View allAll Photos Tagged lying
Photoshoot with Colorado MC Philosoph-e. Check out his myspace link below, dope stuff. Burning the Lies in music. Stay true to who you are.
Photographer: Blake Peterson
Model/MC: Philosoph-e
Strobist Info: One Flashpoint 620 Monolight into Beauty Dish up high to Camera right, directly right of barrel. Full power with camera at F5.6 at 1/100. Fire was a composite image added in post.
I am standing by the Oslo Opera House, this is one of the views of the new sculpture in the sea.
Monica Bonvicini won the international competition to create a sculpture to be placed next to Oslo Opera House.
The sculpture is based on painting by Caspar D. Friedrichs, "Das Eismeer".
The sculpture was unvailed first week of May.
Den italienske kunstneren Monica Bonvicini vant en internasjonal konkurranse med She Lies i 2007, som er en rekonstruksjon av Caspar David Friedrichs (1774–1840) maleri Das Eismeer (ishavet).
Het Lierse begijnhof is een typisch voorbeeld van een stratenbegijnhof. Een renaissancepoort met bovenaan het beeld van de Heilige Begga verleent toegang tot het begijnhof, dat tot op heden nog volledig omsloten is. Het begijnhof telt ongeveer 150 begijnenhuisjes met vaak mooie namen zoals het Stalleken van Bethlehem, Vijf Wondekens, Wijngaert des Heren en het Soete Naemken. Het ontstond in de dertiende eeuw maar de meeste huizen dateren uit de 17e en het begin van de 18e eeuw. In de jaren negentig werden grote delen gerestaureerd. Zo werd de oostelijke "grachtkant" volledig vernieuwd, inbegrepen het interieur van de huisjes. Ze hebben hun voorgevel richting begijnhof, terwijl hun achtergevel (die grenst aan de kleine Nete) volledig vensterloos is. De laatste begijn overleed er in 1994.
De driebeukige Sint-Margaretakerk heeft een barokgevel uit de 17e eeuw, waarboven in de 18e eeuw volutes en een lantaarn zijn geplaatst. De pastorie (ca. 1690) bevindt zich in de Begijnhofstraat. Her en der zijn staties van de Kruisweg verspreid over het begijnhof. Het Lierse begijnhof was een van de grote inspiratiebronnen voor Felix Timmermans die het de bijnaam d'amandelboom van Lier gaf (Begijnhofsproken (1912), De zeer schoone uren van Juffrouw Symforosa begijntjen (1918)). Samen met 12 andere Vlaamse begijnhoven werd het op 2 december 1998 op de Werelderfgoedlijst van de UNESCO geplaatst.
Foto: Tijl Vereenooghe
whilst the Hawk flies over you.....line of children in the main ring at Emley Show, West Yorks, UK. Aug 2016.
Company: Tomy
Set: Lying Down plush
Year: ????
Size: Small
Made in: Japan
Have any info we left out? Care to donate better photos? Let us know at pokeplushproject(at)yahoo(dot)com!
THE LIE MACHINE (2014)
Suitcase, computer, speaker, Voice Stress Analysis software, autobiographical read-by-the author audiobooks (Palin, Obama, Clinton, Bush)
Voice Stress Analysis (VSA) is a highly contested and controversial lie detection technology. Through the detection of variations in the microtremors of speech, truthfulness is evaluated through analysis of live or recorded voice. As a result, the technique can be applied surreptitiously, even posthumously, to the vast storehouses of spoken audio available.
The Lie Machine processes recorded audio with standard Voice Stress Analysis algorithms. The archive chosen for this analysis is a set of audiobook autobiographies, each read by its author: Decision Points by George W. Bush, Going Rogue: An American Life by Sarah Palin, A Journey: My Political Life by Tony Blair, My Life by Bill Clinton, The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama.
The title, “The Lie Machine” is taken from a 1973 Playboy Magazine article by Craig Vetter of the same name, on the subject of the Psychological Stress Evaluator (PSE). The PSE was the first commercially available VSA-based instrument, “designed to fit into a Samsonite briefcase.” The algorithm gained notoriety recently in the U.S. trial of George Zimmerman for the charge of the second-degree murder of Trayvon Martin, where Zimmerman was cleared of the charges based partly on his successful passing of a CVSA test (Computer Voice Stress Analysis).
