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Assorted memorials on the south wall at the western end of the south aisle

Here lies Charles "Ryvius" Blandford, born at "Durotricu" , Sacred Theology professor in the reign of King James powerful king of Great Britain . Vicar of the church of "Cornuta" and of the College of St Mary Winton Oxford Who died on the 14th day of December 1610 aged 50"

"To the memory of Wiliam Mashiter of Cottons Rumford esqre, who died 16th June 1811 in the 67th year of his age

He was great grandson of Cuthbert Mashiter of Heysham in the county of Lancaster, esqre, who was born in the year 1634 died 12th March 1728 aged 94

Also of Blandinah wife of the above William Mashiter esq who died 6th November 1834 in the 92nd year of her sge.

This tablet was placed here in affectionate and grateful remembrance of his parents, by Thomas Mashiter of Hornchurch Lodge esqr"

"Sacred to the memory of Thomas Mashiter esqre of Hornchurch Lodge. High Steward of the Liberty of Havering atte Bower, who died on the 2nd of December 1862 in his 83rd year"

"To the memory of John Walker LLB vicar , who departed April 5 1831 aged 61. His remains are entombed on the outer side of the southern wall of this church"

"Sacred to the memory of Daniel George Stacy BCL vicar of this parish during 32 years ; Died 26th January 1863 aged 78 years ; This memorial is erected by some of his oldest parishioners from gratitude to sincere and zealous pastor , a true friend to all"

- Church of St Andrew, Hornchurch Essex

Picture with thanks - copyright John Salmon CCL www.geograph.org.uk/photo/2825825

Leazes Park is an urban park in Newcastle upon Tyne, England. Grade II listed, it is the city's oldest park, opened in 1873, and lies to the west of the city centre. The park contains a lake above the course of the Lort Burn. It is next to St James' Park and the Royal Victoria Infirmary.

 

Leazes Park is separated from Spital Tongues by Castle Leazes, an area of common land similar to the Town Moor.

 

History

The creation of Leazes Park was a drawn out process. In September 1857 3,000 working men petitioned Newcastle Council for ‘ready access to some open ground for the purpose of health and recreation’ and a year later a special committee was set up to try to find a location for a park. Aldermen Harle and Hamond took up the challenge and campaigned for a park and eventually succeeded in having Leazes Park created on a part of the Leazes Town Moor.

 

On 23 December 1873, Leazes Park was officially opened by Alderman Sir Charles Hamond. It became the first public park created on Tyneside.

 

John Fulton, the Town Surveyor, laid out Leazes Park similar to other parks being built in Britain at that time. The layout centres on the lake. The Bandstand was added in 1875 and a balustrade stone terrace in 1879. Later, the whole park was surrounded with metal railings. A second lake was created in 1893 but this was filled in by 1949 and the area used for a bowling green and tennis courts.

 

The grand Jubilee Gates were added in 1896 to commemorate the Diamond Jubilee of Queen Victoria and a Palm House was built. In 1908 a bust of Alderman Sir Charles Hamond was erected (which is also grade II listed) as the centrepiece to the terrace and the park was then complete.

 

The park continued to develop with deer, aviaries, tennis, and croquet until the 1980s when it was in need of refurbishment. The refurbishment became possible when the park was awarded £3.7 million from the Heritage Lottery Fund in 2001. The restoration project was completed in 2004.

 

Newcastle upon Tyne, or simply Newcastle is a cathedral city and metropolitan borough in Tyne and Wear, England. It is located on the River Tyne's northern bank, opposite Gateshead to the south. It is the most populous settlement in the Tyneside conurbation and North East England.

 

Newcastle developed around a Roman settlement called Pons Aelius, the settlement became known as Monkchester before taking on the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. It was one of the world's largest ship building and repair centres during the industrial revolution. Newcastle was part of the county of Northumberland until 1400, when it separated and formed a county of itself. In 1974, Newcastle became part of Tyne and Wear. Since 2018, the city council has been part of the North of Tyne Combined Authority.

 

The history of Newcastle upon Tyne dates back almost 2,000 years, during which it has been controlled by the Romans, the Angles and the Norsemen amongst others. Newcastle upon Tyne was originally known by its Roman name Pons Aelius. The name "Newcastle" has been used since the Norman conquest of England. Due to its prime location on the River Tyne, the town developed greatly during the Middle Ages and it was to play a major role in the Industrial Revolution, being granted city status in 1882. Today, the city is a major retail, commercial and cultural centre.

 

Roman settlement

The history of Newcastle dates from AD 122, when the Romans built the first bridge to cross the River Tyne at that point. The bridge was called Pons Aelius or 'Bridge of Aelius', Aelius being the family name of Roman Emperor Hadrian, who was responsible for the Roman wall built across northern England along the Tyne–Solway gap. Hadrian's Wall ran through present-day Newcastle, with stretches of wall and turrets visible along the West Road, and at a temple in Benwell. Traces of a milecastle were found on Westgate Road, midway between Clayton Street and Grainger Street, and it is likely that the course of the wall corresponded to present-day Westgate Road. The course of the wall can be traced eastwards to the Segedunum Roman fort at Wallsend, with the fort of Arbeia down-river at the mouth of the Tyne, on the south bank in what is now South Shields. The Tyne was then a wider, shallower river at this point and it is thought that the bridge was probably about 700 feet (210 m) long, made of wood and supported on stone piers. It is probable that it was sited near the current Swing Bridge, due to the fact that Roman artefacts were found there during the building of the latter bridge. Hadrian himself probably visited the site in 122. A shrine was set up on the completed bridge in 123 by the 6th Legion, with two altars to Neptune and Oceanus respectively. The two altars were subsequently found in the river and are on display in the Great North Museum in Newcastle.

 

The Romans built a stone-walled fort in 150 to protect the river crossing which was at the foot of the Tyne Gorge, and this took the name of the bridge so that the whole settlement was known as Pons Aelius. The fort was situated on a rocky outcrop overlooking the new bridge, on the site of the present Castle Keep. Pons Aelius is last mentioned in 400, in a Roman document listing all of the Roman military outposts. It is likely that nestling in the shadow of the fort would have been a small vicus, or village. Unfortunately, no buildings have been detected; only a few pieces of flagging. It is clear that there was a Roman cemetery near Clavering Place, behind the Central station, as a number of Roman coffins and sarcophagi have been unearthed there.

 

Despite the presence of the bridge, the settlement of Pons Aelius was not particularly important among the northern Roman settlements. The most important stations were those on the highway of Dere Street running from Eboracum (York) through Corstopitum (Corbridge) and to the lands north of the Wall. Corstopitum, being a major arsenal and supply centre, was much larger and more populous than Pons Aelius.

 

Anglo-Saxon development

The Angles arrived in the North-East of England in about 500 and may have landed on the Tyne. There is no evidence of an Anglo-Saxon settlement on or near the site of Pons Aelius during the Anglo-Saxon age. The bridge probably survived and there may well have been a small village at the northern end, but no evidence survives. At that time the region was dominated by two kingdoms, Bernicia, north of the Tees and ruled from Bamburgh, and Deira, south of the Tees and ruled from York. Bernicia and Deira combined to form the kingdom of Northanhymbra (Northumbria) early in the 7th century. There were three local kings who held the title of Bretwalda – 'Lord of Britain', Edwin of Deira (627–632), Oswald of Bernicia (633–641) and Oswy of Northumbria (641–658). The 7th century became known as the 'Golden Age of Northumbria', when the area was a beacon of culture and learning in Europe. The greatness of this period was based on its generally Christian culture and resulted in the Lindisfarne Gospels amongst other treasures. The Tyne valley was dotted with monasteries, with those at Monkwearmouth, Hexham and Jarrow being the most famous. Bede, who was based at Jarrow, wrote of a royal estate, known as Ad Murum, 'at the Wall', 12 miles (19 km) from the sea. It is thought that this estate may have been in what is now Newcastle. At some unknown time, the site of Newcastle came to be known as Monkchester. The reason for this title is unknown, as we are unaware of any specific monasteries at the site, and Bede made no reference to it. In 875 Halfdan Ragnarsson, the Danish Viking conqueror of York, led an army that attacked and pillaged various monasteries in the area, and it is thought that Monkchester was also pillaged at this time. Little more was heard of it until the coming of the Normans.

 

Norman period

After the arrival of William the Conqueror in England in 1066, the whole of England was quickly subjected to Norman rule. However, in Northumbria there was great resistance to the Normans, and in 1069 the newly appointed Norman Earl of Northumbria, Robert de Comines and 700 of his men were killed by the local population at Durham. The Northumbrians then marched on York, but William was able to suppress the uprising. That same year, a second uprising occurred when a Danish fleet landed in the Humber. The Northumbrians again attacked York and destroyed the garrison there. William was again able to suppress the uprising, but this time he took revenge. He laid waste to the whole of the Midlands and the land from York to the Tees. In 1080, William Walcher, the Norman bishop of Durham and his followers were brutally murdered at Gateshead. This time Odo, bishop of Bayeux, William's half brother, devastated the land between the Tees and the Tweed. This was known as the 'Harrying of the North'. This devastation is reflected in the Domesday Book. The destruction had such an effect that the North remained poor and backward at least until Tudor times and perhaps until the Industrial Revolution. Newcastle suffered in this respect with the rest of the North.

