View allAll Photos Tagged lowangle
Photo taken for the Crazy Tuesday group theme 'low angle'.
Low angle view of a decorative galvanised steel balustrade enclosing a platform at the top of an outside metal staircase.
As forest was fading into night this leaf was still nicely lit, hiding on the messy forest floor. I don't mind some messy scenes, no gardeners there. :)
Captured with MOG Oreston 50mm F1.8 lens.
Low tide reflections at the beautiful Hotel del Coronado. Taken 12/5/2021. Merry Christmas!
Again Jesus spoke to them, saying, “I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.” - John 8:12 (ESV)
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Photo copyright by ©Sam Antonio Photography 2021
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At the weekend I discovered a new spot on the River Massan to take some interesting shots. Unfortunately I had to take this shot quickly as it was getting dark and it was a tricky clamber to get back to the car. The fact that it was starting to rain certainly did not help. However I will be back later in the year to take my time with some shots of the area ... and hopefully the river will just be as swollen.
Generated By Midjourney V6
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### 🎥 Prompt (FR)
Portrait cinématographique ultra-réaliste d’une reine mystique de la forêt émeraude, regard perçant aux yeux vert luminescent, peau pâle parfaitement texturée avec pores visibles et léger glow naturel. Elle porte une couronne organique complexe composée de branches torsadées, feuilles sombres, pierres précieuses vertes et insectes métalliques délicatement incrustés, avec micro-détails et reflets réalistes.
Ses cheveux longs et ondulés, d’un vert profond aux nuances jade et mousse, flottent légèrement comme animés par une brise invisible. Tissu semi-transparent brodé de motifs végétaux, avec particules lumineuses suspendues, capturant la lumière ambiante.
Ambiance forêt dense et magique, arrière-plan en bokeh cinématographique, rayons de lumière volumétrique filtrant à travers les arbres, légère brume éthérée. Palette dominée par verts profonds, noirs organiques et reflets dorés subtils.
Éclairage dramatique de type Rembrandt, contraste maîtrisé, haute dynamique (HDR), profondeur de champ très faible (f/1.4), mise au point ultra précise sur les yeux. Texture hyper détaillée, rendu photoréaliste 8K, style photographie de mode fantasy haut de gamme.
Atmosphère : mystique, royale, envoûtante, légèrement inquiétante.
Caméra : plan serré, angle légèrement en contre-plongée, objectif 85mm, cinéma digital, grain subtil.
Post-traitement : color grading teal & emerald, sharpening sélectif, bloom léger sur les éléments lumineux, vignettage doux.
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### 🎥 Prompt (EN)
Ultra-realistic cinematic portrait of a mystical emerald forest queen, with piercing luminous green eyes, pale skin with perfectly detailed texture, visible pores, and a subtle natural glow. She wears an intricate organic crown made of twisted branches, dark leaves, embedded green gemstones, and delicately integrated metallic insects, with micro-details and realistic reflections.
Her long, flowing hair, in deep green tones with jade and moss nuances, moves slightly as if stirred by an invisible breeze. She is dressed in a semi-transparent fabric embroidered with botanical patterns, adorned with suspended glowing particles that catch the ambient light.
Dense enchanted forest atmosphere, cinematic bokeh background, volumetric light rays filtering through the trees, with a soft ethereal mist. Color palette dominated by deep greens, organic blacks, and subtle golden highlights.
Dramatic Rembrandt-style lighting, controlled contrast, high dynamic range (HDR), extremely shallow depth of field (f/1.4), razor-sharp focus on the eyes. Hyper-detailed textures, 8K photorealistic rendering, high-end fantasy fashion photography style.
Mood: mystical, regal, captivating, slightly ominous.
Camera: tight close-up shot, slightly low angle, 85mm lens, digital cinema quality, subtle film grain.
Post-processing: teal and emerald color grading, selective sharpening, soft bloom on luminous elements, gentle vignette.
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--ar 3:2 --v 6 --style raw --q 2 --s 750 --chaos 8 --uplight
beneath the streets of munich, there are these concrete rivers. they are grey and dark, with a rhythm of artificial light. two young people walk through one. they walk close together. they are a single unit against the cold stone. they are not talking. they are just walking, together, through the long shadow towards the light at the end. it is a simple journey. but because they are together, it is not a lonely one.
West Sheley schoolhouse in Callaway County, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF24-70mm F2.8 L IS USM lens at ƒ/8.0 with a 114-second exposure at ISO 200. Processed with Adobe Lightroom Classic.
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©Notley Hawkins. All rights reserved.
I looked a bit like Santa claus after taking this shot because I was almost flat on the snow taking this from a low angle and I was wearing a bright red dufflecoat. When I eventually managed to stand up again I was covered in snow.
