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Zillebeke (Ieper)
"Beneath this spot lie the bodies of an officer, three N.C.O.'s and eight men of or attached to the 177th Tunnelling Company, Royal Engineers, who were killed in action underground during the defence of Ypres between November, 1915 and August, 1917."
Haager Lies
24104 was built in 1950 by Graaf Elze (serial number 7385) with AEG electrical components for the Bad Eilsener Kleinbahn in Germany as their ET204. On the BEK, it ran on 600 V with a top speed of 40 km/h. In 1967 it was sold to the Montafonerbahn where it was adapted to 800 V and regeared to 75 km/h and renumbered it as B4ET 10.101. In 1972 the MBS upgraded it run on either 800 V direct or 15,000 V AC. MBS sol it to Stern & Hafferl in 1991 and it acquired number ET 24.104 where it runs on 750V.
Unit 24104 has just arrived in Lambach with train 8263 (14:09 from Haag am Hausruck) and will return at 15:18 as train 8264. Thursday September 26th, 2002.
By David Byrne & Fatboy Slim " Here Lies Love ", A song cycle about Imelda Marcos & Estrella Cumpass
“The story I am interested in is about asking what drives a powerful person—what makes them tick? How do they make and then remake themselves? I thought to myself, wouldn’t it be great if—as this piece would be principally composed of clubby dance music—one could experience it in a club setting? Could one bring a ‘story’ and a kind of theater to the disco? Was that possible? If so, wouldn’t that be amazing!”
—DB, from the introduction
PRESS REVIEWS
On the Imelda Marcos Inspired New Album
As far as unlikely muses go, creating a modern disco album based on the life of shoe-loving former First Lady of the Philippines Imelda Marcos is quite a bizarre undertaking. But then David Byrne has always enjoyed a challenge.
Clash Music 06.05.10
Marcos Seeks to Restore Philippine Dynasty
Removing the earbuds, tilting her head slightly, [Imelda] said in an exaggerated tone, "I’m flattered; I can’t believe it!"
The New York Times 05.08.10
David Byrne & Fatboy Slim — Here Lies Love
Verdict: Concept LP about Imelda Marcos. Extra dancing shoes, attention span required.
The New Zealand Herald 05.08.10
Vida de Imelda Marcos, viúva de ditador das Filipinas, inspira disco conceitual de David Byrne e Fatboy Slim
O time oferece um verdadeiro quem-é-quem da cena pop anglo-americana atual, entre veteranas e emergentes.
O Globo 05.01.10
The rise of Imelda, in her own words
People who listen to the entire album will be rewarded with more than narrative depth. They'll hear stunning performances...
The Australian 05.01.10
CD review: David Byrne & Fatboy Slim, “Here Lies Love”
...You don't need to be interested in the history of Filipino royalty to dance to Byrne's soundtrack of it.
The Aspen Times 04.29.10
Here lies myth
As a historical artifact, the album is a keepsake.
Manila Standard Today 04.29.10
Dancing on the grave of history
The idea of using dance music to tell the story of Imelda Marcos is both loony and a stroke of genius.
The Philippine Star 04.23.10
David Byrne & Fatboy Slim, “Here Lies Love”
One of the unquestionably oddest releases of the year.
Planet 04.23.10
Dance Mix: Funk Meets Mrs. Marcos
A fountain of funk and dance music that's entirely accessible, great fun and can easily be enjoyed a song at a time.
The Wall Street Journal 04.19.10
Byrne, baby, Byrne
The rock icon on song cycles, cycling, and escaping the past with Imelda Marcos. And you may ask yourself, is this my beautiful new business model?
Guernica 04.10
The Yes List—David Byrne and Fatboy Slim's Imelda Marcos Musical
Each week, The Daily Beast scours the cultural landscape to choose three top picks.
The Daily Beast 04.16.10
Try putting yourself in her shoes
Depending on how you look at it, the timing couldn’t be better, or worse. Now 80 years old, Marcos...is seeking a parliament seat in Ilocos Norte in the northern Philippines.
Macleans (CA) 04.15.10
The Imelda Marcos Story — As Told by David Byrne
...A winning twist on the "album musical" tradition.
TIME 04.10.10
„Menschen brauchen Märchen“
"Ich erzähle darin auch die Geschichte der Liebe zweier Frauen, die verloren ging."
Focus 04.09.10
Lyrics Lush and Gawky
Though they’re tied to biographical specifics, the songs breeze along toward irrepressible pop choruses.
The New York Times 04.08.10
David Byrne and Fatboy Slim give a refreshingly sober view of Imelda Marcos in ‘Here Lies Love’
Many of the songs show the influence of Byrne's longtime love of Latin music, but it's their sweet melodies that really entice.
NY Daily News 04.07.10
Dancing barefoot to the Imelda Marcos OST
The realization that hey, this is all about Imelda! will surely make you sit up and listen. That is, if you aren't too busy already dancing.
GMA News (Philippines) 04.07.10
Here Lies Love
[It] has more going for it than museum-piece fascination.
The Onion: A.V. Club 04.06.10
Daily Dose Pick: Here Lies Love
David Byrne and Fatboy Slim’s star-studded collaborative concept album about the life of Imelda Marcos may sound strange, but it’s no less stunning for it.
Flavorwire 04.06.10
David Byrne & Fatboy Slim: "Here Lies Love"
Slim is razor sharp at placing proper beats in the music to recall the late-night '70s New York club scene.
New York Post 04.06.10
A hymn to the Iron Butterfly
Byrne has produced a work that not only tells Imelda’s story but celebrates the art of the album as well.
The Globe and Mail 04.06.10
Ode to Imelda is a Shoe-in for Success
...A thrilling success.
Newsday 04.06.10
Listen Up: Imelda Marcos, the musical? For Byrne, it's 'Love'
Allison Moorer and Sharon Jones are standouts, respectively lending earthy shine to the ebullient When She Passed By and soulful punch to Dancing Together.
USA Today 04.06.10
David Byrne and Fatboy Slim: Here Lies Love
...An impressive work that certainly shows the marks of five years’ worth of refinement.
PopMatters 04.05.10
David Byrne, Fatboy Slim gather eclectic cast for odd, wonderful Imelda tribute
...An epic, thrilling tale brimming with hair-raising harmonies, sumptuous beats and unexpected duets.
The San Francisco Examiner 04.05.10
HuffPost Reviews: David Byrne and Fatboy Slim
It works so well and so strangely--especially with guests like Steve Earle in the role of Ferdinand Marcos--that you'll wonder why it's never been done before.