 

In 1080 William sent his eldest son, Robert Curthose, north to defend the kingdom against the Scots. After his campaign, he moved to Monkchester and began the building of a 'New Castle'. This was of the "motte-and-bailey" type of construction, a wooden tower on top of an earthen mound (motte), surrounded by a moat and wooden stockade (bailey). It was this castle that gave Newcastle its name. In 1095 the Earl of Northumbria, Robert de Mowbray, rose up against the king, William Rufus, and Rufus sent an army north to recapture the castle. From then on the castle became crown property and was an important base from which the king could control the northern barons. The Northumbrian earldom was abolished and a Sheriff of Northumberland was appointed to administer the region. In 1091 the parish church of St Nicholas was consecrated on the site of the present Anglican cathedral, close by the bailey of the new castle. The church is believed to have been a wooden building on stone footings.

 

Not a trace of the tower or mound of the motte and bailey castle remains now. Henry II replaced it with a rectangular stone keep, which was built between 1172 and 1177 at a cost of £1,444. A stone bailey, in the form of a triangle, replaced the previous wooden one. The great outer gateway to the castle, called 'the Black Gate', was built later, between 1247 and 1250, in the reign of Henry III. There were at that time no town walls and when attacked by the Scots, the townspeople had to crowd into the bailey for safety. It is probable that the new castle acted as a magnet for local merchants because of the safety it provided. This in turn would help to expand trade in the town. At this time wool, skins and lead were being exported, whilst alum, pepper and ginger were being imported from France and Flanders.

 

Middle Ages

Throughout the Middle Ages, Newcastle was England's northern fortress, the centre for assembled armies. The Border war against Scotland lasted intermittently for several centuries – possibly the longest border war ever waged. During the civil war between Stephen and Matilda, David 1st of Scotland and his son were granted Cumbria and Northumberland respectively, so that for a period from 1139 to 1157, Newcastle was effectively in Scottish hands. It is believed that during this period, King David may have built the church of St Andrew and the Benedictine nunnery in Newcastle. However, King Stephen's successor, Henry II was strong enough to take back the Earldom of Northumbria from Malcolm IV.

 

The Scots king William the Lion was imprisoned in Newcastle, in 1174, after being captured at the Battle of Alnwick. Edward I brought the Stone of Scone and William Wallace south through the town and Newcastle was successfully defended against the Scots three times during the 14th century.

 

Around 1200, stone-faced, clay-filled jetties were starting to project into the river, an indication that trade was increasing in Newcastle. As the Roman roads continued to deteriorate, sea travel was gaining in importance. By 1275 Newcastle was the sixth largest wool exporting port in England. The principal exports at this time were wool, timber, coal, millstones, dairy produce, fish, salt and hides. Much of the developing trade was with the Baltic countries and Germany. Most of the Newcastle merchants were situated near the river, below the Castle. The earliest known charter was dated 1175 in the reign of Henry II, giving the townspeople some control over their town. In 1216 King John granted Newcastle a mayor[8] and also allowed the formation of guilds (known as Mysteries). These were cartels formed within different trades, which restricted trade to guild members. There were initially twelve guilds. Coal was being exported from Newcastle by 1250, and by 1350 the burgesses received a royal licence to export coal. This licence to export coal was jealously guarded by the Newcastle burgesses, and they tried to prevent any one else on the Tyne from exporting coal except through Newcastle. The burgesses similarly tried to prevent fish from being sold anywhere else on the Tyne except Newcastle. This led to conflicts with Gateshead and South Shields.

 

In 1265, the town was granted permission to impose a 'Wall Tax' or Murage, to pay for the construction of a fortified wall to enclose the town and protect it from Scottish invaders. The town walls were not completed until early in the 14th century. They were two miles (3 km) long, 9 feet (2.7 m) thick and 25 feet (7.6 m) high. They had six main gates, as well as some smaller gates, and had 17 towers. The land within the walls was divided almost equally by the Lort Burn, which flowed southwards and joined the Tyne to the east of the Castle. The town began to expand north of the Castle and west of the Lort Burn with various markets being set up within the walls.

 

In 1400 Henry IV granted a new charter, creating a County corporate which separated the town, but not the Castle, from the county of Northumberland and recognised it as a "county of itself" with a right to have a sheriff of its own. The burgesses were now allowed to choose six aldermen who, with the mayor would be justices of the peace. The mayor and sheriff were allowed to hold borough courts in the Guildhall.

 

Religious houses

During the Middle Ages a number of religious houses were established within the walls: the first of these was the Benedictine nunnery of St Bartholomew founded in 1086 near the present-day Nun Street. Both David I of Scotland and Henry I of England were benefactors of the religious house. Nothing of the nunnery remains now.

 

The friary of Blackfriars, Newcastle (Dominican) was established in 1239. These were also known as the Preaching Friars or Shod Friars, because they wore sandals, as opposed to other orders. The friary was situated in the present-day Friars Street. In 1280 the order was granted royal permission to make a postern in the town walls to communicate with their gardens outside the walls. On 19 June 1334, Edward Balliol, claimant to be King of Scotland, did homage to King Edward III, on behalf of the kingdom of Scotland, in the church of the friary. Much of the original buildings of the friary still exist, mainly because, after the Dissolution of the Monasteries the friary of Blackfriars was rented out by the corporation to nine of the local trade guilds.

 

The friary of Whitefriars (Carmelite) was established in 1262. The order was originally housed on the Wall Knoll in Pandon, but in 1307 it took over the buildings of another order, which went out of existence, the Friars of the Sac. The land, which had originally been given by Robert the Bruce, was situated in the present-day Hanover Square, behind the Central station. Nothing of the friary remains now.

 

The friary of Austinfriars (Augustinian) was established in 1290. The friary was on the site where the Holy Jesus Hospital was built in 1682. The friary was traditionally the lodging place of English kings whenever they visited or passed through Newcastle. In 1503 Princess Margaret, eldest daughter of Henry VII of England, stayed two days at the friary on her way to join her new husband James IV of Scotland.

 

The friary of Greyfriars (Franciscans) was established in 1274. The friary was in the present-day area between Pilgrim Street, Grey Street, Market Street and High Chare. Nothing of the original buildings remains.

 

The friary of the Order of the Holy Trinity, also known as the Trinitarians, was established in 1360. The order devoted a third of its income to buying back captives of the Saracens, during the Crusades. Their house was on the Wall Knoll, in Pandon, to the east of the city, but within the walls. Wall Knoll had previously been occupied by the White Friars until they moved to new premises in 1307.

 

All of the above religious houses were closed in about 1540, when Henry VIII dissolved the monasteries.

 

An important street running through Newcastle at the time was Pilgrim Street, running northwards inside the walls and leading to the Pilgrim Gate on the north wall. The street still exists today as arguably Newcastle's main shopping street.

 

Tudor period

The Scottish border wars continued for much of the 16th century, so that during that time, Newcastle was often threatened with invasion by the Scots, but also remained important as a border stronghold against them.

 

During the Reformation begun by Henry VIII in 1536, the five Newcastle friaries and the single nunnery were dissolved and the land was sold to the Corporation and to rich merchants. At this time there were fewer than 60 inmates of the religious houses in Newcastle. The convent of Blackfriars was leased to nine craft guilds to be used as their headquarters. This probably explains why it is the only one of the religious houses whose building survives to the present day. The priories at Tynemouth and Durham were also dissolved, thus ending the long-running rivalry between Newcastle and the church for control of trade on the Tyne. A little later, the property of the nunnery of St Bartholomew and of Grey Friars were bought by Robert Anderson, who had the buildings demolished to build his grand Newe House (also known as Anderson Place).

 

With the gradual decline of the Scottish border wars the town walls were allowed to decline as well as the castle. By 1547, about 10,000 people were living in Newcastle. At the beginning of the 16th century exports of wool from Newcastle were more than twice the value of exports of coal, but during the century coal exports continued to increase.

 

Under Edward VI, John Dudley, Duke of Northumberland, sponsored an act allowing Newcastle to annexe Gateshead as its suburb. The main reason for this was to allow the Newcastle Hostmen, who controlled the export of Tyne coal, to get their hands on the Gateshead coal mines, previously controlled by the Bishop of Durham. However, when Mary I came to power, Dudley met his downfall and the decision was reversed. The Reformation allowed private access to coal mines previously owned by Tynemouth and Durham priories and as a result coal exports increase dramatically, from 15,000 tons in 1500 to 35,000 tons in 1565, and to 400,000 tons in 1625.

 

The plague visited Newcastle four times during the 16th century, in 1579 when 2,000 people died, in 1589 when 1700 died, in 1595 and finally in 1597.

 

In 1600 Elizabeth I granted Newcastle a charter for an exclusive body of electors, the right to elect the mayor and burgesses. The charter also gave the Hostmen exclusive rights to load coal at any point on the Tyne. The Hostmen developed as an exclusive group within the Merchant Adventurers who had been incorporated by a charter in 1547.