“We are not concerned with the guilt or innocence of a suspect, only in whether or not he seems to be lying. He’s either D.I. or N.D.I. -- deception indicated or no deception indicated.” (Playboy, 1973)
The project was produced and supported by LEAP Berlin. Many thanks to John McKiernan, Daniel Franke at LEAP, as well as Samo Tadin and Tuk Bredsdorff in Copenhagen, for their interests, generosity and contributions.
Opening: Friday 04.4.2014, 19:00
Exhibition:05.04.2014 – 26.04.2014, 12:00 – 18:00 Tuesday-Saturday
Participating Artists:
Jamie Allen, James Auger and Jimmy Loizeau, Ralf Baecker, Rosemary Lee, Sascha Pohflepp and Chris Woebken, Addie Wagenknecht
_____________________________________________________________
The group exhibition Obsessive Sensing features works which as their basis look at the programming of the world as an expression of artistic research. The participating artists aim to ‘’sense’’ with the help of complex systems and thus to reimagine how we perceive the world. How do we go about sensing that which we cannot perceive? This is reflected in the idea of technical images, as described by Vilém Flusser – the preparation of the information which we cannot perceive for our senses. ‘’This can be achieved neither with hands nor with eyes nor with fingers, for these elements are neither graspable, nor are they visible. For this reason, apparatuses must be developed that grasp the ungraspable, visualize the invisible, and conceptualize the inconceivable.’’ (Vilém Flusser, Into the Universe of Technical Images)
(Photos by LEAP)
This documentary is based on the book of the same name so saved me some reading. It's playing in theatres now, but I got the DVD when I heard Norman Solomon speak at the Peace and Justice program last Friday. The movie is well put together, much easier to understand than Manufacturing Consent, the overlong movie about Noam Chomsky and what he had to say about propaganda in the media. My interest in this movie was chiefly because Solomon includes a lot about how the Vietnam war ties into the propaganda history. In the movie he says he asked the editor of the Washington Post why they didn't retract the story about the Gulf of Tonkin Incident once it was discovered that it never happened. The editor said that if they retracted that story they would have to retract all the stories about Vietnam. Geesh. At least retract the big fat lies even if it's all lies.
There's also a nice clip of an interview with one of the two representatives in Congress who voted against the Gulf of Tonkin Resolution that started the Vietnam war. He declared that the American people should be allowed to determine foreign policy, not the Executive branch. I've always wondered what the American people would decide if it was really put to them truthfully. I would be like "look people, at the rate we're going, we're going to need 8 gazillion more barrels of oil next year than we used this year and Saddam is selling oil for Euros so that doesn't bode well for the US currency. What do you think, should we bomb Iraq into submission? or should we get out of our SUVs, invest in alternative energy and shift our economy so we can even out the deficit. You know, actually make something to sell to the world besides weapons. So whadaya say people? Bomb 'em or suffer a recession while we retool?" I'm not sure it's a sell.
I liked how Normon Solomon answered questions. He wasn't all that impressed by Move-On and their demand that the Democrats establish a timeline for withdrawing troops. When troops were withdrawn from Vietnam that's when the air war began in earnest. He said that all Congress has to do to stop the war is nothing—don't appropriate any more money to the war at all. Meanwhile all the usual activists were trying to get their hands on the mike to announce their pet cause like how we're being poisoned by the flouride, etc in the water.
It was a packed crowd with lots of white hair, long time peace seekers. It was also somewhat tense because the acoustics are not great at the Unitarian Church where the event was held. One man got quite angry because the ushers wouldn't tell this woman to take her crying baby out of earshot and there was a dog that kept barking, too, so he went out and yelled at them both. The staff gave him his money back and asked him to leave and he yelled at them too. Later I realized the reason I recognized him was that he comes to our Buddhist meditation center.
So that's the peace movement for you. It inspired me to write about my father the defense contractor in a piece called Truths My Father Told Me
THE LIE MACHINE (2014)
Suitcase, computer, speaker, Voice Stress Analysis software, autobiographical read-by-the author audiobooks (Palin, Obama, Clinton, Bush)
Voice Stress Analysis (VSA) is a highly contested and controversial lie detection technology. Through the detection of variations in the microtremors of speech, truthfulness is evaluated through analysis of live or recorded voice. As a result, the technique can be applied surreptitiously, even posthumously, to the vast storehouses of spoken audio available.
