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Frau Holle at work
from the series : Enfolded
www.flickr.com/photos/casualties/sets/72157607356196448/w...
Material Circulante: Takargo 1449 + 6 U (Mota-Engil)
Hora: 14:48
Data: 09-07-2018
Local: Cabrela (PK 63 - Linha do Alentejo)
Serviço: Comboio Especial n.º 96235 (Poceirão --» Torre da Gadanha)
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Grazie
LE FOTOGRAFIE SONO IN VENDITA
THE PICTURES ARE FOR SALE
LE DIEU DE LA MER ... et ses performances
Vive negli oceani della Repubblica di S. Marino...;-))
ma nasce dalle acque di Saturo, terra degli Dei, dove ritorna per rigenerarsi
~*Credits and more pics here*~
Featuring NEW Dishonor Dress from Vague at anyBODY starting tomorrow, 9/19, includes a 12 color hud.
Material Circulante: Medway 5035 + 6 Zagkks (Tramesa) + 9 Zagkks (Ermewa)
Hora: 15:15
Data: 21-08-2017
Local: Barquinha (PK 111 - Linha da Beira Baixa)
Serviço: Comboio de Amoníaco n.º 47834 (Badajoz --» Entroncamento)
Glasses: Rivet Lux glasses by {BR} www.flickr.com/photos/154790816@N05/
Hair: B18 by barberyumyum www.flickr.com/photos/124739284@N02/
Here are some more images from this morning's observations of the activity. Nesting material being brought in, feasting on breakfast, and repositioning on a branch.
Material Circulante: Medway 1903 + 14 Regmms
Hora: 13:53
Data: 28-12-2019
Local: Algeruz Gare (PK 40 - Linha do Sul)
Serviço: Comboio Especial n.º 96206/7 (Minas de Neves Corvo --» Praias-Sado)
La 319.240 es la encargada en hacer el traslado de material de obra entre Cáceres y Madrid. La composición se componía de locomotoras 308 y 313 de Ferrovial+contenedores de carga de arena para las pruebas de carga en puentes+Bateadora y perfiladora en cola. A la mañana siguiente partiría de Madrid para Medina con tracción de la 319.405 y ya sin la bateadora y perfiladora. Estación de Illescas. 24/08/2021.
Material Circulante: Takargo 1563 + 12 Shmms (Ermewa)
Hora: 15:41
Data: 30-06-2021
Local: Triagem da Siderurgia Nacional (PK 3 - Ramal da Siderurgia Nacional)
Serviço: Em Manobras
de atrás para adelante: gorro, gafas, tapabocas, líquido autopolimerizante, separador de yeso, modelo ideal, 2 juegos de dientes y mi nuevo bebé, el dremel.
Material Circulante: Medway 1911 + 11 Us
Hora: 09:13
Data: 07-08-2024
Local: Paialvo (PK 118 - Linha do Norte)
Serviço: Comboio de Balastro n.º 74693/2 (Caldas da Rainha --» Torre da Gadanha)
Material Circulante: Medway 4721 + 15 Rlps
Hora: 15:07
Data: 25-01-2022
Local: Marmeleira (PK 226 - Linha do Norte)
Serviço: Comboio de Cimento n.º 64304 (Plataforma de Cacia --» Souselas)
Material Circulante - Locomotiva Diesel 1422 [CP Carga] + 4 Carruagens Sorefame Não Renovadas+ Locomotiva Diesel 1962 [CP Carga]
Serviço - Especial PTG nº 13811 [Porto-São Bento > Leixões]
Local - Estação de São Mamede de Infesta [PK 10,0 - Linha de Leixões]
Data - 31 de Janeiro de 2010 [09h51]
The Science Museum in London commissioned Heatherwick Studio to design a Materials House, an exhibit to show “everything that anything can be made of” for the Challenge of Materials gallery.
Instead of prioritising any one material to make the House from, and then exhibiting small samples of all the other materials within it, the studio chose to make the House itself from all of the materials.
Six-metre high pieces of each material are bonded together into a single element of many strata, weighing some four tonnes. The edge of every layer is visible around the object, and each material shows its surface at one point as a protruding piece. The geometric pattern becomes increasingly complex as the layers accumulate.
The finished piece is an assembly of 213 materials, each material needing its own cutting and bonding technique, all together in over 2,000 individually shaped pieces sourced from more than 80 suppliers and sponsors. The Materials House was completed in 1999 and has remained a centrepiece of the gallery.
This image is looking at the upper half of the piece and is about 3m tall. The width is just under 2m, with the depth of the layers over 1m. The centre is hollow, with light coming in from the Museum's windows.