 

Stuart period

In 1636 there was a serious outbreak of bubonic plague in Newcastle. There had been several previous outbreaks of the disease over the years, but this was the most serious. It is thought to have arrived from the Netherlands via ships that were trading between the Tyne and that country. It first appeared in the lower part of the town near the docks but gradually spread to all parts of the town. As the disease gained hold the authorities took measures to control it by boarding up any properties that contained infected persons, meaning that whole families were locked up together with the infected family members. Other infected persons were put in huts outside the town walls and left to die. Plague pits were dug next to the town's four churches and outside the town walls to receive the bodies in mass burials. Over the course of the outbreak 5,631 deaths were recorded out of an estimated population of 12,000, a death rate of 47%.

 

In 1637 Charles I tried to raise money by doubling the 'voluntary' tax on coal in return for allowing the Newcastle Hostmen to regulate production and fix prices. This caused outrage amongst the London importers and the East Anglian shippers. Both groups decided to boycott Tyne coal and as a result forced Charles to reverse his decision in 1638.

 

In 1640 during the Second Bishops' War, the Scots successfully invaded Newcastle. The occupying army demanded £850 per day from the Corporation to billet the Scottish troops. Trade from the Tyne ground to a halt during the occupation. The Scots left in 1641 after receiving a Parliamentary pardon and a £4,000,000 loan from the town.

 

In 1642 the English Civil War began. King Charles realised the value of the Tyne coal trade and therefore garrisoned Newcastle. A Royalist was appointed as governor. At that time, Newcastle and King's Lynn were the only important seaports to support the crown. In 1644 Parliament blockaded the Tyne to prevent the king from receiving revenue from the Tyne coal trade. Coal exports fell from 450,000 to 3,000 tons and London suffered a hard winter without fuel. Parliament encouraged the coal trade from the Wear to try to replace that lost from Newcastle but that was not enough to make up for the lost Tyneside tonnage.

 

In 1644 the Scots crossed the border. Newcastle strengthened its defences in preparation. The Scottish army, with 40,000 troops, besieged Newcastle for three months until the garrison of 1,500 surrendered. During the siege, the Scots bombarded the walls with their artillery, situated in Gateshead and Castle Leazes. The Scottish commander threatened to destroy the steeple of St Nicholas's Church by gunfire if the mayor, Sir John Marley, did not surrender the town. The mayor responded by placing Scottish prisoners that they had captured in the steeple, so saving it from destruction. The town walls were finally breached by a combination of artillery and sapping. In gratitude for this defence, Charles gave Newcastle the motto 'Fortiter Defendit Triumphans' to be added to its coat of arms. The Scottish army occupied Northumberland and Durham for two years. The coal taxes had to pay for the Scottish occupation. In 1645 Charles surrendered to the Scots and was imprisoned in Newcastle for nine months. After the Civil War the coal trade on the Tyne soon picked up and exceeded its pre-war levels.

 

A new Guildhall was completed on the Sandhill next to the river in 1655, replacing an earlier facility damaged by fire in 1639, and became the meeting place of Newcastle Town Council. In 1681 the Hospital of the Holy Jesus was built partly on the site of the Austin Friars. The Guildhall and Holy Jesus Hospital still exist.

 

Charles II tried to impose a charter on Newcastle to give the king the right to appoint the mayor, sheriff, recorder and town clerk. Charles died before the charter came into effect. In 1685, James II tried to replace Corporation members with named Catholics. However, James' mandate was suspended in 1689 after the Glorious Revolution welcoming William of Orange. In 1689, after the fall of James II, the people of Newcastle tore down his bronze equestrian statue in Sandhill and tossed it into the Tyne. The bronze was later used to make bells for All Saints Church.

 

In 1689 the Lort Burn was covered over. At this time it was an open sewer. The channel followed by the Lort Burn became the present day Dean Street. At that time, the centre of Newcastle was still the Sandhill area, with many merchants living along the Close or on the Side. The path of the main road through Newcastle ran from the single Tyne bridge, through Sandhill to the Side, a narrow street which climbed steeply on the north-east side of the castle hill until it reached the higher ground alongside St Nicholas' Church. As Newcastle developed, the Side became lined with buildings with projecting upper stories, so that the main street through Newcastle was a narrow, congested, steep thoroughfare.

 

In 1701 the Keelmen's Hospital was built in the Sandgate area of the city, using funds provided by the keelmen. The building still stands today.

 

Eighteenth century

In the 18th century, Newcastle was the country's largest print centre after London, Oxford and Cambridge, and the Literary and Philosophical Society of 1793, with its erudite debates and large stock of books in several languages predated the London Library by half a century.

 

In 1715, during the Jacobite rising in favour of the Old Pretender, an army of Jacobite supporters marched on Newcastle. Many of the Northumbrian gentry joined the rebels. The citizens prepared for its arrival by arresting Jacobite supporters and accepting 700 extra recruits into the local militia. The gates of the city were closed against the rebels. This proved enough to delay an attack until reinforcements arrived forcing the rebel army to move across to the west coast. The rebels finally surrendered at Preston.

 

In 1745, during a second Jacobite rising in favour of the Young Pretender, a Scottish army crossed the border led by Bonnie Prince Charlie. Once again Newcastle prepared by arresting Jacobite supporters and inducting 800 volunteers into the local militia. The town walls were strengthened, most of the gates were blocked up and some 200 cannon were deployed. 20,000 regulars were billeted on the Town Moor. These preparations were enough to force the rebel army to travel south via the west coast. They were eventually defeated at Culloden in 1746.

 

Newcastle's actions during the 1715 rising in resisting the rebels and declaring for George I, in contrast to the rest of the region, is the most likely source of the nickname 'Geordie', applied to people from Tyneside, or more accurately Newcastle. Another theory, however, is that the name 'Geordie' came from the inventor of the Geordie lamp, George Stephenson. It was a type of safety lamp used in mining, but was not invented until 1815. Apparently the term 'German Geordie' was in common use during the 18th century.

 

The city's first hospital, Newcastle Infirmary opened in 1753; it was funded by public subscription. A lying-in hospital was established in Newcastle in 1760. The city's first public hospital for mentally ill patients, Wardens Close Lunatic Hospital was opened in October 1767.

 

In 1771 a flood swept away much of the bridge at Newcastle. The bridge had been built in 1250 and repaired after a flood in 1339. The bridge supported various houses and three towers and an old chapel. A blue stone was placed in the middle of the bridge to mark the boundary between Newcastle and the Palatinate of Durham. A temporary wooden bridge had to be built, and this remained in use until 1781, when a new stone bridge was completed. The new bridge consisted of nine arches. In 1801, because of the pressure of traffic, the bridge had to be widened.

 

A permanent military presence was established in the city with the completion of Fenham Barracks in 1806. The facilities at the Castle for holding assizes, which had been condemned for their inconvenience and unhealthiness, were replaced when the Moot Hall opened in August 1812.

 

Victorian period

Present-day Newcastle owes much of its architecture to the work of the builder Richard Grainger, aided by architects John Dobson, Thomas Oliver, John and Benjamin Green and others. In 1834 Grainger won a competition to produce a new plan for central Newcastle. He put this plan into effect using the above architects as well as architects employed in his own office. Grainger and Oliver had already built Leazes Terrace, Leazes Crescent and Leazes Place between 1829 and 1834. Grainger and Dobson had also built the Royal Arcade at the foot of Pilgrim Street between 1830 and 1832. The most ambitious project covered 12 acres 12 acres (49,000 m2) in central Newcastle, on the site of Newe House (also called Anderson Place). Grainger built three new thoroughfares, Grey Street, Grainger Street and Clayton Street with many connecting streets, as well as the Central Exchange and the Grainger Market. John Wardle and George Walker, working in Grainger's office, designed Clayton Street, Grainger Street and most of Grey Street. Dobson designed the Grainger Market and much of the east side of Grey Street. John and Benjamin Green designed the Theatre Royal at the top of Grey Street, where Grainger placed the column of Grey's Monument as a focus for the whole scheme. Grey Street is considered to be one of the finest streets in the country, with its elegant curve. Unfortunately most of old Eldon Square was demolished in the 1960s in the name of progress. The Royal Arcade met a similar fate.

 

In 1849 a new bridge was built across the river at Newcastle. This was the High Level Bridge, designed by Robert Stephenson, and slightly up river from the existing bridge. The bridge was designed to carry road and rail traffic across the Tyne Gorge on two decks with rail traffic on the upper deck and road traffic on the lower. The new bridge meant that traffic could pass through Newcastle without having to negotiate the steep, narrow Side, as had been necessary for centuries. The bridge was opened by Queen Victoria, who one year later opened the new Central Station, designed by John Dobson. Trains were now able to cross the river, directly into the centre of Newcastle and carry on up to Scotland. The Army Riding School was also completed in 1849.

 

In 1854 a large fire started on the Gateshead quayside and an explosion caused it to spread across the river to the Newcastle quayside. A huge conflagration amongst the narrow alleys, or 'chares', destroyed the homes of 800 families as well as many business premises. The narrow alleys that had been destroyed were replaced by streets containing blocks of modern offices.

