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**🎬 Prompt :**
Dans un laboratoire futuriste ultra-sécurisé, éclairé par des néons froids bleu-cyan et des écrans holographiques en suspension, une créature extraterrestre humanoïde est enfermée dans un bocal cylindrique en verre renforcé, légèrement embué et parcouru de micro-rayures réalistes. La créature possède une peau semi-translucide, irisée de reflets cosmiques violets et bleutés, parcourue de veines lumineuses pulsantes comme des constellations vivantes. Ses grands yeux noirs, profonds et brillants, captent la lumière avec un effet de réflexion humide extrêmement détaillé.
Elle pose ses petites mains à quatre doigts contre la paroi intérieure du bocal, laissant apparaître des empreintes subtiles et de fines traînées de condensation. Le liquide ou champ énergétique qui l’entoure semble vibrer légèrement, avec des particules luminescentes flottantes, comme de la poussière d’étoiles en suspension.
Le bocal est scellé par un couvercle métallique high-tech, gravé de symboles inconnus et de micro-indicateurs LED. Des étiquettes de confinement ultra-détaillées sont visibles : pictogrammes biologiques, ADN stylisé, avertissements “NE PAS OUVRIR – XÉNOFORME CLASSE OMEGA”, avec une typographie scientifique crédible.
En arrière-plan, profondeur de champ cinématographique (bokeh), on distingue des écrans de contrôle affichant des scans cérébraux, des schémas biologiques alien et des données cryptiques animées. L’environnement est légèrement humide, avec des reflets réalistes sur les surfaces métalliques et quelques gouttes d’eau sur la table.
**Style visuel :** hyperréalisme extrême, rendu 8K, textures ultra-détaillées, subsurface scattering pour la peau, éclairage volumétrique, lens flare subtil, contraste élevé, ambiance sci-fi sombre et immersive.
**Caméra :** plan rapproché, angle légèrement en contre-plongée, profondeur de champ réduite, mise au point sur les yeux de la créature.
**Inspiration :** mélange entre Alien, Arrival et Blade Runner, avec une touche de mystère scientifique et de tension silencieuse.
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**🎬 Prompt:**
Inside an ultra-secure futuristic laboratory, bathed in cold cyan-blue neon light and surrounded by floating holographic interfaces, a small humanoid extraterrestrial entity is confined within a reinforced cylindrical glass containment vessel. The glass surface is slightly fogged, covered with microscopic scratches and realistic smudges, catching reflections from the environment with high physical accuracy.
The creature has semi-translucent skin with iridescent hues of deep violet and electric blue, threaded with softly pulsating bioluminescent veins resembling living constellations. Its large, glossy black eyes are highly reflective, wet and glassy, capturing light with extreme detail and subtle caustics.
It presses its delicate four-fingered hands against the inner glass, leaving faint condensation marks and subtle streaks. The containment medium, either liquid or an energy field, shimmers with suspended luminous particles, drifting like cosmic dust in slow motion.
The vessel is sealed with a high-tech metallic lid engraved with unknown alien glyphs and embedded micro-LED indicators. Detailed containment labels are visible: biohazard symbols, stylized DNA helix diagrams, and warnings such as “DO NOT OPEN – XENOFORM CLASS OMEGA,” rendered in realistic scientific typography.
In the background, cinematic depth of field (bokeh) reveals blurred control screens displaying alien brain scans, anatomical schematics, and encrypted flowing data. The lab environment feels slightly humid, with realistic reflections on metallic surfaces and scattered droplets on the workstation.
**Visual style:** extreme photorealism, 8K resolution, ultra-detailed textures, subsurface scattering on skin, volumetric lighting, subtle lens flares, high contrast, dark sci-fi atmosphere, immersive and tense.
**Camera:** close-up shot, slight low-angle perspective, shallow depth of field, sharp focus on the creature’s eyes.
**Inspiration:** a fusion of Alien, Arrival, and Blade Runner, with a tone of scientific mystery and quiet tension.
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--v 7 --style raw --ar 16:9 --q 2 --detail 2 --chaos 8 --seed 777
A male Common Merganser (Mergus merganser) launching from the calm waters of Varjakka, Oulu. Captured during the golden hour
Adult Black Skimmer flying straight on
- Nickerson Beach, Long Island, New York, USA
Ever wanted to visit this amazing place? Check out my free guide: www.greggard.com/blog/nesting-shorebirds-nickerson-beach-...