The Huffington Post 04.05.10
Imelda Marcos's life in funky rhythm
...A sumptuous two-disc feast of harmony, melody, and Latin-accented grooves that the Studio 54-loving Marcos herself would likely appreciate.
The Boston Globe 04.05.10
David Byrne and Fatboy Slim: Here Lies Love
The pair’s navigation of the narrative is impeccable, as Marcos uses her steely resolve to rise above her troubled childhood.
The Times 04.03.10
Top Marcos
A glittering array of talent assemble for a complex paean to a former dictator's wife.
NME 04.03.10
David Byrne & Fatboy Slim: Here Lies Love
It contains enough solid material to justify repeated listens.
Billboard 04.03.10
A rock opera on Imelda Marcos
Here Lies Love’s beguiling music and vivid lyrics evoke Imelda Marcos’s corrupt, seductive glamour.
Financial Times 04.02.10
Unlikely muses but exceptional music
Despite its considerable conceptual ambition, the album finds Byrne reconnecting with his pop roots in a big way.
The Star-Ledger 04.02.10
CD of the week: David Byrne & Fatboy Slim
As long as inventive, thoughtfully generous souls such as David Byrne are at the controls, rumours about the death of the album will remain greatly exaggerated.
Daily Mirror 04.02.10
Here Lies Love: David Byrne and Fatboy Slim, CD review
...A headily atmospheric and inspired combination of humid, late-Seventies, early-Eighties Latin-tilted beats and lyrics you actually want to think about.
The Telegraph 04.01.10
Album review: David Byrne and Fatboy Slim: Here Lies Love
...This is a...satisfying celebration of strong female voices, each one shrewdly matched by Byrne to their particular song.
The Scotsman, 03.30.10
David Byrne inspired by dictator's wife
The once in a lifetime artist proved once again that he's more than willing to step up to the mark-os.
Sky News 03.26.10
Sound check: mad about Imelda Marcos
Despite her crimes Marcos is essentially remembered for her eccentricities. This none-more-eccentric production is a suitable reflection of a very strange life.
Evening Standard, 03.26.10
Album Review: David Byrne & Fatboy Slim - Here Lies Love
Byrne remains one of the most charismatic and intellectual songwriters of our time, and Fatboy Slim can still produce the coolest beats for people to break-dance to outside of movie theaters.
Consequence of Sound 03.26.10
David Byrne: Two heads are sometimes better than one
On the eve of releasing 22 new songs with Norman Cook, the Talking Heads frontman tells of the joys of artistic collaboration.
The Observer, 03.21.10
David Byrne & Fatboy Slim: Here Lies Love Music Review
Dig into [the] heady stuff if you like — or just surrender to the inexorable beats.
Rolling Stone 03.18.10
Ruff Manila
Byrne says the incongruity of combining club frippery and serious intentions was appealing.
MOJO 03.10.10
Imelda Marcos gets the Evita treatment
"Basically, DB had worked out the whole thing in his head,” says Cook. “He loves to do the right thing the wrong way..."
The Sunday Times 02.21.10
The only Filipino in all-star soundtrack of Imelda musical
This is a serious psychological study of a complex and flawed character whose delusions affected many innocent people.
Philippine Daily Inquirer 02.11.10
Fatboy Slim y David Byrne hicieron un disco juntos
Codo a codo con Byrne, el ex bajista de Housemartins y actual Dj estrella cinceló el pulso de las composiciones y le agregó su habitual clima bailable.
10 Musica 12.16.09
David Byrne + Fatboy Slim = Imelda Marcos !
Curieux casting, curieux sujet…
Qobuz 12.15.09
David Byrne og Fatboy Slim afslører trackliste
Musikken er naturligvis komponeret af de to bagmænd, Fatboy Slim og David Byrne...
Gaffa 12.15.09
David Byrne and Fatboy Slim Immortalize Imelda Marcos
With this story of rags to riches that bursts with dubious morality, no wonder Byrne was intrigued.
Flavorwire 12.14.09
David Byrne and Fatboy Slim team up for Here Lies Love
He’s been popping up on our radar, here and there, and that’s always a good thing when it comes to David Byrne.
OneThirtyBPM 12.14.09
David Byrne mints Imelda Marcos CD
A concept album that tracks the rise and fall of former First Lady Imelda Marcos will be released this year, featuring former Talking Heads frontman David Byrne, British DJ and big beat musician Fat Boy Slim, and 22 guest performers.
Manila Standard Today 4.16.09
Byrne 'finishing off Fatboy CD'
The pair have roped in a host of guest stars for the project, Here Lies Love, including Santigold and Roisin Murphy.
BBC News 4.9.09
2005-2007
Extravagance (and Shoe Love) in the Rise of a Despot?
"This is quite a place to audition new material," David Byrne deadpanned at Carnegie Hall on Saturday night…
The New York Times 2.5.07
David Byrne Meets Imelda
With almost every number in Here Lies Love the audience was ready to dance, even if it was to a lesson in late 20th century southeast Asian history.
Time 2.4.07
In New York, David Byrne sings of Imelda Marcos
"This is not artistic licence, this is reportage," Byrne told a laughing audience as the story moved to Marcos' extravagant visits to New York, where she frequented the famed nightclub "Studio 54."
Reuters 2.4.07
Imelda: The Nightclub Years
No shoes? No brutal husband? David Byrne tells Andrew Purcell why he teamed up with Fatboy Slim to write an opera about the disco-loving side of Imelda Marcos.
Guardian (UK) 1.29.07
Has Opera Lost the Plot?
The music-theatre piece by David Byrne on the life of Imelda Marcos, Here Lies Love, came much closer to a kind of operatic truth…
The Weekend Australian 3.25.06
The life of Imelda Marcos comes to the Adelaide stage
"And I thought, here's someone in power that comes with a sound track attached…"
ABC Australia 3.13.06 — Radio interview [1MB Quicktime file]
A Steel Butterfly Still Emerging
[Byrne] is proposing that Imelda is no more the sum of her shoes than Jackie Kennedy was just a collection of pillbox hats.
The Australian 3.13.06
Retro and Kitsch — So in Style
Introducing the show, Byrne said he was interested in how powerful people justify their morally reprehensible acts to themselves, but he found Imelda more interesting than your garden-variety dictator because she had a disco installed in her New York townhouse.