 

In 1863 the Town Hall in St Nicholas Square replaced the Guildhall as the meeting place of Newcastle Town Council.

 

In 1876 the low level bridge was replaced by a new bridge known as the Swing Bridge, so called because the bridge was able to swing horizontally on a central axis and allow ships to pass on either side. This meant that for the first time sizeable ships could pass up-river beyond Newcastle. The bridge was built and paid for by William Armstrong, a local arms manufacturer, who needed to have warships access his Elswick arms factory to fit armaments to them. The Swing Bridge's rotating mechanism is adapted from the cannon mounts developed in Armstrong's arms works. In 1882 the Elswick works began to build ships as well as to arm them. The Barrack Road drill hall was completed in 1890.

 

Industrialisation

In the 19th century, shipbuilding and heavy engineering were central to the city's prosperity; and the city was a powerhouse of the Industrial Revolution. Newcastle's development as a major city owed most to its central role in the production and export of coal. The phrase "taking coals to Newcastle" was first recorded in 1538; it proverbially denotes bringing a particular commodity to a place that has more than enough of it already.

 

Innovation in Newcastle and surrounding areas included the following:

 

George Stephenson developed a miner's safety lamp at the same time that Humphry Davy developed a rival design. The lamp made possible the opening up of ever deeper mines to provide the coal that powered the industrial revolution.

George and his son Robert Stephenson were hugely influential figures in the development of the early railways. George developed Blücher, a locomotive working at Killingworth colliery in 1814, whilst Robert was instrumental in the design of Rocket, a revolutionary design that was the forerunner of modern locomotives. Both men were involved in planning and building railway lines, all over this country and abroad.

 

Joseph Swan demonstrated a working electric light bulb about a year before Thomas Edison did the same in the USA. This led to a dispute as to who had actually invented the light bulb. Eventually the two rivals agreed to form a mutual company between them, the Edison and Swan Electric Light Company, known as Ediswan.

 

Charles Algernon Parsons invented the steam turbine, for marine use and for power generation. He used Turbinia, a small, turbine-powered ship, to demonstrate the speed that a steam turbine could generate. Turbinia literally ran rings around the British Fleet at a review at Spithead in 1897.

 

William Armstrong invented a hydraulic crane that was installed in dockyards up and down the country. He then began to design light, accurate field guns for the British army. These were a vast improvement on the existing guns that were then in use.

 

The following major industries developed in Newcastle or its surrounding area:

 

Glassmaking

A small glass industry existed in Newcastle from the mid-15th century. In 1615 restrictions were put on the use of wood for manufacturing glass. It was found that glass could be manufactured using the local coal, and so a glassmaking industry grew up on Tyneside. Huguenot glassmakers came over from France as refugees from persecution and set up glasshouses in the Skinnerburn area of Newcastle. Eventually, glass production moved to the Ouseburn area of Newcastle. In 1684 the Dagnia family, Sephardic Jewish emigrants from Altare, arrived in Newcastle from Stourbridge and established glasshouses along the Close, to manufacture high quality flint glass. The glass manufacturers used sand ballast from the boats arriving in the river as the main raw material. The glassware was then exported in collier brigs. The period from 1730 to 1785 was the highpoint of Newcastle glass manufacture, when the local glassmakers produced the 'Newcastle Light Baluster'. The glassmaking industry still exists in the west end of the city with local Artist and Glassmaker Jane Charles carrying on over four hundred years of hot glass blowing in Newcastle upon Tyne.

 

Locomotive manufacture

In 1823 George Stephenson and his son Robert established the world's first locomotive factory near Forth Street in Newcastle. Here they built locomotives for the Stockton and Darlington Railway and the Liverpool and Manchester Railway, as well as many others. It was here that the famous locomotive Rocket was designed and manufactured in preparation for the Rainhill Trials. Apart from building locomotives for the British market, the Newcastle works also produced locomotives for Europe and America. The Forth Street works continued to build locomotives until 1960.

 

Shipbuilding

In 1296 a wooden, 135 ft (41 m) long galley was constructed at the mouth of the Lort Burn in Newcastle, as part of a twenty-ship order from the king. The ship cost £205, and is the earliest record of shipbuilding in Newcastle. However the rise of the Tyne as a shipbuilding area was due to the need for collier brigs for the coal export trade. These wooden sailing ships were usually built locally, establishing local expertise in building ships. As ships changed from wood to steel, and from sail to steam, the local shipbuilding industry changed to build the new ships. Although shipbuilding was carried out up and down both sides of the river, the two main areas for building ships in Newcastle were Elswick, to the west, and Walker, to the east. By 1800 Tyneside was the third largest producer of ships in Britain. Unfortunately, after the Second World War, lack of modernisation and competition from abroad gradually caused the local industry to decline and die.

 

Armaments

In 1847 William Armstrong established a huge factory in Elswick, west of Newcastle. This was initially used to produce hydraulic cranes but subsequently began also to produce guns for both the army and the navy. After the Swing Bridge was built in 1876 allowing ships to pass up river, warships could have their armaments fitted alongside the Elswick works. Armstrong's company took over its industrial rival, Joseph Whitworth of Manchester in 1897.

 

Steam turbines

Charles Algernon Parsons invented the steam turbine and, in 1889, founded his own company C. A. Parsons and Company in Heaton, Newcastle to make steam turbines. Shortly after this, he realised that steam turbines could be used to propel ships and, in 1897, he founded a second company, Parsons Marine Steam Turbine Company in Wallsend. It is there that he designed and manufactured Turbinia. Parsons turbines were initially used in warships but soon came to be used in merchant and passenger vessels, including the liner Mauretania which held the blue riband for the Atlantic crossing until 1929. Parsons' company in Heaton began to make turbo-generators for power stations and supplied power stations all over the world. The Heaton works, reduced in size, remains as part of the Siemens AG industrial giant.

 

Pottery

In 1762 the Maling pottery was founded in Sunderland by French Huguenots, but transferred to Newcastle in 1817. A factory was built in the Ouseburn area of the city. The factory was rebuilt twice, finally occupying a 14-acre (57,000 m2) site that was claimed to be the biggest pottery in the world and which had its own railway station. The pottery pioneered use of machines in making potteries as opposed to hand production. In the 1890s the company went up-market and employed in-house designers. The period up to the Second World War was the most profitable with a constant stream of new designs being introduced. However, after the war, production gradually declined and the company closed in 1963.

 

Expansion of the city

Newcastle was one of the boroughs reformed by the Municipal Corporations Act 1835: the reformed municipal borough included the parishes of Byker, Elswick, Heaton, Jesmond, Newcastle All Saints, Newcastle St Andrew, Newcastle St John, Newcastle St Nicholas, and Westgate. The urban districts of Benwell and Fenham and Walker were added in 1904. In 1935, Newcastle gained Kenton and parts of the parishes of West Brunton, East Denton, Fawdon, Longbenton. The most recent expansion in Newcastle's boundaries took place under the Local Government Act 1972 on 1 April 1974, when Newcastle became a metropolitan borough, also including the urban districts of Gosforth and Newburn, and the parishes of Brunswick, Dinnington, Hazlerigg, North Gosforth and Woolsington from the Castle Ward Rural District, and the village of Westerhope.

 

Meanwhile Northumberland County Council was formed under the Local Government Act 1888 and benefited from a dedicated meeting place when County Hall was completed in the Castle Garth area of Newcastle in 1910. Following the Local Government Act 1972 County Hall relocated to Morpeth in April 1981.

 

Twentieth century

In 1925 work began on a new high-level road bridge to span the Tyne Gorge between Newcastle and Gateshead. The capacity of the existing High-Level Bridge and Swing Bridge were being strained to the limit, and an additional bridge had been discussed for a long time. The contract was awarded to the Dorman Long Company and the bridge was finally opened by King George V in 1928. The road deck was 84 feet (26 m) above the river and was supported by a 531 feet (162 m) steel arch. The new Tyne Bridge quickly became a symbol for Newcastle and Tyneside, and remains so today.

 

During the Second World War, Newcastle was largely spared the horrors inflicted upon other British cities bombed during the Blitz. Although the armaments factories and shipyards along the River Tyne were targeted by the Luftwaffe, they largely escaped unscathed. Manors goods yard and railway terminal, to the east of the city centre, and the suburbs of Jesmond and Heaton suffered bombing during 1941. There were 141 deaths and 587 injuries, a relatively small figure compared to the casualties in other industrial centres of Britain.

 

In 1963 the city gained its own university, the University of Newcastle upon Tyne, by act of parliament. A School of Medicine and Surgery had been established in Newcastle in 1834. This eventually developed into a college of medicine attached to Durham University. A college of physical science was also founded and became Armstrong College in 1904. In 1934 the two colleges merged to become King's College, Durham. This remained as part of Durham University until the new university was created in 1963. In 1992 the city gained its second university when Newcastle Polytechnic was granted university status as Northumbria University.

 

Newcastle City Council moved to the new Newcastle Civic Centre in 1968.