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Today Sarah & I we went around our hometown to take some spring pictures. All the beautiful flowers and insects you can already find - it's so awesome. And what's even more awesome is the bokeh of the Pentacon 50 mm 1.8 - insane lens.
Canadian Pacific's elegant "Canada 150 Train" charges east through a timeless scene at Brighton, ON. Even with my shutter set to 1/800th the slightest bit of motion blur started to show - these guys were really motoring!
he doesn’t move. the ocean, the breeze, the sailboats — none of it touches him. bent over a glowing screen, with his face in shadow and light behind him, he becomes the emblem of now. he sits like punctuation at the edge of the frame: a full stop at the end of the day, waiting for something that won't return.
A candid portrait I'm very pleased with. I took it back in April and her serene but somehow longing expression gets me every time I come across it browsing my Lightroom catalog. If she ever gets to see this I hope she'll approve. It's one of my favorite shots this year.
Fujifilm X-T20
XF 56mm/f1.2
From the movie, Where the Red Fern Grows, came the Red Fern Festival in downtown Tahlequah Oklahoma, Friday is the kickoff, outstanding weather!!!! Love the tiny mirages I got in the street going low.
A view of Rannie Road which leads to Pitt Lake in Pitt Meadows near Vancouver, British Columbia, Canada.
About this photo: I hadn't been to Pitt Lake in so long, so I packed up my 2 dogs and drove to Pitt Lake in Pitt Meadows near Vancouver, BC, Canada. This area is so beautiful and out here you feel like you are in the middle of nowhere as there is hardly anybody around and hardly any cars around even though you are only about 15 minutes away from a fair size town. On the way there I just had to stop on the side of the road to take a photo of the road that leads to the mountains because I love this view! There was some low hanging clouds as well.
I hope you like this photo?
~Camera Settings:
*Camera Model: Sony DSC-RX10M4
*Focal Length: 220mm
*F-Number: F/8
*Exposure Time: 1/320 sec.
*ISO Speed: ISO-100
*Exposure Program: Manual Mode (M)
Thank you for dropping by!
Ann :)
Some information on the Pitt Lake area: Pitt Lake is located in Grant Narrows Regional Park in Pitt Meadows which is about 45 minutes east of downtown Vancouver. Pitt Lake is the second-largest lake in the Lower Mainland of British Columbia, being about 53.5 square km (20.5 square mi) in area. It is about 25km (15.6mi) long and about 4.5km (2.8mi) wide at its widest, and is also one of the world's largest tidal lakes, its confluence with the Fraser being only a few miles upstream from that river's estuary into the Strait of Georgia. Its southern tip, where the Pitt River resumes, is 40km (25mi) east of downtown Vancouver.
The upper Pitt River valley is a typical U-shaped glacial valley in the Coast Mountains of British Columbia. The over-deepening of the lower end of the valley over the span of the Wisconsin glaciation created a trough over 140m (462ft) below current sea level. After initial glacial retreat at around 13,000 years ago a saltwater fjord occupied this basin when relative sea levels were still ca 120m (396ft) to 140m (462ft) above current levels in the region. Unlike neighbouring Indian Arm and Howe Sound farther west this fjord basin became cut off by sedimentation of the lower Fraser River by ca 10,500 years ago and is now considered a tidal fjord lake.
The community of Pitt Meadows occupies the marshy lowland at the southern end of the lake, some of which has become drained and is known as the Pitt Polder. Just southwest of the lake is the community of Port Coquitlam, which is across the Pitt River from Pitt Meadows. At the north end of the lake is a locality named Alvin, which is a transport and shipping point for logging companies and their employees. The Upper Pitt, meaning the valley upstream from the lake, is considered BC's best fly-fishing rivers and one of its best steelhead streams.
The lake is popular with boaters and canoeists, but is prone to heavy winds and rains as well as big waves (due to its great depth). The mountain range on its east flank comprises Golden Ears Provincial Park, its basin to the north is in southern Garibaldi Provincial Park, while the mountain range on its west, northeast of Vancouver's Coquitlam Lake watershed reservoir, is Pinecone Burke Provincial Park. The waterfront and foreshore of the lake and river are public-access and include extensive migratory wildfowl habitat. There is a destination golfing resort in the Pitt Polder area called Swan-e-set.
