of studying a similar, highly demanding task in their own country, namely the competition for the Museum of Contemporary Art in Helsinki. The winner was a then yet unknown architect Pekka Vapaavuori. The design and construction process was long and included plenty of political discussion and media debate. The museum was opened in 2006. Vapaavuori’s design takes advantage of the site on the Lasnamäe slope. The museum can be entered from both the historical Kadriorg park and from the top of the slope. The design aims at simplicity and clarity. The exhibition halls are simple and unassuming, placing the artwork at centre stage. The ascetics of the interior continues in the exterior, which relies on the power of plain geometric forms. The main facade materials are limestone, green-patinated copper and glass.
There are exhibitions halls for collections of Estonian art starting from early 18th century as well as spaces for displaying contemporary Estonian and international art. In addition, the building comprises a spatially generous, curving foyer and a shop, library, auditorium, café and restaurant. The staff facilities and the conservation department are located in the semi-circular part of the building that surrounds the sizable terraced courtyard. In 2008, the museum received The European Museum of the Year Award. The process of this Estonian-Finnish joint venture has resulted in an actively used building with enduring architectonic qualities.
Floor area. 23 900 m2; Cubature: 123 000 m3; Client: The State of Estonia; Designed 1994; Completed 2006; WA Award
💕 MEZTLI POSES -
💕 PACK DEMON
maps.secondlife.com/secondlife/Kindred%20Soul/139/242/3502
💕 Knife Party
💕 Plague // Evo X
Available @ Mainstore
maps.secondlife.com/secondlife/Lovely/43/29/2006
💕 iNeed-Two Hearts Gauged XL [Female Only}
Fitted for SWALLOW Gauged XL [ In Store ]
-Female
-Control HUD
-Materials Enabled
In world : maps.secondlife.com/secondlife/Shocking%20Blue/53/233/22
From their website:
The Costa Nova Haystacks
Throughout the 19th century, fishermen from Ílhavo began to move to Costa Nova because the new shore line gave them easier access to sea than in São Jacinto. So, they began to build haystacks, storages and shelters for the seamen and the fishing boats of the Lagoon. The first haystacks were built with local materials and stood on top of stakes pitched on the dry sand of Costa Nova. The outside planks were horizontal and painted in bright red welcoming the sea with colour and energy. The interior space was wide and didn’t have any divisions as it was simply a storage house. As the years went by, some fishermen began to transform the haystacks and turned them into living spaces where several families would live during the summer.
Image of a dentine sample acquired using a scanning electron microscope. It shows the dentinal tubules viewed after demineralization using etching with 37% phosphoric acid for 15 seconds and 10% sodium hypochlorite for 1 minute. The colors were obtained by mixing the signals of secondary and backscattered electrons. The mixing is performed using the software FEI Company.
Courtesy of Mr. FRANCISCO RANGEL , MCTI/INT
Image Details
Instrument used: Quanta SEM
Horizontal Field Width: 29.8 µm
Voltage: 10 kV
Working Distance: 11
Detector: Mix: SE plus BSE.
Oi meninas, vou tentar passar, ok!
MATERIAL:
-caixa MDF
-tecidos ( 2 a 3 estampas fazendo um composê)
-cola branca para artesanato
-pincel
-papel cartão
MODO DE FAZER:
Meça o tecido deixando uns 3 cm de sobra de cada lado. Corte um quadrado para forrar a caixa e outro para forrar a tampa. Passe uma pequena quantidade de cola embaixo da caixa e coloque o tecido, sem espichar, forçar, etc... apenas o deixe cair sobre a caixa fazendo uma leve pressão para a adesão. Faça o mesmo com a parte de cima da tampa. colocando a caixa de pé, cole duas laterais opostas... deixe secar. Feito isto, sobram duas laterais a serem coladas... faça um vinco, como se fosse uma prega bem na lateral da caixa, bem no cantinho, e cole o tecido. Já vá colando ele para dentro da caixa tb, eu fiz um corte nas quinas do tecido para retirar o exesso de pano na virada para dentro da caixa, deu muito certo.
Feito isso, meça a parte interna da tampa, do fundo da caixa e das laterais da caixa. Corte o papel cartão de acordo com a medida feita, tirando em torno de 0,5cm de cada lado. Cole o papel cartão nos retalhos de tecido... 2 laterais totalmente coladas, 2 laterais coladas somente no comprimento, o fundo da tampa colada totalmente e o fundo da caixa sem colar as laterais.
