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Pattern and texture are two fundamental aspects we need to look up whenever we think about bringing rustic elements in to our house. You can rely on this principle if you are now considering about replacing your old kitchen cabinets with another rustic cabinet. However, it is not as easy as just...

 

midcityeast.com/4-materials-rustic-kitchen-cabinets/

Maryland Materials GP7 #73 was built for the Bangor and Aroostook in 1950. It also served as their bicentennial unit #1776 and wore a red/white/blue paint scheme during that period. After working for the BAR, the engine migrated here to Maryland Materials at Leslie MD along CSX's Philly Sub. The quarry loadout has seen sporadic trains over the years, but hasn't loaded a train since 2015 as far as I know. The engine is seen here outside of it's shed on July 17th 2003. Legend has it, they aren't too photo-friendly and shots of this engine are hard to find. I've never laid eyes on it. Hopefully it's being kept safe, even though the industry is currently being reclaimed by Mother Nature. Years ago, there was a job put on at Benning that took trains from Leslie. It's high mileage earned it the name "The Mortgage Lifter" by conductor LM Sullivan. I never worked it. Erick K Augatis photo, JL Sessa collection.

ANTES DE FASER LEIA TODO O PAP

Vamos ao material :

# miolo de papel

# papelão (paraná,cartolina,duplex) enfim um papelão que vc achar melhor !

No me caso eu tenho uma gráfica e tenho muita sobra de duplex (dica va em uma gráfica e peça sobre deste papelão poucas folhas já da pra faser varias capar !

# tecido

# papel sulfite (ñ ta na foto mas vai aparecer nas próximas )Outra dica da pra faser com papel sulfite usado de um lado mais na frente eu explico !

# cola branca (diluída com um pouco de água)

# pincel

# tesoura

 

Duvidas pode deixar aki na foto responderei a todas aki tb !

Material Circulante: Medway 1446 + 3 Kls

Hora: 14:37

Data: 16-06-2023

Local: Paialvo (PK 118 - Linha do Norte)

Serviço: Comboio de Formação n.º 32602 (Pampilhosa --» Entroncamento)

I first glimpsed this old house from the corner of my eye while driving along an adjacent street. It was one of a billion such scenes my eye takes in while traveling just about anywhere. In this case I just caught a quick glimpse as I passed. But it left a strong impression and planned to make my way back here for a closer look. I timed my return to coincide with awful weather, unreasonably cold, damp and windy. I wanted this as the visual backdrop. Also working in these conditions minimizes the chances of encountering people. The house simply looked lonely when I first noticed it. But up close the loneliness seemed intentional. The front window was boarded off with well weathered plywood. The first floor windows were covered not with curtains but bedsheets and towels. The upper floor windows were not covered at all. The absence of upper floor window treatments made the impromptu ones on the first floor even more nefarious...not there as a house warming touch but only to block prying eyes. The house and yard bore none of the trappings of family life. No decorations, birdhouses, lawn furniture, nothing at all. The old TV antenna was the only sign of easy living, and even that was a stretch. It's one of those places that you can't even be sure is vacant. I approached nervously, walking the road in front of the house, pausing now and then to look. All the while it felt like I was being observed. Perhaps by someone inside the house, lurking behind the bedsheet curtains. Quite likely someone not enamored with photography. I really just wanted to keep walking but resolved not to leave without getting the photos I came for. I shot from several angles, and continued even after I had moved past the house. This view is looking back uphill. The house actually has more presence from a distance. Perhaps the context of its location up on the hill added to the menacing effect. Felt good to finally get away from here. More like an escape than an orderly departure. I still had some distance to cover walking back to my car. Didn't begin to relax until I had driven away.

Material Circulante: Medway 5036 + 6 Zagkks (Ermewa) + 2 Zagkks (VTG) + 1 Zagkks (Transfesa) + 2 Zagkks (Tramesa)

Hora: 11:17

Data: 24-01-2022

Local: Tancos (PK 114 - Linha da Beira Baixa)

Serviço: Comboio de Amoníaco n.º 47834 (Badajoz --» Entroncamento)

© Campana Workshop in Athens, 2009

Australia 2011/12

 

WIKIPEDIA: The raw material for the limestone of the Pinnacles came from seashells in an earlier epoch rich in marine life. These shells were broken down into lime rich sands which were blown inland to form high mobile dunes.