The Age 3.13.06
Imelda Marcos, in her own words
Imelda Marcos pointed a tiny pistol straight ahead of her and a red dot appeared on a screen in the middle of a heart-shaped face labeled "Happy."
The International Herald Tribune 3.8.06
True Stories
So David Byrne calls Fatboy Slim and says: "Here's an idea. Imelda Marcos, OK? Wife of a dictator. Liked to go to discos in her younger days. Could make a good musical. What do you think?"
The Australian 2.25.06
Byrne, Baby, Byrne
"The auditions were fairly hilarious," Byrne says. "Because they have to sing for the whole thing and because it's energetic dance music, I set up a karaoke lounge in my studio here."
The Advertiser 10.15.05
On the same place as Passat B5 trim, VW Passat B5 centre cap and Scania wheel nut cover. It must lie there for years, too.
De Zimmertoren is een toren in Lier, in de Belgische provincie Antwerpen. De toren is genoemd naar uurwerkmaker Louis Zimmer, en is het resultaat van het verbouwen van de middeleeuwse Corneliustoren, die een deel was van de tweede omwalling rond de stad. De toren staat op het Zimmerplein, het vroegere Wilsonplein. Dit plein ligt aan de binnennete. De kade hier werd vroeger gebruikt om schepen te laden en lossen. Lierenaars spreken daarom ook nog vaak van de "kade" of "kaai" als ze verwijzen naar het Zimmerplein.
Het bouwjaar van de oorspronkelijke toren, een oude vestigingstoren (de corneliustoren), is niet precies bekend, maar ligt vóór 1425. De toren behoorde tot de tweede omwalling van de stad. De toren werd in 1812 door het gemeentebestuur verkocht, maar werd na de Eerste Wereldoorlog weer aangekocht, omdat het stadsbestuur de toren wilde afbreken. In 1928 schonk Zimmer aan de stad Lier een uurwerkmechanisme (de Jubelklok, gemaakt met zijn rechterhand Frans Dirckx en zo genoemd omwille van de viering van 100 jaar Belgische onafhankelijkheid in 1930 bij de officiële inhuldiging van de toren) dat diverse tijden en kosmische en andere periodieke verschijnselen aangeeft. Er werd besloten dit uurwerk onder te brengen in de bouwvallige Corneliustoren, die daartoe tussen 1928 en 1930 werd verbouwd en gerestaureerd en sindsdien Zimmertoren wordt genoemd. De inhuldiging van de Zimmertoren vond plaats op 29 juni 1930. De hele verbouwing werd voor het grootste deel uitgevoerd door vrijwilligers en de kostprijs bedroeg 169.230,40 Belgische frank.
Op het pleintje vóór de toren lag tot 2013 een voorstelling van het zonnestelsel, met de voorstelling van de planetoïden Felix (1664) en Zimmer (3064), die respectievelijk naar Felix Timmermans en Louis Zimmer werden genoemd en die ontdekt werden in 1929 en 1984. In 2013 is de planetencirkel verwijderd en vervangen door een didactische versie in het paviljoen.
De werken van Louis Zimmer worden sedert 1930 in eigendom beheerd door de onafhankelijke vzw Zimmertorencomité Lier die tevens huurster is van de gebouwen tot in 2045.
Sinds 1980 is de toren beschermd als monument. De Zimmertoren behoort tot een van de meest karakteristieke klokken van Europa.
The Zimmer tower (Dutch: Zimmertoren) is a tower in Lier, Belgium, also known as the Cornelius tower, that was originally a keep of Lier's fourteenth century city fortifications. In 1930, astronomer and clockmaker Louis Zimmer (1888–1970) built the Jubilee (or Centenary) Clock, which is displayed on the front of the tower, and consists of 12 clocks encircling a central one with 57 dials. These clocks showed time on all continents, phases of the moons, times of tides and many other periodic phenomena.
In 1980 the tower became a state-protected monument.
The original tower was built no later than 1425, though the precise date of construction is unknown. In 1812 the tower was sold by the municipal authorities, but after World War I, they repurchased it and slated it for demolition. In 1930 astronomer and clockmaker Louis Zimmer donated a complex clock which was installed in the old tower, which had to be substantially reconstructed for this. In honor of the astronomer the structure was renamed the Zimmer tower.
In 1960 a pavilion for the new clock was built next to the tower to present Zimmer's masterpiece the wonder-clock. (Dutch: Wonderklok). These wonder-clocks were prepared for the 1935 world exhibition in Brussels; later they were demonstrated in the U.S.. Around one of these dials moves the slowest pointer in the world - its complete revolution will take 25800 years, which corresponds to the period of the precession of the Earth's axis. Subsequently, Zimmer attached to the clocks a mechanical planetarium. The wonder-clocks impressed Albert Einstein, who congratulated Zimmer on the creation of these unusual mechanisms.
On the small square at the foot of the tower an exhibition of the solar system was arranged with the aid of metallic circles and the rings (circles designate the sun and planets, rings the orbits of planets). These also show asteroids Felix (№ 1664) and Zimmer (№ 3064), which were named after Felix Timmermans and Louis Zimmer when discovered in 1929, and 1984. In 1980 the tower obtained the status of state protected monument. Now the Zimmer tower and pavilion with the wonder-clocks is a museum.
The Centenary clock has one large dial in the centre, measure 1.5 metres (4 ft 11 in) in diameter. This dial shows the exact time (UTC+1; during daylight saving time UTC+2 is used instead). The twelve dials around the centre dial show the following (starting from the dial in the 2 o'clock position and going clockwise): the equation of time, the zodiac, the solar cycle and the dominical letter, the week, the globe, the months, the calendar dates, the seasons, the tides, the age of the moon, the phases of the moon and the metonic cycle and the epact.
The equation of time
This dial shows the difference in minutes between the apparent solar time and the mean solar time. Positive values indicate that the apparent solar time is ahead (fast) of the mean solar time, with maxima around November 3 and May 15. Negative values indicate that the apparent solar time is behind (slow) of the mean solar time, with a maximum lag around February 12 and July 27.
The difference is zero four times a year; around April 16, June 15, September 1 and December 25.
The zodiac
Every year the sun describes an imaginary circle around the earth, called the zodiac. The zodiac is divided in twelve segments, each denoted by a sign associated with a constellation. This dial shows the zodiac signs. The signs of spring; Ram, Bull and Twins. The signs of the summer; Crab, Lion and Virgin. The signs of the fall; Balance, Scorpion and Bowman. The signs of winter; Capricorn, Water-bearer and Fishes. One revolution of this dial takes a year.
