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I'm caught short without a drawing today because I've been working on this woodcut block, so I thought I'd post a photo of it in process..
i drew this about aweek ago in just black fineliner, then this weekend i went to the big smoke and happiliy went to various Muji stores on a hunt for nice colours in the 0.38 series! i found a nice blu and purple which i thought would brighten up this drawing? i think it did. o and once i was using the blu and purple i kinda physically couldnt resist the orange :)
#29) Draw your lover(s)
jj is my mate and the father of DD#1 & #2.
He took off his glasses "to make it easier for [me]."
This is my first deliberate attempt at a portrait. More to come!
cMaille's alter-ego: Cloudery
The "Large Works" by Cloudery are available for exhibition or purchase.
somethingcloudery.com
pen & ink on Cartiera Magnani Acquerello cold press watercolor paper
8" x 8"
© 2009
Beautiful old neighbourhood pub (serving local Wandle real ale) opposite the lovely Streatham row houses in the last drawing.
Stayed here for a couple of days, near Agrigento. Started as continuous line sketch, then additional line work and watercolour.
Part of a series of quick illustrations drawn from photographs of crowds on London Underground, for my Art A-Level exam on the subject of journey.
This series is inspired by a thought I had when dancing in the Club Tent at Big Chill. It's part of a larger project exploring the way people interact with an environment. I was intregued by the temporary structure that made up the dance tent. In a couple of days it would be gone, thus a structure that seemed so solid is only transitory.
Sometimes man-made objects seem like they've lost their connection with people. They are there, but their link with their design and construction becomes lost. They exist as if they have always been there. In this series I'm trying to establish a link between processes and form. Some images represent a link, others represent a why that link could have been broken.