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This IS a photo! Just converted into a line drawing. This is a sample of something new and exciting that I'll be putting up on my website later today. at Our Enchanted Garden Colouring pages for young and old alike. This one is a tad complicated for young fingers but even older kids and adults enjoy colouring. I read recently about one elderly woman who used colouring as recuperative therapy following a serious illness. That inspired me to begin work to see if I couldn't add something of that sort to my website as a free image download that can be changed frequently to maintain interest and give some interactivity to the site!
Once I have a good selection of these sorts of line drawings together I'll make up a colouring book, or a few of them with different themes, and make them available in physical print and/or download form through my Lulu.com storefront. Wish me luck!
Used in information flyer on ‘Good practices for communal pasture areas’ for 7th Innovation Platform meeting in Inhassoro Mozambique as part of imGoats project ‘Small ruminant value chains as platforms for reducing poverty and increasing food security in dryland areas of India and Mozambique’ (Illustration credit: ILRI/Birgit Boogaard).
I keep whining about how all my photos have power lines cutting through them. Decided to focus my attention on the lines themselves. I will probably make a public pool for these at some point.
another one for the sketchbook project
prints available here: www.society6.com/studio/steffaloo/seazebra
I keep whining about how all my photos have power lines cutting through them. Decided to focus my attention on the lines themselves. I will probably make a public pool for these at some point.
Used as illustration card for goat keeper interviews to identify and rank reasons for goat keeping for study in Mozambique entitled ‘Multi-functionality of goats in Inhassoro district’. Part of imGoats project ‘Small ruminant value chains as platforms for reducing poverty and increasing food security in dryland areas of India and Mozambique’(Illustration credit: ILRI/Birgit Boogaard).
Noël Coward often spoke about his first, wildly unsuccessful effort to make a name for himself
in New York. Nobody had any interest in his “suitcase full of plays,” and he quickly found himself homeless, until Alfred and Lynn invited him to stay with them at their theatrical boarding house. Noël promised that, when they were all enormous stars, individually, he would write a play for the three of them to star in together, “and the theatre will have a new cosmos.” He did, and it did. "Design for Living" is widely considered one of the greatest theatrical triumphs of the 20th century. Among other accomplishments, the trio set a new record as the highest-paid stage actors in the history of Broadway.
Spending part of a busy pre art opening afternoon Workin on a zine...of my All Souls Cowboys and Cowgirls....
I keep whining about how all my photos have power lines cutting through them. Decided to focus my attention on the lines themselves. I will probably make a public pool for these at some point.
Used as illustration card for goat keeper interviews to identify and rank reasons for goat keeping for study in Mozambique entitled ‘Multi-functionality of goats in Inhassoro district’. Part of imGoats project ‘Small ruminant value chains as platforms for reducing poverty and increasing food security in dryland areas of India and Mozambique’ (Illustration credit: ILRI/Birgit Boogaard).
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Used as illustration card for goat keeper interviews to identify and rank reasons for goat keeping for study in Mozambique entitled ‘Multi-functionality of goats in Inhassoro district’. Part of imGoats project ‘Small ruminant value chains as platforms for reducing poverty and increasing food security in dryland areas of India and Mozambique’ (Illustration credit: ILRI/Birgit Boogaard).
A refined AI-assisted portfolio concept featuring ELI & DORO, imagined as a contemporary model duo shaped by elegance, restraint, and quiet presence.
The series brings together two distinct characters: ELI, poised and composed, and DORO, luminous and gently expressive. Between them unfolds a visual dialogue of maturity and youth, calm and warmth, heritage and modernity.
Particularly meaningful is the delicate line drawing derived from the historical black-and-white portrait. Reduced to a few essential strokes, it becomes more than an illustration: a subtle emblem of memory, connection, and origin. It lends the final sheet a sense of identity beyond fashion alone.
Set between Stuttgart and Mallorca, the portfolio moves through editorial, lifestyle, portrait, travel, and fine art moods while maintaining a coherent and timeless visual language.
AI-assisted visual concept and presentation design.
cMaille's alter-ego: Cloudery
Cloudery drawings support the charity First Book.
somethingcloudery.com
pen & ink on Moleskine watercolor paper
5" x 7.75"
© 2009
Please see my profile for more information.
DeSoto. "Do you believe a large group of people can hide a shameful secret?" asks Jane. So the short story "DeSoto" begins. This illustration was done with ink (Platinum Carbon Black) drawn with fountain pen on Bristol Smooth.
this drawing is based on a tattoo on my left ring finger. The tattoo began as a wedding band for my second wife, since i do not like wearing jewlery. The middle two crossing bands was the orginal tattoo in 1997. In 2007, she and I divorced. The lower portion of the tattoo was added at the request of a girlfriend...she and I split in the summer of 2010. The circle portion of the tattoo above the two crossing bands was added by a tattoo artist Jennifer Forth of South Beach, FL in February of 2011 becasue I wanted it. :) The drawing was actually completed in December of 2010 when I decided that's the final portion of the tat...I just didn't know at the time when I would have the tat completed.
This ring tatoo line drawing became the concept for the "Compass Rose" drawing also included in this set.
Used in extension material ‘How to build an improved goat shelter in 10 steps’ as part of imGoats project ‘Small ruminant value chains as platforms for reducing poverty and increasing food security in dryland areas of India and Mozambique’ (Illustration credit: ILRI/Birgit Boogaard).
Guests at Ten Chimneys today can’t help but imagine the conversations that took place around the Lunts’ beautiful Main House Dining Room table. From left to right, you see: Alfred, Noëlie (Coward), Helen (Hayes), Monty (Clift), Lynn, Kate (Hepburn), Viv (Leigh), and Larry (Olivier). All of them retreated to and dined at Ten Chimneys over the years, but never all at the same time – well, except in this illustration.