 

As heavy industries declined in the second half of the 20th century, large sections of the city centre were demolished along with many areas of slum housing. The leading political figure in the city during the 1960s was T. Dan Smith who oversaw a massive building programme of highrise housing estates and authorised the demolition of a quarter of the Georgian Grainger Town to make way for Eldon Square Shopping Centre. Smith's control in Newcastle collapsed when it was exposed that he had used public contracts to advantage himself and his business associates and for a time Newcastle became a byword for civic corruption as depicted in the films Get Carter and Stormy Monday and in the television series Our Friends in the North. However, much of the historic Grainger Town area survived and was, for the most part, fully restored in the late 1990s. Northumberland Street, initially the A1, was gradually closed to traffic from the 1970s and completely pedestrianised by 1998.

 

In 1978 a new rapid transport system, the Metro, was built, linking the Tyneside area. The system opened in August 1980. A new bridge was built to carry the Metro across the river between Gateshead and Newcastle. This was the Queen Elizabeth II Bridge, commonly known as the Metro Bridge. Eventually the Metro system was extended to reach Newcastle Airport in 1991, and in 2002 the Metro system was extended to the nearby city of Sunderland.

 

As the 20th century progressed, trade on the Newcastle and Gateshead quaysides gradually declined, until by the 1980s both sides of the river were looking rather derelict. Shipping company offices had closed along with offices of firms related to shipping. There were also derelict warehouses lining the riverbank. Local government produced a master plan to re-develop the Newcastle quayside and this was begun in the 1990s. New offices, restaurants, bars and residential accommodation were built and the area has changed in the space of a few years into a vibrant area, partially returning the focus of Newcastle to the riverside, where it was in medieval times.

 

The Gateshead Millennium Bridge, a foot and cycle bridge, 26 feet (7.9 m) wide and 413 feet (126 m) long, was completed in 2001. The road deck is in the form of a curve and is supported by a steel arch. To allow ships to pass, the whole structure, both arch and road-deck, rotates on huge bearings at either end so that the road deck is lifted. The bridge can be said to open and shut like a human eye. It is an important addition to the re-developed quayside area, providing a vital link between the Newcastle and Gateshead quaysides.

 

Recent developments

Today the city is a vibrant centre for office and retail employment, but just a short distance away there are impoverished inner-city housing estates, in areas originally built to provide affordable housing for employees of the shipyards and other heavy industries that lined the River Tyne. In the 2010s Newcastle City Council began implementing plans to regenerate these depressed areas, such as those along the Ouseburn Valley.

Wintertuin O.-L.-V.-Waver (B): feestrefter; in het teken van de voeding

THE LIE MACHINE (2014)

Suitcase, computer, speaker, Voice Stress Analysis software, autobiographical read-by-the author audiobooks (Palin, Obama, Clinton, Bush)

 

Voice Stress Analysis (VSA) is a highly contested and controversial lie detection technology. Through the detection of variations in the microtremors of speech, truthfulness is evaluated through analysis of live or recorded voice. As a result, the technique can be applied surreptitiously, even posthumously, to the vast storehouses of spoken audio available.

 

The Lie Machine processes recorded audio with standard Voice Stress Analysis algorithms. The archive chosen for this analysis is a set of audiobook autobiographies, each read by its author: Decision Points by George W. Bush, Going Rogue: An American Life by Sarah Palin, A Journey: My Political Life by Tony Blair, My Life by Bill Clinton, The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama.

 

The title, “The Lie Machine” is taken from a 1973 Playboy Magazine article by Craig Vetter of the same name, on the subject of the Psychological Stress Evaluator (PSE). The PSE was the first commercially available VSA-based instrument, “designed to fit into a Samsonite briefcase.” The algorithm gained notoriety recently in the U.S. trial of George Zimmerman for the charge of the second-degree murder of Trayvon Martin, where Zimmerman was cleared of the charges based partly on his successful passing of a CVSA test (Computer Voice Stress Analysis).

 

“We are not concerned with the guilt or innocence of a suspect, only in whether or not he seems to be lying. He’s either D.I. or N.D.I. -- deception indicated or no deception indicated.” (Playboy, 1973)

 

_____________________________________________________________

 

Eastern Bloc presents the second segment of our 2015-2016 three-part cycle of exhibitions and activities, BPLTC, on the general theme of biopolitics. This cycle is divided into three segments: Cellular Control, Identity Control, and Food Control. The development of computer and digital technologies enables important command of human activities, responding to major financial, corporate and political interests, sometimes for better. Advances in research and its technical applications raise complex issues that are central to communities, and are located at the heart of current political challenges. Many new media and digital contemporary artists are now incorporating theses questions into their work.

 

www.easternbloc.ca/exhibits-bpltc-ii-details.php

 

Participating Artists:

Jamie Allen, Mushon Zer-Aviv, Zach Blas

Male lion lying in the grass of the Masai Mara, Kenya

All I ever heard were your stupid lies...

So many promises...

So many forevers.

 

Pic by (Not me)

A New Resident at the Metrozoo, Keel-billed Toucan

Miami Metrozoo, Miami, FL

 

Last weekend the new exhibit "Amazon & Beyond" was open to ZSF members for a sneak preview. The official opening is on December 6, 2008.

 

The Keel-billed Toucan (Ramphastos sulfuratus), also known as Sulfur-breasted Toucan, Rainbow-billed Toucan, is a colorful South American bird with a large bill. It is the national bird of Belize.

 

Including its bill, the Keel-billed Toucans ranges in length from around 17 to 22 inches (42-55 cm). Their large and colorful bill averages around 5-6 in (12-15 cm), about one-third of its length. While the bill seems large and cumbersome, it is in fact a spongy, hollow bone covered in keratin, a very light and hard protein.

 

The plumage of the Keel-billed Toucan is mainly black with a yellow neck and chest. Molting occurs once per year. It has blue feet and red feathers at the tip of its tail. The bill is mainly green with a red tip and orange sides (from Wikipedia - The Free Encyclopedia).

 

View On Black

Cape May Point beaches are stunningly beautiful. The little paths and walkways that take you up and over the dunes remind me of Nantucket or Martha's Vinyard.

 

This afternoon the winds were blowing 50 mph but it certainly didn't make anything less enjoyable. One thing I really like about this time of year is the timeless solitude, where everything is there to take in, enjoy ... and photograph. Even if it is quite chilly.

Entry to Cordoned Lines for Justice Ruth Bader Ginsburg Lie In Repose at the US Supreme Court along East Capitol between 1st and 2nd Street, SE, Washington DC on Wednesday morning, 23 September 2020 by Elvert Barnes Photography

 

Elvert Barnes Wednesday, 23 September 2020 RUTH BADER GINSBURG LIE IN REPOSE @ US Supreme Court Portico / Washington DC docu-project at elvertbarnes.com/23September2020

 

Elvert Barnes REMEMBERING JUSTICE RUTH BADER GINSBURG docu-project at elvertbarnes.com/RuthBaderGinsburg

Cubelles, Barcelona (Spain).

 

View Large On White

 

Effects of the East storms. / Efectos de los temporales de levante.

 

ENGLISH

The reclaimed wetlands of the river Foix estuary have made this area into one of the main attractions of the town. The River Foix, which is dry during most of the year due to construction of the Foix Resservoir is another of the most emblematic places in Cubelles. At the Foix estuary, you can spend the day enjoying nature and birthwatching, or at one of the picnic areas. This zone is also intended for school visits, as it is a place where children can study the ecosystem of a Mediterranean river such as the Foix.

 

The estuary is separated from the sea by a sand barrier which has accumulated over time, due to sea currents and rainwater sediments, forming freshwater laguens behind the barrier. The natural area of the Foix Delta has a branch of land that sticks out into the sea. This was formed during the floods of 1994 and joins onto another branch, leaving an island in the middle. Tourists can visit the island by crossing a wooden footbridge.

 

Source: www.cubelles.net/docs/20050211004068.htm

 

----------------------------------

 

CASTELLANO

La recuperación de los espacios húmedos de la desembocadura del río Foix ha convertido la zona en una de las de mayor atractivo del municipio. El río Foix -que desde la construcción del pantano del Foix está la mayor parte del año seco- es otro de los elementos más emblemáticos de los cubellenses. En la desembocadura del Foix, además de poder pasar un día rodeado de la Naturaleza, se puede observar el comportamiento de las aves autóctonas de esta zona o disfrutar de las áreas de picnic. El espacio también está dirigido a las escuelas, que pueden visitar y estudiar el ecosistema de un río mediterráneo, como es el del Foix.

 

Su desembocadura está separada del mar por una barrera de arena acumulada por las corrientes marítimas y los depósitos pluviales, formando lagunas de agua dulce en su interior. El Espacio Natural del Delta del Foix, mantiene el brazo de salida al mar que se formó por las riadas de 1994, a la que se ha añadido un segundo brazo dejando una isla en el medio, conectada con la zona de entretenimiento a través de unas pasarelas de madera. Otra pasarela de madera sobre uno de los brazos del río, sirve de punto de observación del desarrollo natural de la desembocadura del Foix.

 

Fuente: www.cubelles.net/docs/20050211004073.htm

 

Song for the picture: Beautiful Lie by 30 seconds to mars

 

Lie awake in bed at night

And think about your life

Do you want to be different?