This was taken at sundown on my memorable trip to Venice at the end of October when I found myself alone on the beach. It had been an incredibly overcast day and until I arrived, I still didn't know whether I'd need an umbrella or not. The people that showed up, like me, kept waiting for something to happen and despite a few moments when the sun broke through the clouds, the sky remained primarily gray until shifting to blue as night fell. The bursts of bright, golden light during the late afternoon attracted some off the boardwalk and down to the shore and others stuck around for a few minutes to watch the reflections but by sundown, I was pretty much the only person left.
While the sunset left much to be desired--and I don't fault all the people that left early--the reflections were the highlight for me and I couldn't go anywhere on the shore without being part of the them. With the exception of a handful of shots that showed just that sailboat coasting along the horizon, every single photo I took included that reflection. It seemed like every few minutes, the surf would carry a bit further towards me and bring back any shine that might have faded. I was able to basically lower the tripod as far down as it can go which is about 6 inches off the ground and at no time did I worry about my camera getting wet.
If this looks at all familiar, that's the same boat in a few other posts but right as it came into frame from the direction of Santa Monica. This is a 2 frame panorama to show a little perspective and with my focus still mainly on the immediate foreground and being so far back from the waves, it took far fewer shots than usual to get a good match. I still had ample time after this series of shots to track the boat as it continued past me and I stuck around until it was too dark to see the reflections.
WHEN & WHERE
Venice Beach
Venice, California
October 30th, 2016
SETTINGS
Canon T4i
EF-S 18-135mm IS STM
2 frame panorama
@18mm
ISO 100
f/10
1/25th second
CPL
A couple walking on the exercise deck on the Diamond Princess Cruise in the morning.
It's midweek.....enjoy your day!
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Looking up at the roof/ceiling of the roundhouse at the B&O Railroad Museum in Baltimore. The fisheye perspective yields an interesting view of this round structure.
Nikon D800 & Nikkor 8-15mm Fisheye @ f/7.1
I liked the animal tracks in the snow-covered surface of the lake. Pennsylvania's Pocono Mountains. Winter 2021.
Camera: beer can
Paper: Kodak Polymax, 14x16 cm
Exposure: 1 week (2016-07-16 --> 07-24)
No development, no fixation.
This camera was dug underground in horizontal position to solar arches. Heavy rains washed the ground and shook the camera.
Vor der Bayer Konzernzentrale...
...na, jedenfalls schießen sie hier wie Pilze aus dem Boden...sind wir mit der Vegetation weiter als in "Skandinavien" oder liegt es an den Hydrantenschutzmitteln die Bayer von Monsanto übernommen hat?
She walked at an angle towards me. So I quickly crawled back 10 feet to get this frame. I was burned before being too close and not getting the full body. She paused for a brief moment and then crossed the road.
At that moment I can hear the bikers, shouting look there is a bobcat, then there is 'someone lying on the road'. One of them shouted 'you got the shot', 'you are very lucky to see it'. And me with my unsocial awkwardness, did not utter a single word.
In those few moments, I lost her track again. Until I relocated her playing the cruel game of 'Tom and Jerry'.
At the end of the Middle Ages, castle architecture was forced to update its structures with the arrival of gunpowder and artillery.
The walls are reinforced with much greater thicknesses and the towers lose their square or rectangular structure to become circular or elliptical, trying to avoid the devastating direct impact of the heavy bullets sent by the artillery of the attacking forces. .
This photo of the interior of a circular tower describes that round structure. You can see the square holes to place the wooden beams that support the upper floor of the tower and some slots from which to fire with your own artillery.
It is the northernmost circular tower of the four that form the corners of the Berlanga de Duero castle, Soria, Spain, after its adaptation to repel artillery attacks.
DENTRO DE UNA TORRE CILINDRICA MEDIEVAL, 2023
Al final de la Edad Media la arquitectura de los castillos se ve obligada a actualizar sus estructuras con la llegada de la pólvora y de la artillería.
Los muros son reforzados con grosores mucho más amplios y las torres pierden su estructura de planta cuadrada, o rectangular para pasar a tener planta circular o elíptica, intentando con ello evitar el demoledor impacto directo de las pesadas balas enviadas por la artillería de las fuerzas atacantes.
Esta foto del interior de una torre circular describe esa estructura redonda. Se ven los huecos cuadrados para colocar las vigas de madera que sostengan el piso superior de la torre y algunas ranuras desde las que disparar con artillería propia.
Se trata de la torre circular situada más al norte de las cuatro que forman las esquinas del castillo de Berlanga de Duero, Soria, España, después de su adaptación para repeler ataques con artillería.