The solar cycle and the dominical letter
The solar cycle is a 28-year cycle. After the 28 years, dates reappear in the same order. On the inner circle, the hand indicates the current year of the solar cycle. On the outer circle, the hand shows the corresponding dominical letter. The dominical letter gives the day upon which the first Sunday of the year falls. The letter A means that the first Sunday of the year will fall on January 1. The letter E for example, indicates that the first Sunday will be on January 5. Leap years have two dominical letters because the dominical letter changes end February. The first letter covers January and February, the second covers March to December. For leap years, the outer circle will show two dominical letters.
The week
This dial marks the seven days of the week, represented by ancient gods and their symbol.
SundayApollosun
MondayDianamoon
TuesdayMarslance
WednesdayMercuriusgolden staff
ThursdayJupiterflash of lightning
FridayVenusmirror
SaturdaySaturnsickle and scythe
The globe
The rotation of the Earth causes day and night. It is day on the part of the globe that is currently visible. The places on earth that pass under the fixed meridian (the golden belt running from the North Pole to the South Pole) have noon at the same time. The globe rotates once every 24 hours.
The months
This dial depicts the twelve months. The hand shows the current month. One revolution takes a year.
NumberMonthAlternative name
1JanuaryIce-month
2FebruaryDuck-month
3MarchFish-month
4AprilHarlequin-month
5MayFlower-month
6JuneShearing-month
7JulyHay-month
8AugustHarvest-month
9SeptemberFruit-month
10OctoberWine-month
11NovemberSlaughter-month
12DecemberResting-month
The calendar dates
This dial shows the exact date. The numbering goes to 31, the maximum number of days in a month. In months that have less days (28, 29 or 30), the hand automatically moves forward to the first day of the following month.
The seasons
The dial shows four drawings by Felix Timmermans, representing the four seasons. Spring is represented by a child with flowers (upper left). The duration of the season is indicated with Arabic numerals for the days and Roman numerals for the hours. Spring lasts for 92 days and 11 hours. The summer is represented by a mower and lasts 93 days and 8 hours. Autumn is symbolised by a cornucopia and lasts 89 days and 10 hours. Winter is represented by an old lady reading by the fireside. The duration of the winter is exact 90 days.
On the dividing lines between the drawings is a small globe indicating the part of the globe that is being lit by the sun at the start of the season. The differences in illumination during the year are caused by the Earth's axial tilt. The hand completes one revolution a year and shows the current season.
The tides
The dial indicates the tides at Lier, Belgium. The biggest ship and the flag without the streamer indicate high water. When the streamer is above the flag it is flood. It is ebb when the streamer is below the flag. At Lier, the water is rising for 3 hours and 53 minutes and falling in the other hours. This dial completes almost two revolutions a day.
The age of the moon
The time between two full moons is about 29 days, 12 hours, 44 minutes. This is the time it takes the Moon to make one orbit around the Earth. The dial shows how many days passed since last new moon, indicating the day in the cycle of the moon and showing on the inner circumference the phases of New Moon (Dutch: Nieuwe Maan, N.M.), First Quarter (Dutch: Eerste Kwartier, E.K.), Full Moon (Dutch: Volle Maan, V.M.) and Last Quarter (Dutch: Laatste Kwartier, L.K.).
The phases of the moon
This globe, colored half-gold and half-blue with golden stars, shows the phases of the moon. The golden part represents the visible part of the moon.
The metonic cycle and the epact
The hand on this dial revolves once in 19 years. After this period, the different phases of the moon will fall again on the same dates in the year. The Greek astronomer Meton proved this in 432 BC. On the outer ring, the hand points to the golden number, or the number of the current year in the metonic cycle. The inner ring shows the epact, which is the age of the moon on the first of January of the current year.
Ace & Rusty’s arch nemesis passed by a few minutes ago and they both went ballistic. Now they are staring at the fence in anticipation that he will return so they can take him down. Which, of course, is impossible with a fence between them, but it’s worth a try, right?
of some roast duck and a BCS Title. WAR EAGLE.
2010 National Champion AUBURN TIGERS
Nature Winner in PvN!!!
(Taken at the Audubon Zoo, New Orleans)
© Copyright rsr418. This image is not to be used by any party other than Flickr for any reason unless consent is given from rsr418.
Gullaug kirke er en langkirke fra 1905 i Frogner sogn i Lier kommune, Buskerud fylke. Byggverket er i tre og har 100 plasser.
The 'Park of Honour of Those Who Were Shot'
Memorial and graves of resistance heroes and martyrs - brave Jews, brave Christians, dissidents, anti-fascists, socialists, rebels, samizdat journalists and organisers - those who dared to question and fight oppression, and the evil Powers That Be.
Here you see the faces of my brothers, my own dear family, my partners in fighting sheer political evil - resting in their graves here, in perhaps the most poignant place in all of Brussels, Belgium. Here lie those in Belgium who were shot fighting the Nazis of the 1940s - as I myself have nearly been killed fighting the more recent fascists, some of the 'new Nazis' of the 21st century.
Shortly after I arrived in Brussels as a political refugee from the US, under threat of murder by far-right political figures, this is one of the first places I visited. I came here to weep some tears amid the companionship of my anti-fascist comrades, who also looked death in the eye as they tried to speak and act for what is right.
The camera used here, and the chance to make these photos, are gifts of the brave dissident US Jewish physician, Dr Moshe 'Moss' David Posner, who risked and gambled his own life, to support me and help keep me alive in the face of threats by neo-Nazi assassins.
These are photos from the daily life of writer and political refugee from the US, Dr Les (Leslie) Sachs - photos documenting my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists "About Les Sachs" linked in my Flickr profile, and press articles such as "Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs".)
This extremely moving memorial and gravesite, is known locally as the Enclos des Fusillés - Ereperk der Gefusillerden (Brussels is bi-lingual French- and Dutch-speaking, so place names are given in both languages here.) - In English, the name is perhaps best rendered as the "Park of Honour of Those Who Were Shot".
The Enclos des Fusillés - Ereperk der Gefusilleerden includes many martyrs of the Belgian resistance of World War II, being both their gravesite and also the place where many of them were shot to death by a Nazi firing squad. - And it is also a memorial and the place of death, of other heroic figures who were shot to death in the previous German occupation of Belgium during World War I. One heroine from the First World War who was shot by the Germans and is now commemorated here, is the famous British nurse Edith Cavell.