Try to let go of the truth

The battles of your youth

Cause this is just a game

 

It's a beautiful lie

It's a perfect denial

Such a beautiful lie to believe in

So beautiful, beautiful, it makes me

 

It's time to forget about the past

To wash away what happened last

Hide behind an empty face

Don't ask too much just say

Cause this is just a game

 

It's a beautiful lie

It's a perfect denial

Such a beautiful lie to believe in

So beautiful, beautiful, it makes me

 

Oh!

 

Everyone's looking at me

I'm running around in circles

A quiet desperation's

Building higher

I've got to remember this is just a game

 

So beautiful, beautiful

(Lie! Lie!)

So beautiful, beautiful

(Lie! Lie!)

 

It's a beautiful lie

It's a perfect denial

Such a beautiful lie to believe in

So beautiful, beautiful, it makes me

De Zimmertoren is een toren in Lier, in de Belgische provincie Antwerpen. De toren is genoemd naar uurwerkmaker Louis Zimmer, en is het resultaat van het verbouwen van de middeleeuwse Corneliustoren, die een deel was van de tweede omwalling rond de stad. De toren staat op het Zimmerplein, het vroegere Wilsonplein. Dit plein ligt aan de binnennete. De kade hier werd vroeger gebruikt om schepen te laden en lossen. Lierenaars spreken daarom ook nog vaak van de "kade" of "kaai" als ze verwijzen naar het Zimmerplein.

 

Het bouwjaar van de oorspronkelijke toren, een oude vestigingstoren (de corneliustoren), is niet precies bekend, maar ligt vóór 1425. De toren behoorde tot de tweede omwalling van de stad. De toren werd in 1812 door het gemeentebestuur verkocht, maar werd na de Eerste Wereldoorlog weer aangekocht, omdat het stadsbestuur de toren wilde afbreken. In 1928 schonk Zimmer aan de stad Lier een uurwerkmechanisme (de Jubelklok, gemaakt met zijn rechterhand Frans Dirckx en zo genoemd omwille van de viering van 100 jaar Belgische onafhankelijkheid in 1930 bij de officiële inhuldiging van de toren) dat diverse tijden en kosmische en andere periodieke verschijnselen aangeeft. Er werd besloten dit uurwerk onder te brengen in de bouwvallige Corneliustoren, die daartoe tussen 1928 en 1930 werd verbouwd en gerestaureerd en sindsdien Zimmertoren wordt genoemd. De inhuldiging van de Zimmertoren vond plaats op 29 juni 1930. De hele verbouwing werd voor het grootste deel uitgevoerd door vrijwilligers en de kostprijs bedroeg 169.230,40 Belgische frank.

  

Op het pleintje vóór de toren lag tot 2013 een voorstelling van het zonnestelsel, met de voorstelling van de planetoïden Felix (1664) en Zimmer (3064), die respectievelijk naar Felix Timmermans en Louis Zimmer werden genoemd en die ontdekt werden in 1929 en 1984. In 2013 is de planetencirkel verwijderd en vervangen door een didactische versie in het paviljoen.

 

De werken van Louis Zimmer worden sedert 1930 in eigendom beheerd door de onafhankelijke vzw Zimmertorencomité Lier die tevens huurster is van de gebouwen tot in 2045.

 

Sinds 1980 is de toren beschermd als monument. De Zimmertoren behoort tot een van de meest karakteristieke klokken van Europa.

 

The Zimmer tower (Dutch: Zimmertoren) is a tower in Lier, Belgium, also known as the Cornelius tower, that was originally a keep of Lier's fourteenth century city fortifications. In 1930, astronomer and clockmaker Louis Zimmer (1888–1970) built the Jubilee (or Centenary) Clock, which is displayed on the front of the tower, and consists of 12 clocks encircling a central one with 57 dials. These clocks showed time on all continents, phases of the moons, times of tides and many other periodic phenomena.

In 1980 the tower became a state-protected monument.

 

The original tower was built no later than 1425, though the precise date of construction is unknown. In 1812 the tower was sold by the municipal authorities, but after World War I, they repurchased it and slated it for demolition. In 1930 astronomer and clockmaker Louis Zimmer donated a complex clock which was installed in the old tower, which had to be substantially reconstructed for this. In honor of the astronomer the structure was renamed the Zimmer tower.

 

In 1960 a pavilion for the new clock was built next to the tower to present Zimmer's masterpiece the wonder-clock. (Dutch: Wonderklok). These wonder-clocks were prepared for the 1935 world exhibition in Brussels; later they were demonstrated in the U.S.. Around one of these dials moves the slowest pointer in the world - its complete revolution will take 25800 years, which corresponds to the period of the precession of the Earth's axis. Subsequently, Zimmer attached to the clocks a mechanical planetarium. The wonder-clocks impressed Albert Einstein, who congratulated Zimmer on the creation of these unusual mechanisms.

 

On the small square at the foot of the tower an exhibition of the solar system was arranged with the aid of metallic circles and the rings (circles designate the sun and planets, rings the orbits of planets). These also show asteroids Felix (№ 1664) and Zimmer (№ 3064), which were named after Felix Timmermans and Louis Zimmer when discovered in 1929, and 1984. In 1980 the tower obtained the status of state protected monument. Now the Zimmer tower and pavilion with the wonder-clocks is a museum.

 

The Centenary clock has one large dial in the centre, measure 1.5 metres (4 ft 11 in) in diameter. This dial shows the exact time (UTC+1; during daylight saving time UTC+2 is used instead). The twelve dials around the centre dial show the following (starting from the dial in the 2 o'clock position and going clockwise): the equation of time, the zodiac, the solar cycle and the dominical letter, the week, the globe, the months, the calendar dates, the seasons, the tides, the age of the moon, the phases of the moon and the metonic cycle and the epact.

 

The equation of time

 

This dial shows the difference in minutes between the apparent solar time and the mean solar time. Positive values indicate that the apparent solar time is ahead (fast) of the mean solar time, with maxima around November 3 and May 15. Negative values indicate that the apparent solar time is behind (slow) of the mean solar time, with a maximum lag around February 12 and July 27.

 

The difference is zero four times a year; around April 16, June 15, September 1 and December 25.

 

The zodiac

 

Every year the sun describes an imaginary circle around the earth, called the zodiac. The zodiac is divided in twelve segments, each denoted by a sign associated with a constellation. This dial shows the zodiac signs. The signs of spring; Ram, Bull and Twins. The signs of the summer; Crab, Lion and Virgin. The signs of the fall; Balance, Scorpion and Bowman. The signs of winter; Capricorn, Water-bearer and Fishes. One revolution of this dial takes a year.

 

The solar cycle and the dominical letter

 

The solar cycle is a 28-year cycle. After the 28 years, dates reappear in the same order. On the inner circle, the hand indicates the current year of the solar cycle. On the outer circle, the hand shows the corresponding dominical letter. The dominical letter gives the day upon which the first Sunday of the year falls. The letter A means that the first Sunday of the year will fall on January 1. The letter E for example, indicates that the first Sunday will be on January 5. Leap years have two dominical letters because the dominical letter changes end February. The first letter covers January and February, the second covers March to December. For leap years, the outer circle will show two dominical letters.

 

The week

 

This dial marks the seven days of the week, represented by ancient gods and their symbol.

 

SundayApollosun

MondayDianamoon

TuesdayMarslance

WednesdayMercuriusgolden staff

ThursdayJupiterflash of lightning

FridayVenusmirror

SaturdaySaturnsickle and scythe

 

The globe

 

The rotation of the Earth causes day and night. It is day on the part of the globe that is currently visible. The places on earth that pass under the fixed meridian (the golden belt running from the North Pole to the South Pole) have noon at the same time. The globe rotates once every 24 hours.

 

The months

 

This dial depicts the twelve months. The hand shows the current month. One revolution takes a year.

 

NumberMonthAlternative name

1JanuaryIce-month

2FebruaryDuck-month

3MarchFish-month

4AprilHarlequin-month

5MayFlower-month

6JuneShearing-month

7JulyHay-month

8AugustHarvest-month

9SeptemberFruit-month

10OctoberWine-month

11NovemberSlaughter-month

12DecemberResting-month

 

The calendar dates

 

This dial shows the exact date. The numbering goes to 31, the maximum number of days in a month. In months that have less days (28, 29 or 30), the hand automatically moves forward to the first day of the following month.

 

The seasons

 

The dial shows four drawings by Felix Timmermans, representing the four seasons. Spring is represented by a child with flowers (upper left). The duration of the season is indicated with Arabic numerals for the days and Roman numerals for the hours. Spring lasts for 92 days and 11 hours. The summer is represented by a mower and lasts 93 days and 8 hours. Autumn is symbolised by a cornucopia and lasts 89 days and 10 hours. Winter is represented by an old lady reading by the fireside. The duration of the winter is exact 90 days.

 

On the dividing lines between the drawings is a small globe indicating the part of the globe that is being lit by the sun at the start of the season. The differences in illumination during the year are caused by the Earth's axial tilt. The hand completes one revolution a year and shows the current season.