 

The mechanisms through which the Pinnacles were formed from this raw material are the subject of some controversy, with three mechanisms having been proposed:

they were formed from lime leaching from the aeolian sand (wind-blown sand) and by rain cementing the lower levels of the dune into a soft limestone. Vegetation forms an acidic layer of soil and humus. A hard cap of calcrete develops above the softer limestone. Cracks in the calcrete are exploited by plant roots. The softer limestone continues to dissolve and quartz sand fills the channels that form. Vegetation dies and winds blow away the sand covering the eroded limestone, thus revealing the Pinnacles.

they were formed through the preservation of cast of trees buried in coastal aeolianites where roots became groundwater conduits, resulting in precipitation of indurated (hard) calcrete. Subsequent wind erosion of the aeolianite would then expose the calcrete pillars.

On the basis of the mechanism of formation of smaller “root casts” occurring in other parts of the world, it has been proposed that plants played an active role in the creation of the Pinnacles, rather than the rather passive role detailed above. The proposal is that as transpiration draws water through the soil to the roots, nutrients and other dissolved minerals flow toward the root. This process is termed "mass-flow" and can result in the accumulation of nutrients at the surface of the root, if the nutrients arrive in quantities greater than needed for plant growth. In coastal aeolian sands which have large amounts of calcium (derived from marine shells) the movement of water to the roots would drive the flow of calcium to the root surface. This calcium accumulates at high concentrations around the roots and over time is converted into a calcrete. When the roots die, the space occupied by the root is subsequently also filled with a carbonate material derived from the calcium in the former tissue of the roots and possibly also from water leaching through the structures. Although evidence has been provided for this mechanism in the formation of root casts in South Africa, evidence is still required for its role in the formation of the Pinnacles.

 

This one was taken from outside, the robin is so friendly that it just sits on the edge of the birdbath watching us. He's nesting in the conifer behind him.

Thanks everyone, this just snuck into Explore

Material Circulante: CPA 4004

Hora: 14:17

Data: 11-11-2021

Local: Salreu (PK 285 - Linha do Norte)

Serviço: AP 132 (Braga --» Lisboa - Santa Apolónia)

credits - kairis-kloset.blogspot.com/2021/12/material-girl.html

Airhare - Bunny Fitted @ Dreamday

1990 - Onyx French Set @ 2much

Havoc - Frost Jacket and Boots @ Level

Memoire - Var Bag OG

 

Part of our dog's squeaky crocodile toy.

© TUTTI I DIRITTI RISERVATI ©

Tutto il materiale nella mia galleria NON PUO' essere riprodotto, copiato, modificato, pubblicato, trasmesso e inserito da nessuna parte senza la mia autorizzazione scritta.

Si prega di NON scaricare e usare le mie foto in mancanza di una mia autorizzazione scritta.

Tutti i miei lavori sono protetti da Copyright (©), si prega di mandarmi una mail se si desidera comprare o usare uno qualunque dei miei lavori.

Grazie

 

LE FOTOGRAFIE SONO IN VENDITA

  

La storia si ripete, gli uomini migrano da sempre, è determinante non perdere le proprie radici ma rafforzare la propria identità.

Come ha detto Ernesto De Martino «se non hai un paese nei ricordi sei un apolide, non un cosmopolita».

Per Ferdinando Scianna «oggi siamo tutti un po’ emigrati dentro. E per questo il cibo diventa così importante, perché dopo il latte materno è una lingua primordiale».

Condivido il suo pensiero quando dice «essere siciliani significa andarsene e quando te ne vai, i sapori non si modificano, si cristallizzano».

Per me «essere pugliese» ha lo stesso significato. Al mercato di Rimini, quando è possibile, sono alla ricerca dei sapori della mia terra, alla ricerca della mia terra, elementi che affermano la mia identità, che rassicurano, che danno una sensazione di pace interiore.

Inizio la mostra proprio dalla terra madre e nutrice.

I ricordi, mi riportano nei luoghi, alle persone, alla saggezza delle tante persone anziane che tramandano il sapere, le tradizioni e l’identità.

Ci sono paesaggi impregnati di storie che li distinguono e le storie sono ricche di personaggi, di amore per la terra, di riflessioni sulla vita.