Veja o passo 2.
Inworld Here: maps.secondlife.com/secondlife/Cevedale/52/81/22
Marketplace Here: marketplace.secondlife.com/p/GH-SequinTights-on-Coloured-...
Special Edition - Sequin Glamour Version
Coloured Button HUD Version
♥Belleza Isis♥
♥Belleza Freya♥
♥Belleza Venus♥
♥Maitreya♥
♥Slink Physique♥
♥Slink Hourglass♥
Reading Material
Dull weather again with flat light outside, so we've been playing around with some tabletop photography again using what natural light there is coming through a window. Reading material, a good book, a mug of coffee and some biscuits. Oh, and a camera!
Made for LeLUTKA Kris Head 3.1 EvoX
The skin used is a BRABOS. Material:
This shape fits the bodies:
- [LEGACY] Meshbody (m) Athletic Edition (1.6)
- -Belleza- Mesh Body Jake
- [ INITHIUM ] KARIO
- [Signature] Davis - Mesh Body - v1.2
▶ MARKETPLACE: CLICK HERE
CLOTHING STYLE IS NOT INCLUDED
If you have any doubt feel free to question me in world!
Material Circulante: Takargo 6001 + Captrain 5002 + 2 Lfgss (Transfesa) + 3 Laagrss (Captrain) + 5 Lgnss (Captrain) + 9 Sggmrss (VTG)
Hora: 08:41
Data: 20-08-2019
Local: Trajinha (PK 192 - Linha da Beira Alta)
Serviço: Comboio Internacional n.º 41808 (Fuentes de Onõro --» Entroncamento)
Explore 01-11-09 #157
Palapa roofing material stacked to be used - it is such a beautiful art creating palapas and other abode-roofs with these palm leaves.
MTPO is a very soft material that LEGO uses for parts that need to bend sharply without being damaged. I wasn’t able to find much information on this material, but it seems it’s a variant of TPO, a category of thermoplastics blended with elastomers.
Groundbreaking for Miami-Dade College's Wolfson Building 1 occurred in 1971, and the building was completed in 1973. The campus itself first opened in 1970, with classes initially held in downtown storefronts while its permanent facility was being constructed.
Hilario Candela was the architect of Miami-Dade College's Wolfson Building 1. As a Cuban-born American architect, he designed key Brutalist-style buildings for several of the college's campuses, including Wolfson.
Candela was a key member of the architectural firm Pancoast, Ferendino, Grafton & Skeels, which designed the initial buildings for the North and Kendall campuses in the 1960s.
His signature "tropical Brutalist" style, with its use of raw concrete, is a defining feature of the Wolfson Campus architecture.
In addition to his work for Miami-Dade College, Candela is also known for designing the iconic Miami Marine Stadium.
Miami-Dade College's Wolfson Building 1 was designed in the Brutalist style, specifically a regional variant referred to as "tropical Brutalism".
Elements of this architectural style as seen in the Wolfson Campus include:
Raw concrete: The buildings prominently feature exposed concrete, emphasizing the material's raw, unadorned nature.
Massive, geometric forms: Brutalist buildings are known for their blocky and monolithic appearance. Architect Hilario Candela, who designed the Wolfson Campus, referred to his vision as "a small city of interconnected geometric masses".
Function over form: In keeping with Brutalist ethos, the building's design emphasizes its function as a modern educational institution.
Adaptation to the Miami climate: In this "tropical Brutalist" interpretation, the buildings use covered walkways and strategically placed open spaces to provide constant shade and cover from the rain.
Credit for the data above is given to the following websites:
apps.miamidadepa.gov/PropertySearch/#/?address=300%20ne%2...
www.google.com/search?q=who+was+the+architect+of+the+miam...
www.google.com/search?q=who+was+the+architect+of+the+miam...
www.google.com/search?q=who+was+the+architect+of+the+miam...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Nada más llegar vi que en unos minutos salía un tren hacia la vía del contorno, asique no lo dudé y me acerqué a ver el Material Vacío, todavía no tengo claro qué máquina humea más, si la "Guadix" o la Yeyé
Circulación: LRF 39123 Villaverde-Clasificación - Madrid-Chamartín
Fuente de la Mora (APD), 29-6-13
ID: 003098
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Exposure: Digital
Developing: ---
Enlarging: ---
Scanning: ---
Processing: Digital
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Exposure: 12/2014
Processing: 12/2014
Published: 04/2015
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Flickr "taken" date set as actual publish date.
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