 

The tides

 

The dial indicates the tides at Lier, Belgium. The biggest ship and the flag without the streamer indicate high water. When the streamer is above the flag it is flood. It is ebb when the streamer is below the flag. At Lier, the water is rising for 3 hours and 53 minutes and falling in the other hours. This dial completes almost two revolutions a day.

 

The age of the moon

 

The time between two full moons is about 29 days, 12 hours, 44 minutes. This is the time it takes the Moon to make one orbit around the Earth. The dial shows how many days passed since last new moon, indicating the day in the cycle of the moon and showing on the inner circumference the phases of New Moon (Dutch: Nieuwe Maan, N.M.), First Quarter (Dutch: Eerste Kwartier, E.K.), Full Moon (Dutch: Volle Maan, V.M.) and Last Quarter (Dutch: Laatste Kwartier, L.K.).

 

The phases of the moon

 

This globe, colored half-gold and half-blue with golden stars, shows the phases of the moon. The golden part represents the visible part of the moon.

 

The metonic cycle and the epact

 

The hand on this dial revolves once in 19 years. After this period, the different phases of the moon will fall again on the same dates in the year. The Greek astronomer Meton proved this in 432 BC. On the outer ring, the hand points to the golden number, or the number of the current year in the metonic cycle. The inner ring shows the epact, which is the age of the moon on the first of January of the current year.

THE LIE MACHINE (2014)

Suitcase, computer, speaker, Voice Stress Analysis software, autobiographical read-by-the author audiobooks (Palin, Obama, Clinton, Bush)

 

Voice Stress Analysis (VSA) is a highly contested and controversial lie detection technology. Through the detection of variations in the microtremors of speech, truthfulness is evaluated through analysis of live or recorded voice. As a result, the technique can be applied surreptitiously, even posthumously, to the vast storehouses of spoken audio available.

 

The Lie Machine processes recorded audio with standard Voice Stress Analysis algorithms. The archive chosen for this analysis is a set of audiobook autobiographies, each read by its author: Decision Points by George W. Bush, Going Rogue: An American Life by Sarah Palin, A Journey: My Political Life by Tony Blair, My Life by Bill Clinton, The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama.

 

The title, “The Lie Machine” is taken from a 1973 Playboy Magazine article by Craig Vetter of the same name, on the subject of the Psychological Stress Evaluator (PSE). The PSE was the first commercially available VSA-based instrument, “designed to fit into a Samsonite briefcase.” The algorithm gained notoriety recently in the U.S. trial of George Zimmerman for the charge of the second-degree murder of Trayvon Martin, where Zimmerman was cleared of the charges based partly on his successful passing of a CVSA test (Computer Voice Stress Analysis).

 

“We are not concerned with the guilt or innocence of a suspect, only in whether or not he seems to be lying. He’s either D.I. or N.D.I. -- deception indicated or no deception indicated.” (Playboy, 1973)

 

The project was produced and supported by LEAP Berlin. Many thanks to John McKiernan, Daniel Franke at LEAP, as well as Samo Tadin and Tuk Bredsdorff in Copenhagen, for their interests, generosity and contributions.

 

OBSESSIVE SENSING

 

Opening: Friday 04.4.2014, 19:00

Exhibition:05.04.2014 – 26.04.2014, 12:00 – 18:00 Tuesday-Saturday

 

Participating Artists:

Jamie Allen, James Auger and Jimmy Loizeau, Ralf Baecker, Rosemary Lee, Sascha Pohflepp and Chris Woebken, Addie Wagenknecht

_____________________________________________________________

 

The group exhibition Obsessive Sensing features works which as their basis look at the programming of the world as an expression of artistic research. The participating artists aim to ‘’sense’’ with the help of complex systems and thus to reimagine how we perceive the world. How do we go about sensing that which we cannot perceive? This is reflected in the idea of technical images, as described by Vilém Flusser – the preparation of the information which we cannot perceive for our senses. ‘’This can be achieved neither with hands nor with eyes nor with fingers, for these elements are neither graspable, nor are they visible. For this reason, apparatuses must be developed that grasp the ungraspable, visualize the invisible, and conceptualize the inconceivable.’’ (Vilém Flusser, Into the Universe of Technical Images)

I have completely undressed my Cinderella 18'' Limited Edition Doll (released October 2012, LE5000). She is lying down on a counter, next to her shoes, gloves, necklace, gown and petticoat. This is in preparation to swapping outfits with my LE2500 Snow Queen Elsa doll.

 

It was suggested to me that I swap the outfits of my Cinderella and Snow Queen Elsa 17'' Limited Edition Dolls by the Disney Store. Cinderella is listed at 18'', but that is only when you add the height of her hair.

 

They both have light blue gowns covered in rhinestones. But Cinderella's dress is a poofy ballgown, whereas Elsa's outfit is a slinky satin dress with a oversized cape attached to the back. They both have crystal ornaments in their hair, which I leave alone. I also leave Cinderella's headband alone. But I will place Cinderella's black beaded necklace on Elsa, and as well as her white jeweled gloves. I will also swap Cinderella's 'glass' slippers with Elsa's blue snowflake high heeled shoes.

NMBS 108

Lier

Dia: Peter Rabijns

Sexy and Hot Pornstar Conny Lior

Word Drawings. Lies. Black ink and markers. 2007

About 9 minutes remaining...(allegedly)

 

Reminiscent of "the author of the windows file copy dialog visits some friends" xkcd.com/612/

 

estimation....

What lies below a surface?

It's fortune that it remains all hidden, or not?

Under the surface of my blue ocean lies a dolphin. A shimmering dolphin.

It plays with its ball, immerse into pure happiness, full of life.

Joyful. Endlessly.

 

January 5th 2007

By David Byrne & Fatboy Slim " Here Lies Love ", A song cycle about Imelda Marcos & Estrella Cumpass

 

“The story I am interested in is about asking what drives a powerful person—what makes them tick? How do they make and then remake themselves? I thought to myself, wouldn’t it be great if—as this piece would be principally composed of clubby dance music—one could experience it in a club setting? Could one bring a ‘story’ and a kind of theater to the disco? Was that possible? If so, wouldn’t that be amazing!”

—DB, from the introduction

   

PRESS REVIEWS

 

On the Imelda Marcos Inspired New Album

As far as unlikely muses go, creating a modern disco album based on the life of shoe-loving former First Lady of the Philippines Imelda Marcos is quite a bizarre undertaking. But then David Byrne has always enjoyed a challenge.

Clash Music 06.05.10

 

Marcos Seeks to Restore Philippine Dynasty

Removing the earbuds, tilting her head slightly, [Imelda] said in an exaggerated tone, "I’m flattered; I can’t believe it!"

The New York Times 05.08.10

 

David Byrne & Fatboy Slim — Here Lies Love

Verdict: Concept LP about Imelda Marcos. Extra dancing shoes, attention span required.

The New Zealand Herald 05.08.10

 

Vida de Imelda Marcos, viúva de ditador das Filipinas, inspira disco conceitual de David Byrne e Fatboy Slim

O time oferece um verdadeiro quem-é-quem da cena pop anglo-americana atual, entre veteranas e emergentes.

O Globo 05.01.10

 

The rise of Imelda, in her own words

People who listen to the entire album will be rewarded with more than narrative depth. They'll hear stunning performances...

The Australian 05.01.10

 

CD review: David Byrne & Fatboy Slim, “Here Lies Love”

...You don't need to be interested in the history of Filipino royalty to dance to Byrne's soundtrack of it.

The Aspen Times 04.29.10

 

Here lies myth

As a historical artifact, the album is a keepsake.

Manila Standard Today 04.29.10

 

Dancing on the grave of history

The idea of using dance music to tell the story of Imelda Marcos is both loony and a stroke of genius.

The Philippine Star 04.23.10

 

David Byrne & Fatboy Slim, “Here Lies Love”

One of the unquestionably oddest releases of the year.

Planet 04.23.10

 

Dance Mix: Funk Meets Mrs. Marcos

A fountain of funk and dance music that's entirely accessible, great fun and can easily be enjoyed a song at a time.

The Wall Street Journal 04.19.10

 

Byrne, baby, Byrne

The rock icon on song cycles, cycling, and escaping the past with Imelda Marcos. And you may ask yourself, is this my beautiful new business model?

Guernica 04.10

 

The Yes List—David Byrne and Fatboy Slim's Imelda Marcos Musical

Each week, The Daily Beast scours the cultural landscape to choose three top picks.

The Daily Beast 04.16.10

 

Try putting yourself in her shoes

Depending on how you look at it, the timing couldn’t be better, or worse. Now 80 years old, Marcos...is seeking a parliament seat in Ilocos Norte in the northern Philippines.

Macleans (CA) 04.15.10

 

The Imelda Marcos Story — As Told by David Byrne

...A winning twist on the "album musical" tradition.

TIME 04.10.10

 

„Menschen brauchen Märchen“

"Ich erzähle darin auch die Geschichte der Liebe zweier Frauen, die verloren ging."

Focus 04.09.10

 

Lyrics Lush and Gawky

Though they’re tied to biographical specifics, the songs breeze along toward irrepressible pop choruses.