E’ un racconto tra ricordi, ritualità, luoghi, persone, sapori, odori, lo specchio dell’identità culturale.

Il paesaggio delle terre disegnato dalla natura e scolpito dall’uomo con le coltivazioni dell’ulivo, delle viti, del grano, offre nutrimento e bellezza.

Tra le semplici fonti di nutrimento, il pane ci riporta ad una antica dimensione, alla ritualità, alle simbologie, ci conduce alle storie comuni tra le diverse identità dei popoli e delle culture.

Antichi detti mi risuonano nella testa «il pane non si butta, è peccato – il pane di ieri è buono anche domani».

Infatti le donne curavano il recupero del prodotto con gradevoli trasformazioni.

Ad esempio «la cialledda fredda» a base di pane raffermo lo ritroviamo con nomi diversi nella stessa Puglia e nella nostra Italia: la cialledda fredda a Gravina di Puglia, l’acqua sala a Taranto, il pane cunzato in Calabria, il pan ‘mbuss in Basilicata, la panzanella in Toscana.

La ricetta riesce sapientemente a trasmettere valori antichi che potrebbero essere validi ancora oggi come la condivisione del cibo in un unico grande piatto.

 

POSTATA ... 07/22/2021 - H. 17:22:00

 

Material Circulante: Medway 5628 + 1 Sggmrss + 6 Lgnss + 4 Sgmms + 8 Sgnss + 1 Rgs + 1 Lgs + 2 Sgs

Hora: 11:03

Data: 19-02-2020

Local: Quinta de S. Lourenço (PK 159 - Linha do Norte)

Serviço: Comboio de Contentores n.º 51182/3 (Leixões --» Terminal XXI)

Material Circulante: Medway 1905 + Material de Via da Mota-Engil Railway + 8 Rs (Somafel)

Hora: 11:49

Data: 11-05-2023

Local: Barragem do Fratel (PK 44 - Linha da Beira Baixa)

Serviço: Comboio de Carril n.º 74341 (Entroncamento --» Guarda)

 

found in the wadden sea......

Enough of the nicey-nicey landscapey-type shots (popular though they prove to be in Exploreland).

 

I went to see the Kevin Cummins exhibition "Joy Division Exemplar" at Manchester Photographic today. If you like iconic rock photography and/or Joy Division then it's definitely worth checking out. It's on till the end of Feb I believe...and it's free (bargain at half the price).

 

This was snapped on the way back to the workhouse. I liked how the different materials used came together...or something like that...waffle waffle.

 

Northern Quarter, Manchester, UK.

 

9 January, 2012.

 

My Northern Quarter set.

Material Circulante: Medway 4702 + Medway 4705 + 16 Falls + 3 Us + Medway 1909

Hora: 08:58

Data: 19-05-2022

Local: Estação da Quinta Grande (PK 34 - Linha de Vendas Novas)

Serviço: Comboio de Areia n.º 52398/9 (Entroncamento --» Loulé)

A pile of pipes for construction in Scott's Addition.

Headshot

 

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[polska wersja poniżej]

 

A duo of EU07 (running numbers #215 and #242 - both once assigned to Gdynia depot in one Polish State Railways times) as TrackTec Logistics train with a load of hydrotechnical stone in low-sided coal cars leased from Nacco, is going between Jaworzyna Śląska and Żarów stations. June 27, 2015.

TrackTec Logistics was established to secure the transport of TrackTec's core business, i.e. the production of prestressed concrete sleepers and ready turnouts. However, the delay in investment programs on railroads in Poland meant that the investment was far too early and the owner became frantically finding any employment of leased resources. That meant TrackTec had to compete on the market in segments that it never wanted to be present. The story was quite simple - to get anything from the market TrackTec offered substantially lower prices that in short led it bankrupted. The good old "rise and fall" in the next edition. Yet couple years after company's bankrupcy one could spot black locomotives with TrackTec logo, though each of them is at overhaul they are repainted into livery of Cargounit, the owner of the locomotives.

Photo by Jarek / Chester

 

Duet siódemek 215 i 242 (obydwie kiedyś stacjonowały w Gdyni) pod banderą TrackTec Logistics z ładunkiem kamienia hydrotechnicznego w niskoburtowych węglarkach dzierżawionych od Nacco, przemierzają szlak Jaworzyna Śląska - Żarów. 27 czerwca 2015 roku.