The Lie Machine processes recorded audio with standard Voice Stress Analysis algorithms. The archive chosen for this analysis is a set of audiobook autobiographies, each read by its author: Decision Points by George W. Bush, Going Rogue: An American Life by Sarah Palin, A Journey: My Political Life by Tony Blair, My Life by Bill Clinton, The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama.
The title, “The Lie Machine” is taken from a 1973 Playboy Magazine article by Craig Vetter of the same name, on the subject of the Psychological Stress Evaluator (PSE). The PSE was the first commercially available VSA-based instrument, “designed to fit into a Samsonite briefcase.” The algorithm gained notoriety recently in the U.S. trial of George Zimmerman for the charge of the second-degree murder of Trayvon Martin, where Zimmerman was cleared of the charges based partly on his successful passing of a CVSA test (Computer Voice Stress Analysis).
“We are not concerned with the guilt or innocence of a suspect, only in whether or not he seems to be lying. He’s either D.I. or N.D.I. -- deception indicated or no deception indicated.” (Playboy, 1973)
The project was produced and supported by LEAP Berlin. Many thanks to John McKiernan, Daniel Franke at LEAP, as well as Samo Tadin and Tuk Bredsdorff in Copenhagen, for their interests, generosity and contributions.
Opening: Friday 04.4.2014, 19:00
Exhibition:05.04.2014 – 26.04.2014, 12:00 – 18:00 Tuesday-Saturday
Participating Artists:
Jamie Allen, James Auger and Jimmy Loizeau, Ralf Baecker, Rosemary Lee, Sascha Pohflepp and Chris Woebken, Addie Wagenknecht
_____________________________________________________________
The group exhibition Obsessive Sensing features works which as their basis look at the programming of the world as an expression of artistic research. The participating artists aim to ‘’sense’’ with the help of complex systems and thus to reimagine how we perceive the world. How do we go about sensing that which we cannot perceive? This is reflected in the idea of technical images, as described by Vilém Flusser – the preparation of the information which we cannot perceive for our senses. ‘’This can be achieved neither with hands nor with eyes nor with fingers, for these elements are neither graspable, nor are they visible. For this reason, apparatuses must be developed that grasp the ungraspable, visualize the invisible, and conceptualize the inconceivable.’’ (Vilém Flusser, Into the Universe of Technical Images)
(Photos by LEAP)
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La band indie rock inglese in concerto all'Alcatraz
Eredi di un sound tipicamente british, insieme ad Editors, unici rappresentanti credibili di un rock oscuro e magico che ha ereditato nei suoi cromosomi lo stile e la ricercatezza di band come Joy Division e The Cure unendo anche una spiccata ricerca della forma-canzone pop.
Dopo il successo del disco d’esordio, To Lose My Life, accompagnato da hit come Farewell To The Fairground, Death e To Lose My Life, che ha vertiginosamente scalato le classifiche di vendita piazzandosi al numero 1 in Inghilterra e vendendo più di 750.000 copie in tutto il mondo, i White Lies pubblicano a gennaio 2011 il secondo atteso disco, Ritual, (su etichetta Fiction/Universal) prodotto da Alan Moulder (già collaboratore di Depeche Mode, N.I.N., Smashing Pumpkins) ed anticipato dal singolo Bigger Than Us .
Dal vivo il trio originario di Ealing (vicino Londra) dipinge atmosfere scure e raccolte, ma capaci di esplodere in un attimo con un eclettismo pop-rock davvero invidiabile per la sua particolarità ed energia. Nei testi, anch’essi bui e crepuscolari, è la voce diretta, decisa e teatrale di Harry Mc Veigh ad uscire e governare la scena mentre le ritmiche di Charles Cave (basso) e Jack Lawrence Brown (batteria) si rincorrono insieme alle chitarre e le tastiere, sempre ad opera di Harry.
Once again we managed to get as close to the stage as possible, this time in front of centre stage.
Lior was the second act of the night. I was especially impressed with sound of the cello.
Red Hill Auditorium, 25th April, 2011
Lies Baas 2008 I shot this picture of my dear friend Eline over 4 years ago. I think we should have a look at it again ;-) Didn't use any enhancements in this shot at the time, the portrait is now as it was the moment I shot it. I love the fierceness in this shot.