The New York Times 04.08.10

 

David Byrne and Fatboy Slim give a refreshingly sober view of Imelda Marcos in ‘Here Lies Love’

Many of the songs show the influence of Byrne's longtime love of Latin music, but it's their sweet melodies that really entice.

NY Daily News 04.07.10

 

Dancing barefoot to the Imelda Marcos OST

The realization that hey, this is all about Imelda! will surely make you sit up and listen. That is, if you aren't too busy already dancing.

GMA News (Philippines) 04.07.10

 

Here Lies Love

[It] has more going for it than museum-piece fascination.

The Onion: A.V. Club 04.06.10

 

Daily Dose Pick: Here Lies Love

David Byrne and Fatboy Slim’s star-studded collaborative concept album about the life of Imelda Marcos may sound strange, but it’s no less stunning for it.

Flavorwire 04.06.10

 

David Byrne & Fatboy Slim: "Here Lies Love"

Slim is razor sharp at placing proper beats in the music to recall the late-night '70s New York club scene.

New York Post 04.06.10

 

A hymn to the Iron Butterfly

Byrne has produced a work that not only tells Imelda’s story but celebrates the art of the album as well.

The Globe and Mail 04.06.10

 

Ode to Imelda is a Shoe-in for Success

...A thrilling success.

Newsday 04.06.10

 

Listen Up: Imelda Marcos, the musical? For Byrne, it's 'Love'

Allison Moorer and Sharon Jones are standouts, respectively lending earthy shine to the ebullient When She Passed By and soulful punch to Dancing Together.

USA Today 04.06.10

 

David Byrne and Fatboy Slim: Here Lies Love

...An impressive work that certainly shows the marks of five years’ worth of refinement.

PopMatters 04.05.10

 

David Byrne, Fatboy Slim gather eclectic cast for odd, wonderful Imelda tribute

...An epic, thrilling tale brimming with hair-raising harmonies, sumptuous beats and unexpected duets.

The San Francisco Examiner 04.05.10

 

HuffPost Reviews: David Byrne and Fatboy Slim

It works so well and so strangely--especially with guests like Steve Earle in the role of Ferdinand Marcos--that you'll wonder why it's never been done before.

The Huffington Post 04.05.10

 

Imelda Marcos's life in funky rhythm

...A sumptuous two-disc feast of harmony, melody, and Latin-accented grooves that the Studio 54-loving Marcos herself would likely appreciate.

The Boston Globe 04.05.10

 

David Byrne and Fatboy Slim: Here Lies Love

The pair’s navigation of the narrative is impeccable, as Marcos uses her steely resolve to rise above her troubled childhood.

The Times 04.03.10

 

Top Marcos

A glittering array of talent assemble for a complex paean to a former dictator's wife.

NME 04.03.10

 

David Byrne & Fatboy Slim: Here Lies Love

It contains enough solid material to justify repeated listens.

Billboard 04.03.10

 

A rock opera on Imelda Marcos

Here Lies Love’s beguiling music and vivid lyrics evoke Imelda Marcos’s corrupt, seductive glamour.

Financial Times 04.02.10

 

Unlikely muses but exceptional music

Despite its considerable conceptual ambition, the album finds Byrne reconnecting with his pop roots in a big way.

The Star-Ledger 04.02.10

 

CD of the week: David Byrne & Fatboy Slim

As long as inventive, thoughtfully generous souls such as David Byrne are at the controls, rumours about the death of the album will remain greatly exaggerated.

Daily Mirror 04.02.10

 

Here Lies Love: David Byrne and Fatboy Slim, CD review

...A headily atmospheric and inspired combination of humid, late-Seventies, early-Eighties Latin-tilted beats and lyrics you actually want to think about.

The Telegraph 04.01.10

 

Album review: David Byrne and Fatboy Slim: Here Lies Love

...This is a...satisfying celebration of strong female voices, each one shrewdly matched by Byrne to their particular song.

The Scotsman, 03.30.10

 

David Byrne inspired by dictator's wife

The once in a lifetime artist proved once again that he's more than willing to step up to the mark-os.

Sky News 03.26.10

 

Sound check: mad about Imelda Marcos

Despite her crimes Marcos is essentially remembered for her eccentricities. This none-more-eccentric production is a suitable reflection of a very strange life.

Evening Standard, 03.26.10

 

Album Review: David Byrne & Fatboy Slim - Here Lies Love

Byrne remains one of the most charismatic and intellectual songwriters of our time, and Fatboy Slim can still produce the coolest beats for people to break-dance to outside of movie theaters.

Consequence of Sound 03.26.10

 

David Byrne: Two heads are sometimes better than one

On the eve of releasing 22 new songs with Norman Cook, the Talking Heads frontman tells of the joys of artistic collaboration.

The Observer, 03.21.10

 

David Byrne & Fatboy Slim: Here Lies Love Music Review

Dig into [the] heady stuff if you like — or just surrender to the inexorable beats.

Rolling Stone 03.18.10

 

Ruff Manila

Byrne says the incongruity of combining club frippery and serious intentions was appealing.

MOJO 03.10.10

 

Imelda Marcos gets the Evita treatment

"Basically, DB had worked out the whole thing in his head,” says Cook. “He loves to do the right thing the wrong way..."

The Sunday Times 02.21.10

 

The only Filipino in all-star soundtrack of Imelda musical

This is a serious psychological study of a complex and flawed character whose delusions affected many innocent people.

Philippine Daily Inquirer 02.11.10

 

Fatboy Slim y David Byrne hicieron un disco juntos

Codo a codo con Byrne, el ex bajista de Housemartins y actual Dj estrella cinceló el pulso de las composiciones y le agregó su habitual clima bailable.

10 Musica 12.16.09

 

David Byrne + Fatboy Slim = Imelda Marcos !

Curieux casting, curieux sujet…

Qobuz 12.15.09

David Byrne og Fatboy Slim afslører trackliste

Musikken er naturligvis komponeret af de to bagmænd, Fatboy Slim og David Byrne...

Gaffa 12.15.09

 

David Byrne and Fatboy Slim Immortalize Imelda Marcos

With this story of rags to riches that bursts with dubious morality, no wonder Byrne was intrigued.

Flavorwire 12.14.09

David Byrne and Fatboy Slim team up for Here Lies Love

He’s been popping up on our radar, here and there, and that’s always a good thing when it comes to David Byrne.

OneThirtyBPM 12.14.09

David Byrne mints Imelda Marcos CD

A concept album that tracks the rise and fall of former First Lady Imelda Marcos will be released this year, featuring former Talking Heads frontman David Byrne, British DJ and big beat musician Fat Boy Slim, and 22 guest performers.

Manila Standard Today 4.16.09

 

Byrne 'finishing off Fatboy CD'

The pair have roped in a host of guest stars for the project, Here Lies Love, including Santigold and Roisin Murphy.

BBC News 4.9.09

2005-2007

Extravagance (and Shoe Love) in the Rise of a Despot?

"This is quite a place to audition new material," David Byrne deadpanned at Carnegie Hall on Saturday night…

The New York Times 2.5.07

 

David Byrne Meets Imelda

With almost every number in Here Lies Love the audience was ready to dance, even if it was to a lesson in late 20th century southeast Asian history.

Time 2.4.07

In New York, David Byrne sings of Imelda Marcos

"This is not artistic licence, this is reportage," Byrne told a laughing audience as the story moved to Marcos' extravagant visits to New York, where she frequented the famed nightclub "Studio 54."

Reuters 2.4.07

Imelda: The Nightclub Years

No shoes? No brutal husband? David Byrne tells Andrew Purcell why he teamed up with Fatboy Slim to write an opera about the disco-loving side of Imelda Marcos.

Guardian (UK) 1.29.07

Has Opera Lost the Plot?

The music-theatre piece by David Byrne on the life of Imelda Marcos, Here Lies Love, came much closer to a kind of operatic truth…

The Weekend Australian 3.25.06

 

The life of Imelda Marcos comes to the Adelaide stage

"And I thought, here's someone in power that comes with a sound track attached…"

ABC Australia 3.13.06 — Radio interview [1MB Quicktime file]

A Steel Butterfly Still Emerging

[Byrne] is proposing that Imelda is no more the sum of her shoes than Jackie Kennedy was just a collection of pillbox hats.

The Australian 3.13.06

Retro and Kitsch — So in Style

Introducing the show, Byrne said he was interested in how powerful people justify their morally reprehensible acts to themselves, but he found Imelda more interesting than your garden-variety dictator because she had a disco installed in her New York townhouse.

The Age 3.13.06

Imelda Marcos, in her own words

Imelda Marcos pointed a tiny pistol straight ahead of her and a red dot appeared on a screen in the middle of a heart-shaped face labeled "Happy."

The International Herald Tribune 3.8.06

True Stories

So David Byrne calls Fatboy Slim and says: "Here's an idea. Imelda Marcos, OK? Wife of a dictator. Liked to go to discos in her younger days. Could make a good musical. What do you think?"

The Australian 2.25.06

Byrne, Baby, Byrne

"The auditions were fairly hilarious," Byrne says. "Because they have to sing for the whole thing and because it's energetic dance music, I set up a karaoke lounge in my studio here."

The Advertiser 10.15.05

  

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