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cMaille's alter-ego: Cloudery
The "Large Works" by Cloudery are available for exhibition or purchase.
somethingcloudery.com
pen & ink on Cartiera Magnani Acquerello cold press watercolor paper
8" x 8"
© 2009
Beautiful old neighbourhood pub (serving local Wandle real ale) opposite the lovely Streatham row houses in the last drawing.
Stayed here for a couple of days, near Agrigento. Started as continuous line sketch, then additional line work and watercolour.
Part of a series of quick illustrations drawn from photographs of crowds on London Underground, for my Art A-Level exam on the subject of journey.
This series is inspired by a thought I had when dancing in the Club Tent at Big Chill. It's part of a larger project exploring the way people interact with an environment. I was intregued by the temporary structure that made up the dance tent. In a couple of days it would be gone, thus a structure that seemed so solid is only transitory.
Sometimes man-made objects seem like they've lost their connection with people. They are there, but their link with their design and construction becomes lost. They exist as if they have always been there. In this series I'm trying to establish a link between processes and form. Some images represent a link, others represent a why that link could have been broken.
Avant-garde director, Peter Brook, pleaded with the Lunts to take on the relentless tragedy, "The Visit." Alfred, at age 66, and Lynn, at age 71, accepted. Having seduced audiences for fifty years, the Lunts did not attempt to make their flawed characters soft or likeable. America’s favorite comic actors explored every aspect of the play’s evils. When the opening-night curtain fell, there was a stunned silence, and then wave after wave of deafening applause. The critics were unanimous – an astonishing, moving, triumph. Taken almost for granted as America’s finest light-comedians for decades, the Lunts were now acclaimed “the greatest acting team in the history of American Theatre.”
Detail view of the pen drawing, still some false gaps in the lines due to bouncing of the pen when coming down on the paper. Line length of this drawing was approximitely 1.5 kilometer