The reason that this was a convenient place of execution by firing squad, is that it was originally part of a Belgian military training area and rifle range that existed here once upon a time, and you still see here the tall hillside that served as an earthen 'backstop' to safely absorb high-powered rifle bullets. The hillside was thus ready-made for the German commandants who occupied Brussels in both wars, to carry out their firing-squad executions.
Nowadays, the Enclos des Fusillés - Ereperk der Gefusilleerden appears quite 'central' in urban Brussels, as it lies in the Schaerbeek - Schaarbeek commune, directly in the path from the EU institution area toward the roads that lead to the airport, and very near to the 90-metre high VRT-RTBF communications tower that has long been a major Brussels landmark.
The Enclos des Fusillés - Ereperk der Gefusilleerden is walking distance from the eastern Brussels 'prémétro', which is a grouping of tram lines that run underground for several stops on both the eastern and western sides of the Brussels city centre, supplementing the regular métro underground system with a similarly high frequency of service and also underground. If you continue along the prémétro lines south from the Diamant stop which is near the Enclos des Fusillés - Ereperk der Gefusilleerden, you shortly arrive at the elaborate 19th-century military barracks buildings which once housed the soldiers who used the rifle range and parade grounds, which later become the place of martyrdom for members of the anti-Nazi resistance.
This is a place of great emotion for me personally, because the resistance martyrs who lie in these graves - a number of them socialists, journalists and with Jewish-heritage, critics of corruption just like myself - are my comrades in my own ordeal. I barely escaped alive out of the USA, nearly murdered by neo-Nazi-linked thugs, who themselves spoke favourably of Hitler as they moved toward killing me, as well as trying to ban my ability to write and speak.
It is sad that this place, Enclos des Fusillés - Ereperk der Gefusilleerden, is very little visited nowadays. Most of the time when I come here to contemplate and shed a few tears amid my comrades, and also to gain strength from their brave spirits, I am alone. Many of the family members and children of those who died or are buried here, have now themselves often passed away.
But on occasion there are people visiting, and on one day I was privileged to meet the daughter of one of the resistance martyrs who is buried here. She spoke to me of being a little girl, and seeing the Nazis arrest her father inside their home. She spoke about how they tied his hands behind his back, and yet how bravely he looked at her one last time. - She never saw her father alive again, and she is now in her seventies. - But when she spoke of her father, her voice grew energised and strong. She said she remembered the day of her father's arrest like if it was yesterday. And as she spoke, I could feel it and almost see it, as if I had been there myself.
The heroes in these graves are quite alive for me still. I am a religious man, a person of faith, and I believe in the life hereafter. - Many people have been afraid to help me, abandoning me to be murdered by the powerful forces of the American government - people too frightened to dare oppose the deadly US power of global assassination, the vicious US global media slandering of a dissident's reputation - Yet when I walk here at the Enclos des Fusillés - Ereperk der Gefusilleerden, I feel myself amid a powerful throng of comrades, among brave people who understand me, people who know what it is like to be menaced with murder and to look death straight in the eye. - I feel the spirits in these graves support me and sustain me, that they welcome me as one among themselves.
It is my privilege now to honour these brave companions of mine, giving their memory some further renown and support. And I have wanted very much to do so, as the Enclos des Fusillés - Ereperk der Gefusilleerden still is in need of expanded documentation on the Web, before some of what can be seen here fades away much further.
One of the most powerful aspects of visiting this tree-lined and grassy cemetery and memorial, is that you see on a number of the grave markers, not only names and comments from loved ones, but in some cases actual pictures of these brave people, pictures rendered into sepia-type photos on porcelain. Though efforts were made to make these photographs permanent, the elements and the years and decades have taken their toll. Many of the pictures are now faded, or cracked, or broken, or fallen on the ground from their mountings. In one case I held a cracked porcelain image together with one hand, while taking the photo with the other hand. The years are passing, and I have wanted to document the faces of these brave heroes before they disappear, before time takes a greater toll on this place of sacred honour.
You look into the eyes of these brave people, and you see and feel the spirit of true bravery, of genuine resistance of oppression, resistance to the point of death, their hope that sacrificing one's own life in the fight, will yet do some good for others in the world. Look into their eyes, and you see their faces, faces of real people, quite like anyone in some ways, but in other ways very special, with a light in them that carries far beyond their own death - people who yet had the fire of faith in that Greater than mere earthly existence.
In this hillside that you see in the photos - the hillside in front of which many of these heroes stood in the moment as they were shot to death - in that hillside is a large memorial marker to the heroes of World War I who died here. On that marker it says:
Ici tomberent
sous les balles allemandes
35 héros victimes de leur
attachement à la patrie
Hier vielen
onder de duitse kogels
35 helden ten offer
aan hun liefde voor het vaderland
Here fell 35 heroes
who offered their lives
for their country
shot by the Germans
You'll notice that the 4th name down on the marker is that of Edith Louisa Cavell (1865-1915), with just her initial and last name and the date of her death here, on 12 October 1915:
Cavell E. 12-10-1915
The banners that you see here, in the colours of red, yellow, and black, are in the three colours of the national flag of Belgium
There are 17 rows of graves here at the Enclos des Fusillés - Ereperk der Gefusilleerden, 12 on the upper level closer to the hillside, and then five on the lower level below. Between the upper and lower levels is an obelisk serving as a kind of centre for the memorial as a whole. On the obelisk it says, on one side in Dutch, on the other side in French:
Opgericht door de Verbroedering van de Vriendenkringen der Nazikampenen Gevangenissen
XXVe Verjaring
April 1970
Erigé par le Fraternelle des Amicales de Camps et Prisons Nazis
XXVe Anniversaire
April 1970
In English this would be:
Constructed by the Association of Friends of Those in the Nazi Camps and Prisons
25th Anniversary
April 1970
Around this obelisk lay some faded but still visibly grand wreaths, placed here by the highest figures of Belgian public life. One great wreath at the centre, placed here by the King of the Belgians, Albert II, and his wife Paola, whose royal household has very quietly but effectively supplied some of the protection for me in Belgium, that has so far prevented me from being murdered here by foreign powers. - You see the ribbon say simply 'Albert - Paola'.
And another large wreath has a ribbon saying 'la Gouvernement - de Regering', from the government of Belgium.