Material Circulante: CP 5617 + Talgo 4B12
Hora: 14:45
Data: 01-09-2021
Local: Castelo Mendo (PK 238 - Linha da Beira Alta)
Serviço: Marcha n.º 27532 (Vilar Formoso --» Lisboa - Santa Apolónia) [Connecting Europe Express]
Material Circulante - UTE 2279 [CP Porto]
Serviço - Urbano nº 15014 [Leça do Balio > Ermesinde]
Local - Estação de São Mamede de Infesta [PK 10,0 - Linha de Leixões]
Data - 31 de Janeiro de 2010 [09h46]
A paper boy hands up a newspaper to an engineer during a station stop. From a photo charter on the Everett Railroad by Chris Lantz Photography.
Material Circulante: CP 5617 + Talgo 4B12
Hora: 17:21
Data: 01-09-2021
Local: Coval (PK 81 - Linha da Beira Alta)
Serviço: Marcha n.º 27532 (Vilar Formoso --» Lisboa - Santa Apolónia) [Connecting Europe Express]
6Z51 0440 Carlisle N.Y. to Heaton Lodge Jn, engineers train approaching Thornhill L.N.W. Jn, passing the baker viaduct site on the left also.
Material Circulante: CP 5617 + 3 Sorefame Renovada IC
Hora: 17:28
Data: 27-03-2023
Local: Barquinha (PK 110 - Linha da Beira Baixa)
Serviço: IC 542 (Guarda --» Lisboa - Santa Apolónia)
Material Circulante: Medway 5036 + 2 Zagkks (Tramesa) + 7 Zagkks (Ermewa)
Hora: 10:51
Data: 04-09-2024
Local: Santa Margarida (PK 125 - Linha da Beira Baixa)
Serviço: Comboio de Amoníaco n.º 43839 (Entroncamento --» Badajoz)
Material Circulante: Takargo 6001 + Ibercargo 5037 + 5 Laagrss (Captrain) + 6 Lgnss (Captrain) + 4 Sggmrss (Ermewa) + 3 Sggmrss (VTG)
Hora: 16:21
Data: 18-04-2021
Local: Fundão (PK 152 - Linha da Beira Baixa)
Serviço: Comboio Internacional n.º 89350/1 (Alfarelos --» Covilhã)
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Runa Photography, Daniel © 2018
© All rights reserved, don´t use this image without my permission
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El altar de catedral metropolitana de la ciudad de Sucre,Bolivia, es un trabajo de primera calidad, hecho por un maestro de indudable origen europeo. El apellido Pastorelo sugiere que podría ser italiano de nacimiento.
El tipo de retablo es totalmente español, ya que en Italia no existe equivalente para este tipo de altar de varios cuerpos, y la madera dorada es también material típicamente español.
El estilo del dibujo arquitectónico pertenece al final del Renacimiento, precisamente cuando comienza a desembocar en características barrocas.
El manejo de los órdenes clásicos es esencialmente renancentista en el dibujo de las columnas, pilastras y el friso decorado con modillones. Los motivos geométricos planos en el nicho del segundo cuerpo y el tercio inferior de las columnas se encuentran en la orfebrería española del siglo XVII y en los edificios andaluces del mismo período como por ejemplo la biblioteca de Jerez de la Frontera (1575) y los arcos contiguos al coro seiscentista de la gran mezquita de Córdoba.
Fuente: Universidad de Buenos Aires, Revista Anales (1950)
Pattern and texture are two fundamental aspects we need to look up whenever we think about bringing rustic elements in to our house. You can rely on this principle if you are now considering about replacing your old kitchen cabinets with another rustic cabinet. However, it is not as easy as just...
I first glimpsed this old house from the corner of my eye while driving along an adjacent street. It was one of a billion such scenes my eye takes in while traveling just about anywhere. In this case I just caught a quick glimpse as I passed. But it left a strong impression and planned to make my way back here for a closer look. I timed my return to coincide with awful weather, unreasonably cold, damp and windy. I wanted this as the visual backdrop. Also working in these conditions minimizes the chances of encountering people. The house simply looked lonely when I first noticed it. But up close the loneliness seemed intentional. The front window was boarded off with well weathered plywood. The first floor windows were covered not with curtains but bedsheets and towels. The upper floor windows were not covered at all. The absence of upper floor window treatments made the impromptu ones on the first floor even more nefarious...not there as a house warming touch but only to block prying eyes. The house and yard bore none of the trappings of family life. No decorations, birdhouses, lawn furniture, nothing at all. The old TV antenna was the only sign of easy living, and even that was a stretch. It's one of those places that you can't even be sure is vacant. I approached nervously, walking the road in front of the house, pausing now and then to look. All the while it felt like I was being observed. Perhaps by someone inside the house, lurking behind the bedsheet curtains. Quite likely someone not enamored with photography. I really just wanted to keep walking but resolved not to leave without getting the photos I came for. I shot from several angles, and continued even after I had moved past the house. This view is looking back uphill. The house actually has more presence from a distance. Perhaps the context of its location up on the hill added to the menacing effect. Felt good to finally get away from here. More like an escape than an orderly departure. I still had some distance to cover walking back to my car. Didn't begin to relax until I had driven away.