TrackTec Logistics został powołany, by zabezpieczyć transportowo podstawową działność TrackTecu, czyli produkcję podkładó strunobetonowych oraz gotowych rozjazdów. Jednak opóźnienie w programach inwestycyjnych na kolei w POlsce spowodowało, że z planowanej dużej roboty przy tych inwestycjach nic nie wyszło. Poszukując roboty, TrackTec Logistics zaczął gorączkowo poszukiwać roboty na rynku, demolując na nim ceny i doprowadzając się do bankructwa. Stare dobre "rise and fall" w kolejnym wydaniu. Dzisiaj można wciąż spotkać czarne siódemki, chociaż w ramach napraw są one sukcesywnie przemalowywane w kolory Cargounit (dobrze, że przynajmniej tło zostało czarne).

Fot. Jarek / Chester

Work truck that was whipped up in half an hour or so to use as a prop, using limited materials.

material; marker on Blog, size; 8.5"x11", date; 2023

Material Circulante: Continental 5022 + 29 Lgnss (Renfe)

Hora: 11:08

Data: 07-01-2021

Local: Seixas (PK 107 - Linha do Minho)

Serviço: Comboio Internacional n.º 89012/3 (Tuy --» Leixões)

καλό φθινόπωρο με σχολή ξανά

ΝΟΤ

Traslado de material compuesto por 333-402 + 490-009 + 490-001 procedente de Valencia-Fuente San Luis y con destino en La Sagra a su paso por la estación de Alfafar-Benetússer.

 

Después de la famosa noticia del traslado de los Alaris a La Sagra decidimos quedar esa misma noche Adrián, Vicente y yo para darle caza cerca de Valencia ya que andábamos liados y subir más arriba lo veíamos una pérdida de tiempo.

 

Como no circulaban Cercanías a la hora a la que se efectuó descartamos ir a la Torre a hacer una nocturna, ya que no pararía, y por tanto nos decantamos por ir al puente peatonal de Alfafar, la cual fue una excelente idea por parte de Vicente.

 

A pesar de no ser una gran foto, además de ser a pulso e ir la composición a poco más de 30 km/h, creo que valió la pena dejar constancia de este traslado en nuestra ciudad ya que desconozco qué será de ellos ni adónde irán a parar.

 

Aprovecho para desearos a todos una feliz navidad y felices fiestas.

Material Circulante: Medway 1945 + 8 U (REFER)

Hora: 15:26

Data: 16-07-2016

Local: Reveles (PK 208 - Ramal de Alfarelos)

Serviço: Comboio de Carril n.º 74361 (Entroncamento --» Amieira)

Im Hintergrund: "Polonaise" und "Wäschefrauen"

 

"Alltagsmenschen" -

Ausstellung im Skulpturenpark Eschborn (Taunus).

Material: Beton

Künstler: Christel und Laura Lechner (Atelier Lechnerhof)

21.06.2024. Gannets collecting nesting material on top of Bempton Cliffs, Yorkshire.

This hawk was tearing off this vine while the second one occupied the nest. Based upon the bands on the tail, I think it's a Coopers Hawk. The light was bad yesterday. Now that the light is good, I don't see the hawks. Maybe they noticed me watching them and decided to make a nest somewhere else.

Materiale rotabile e livrea omogenei per questo moderno regionale Udine venezia S.L., partito da poco da Conegliano, fotografato, sperimentando nuove focali, in un caldo tramonto di novembre. 17/11/2020

Material Circulante: Captrain 1563

Hora: 12:10

Data: 12-09-2024

Local: Estação de Penalva (PK 28 - Linha do Sul)

Staying on the farm to avoid Covid-19, so subjects materials have to be close at hand...

These are the jasper rocks in my back yard birdbath I've been playing with... posted by request.... :-)

Studio Exposure: Catwa Material Girl Eyes&Lips collection

@ maps.secondlife.com/secondlife/Black%20Caviar/110/95/24

- YS&YS: Khaly skin applier ( Tone 00 ) on Catwa Catya Bento Head

@ maps.secondlife.com/secondlife/Feel%20Beautiful/102/150/22

- Alme: Polish Applier Rainbow Nails

@Limit8

- Sintiklia: Kaori Hair

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