Though many of the resistance martyrs buried here, were shot by firing squad right on this spot, a number of these martyrs died in other places, most especially in the Belgian concentration camp at Breendonk (Breendonck), which due to its stone structure is one of the best-preserved Nazi concentration camps. Breendonk can be visited today, about 40 kilometres north of Brussels in the direction of Antwerp, very near the Willebroek train station.
Among the graves here, a number are of heroes of the anti-Nazi resistance whose names are unknown: 'Inconnu - Onbekend' say the grave markers in French and in Dutch. In one row, there are six unknowns side-by-side; and then the entire final last row of the Enclos des Fusillés - Ereperk der Gefusilleerden, is all the resting place of unknown heroes, 21 altogether.
In any struggle against oppressive government, there are often unknown heroes. - And as I myself am a victim of brutal deceptive media smear campaigns, as well as the US regime ordering search engines to suppress my own websites, I can testify as to how hard the evil powers work, to try to see that those who fight the system, remain unknown, or else smeared and slandered with propaganda and lies.
There are perhaps yet other heroes of the World War II resistance, whose anonymous graves somewhere, may yet one day be found. One of the photos here is of a maintenance area by the side, where fresh grave markers are ready, some with crosses, some with a star of David, awaiting use for some other hero whose remains are yet to be discovered.
In addition to the photographs on the grave markers, which speak for themselves, a number of the graves are also marked with heartfelt statements by those who loved and honoured them. Most are in French, and with photos where there are such engraved statements, there are transcriptions of what you find, along with a translation.
Many of these resistance martyrs to the Nazis who lie here, are of course Jewish. The majority are Christians of Belgium, but a significant proportion of the heroes who lie here, are Jewish resistance martyrs of the Holocaust. And even more than one from the same family - the Livchitz brothers who lie here. Moreover, some of the Christians who are buried here, are of Jewish heritage as well - as I am myself, a unitarian Christian.
My own heritage on my mother's side is Jewish, and it was my commitment to honour the memory of relatives and other Jews who died in the Holocaust, that led to my being forced to become a political refugee from the United States. - Back when living in the US, I received a letter threatening the book-burning of the books of this Jewish-heritage writer, and I responded strongly. A few weeks later my freedom to speak and write was banned, and threats to extort and murder me were put in motion. This story has been told in other places (see link to press articles in my profile), but suffice it to say here, that it was my honouring the memory of murdered Jews, which led me to be a Jewish-heritage political refugee today in Brussels.
Though I am unitarian Christian by faith, the old Jewish sites of Brussels and Belgium strike deep chords within me, as I very much feel the spirit of the Jews who suffered and died under the kind of racist threats I have also suffered.
One of the things I am often-asked, as a Jewish-heritage political refugee, is why the Jewish groups and Jewish leaders, do not say or do more to defend me, against the threats to have me murdered, against the lies and hoaxes spread about me, against the blocking of my own journalism sites from the internet search engines. - For example, in my efforts to stay alive these last few years, I have received much more comfort and assistance and support from brave Muslims, than from the Jewish people who share my own heritage.
There are two main reasons for this kind of neglect of someone like myself by Jewish leaders. One is that I am not a political Zionist - I favour peace and justice for all the residents of the ancient holy lands of Palestine. - A second reason, is that there is a sad heritage among Jewish people, to stand by and do nothing while other Jews are attacked by the dominant power of the day. - It was that way in the old pogroms of Eastern Europe, it was that way under the Nazi-era exterminations, and it is that way today regarding the case of the United States. - Since it is the US regime which has been attacking me and forcing me to be a refugee here, Jewish 'leadership' simply does not want to confront the USA. Given that I am a non-Zionist, and a unitarian Christian in faith, well, that settles it as far as Jewish leaders are concerned, and they turn away and say nothing.
There are still some brave Jews, however, like one brave Orthodox Jewish physician in America, a friend who has helped me to be able to be here now, supplying these photographs of the Jewish and other martyrs of anti-Nazi resistance.
And the Jewish heritage is there in me, and I am glad I honoured the memory of the Holocaust dead, even though it led me into terrible sufferings at the hands of US political figures and the US regime.
There is a sense of profound spiritual achievement that I have, as I place on-line this historical record of the martyrs of the Enclos des Fusillés - Ereperk der Gefusilleerden. It is perhaps only by the grace of God that I was able to escape the US alive, from the clutches of the people menacing to illegally jail me and murder me in a US jail cell. - My now being able to honour the memory of my fellow anti-fascist figures in Belgium, who were shot dead by the Nazis of an earlier era, feels to me to be one of the important purposes, for which I was kept alive by divine hands.
To visit the Enclos des Fusillés - Ereperk der Gefusilleerden, you can walk about 600 metres from the Diamant 'prémétro' or underground tram stop which includes tram lines 23, 24, and 25. If you wish to get even closer by bus, you can take buses number 12, 21, or 79 the two stops from Diamant to the Colonel Bourg - Kolonel Bourg bus shelter sign. Alternatively, if you are in the EU area, you can take these same buses 12, 21 or 79 directly from the Schuman métro station by the EU's main Berlaymont building. Another route is that bus 80 from the Mérode metro station will also take you directly to the Colonel Bourg - Kolonel Bourg stop. A few tens of metres west of where the bus halts, along the rue Colonel Bourg - Kolonel Bourgstraat, you see the sign directing to the entrance of the Enclos des Fusillés - Ereperk der Gefusilleerden.
Gingee Fort or Senji Fort (also known as Chenji, Jinji or Senchi) in Tamil Nadu, India is one of the surviving forts in Tamil Nadu, India. It lies in Villupuram District, 160 kilometres from the state capital, Chennai, and is close to the Union Territory of Puducherry. The fort is so fortified, that Shivaji, the Maratha king, ranked it as the "most impregnable fortress in India" and it was called the "Troy of the East" by the British. The nearest town with a railway station is Tindivanam and the nearest airport is Chennai (Madras), located 150 kilometres away.
Originally the site of a small fort built by the Chola dynasty during the 9th century AD, Gingee Fort was modified by Kurumbar during the 13th century. As per one account, the fort was built duirng the 15–16th century by the Nayaks, the lietunants of the Vijayanagara Empire and who later became independent kings. The fort passed to the Marathas under the leadership of Shivaji in 1677 AD, Bijapur sultans, the Moghuls, Carnatic Nawabs, French and the British in 1761. The fort is closely associated with Raja Tej Singh, who unsuccessfully revolted against the Nawab of Arcot and eventually lost his life in a battle.