Model: Jan
Assistance: Luisa Möhle
Canon EOS 5DII + Canon EF 50mm f/1.4
See the whole series at www.farbanomalie.de
a shoot inspired by insecurity and how we hold ourselves hostage from happiness. how can we forget that skin is only surface? beauty is everywhere, even if your eyes are blind
Alviso Flat lies just a hundred yards north of the Alviso Marina County Park. Situated just west of the 1880 South Coast Pacific railroad grade, the flat is a widening of the ditch flanking the rail track. I have no idea why the ditch widens here but it makes an interesting and photographic landscape feature. The area fills with a few inches of water during our winter rainy season and tends to dry out in the summer. This has been an exceptionally dry winter so I was a bit surprised to find water in the flat during this January visit. Perhaps it is due to the adjacent salt ponds, which were relatively full, or a connection to the New Chicago Marsh on the other side of the track. This marsh is running with much higher water levels since the Salt Pond A16 construction project.
As you walk along the levee past Alviso Flat you can see the vague remnants of a few marsh channels. These are much more evident from the air as is the color du jour of the flat’s shallow water (in this case light brown).
Fellow KAPper Dave Wheeler, who was visiting from Maryland, accompanied me on this outing. You can see Dave’s white Rokakku kite in several of the images.
I am taking these documentary photographs under a Special Use Permit from the California Department of Fish & Wildlife. Kite flying is prohibited over the Eden Landing Ecological Reserve without a Special Use Permit, as is access to this part of the Don Edwards National Wildlife Refuge.
Modelo: Judith
Idea original: Judith
Vestuario, maquillaje y peluquería: Judith
Fotografía y edición: JM Brea
Model: Judith
Original Idea: Judith
Costumes, makeup and hairdressing: Judith
Photography and editing: JM Brea
I love getting pictures of wolves lying down. I have no idea why but I simply do :)
Taken at Minnesota Wildlife Connection
York Road, Waterloo, London.
The General Lying-In Hospital was opened in April 1767 as the Westminster New Lying-in Hospital, on the north side of Westminster Bridge Road, Lambeth, then on the outskirts of London. Lying-in is an archaic term for childbirth; the institution was a maternity hospital. Dr. John Leake was its first physician. The hospital admitted single mothers as well as married women.
Early in the 1820s the governors decided to move to new premises. They acquired a building lease of a plot of ground with 100-foot frontage at grid reference TQ308797 on the east side of York Road, Lambeth. The new building was designed by Henry Harrison and cost about £3,000. On 22 September 1828, the minutes record that “On Friday Morning a Patient was delivered of a Son in the New Hospital and the Committee met this day in the new Hospital for the first time.” The name “Westminster” was dropped from the title and the institution was incorporated by royal charter in 1830 as “The General Lying-in Hospital".
The General Lying-In closed in 1971 and fell into dereliction. In later years it appeared on English Heritage's Buildings at Risk register. It was restored and refurbished in 2003 at a cost of £4.27 million including a grant from the Guy's and St Thomas' Charity.
At least 150,000 babies were born at the hospital and it is said that Florence Nightingale took a personal interest in the associated midwifery training school.
Wadi Shab lies in Niyabat Tiwi, Wilayat of Sur, is 76 km from Qurayyat. It is easy to reach this wadi from the Qurayyat-Sur highway. The wadi combines the attractions of coast areas and inland wonders. It has at least seven pools of shimmering emerald green water studded beautiful boulders. One of the pools is in a cave where light streams in dramatically from above and there are fantastic echoes as you swim and splash.
About seven kilometers away from Wadi Shab starts Wadi Tiwi which extends 36 km inland and ends at a mountain village known as Mibam. Many groves and fruit trees grow along the course of this wadi from which the azure blue sea can be seen as you climb up the hills and descend into the valleys.
Tough ask in today's Brexit climate.
With additions, the full text reads
"Stop lying
About what?
Your fake happiness"
Public Domain image from The Rijksmuseum. Digitally enhanced by rawpixel.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
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2810 passing through Lier on the back of IC9694, the 1040 Den Haag HS to Brussel Nord. It was diverted via Aarschot due to engineering work closing line 25 at Mechelen or somewhere north of there and terminated at Brussels Nord due to the extra time taken on the diversion.