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In early 2002, in a justified act of revenge, I stole my friend Andrea Zink's bra. You know, that fleshy, beige-coloured bra all girls own for under white or sheer tops.
I began a campaign to photograph as many friends, acquaintances and even family in the bra. Then I sent the photos to people I knew around the globe with as a postcard template which they printed out and mailed back to Andrea, convincing her that her bra was on a walkabout around the world—torturing her from each locale.
Andrea hated it. One day, figuring I must've been the cause of all this, she marched into my office and threw a particular postcard (#002 to be precise) at my head and yelled "Make it stop!"
I did not.
Standing in a video projection / wall art piece in the basement of the Red Gallery in Shoreditch, London.
Mark Dalzell chats up his Ricoh flea market find on FPP 112!
Film Photography Podcast - Episode 112 – November 1, 2014
The internet radio show for people who love to shoot film! Ricoh Five-One-Nine! Groove Book! 620 Film! 1970s Photo Magazines! Kodak Duaflex IV and more!
Listen - filmphotographyproject.com/podcast/2014/11/film-photograp...
Well...here she is :))
Arrived yesterday by UPS, just one day from payment to devilary from Pixmania-Pro.
Ana is going to keep the old 5D. a kind of X-mas to her :)) <3<3
I first noticed him ahead of me on the escalator exiting the subway and ending in the atrium of the shopping center. All I could see was the edge of his beard and his cape but I noticed how connected he seemed with his surroundings. While many travel about the city in a stupor or daydreaming, he seemed very aware and interested on his trip to the surface. I decided to approach him for my project and when I caught his attention from behind I realized what a truly excellent portrait subject he would be, with his dramatically curly, silver beard. His response was an immediate friendly smile, not a startle reaction and he said “Sure. I’d be glad to.” Meet Mark.
Mark seemed a bit surprised that with all the open space of the atrium, I was suggesting we go to a corner near windows where there would be more natural light. I gave him my contact card and showed him samples of my project photos and he quickly processed the information and put down his bag and umbrella on the nearby ledge. “No problem” was his attitude. He smilingly told me that he gets asked for photos fairly often. I’m not surprised.
Mark was very agreeable as I positioned him and took a few portraits and at one point he slipped into a pose of looking at the camera looking a bit mysterious. He told me his hashtag is streetwizard. I laughed and said I could see why. I finished with a photo from a distance to show his great look and he obligingly held his cape open to show the crystal hanging around his neck. (It sure helps when the stranger you meet is a professional model!) “Do you always dress like this?” was my question. “Oh, like this and worse!” was his amusing, self-deprecating reply. “I do my own thing and like to think that I set an example for others to go out in public with their own unique look.” I told him that his was certainly a great look and he said he likes being a Wizard because Wizards are safe. They will never hurt you.”
I shouldn’t have been surprised when I learned that Mark is an actor and model. Born in Toronto, he was on his way to an audition. I noticed on his bio that he has been on some very popular shows (including Hawthorne, JAG, 24, and Criminal Minds) and does a wide variety of modeling work. I said I hoped I wasn’t making him late for his audition and he said “No, I’m still ok. I won’t get the part anyway; I can see it’s not for me – but I like the experience of auditions and I enjoy meeting people.” He double-checked that I had gotten what I needed in the way of photos. Clearly, he would have given me a bit more of his time if needed. He’s clearly a busy, successful guy and said he had a nonprofit event he was going to after the audition and had a modelling session later in the afternoon.
Mark’s advice to his younger self was “You can’t save face and your ass at the same time.” When I asked about interests outside of acting he said “Telling the truth. I love the truth and I love telling the truth.” Mark expressed real interest in my Human Family project and thanked me for including him. I thanked him for taking the time and said it was a pleasure having met him. I offered to send him a copy of the photos as a thank you, then caught myself and said “Oh, what am I saying? As a model and actor you probably have hundreds of profession portraits.” He waved my comment aside and said “No, I’m very interested in what you’re doing and would love to have copies.” He did, in fact, write me an email later in the day. It said "Thank you so much for stopping to interview me. You are a fellow magical inspiration." It went on to state "I fully release the rights and ownership of the images taken at Toronto Eaton Centre on this day 2019-01-30 to you." I mean how nice is that?
I have never met a Wizard before, but I was struck by Mark’s response to my project request. He was confident, warm, interested, and I had the feeling I had met a man who was very comfortable in his own skin. And that’s not even touching on his magical powers!
This is my 802nd submission to The Human Family Group on Flickr.
You can view more street portraits and stories by visiting The Human Family.
Saxophonist, Mark Taylor for the Leading Questions Project.
The interview is here:
The blog about the shoot is here:
leadingquestionsproject.blogspot.com/2008/10/mark-taylor....
Shot with a Mamiya RZ67 w/110mm 2.8 lens at f/11, 1/400th of a second, using Kodak Portra 160 NC film rated at ISO 100.
The lighting was provided by a medium soft box on axis with the camera as key, a small soft box over the subject's head and 4' strip lights on either side. A large, white, circular reflector is on the floor in fron of Mark, helping to lift the shadows just a touch.
Triggered by Pocket Wizards
Mark D always has the most interesting gear.
From last fall's recording session of the Film Photography Project's podcast.
Camera: Canon EOS A2E, 28-105 lens
Film: Kodak Gold 200
Image: By Leslie Lazenby
First time recording in the new FPP Studio, Fair Lawn NJ. Fall 2016
Mark Rietmeijer, sculptor and friend. Three weeks ago a new block of marble arrived in his studio. I decided to make pictures of the creation of his new work of art.
So from now on I'll upload pictures on a regular base, showing the process of creation.
See also: www.markrietmeijer.nl/ (dutch & english)
See the whole set: www.flickr.com/photos/simeon_barkas/sets/72157600224554402/
The Jaguar Mark IX (1958-1961) was the final development of the Jaguar Mark VII, which had been launched at the Earls Court motor show in October 1950, followed by the American launch at the Waldorf Astoria hotel in New York. It was specifically aimed at the American market, where it sold 500 cars in the first 3 days.
The Mark VII and its successors retained a separate chassis and used the XK engine, initially of 3.4 litres capacity, first seen in the low-volume XK120 sports car, introduced in 1948. The Mark VII was a large car by British standards but offered American buyers a traditional British interior of leather and walnut. The Mark VII was also one of the first British cars to offer automatic transmission, by Borg Warner, again reflecting American requirements.
The final version of this design, the Mark IX, was introduced in late 1958. It featured a larger engine, now of 3.8 litres capacity, disc brakes on all 4 wheels and power steering. Most featured a two-tone colour scheme but not the car shown here. Automatic transmission was still an option, although chosen by most buyers. A few Mark IXs (the number 30 comes to mind) were fitted out as limousines, with bench front seats, a division between front and rear and a cocktail cabinet in the back. I saw one of these, with chauffeur, parked near Fenchurch Street station in east London in 1963. It looked very smart and not at all shown up by a pair of Rolls-Royces parked alongside. The Mark IX was replaced by the all-new Mark X in late 1961.
In 1894 Marks & Spencer opened their 'Penny Bazaar' in Kirkgate market here in Leeds England.
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Please follow me if you like my B&W photos, I am not the best photographer as I take most of my shots from my wheelchair so I cannot get into the best places/positions to take a photo but I try my best. Lee.
Finishing Zaamurets inspired a brief WW1 phase and I decided to rebuild my favorite tank of the era, the British-American Mark VIII/Liberty Tank/International. I aimed for a clean look, but it was a pain to shape together regardless.