The Gingee Fort complex is on three hillocks: Krishnagiri to the north, Rajagiri to the west and Chandrayandurg to the southeast. The three hills together constitute a fort complex, each having a separate and self-contained citadel. The fort walls are 13 km and the three hills are connected by walls enclosing an area of 11 square kilometres. It was built at a height of 240 m and protected by a 24 m wide moat. The complex has a seven-storeyed Kalyana Mahal (marriage hall), granaries, prison cells, and a temple dedicated to its presiding Hindu goddess called Chenjiamman. The fortifications contain a sacred pond known as Aanaikulam. On the top of the hillock, there are minor fortifications. The fort, in modern times, is maintained and administered by the Archaeological Survey of India. The fort is one of the prominent tourist destinations in Villupuram district.
LEGEND AND ETYMOLOGY
The Bijapur Nawabs who held the fort from about 1660 to 1677 AD called it Badshabad, while the Marathas who succeeded them called it Chandry or Chindy. The Mughals, on their capture of the fort in 1698 A.D., named it Nusratgadh in honour of Nawab Zulfiqar Khan Nusrat-Jang, the commander-in-chief of the besieging army. Later, the English and the French called it Gingee or Jinji. The early Madras records of the English give the spelling Chingee or Chengey.As per Tamil legend, the tragic tale of Raja Tej Singh, popularly known in Tamil as Thesingu Raasan, is associated with the fort. The true life story of Tej Singh and his general, Mehboob Khan (aka Maavuthukaran), who were friends, has inspired many poems, street plays, and countless other stories. He was the son of Swarup Singh and revolted against the Nawab of Arcot, and was defeated and killed in the war that followed. Though Gingee became a part of the Nawab's territory in 1714, the young and courageous Tej Singh became a legend and his life, love and brave but tragic end were eulogised in various ballads.
HISTORY
The main source for the first two hundred years of the history of the place is the "Complete History of the Carnatic Kings" among the Mackenzie manuscripts. According to historian Narayan, a small village called Melacerri, located 4.8 km away from Gingee is called "Old Gingee" has traces of fortifications from about 1200 AD. Ananda Kon of the shepherd community (Konar), accidentally found a treasure in one of the cavities of the Western hill while grazing his sheep. Making himself the head of a small band of warriors, he defeated the petty rulers of the neighbouring villages and built a small fortress on Kamalagiri, which he renamed Anandagiri after himself. The Konar dynasty ruled Gingee from 1190 to 1330 AD, and was succeeded by the chief of a neighbouring place called Kobilingan, who belonged to the Kurumba caste and ascended the throne of Gingee. He was a feudatory of the powerful Cholas. Gingee came into the hands of various ruling dynasties of South India, starting from the Cholas.
Originally the site of a small fort built by the Chola dynasty during the 9th century AD, Gingee Fort was modified by Kurumbar while fighting the Cholas and again by the Vijayanagar empire during the 13th century. As per one account, the fort was built duirng the 15-16th century by the Gingee Nayaks, the lietunants of the Vijayanagara Empire and who later became independent kings. The fort was built at a strategic place to fend off any invading armies. It was further strengthened by the Marathas under the leadership of Shivaji in 1677 AD. He recaptured it from the Bijapur sultans who had originally taken control of the fort from the Marathas. During Aurangzeb's campaign in the Deccan, Shivaji's second son who had assumed the throne, Chhatrapati Rajaram, escaped to Ginjee and continued the fight with Moghuls from Ginjee. The fort was the seat of the Maratha Empire for a few months. The Moghuls could not capture the fort for seven years in spite of laying siege. The fort was finally captured in 1698, but not before Chhatrapati Rajaram escaped. It was later passed on to the Carnatic Nawabs who lost it to the French in 1750 before the British finally took control in 1761 despite losing it to Hyder Ali for a brief period. Raja Desinghu ruled Chenji during the 18th century.
ARCHITECTURE
The Gingee Fort complex is on three hillocks: Krishnagiri to the north, Rajagiri to the west and Chandrayandurg to the southeast. The three hills together constitute a fort complex, yet each hill contains a separate and self-contained citadel. Connecting them - forming an enormous triangle, a mile from north to south, punctuated by bastions and gateways giving access to the protected zones at the heart of the complex. The fort walls are 13 km and the three hills are connected by walls enclosing an area of 11 square kilometres. It was built at a height of 240 m and protected by a 24 m wide moat. It has a seven-storeyed Kalyana Mahal (marriage hall), granaries, prison cells, and a temple dedicated to its presiding Hindu goddess called Chenjiamman. The fortifications contain a sacred pond known as Aanaikulam. The walls of the fort are a mixture of the natural hilly terrain comprising the Krishnagiri, Chakkilidrug and Rajagiri hills, while the gaps were sealed with the main wall that measures 20 metres in thickness. On the top of the hillock, there are minor fortifications.
Water resources are usually sparse in South Indian forts, while it was well managed in the Citadel. There are two sweet water sources on the summit and below it there are three reservoirs for storage of rain water. Water for Kalyana Mahal was brought through earthenware pipes from reservoir located 500 m from it.
RAJAGIRI
The first hill, where the main fort is, is called Rajagiri. Originally it was known as Kamalagiri as well as Anandagiri. The fort was historically considered most impregnable. It is about 240 m in height. Its summit is cut off from communication and is surrounded by a deep, natural chasm that is about 9.1 m wide and 18 m deep. To gain entry into the citadel one had to cross the chasm with the help of a small wooden draw bridge. The naturally strong rock where the fortress is located, is further strengthened by the construction of embrasure walls and gateways along all possible shelves and precipitous edges. The citadel is reached by traversing through seven gates. This citadel contains important buildings apart from the living quarters of the royalty, like the stables, granaries, and meeting halls for the public, temples, mosques, shrines and pavilions. Kamalakanni Amman temple is present atop the Rajagiri hills. As per Hindu legend, the presiding deity, Kamalakanni, is believed to be the widow of demon king Acalamaccuran. Draupadi, a Hindu goddess, beheaded the hundred heads of the demon and Kamalakanni is believed to have protests that she would become a widow. Draupadi explains her similarities that she has no sexual relations, though married. This resulted in the ambiguous kanni suffix. Ranganathar Temple, bell tower, watch tower, cannon and draw bridge are located atop the hill.
