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Hier sieht man einiges von dem benutzen Material und auch einige Fotos, die ich zur Anschauung benutzt habe. Das Spiel soll sich um die Besetzung der Brücken über die Orne und den Caen-Kanal bei der alliierten Invasion 1944 drehen.
On this picture you can see some of the material used, for example black and white prints from the region. The game is set up around the conquest of the bridges across the river Orne and the Caen channel during operation overlord in 1944.
Constrution materials get piled in front of the pieces, but not against them -- well, not quite, I've seen a board here and there.
deployment by helicopter in very remote east of east timor areas of sensitive and non sensitive electoral material for the upcoming 9 october suku elections. UNPOL and PNTL also are deployed to remote areas where they at times need to walk a further 2 to 3 hours to their post. Photo by Martine Perret/UNMIT 8 october 2009
African Beads:
;The earliest Africans made beads as “fetishes”, charms, talisman and amulets for protection and adornments. The first materials were shell, stone, wood, bone, seeds, amber, ivory, teeth, clay, metals, etc. Beads were highly valuable and were also used as currency.
Trading could be done for food, livestock, etc. Beads evolve into a visual language that express rank, spirituality initiation, used to communicate culture value important to the people way of life. African people have had a special relationship with beads for thousands of years.
No other people on the planet used as many beads or in such abundance as African and the importance of the beads was not it shape, color, size or place of manufacture but the value that had been assign to it by privies generations
.Long before the first European return to Africa in the 1400’s century we were adorning ourselves with beads. Many of the beads are becoming increasingly rare and difficult to fine and some are no longer available, as worldwide demand for the beads increases.
" African Trade Beads":
this term typically applies to beads made predominately in European countries from the late 1400s through to the early 1900s, beads traded in Africa, Americas and other counties.
This "trade" period was from the mid 1800s through the early 1900s; millions of these beads were produced and traded in Africa. The Europeans dominated the African bead market.
The Beads were re- introduced to the American market in the late 1960s, by young peace core volunteer returning from Africa.
The beads became associated with the Hippie movement as symbols of love and peace. Today these beads are popular in contemporary jewelry and as collectable items .Millions are in private collections, bead and museums..
The United Nations Mission in Haiti (MINUSTAH) in conjunction with United Nations Operations (UNOPS), Haitian electoral officials and the Haitian National Police deliver non-sensitive electoral material to the south west of Haiti in advance of the upcoming elections on October 25, 2015.
Photo Logan Abassi UN/MINUSTAH
Here they use coral as a construction material!
Muro di corallo: qui il corallo e' usato come pietra da costruzione!Er Kan Old Residences -
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二崁古厝 - a group of old houses on Xiaomen Island (Penghu). The architecture is a mixture of southern Fujian, Western and Japanese styles.
The people who used to live here were Chinese herb traders - now only elderly people still live in these houses.
Le antiche residenze di Er Kan - un gruppo di case antiche costruite in un misto di stili Fujian del sud, Occidentale e Giapponese.
Un tempo ci abitavano mercanti di erbe cinesi - ora rimangono solo i vecchi.
Materials collected by desert leafcutter ant Acromyrmex versicolor workers, at the Phon D Sutton region of the Salt River Recreation Area, Arizona, on March 7, 2014. Materials include grass stems (left), mistletoe flowers (center), mesquite or palo verde leaves (lower right), small, unknown flower blossoms (right), large, unknown leaves (top).
Materials Park, ASM World Headquarters, Russell Township, Ohio.
www.asminternational.org/portal/site/www/about-asm/materi...
en.wikipedia.org/wiki/ASM_Headquarters_and_Geodesic_Dome
These pictures were taken in 1985.
Making a strong fashion statement with our decadent and lusious one of a kind jewelry pieces which are carefully crafted from up-cycled & vintage elements. By re-using already existing materials in the design of our products we reduce the waste impact on our beautiful earth.
2025.01.13 日本遺産・桑都フェスタ2025 繊維でつながる「織物のまち」にて
アップサイクル・テキスタイルを使ったワークショップを担当します！
Join Mayako's workshop "Let's Create Objects by using Up-cycled Textiles" in Japan Heritage Mulberry City Festa 2025.01.13!
www.tamaskc.metro.tokyo.lg.jp/jastice-outside/event/241/d...
Henry Moore - Form and Material - Museum Beelden aan Zee - The Hague
In collaboration with the Henry Moore Foundation, Museum Beelden aan Zee has made a selection of works from the artist's substantial oeuvre. Around 70 objects and sculptures portray the artistic vision and creative process of one of the most important innovators of modern sculpture. The exhibition in Beelden aan Zee focuses on the influence of nature on his work and his growth and development as a sculptor. From promoting direct carving – carving without using preparatory sketches and studies – to experimenting with casting in lead and bronze. Henry Moore (1898-1986) is one of the most important British artists of the twentieth century. His sculptures balance on the boundary between figurative and abstract art and continue to be a source of inspiration to artists. His work has a recognisable and characteristic formal language. Important themes in his oeuvre are ‘mother and child’ and his reclining figures, which he explored extensively.
From the 1920s, Moore participated in countless British and international exhibitions, with solo as well as group exhibitions, he sold work on a regular basis, and so made a name for himself as an important modernist sculptor. However, the Second World War called a halt to these positive developments. Henry Moore left his teaching post and took up a commission as a war artist. It was in this capacity that he produced his deeply moving Shelter Drawings of Londoners crowding the city's underground stations sheltering from the Blitz. In the 1950s he created larger groups of figures. The prices for his works increased considerably and his fame as an international artist continued to grow. In later years he served as a trustee at both the Tate Gallery and the National Gallery and he was the recipient of a large number of prizes and honours.