The area along the east side of the lake is somewhat famous for being the reputed location of Slumach's lost gold mine, the location of many failed and sometimes disastrous searches for the alleged murderer's lost gold mine. (Info from Wikipedia)
She moved through the shrub for nearly an hour. Most part I could not see her, but I saw and heard the sparrows. Time to time, she will cross an open field, then she checked out all the other fallen trees.
The other photographer asked me can you see the bobcat and I nodded yes. He did not see anything and would not believe me. But I stayed put beside the bush you see in this image.
Finally, when she decided enough patrolling, she headed exactly the way I imagined. So, I moved just across the trail, laid down and sure in two minutes she crossed the road.
The light was nearly gone for high shutter speeds, so I stopped down to f/4 and clicked on. She looked at me briefly, cross the road, suddenly saw a third photographer on the other side, and instead of going home, sprinted away up the hill. Her path to home was blocked.
I put my camera in the bag, watch the two other photographers follow her tail going directly up the way she went, and kept chasing her all the way to other side. I started walking back as the light was non-existent and a question came in my mind; what they were trying to photograph at that point.
And there my friends, the best evening with a bobcat ends.
Farm field in Lafayette County, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF15-35mm F2.8 L IS USM lens at ƒ/8.0 with a 1/160-second exposure at ISO 50. Processed with Adobe Lightroom Classic.
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©Notley Hawkins. All rights reserved.
I'll be VERY busy next days (and maybe months), so I will not be able to do my regular visits as usual. I'll try to keep posting pictures from time to time, and visit people who comment or fave them, but I can't guarantee it. I'll do what I can, but please forgive me if I can't visit you so often as I would like to...
Please, consider also viewing some of my most interesting shots according to Flickr!
See this one LARGE or, if you dare... HUGE!! :))
Have a wonderful weekend! ;)
www.flickr.com/photos/tonivc/2234618584/comment7215760383...
After the sunrise shoot of the previous image, we had a wander around Bridlington harbour, which provided an absolute Smorgasbord of photo opportunities. This area was littered with the paraphernalia of the fishing industry, including ropes and lobster pots.
I decided to travel light for this section of the morning and predominately used my Canon R8, handheld with the RF28mm pancake lens, which gives a very light and compact combination.
Image was taken from Buntzen Lake in Anmore, BC.
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I often try to get a novel viewpoint of classic London scenes and buildings, or at least a view I have not happened upon before. The morning I took this one the air was clear with some winter sun and the reflection of St Paul's in a puddle was impossible to resist.
Thank you for any and all views, faves, invites to groups, comments and constructive critique. I’m not keen on: invitations to post 1 award 3; copy and paste comments (you know who you are); or links to your work. If you like my images there is a good chance I will like yours and I tend to reciprocate views as a matter of courtesy and personal interest. All my images are my own original work, under my copyright, with all rights reserved. This means asking the owner's permission, and obtaining it, before using the image for ANY purpose.
Copyright infringement is theft.
A couple of weekends ago I discovered a new spot on the River Massan to take some interesting shots. Unfortunately I had to take this shot quickly as it was getting dark and it was a tricky clamber to get back to the car. The fact that it was starting to rain certainly did not help. However I will be back later in the year to take my time with some shots of the area ... and hopefully the river will just be as swollen.
everything's in flow, waterfall, clouds, time ... :) A different angle on Iceland's great Gullfoss waterfall.
You have to bend down low to see the dandelions at eye level—and that’s exactly where spring shows off its brightest colors
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Bodennahe Begegnung
Man muss sich tief hinunterbeugen, um dem Löwenzahn auf Augenhöhe zu begegnen, und genau dort zeigt der Frühling seine leuchtendsten Farben
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YELLOW is the topic for 6th April 2026, Group Ozr Daily Challenge
West Sheley schoolhouse in Callaway County, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF24-70mm F2.8 L IS USM lens at ƒ/8.0 with a 10-second exposure at ISO 1600. Processed with Adobe Lightroom Classic.
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©Notley Hawkins. All rights reserved.