The lower fort consists of Arcot Gate, Pondicherry Gate, which was probably improved by the French during their occupation (1751–1761), the Prison on top of Pondicherry Gate, Royal Battery, Venkataramanaswami Temple, Pattabhi Ramaswami Temple, Sadatulla Khan’s mosque, Chettikulam and Chakrakulam tanks, platform where Raja Desing was killed in a war, large stone image of Hanuman, prisoner’s well where the prisoners condemned to death were thrown and left to die of starvation. The inner fort consists of Kalyana Mahal, the royal stables, the ruined royal palace, Anaikulam tank, granaries, magazine and the shrine of Venugopalaswami. There is a site museum at the entrance of the fort set up by the Archeological Survey of India containing sculptures pertaining to periods and many dynasties that ruled Gingee. There are also guns and cannonballs made of stone, strewn about the fort.
KRISHNAGIRI
The second important hillock with an imposing citadel is known as Krishnagiri. It is also known as the English Mountain, perhaps because the British residents occupied the fort here, for some time. The Krishnagiri fort lies to the North of Tiruvannamalai road. It is smaller in size and height compared to the Rajagiri fort. A flight of steps of granite stones leads to its top. Another fort connected with Rajagiri with a low rocky ridge is called Chandrayan Durg, Chandragiri or St. George’s Mountain. The military and strategic value of this fort has been relatively less, but it has some interesting buildings of later period.
CHAKKILIYA DURG
The third fort for some reason is called Chakkiliya Durg or Chamar Tikri — meaning the fort of the cobblers. It is not known why it had acquired the name. Probably the royal saddlers and military shoemakers had set up their workshops here, as Gingee obviously was a military encampment. There is a smaller and less important fourth hill, the summit of which is also well fortified. There is nothing much left of Chandrayan Durg and Chakkilli Durg. Their flanks are now completely covered with thorny shrubs and stone pieces.
CULTURE
After the fort passed into British hands, it did not see any further action. The fort at Gingee was declared a National Monument in 1921 and was under the Archeological Department. The Tourism Department of India has tried to popularise this remote and oft-forgotten fort. Gingee today, with its ruined forts, temples and granaries, presents a different picture from the glorious splendor of its bygone days. But the remains of that glorious past speak volumes about the numerous invasions, warfare and bravery that it witnessed. The fort is maintained by the Archeological Department. An entry charge of ₹5 is charged for Indian citizens and SAARC countries and US$2 or ₹100 for all monuments inside Krishnagiri and Rajagiri forts.
WIKIPEDIA
A back-balance in a lyra, or aerial hoop.
Shot with Elinchrom BXRi's against white paper, edited with Photoshop.
Lie Detectors taldearen kontzertu argazkiak, Gazteszenako Ttan-ttakun festan...
Fotos de concierto del grupo Lie Detectors, en la fiesta Ttan-ttakun de Gazteszena...
Yashica Electro 35 MC with f/2.8 40mm Yashinon-DX lens. Very compact; much smaller than the big Electro 35 rangefinder. Zone focus w. symbols in the VF. Aperture priority automatic.
Lier is a Belgian city located in the province of Antwerp. The city is said to have been founded in the 11th century. In 1212, the Duke of Brabant Henri I granted an urban charter to the inhabitants. The fourteenth century was a period of prosperity for the city: construction of a cloth hall in 1367, a belfry in 1369 and a second rampart in 1389. The prosperity of the city was based on the drapery industry and on the existence of a cattle market, which had been granted to it by the Dukes of Brabant.
"Ovingham /ˈɒvɪŋdʒəm/ is a civil parish and village in the Tyne Valley of south Northumberland, England. It lies on the River Tyne 10 miles (16 km) east of Hexham with neighbours Prudhoe, Ovington, Wylam and Stocksfield.
The River Tyne provided an obstacle between Ovingham and Prudhoe until 20 December 1883, when a toll bridge (Ovingham Bridge) was finally opened, taking the place of the ferry. The steel tubes are marked Dorman Long Middlesbrough, the firm which designed and built the Sydney Harbour Bridge and the Tyne Bridge.
There was a dyehouse at Ovingham, and in 1828 William Bullock was the foreman. Both Thomas Bewick from nearby Cherryburn and George Stephenson from nearby Wylam had relatives who were dyers. One of Bewick's woodcuts is entitled the Dyers of Ovingham. Two men are carrying a large tub on a pole. Mabel Stephenson, George's mother, was a daughter of an Ovingham dyer named Richard Carr. There were weavers in Ovingham, as well as a local tidewaiter, or customs inspector.
The vicarage was, in medieval times, a cell for three Augustinian canons of Hexham, and was rebuilt in the seventeenth century. It was formerly the residence of the late Frank Atkinson, who did so much to establish the Beamish Museum and also the Bewick Trust at Cherryburn. Bewick received his education in the vicarage and the church.
The Ovingham 'pack-horse' bridge over the Whittle Burn consisted of two segmental arches with a width of five feet between the parapets, so that it could not be used for wheeled traffic. It is likely that the Ovingham mill dam on the Tyne raised the level of the water. There was a great fire at Ovingham in 1697 and the bridge fell down. So the bridge which previously stood was repaired or rebuilt in 1698. There is also a concrete bridge over the water for traffic, which in time of flood becomes a ford. The bridge was destroyed in flooding on 5 December 2015.
Whittle dean is a deep woody dell which stretches southwards & joins the Tyne east of Ovington. The waters of this dean (peculiarly soft & clear) are the most celebrated in the north of England for whitening linen cloth. Mr. William Newton's bleach green, situated on this stream at the confluence of the Tyne is known and famed throughout all these northern parts. (Mackenzie 1825). The Whittle Burn can be traced back to the present day Whittledean Water Works on either side of the Roman Wall near Welton Hall.
The first three trees of the Ovingham Community Orchard were planted in the old grazing field next to the allotments by children from Ovingham First School on Friday 23 November 2018. The following morning about 40 villagers turned out to plant the remaining 21 trees. Each tree will produce a different variety of apple." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
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Oh dear I've been busted.... they found my book "Great Lies to Tell Small Kids" and have started using it.
Such gems as "Milk feels pain" and "Wine makes Mummy clever" plus my personal favourite: "Once the tooth fairy went to get one of Dracula's teeth but it was very dark in his castle and she cut herself on the fang by mistake and ever since then she's been the BLOOD-SUCKING VAMPIRE FAIRY.... anyway, goodnight!"