View allAll Photos Tagged lightpole

(Image # 007 - 10/28/22)

(Image # 001 - 02/18C/23)

kool light trail of a car parking.

Canon EOS 80D

Canon EF-S 18-135mm USM

F-stop: f/3.5

Exposure time: 1/320 sec.

ISO Speed: ISO-100

Focal length: 18mm

Not only are the lightpoles hanging backwards to compensate for the weight of the catenary, the (chartered) tram is also well back from the actual terminus Amstelstation. © Henk Graalman dec1970

Yashica 124G || Fuji 160C

Somewhere safe to stand and count the cars.

The sun pop out briefly yesterday, but only just after it had rained. Managed to get down to the beach just before it went behind the clouds again. This week has been wet, cold and windy here along with the rain. This time last year it was alot warmer. Will catch up tomorrow if I can get out work on time :)

 

Enjoy

 

- Canon 5D Mark2.

- ISO 400, f18, 1/3 sec, 17mm.

- Canon 17-40 f/4 L.

 

View On Black

 

Processing

 

Photoshop

- 2 images blended

- Adjustment of curves to increase the overall contrast (Linear)

- Adjustment of hue/saturation, increase red and yellows

- Adjustment of curves

- Used Smart Sharpen on Background Layer

- Reduced noise with Noiseware Pro

- Sig Added

 

Thanks for all the comments, faves, views, notes and invites!

soma intercontinental hotel - soma, san francisco, california

Inspired by the noct-color. Well, I enhanced the contrast to make the pic more dramatic.

Tuesday morning walk around Austin, TX.

embarcadero - san francisco, california

Where once there were many lightpoles, now there are none...

(Image # 001 - 05/13D/23)

Enjoy

 

- Canon 5D Mark2.

- ISO 100, f16, 17mm.

- Canon 17-40 f/4 L USM.

- Tripod.

 

View On Black

 

Standard 3 exposure (+2,0,-2 EV)

 

Processing

 

Photomatix

- Tonemapped generated HDR using Detail Enhancer option.

 

Photoshop

- Adjustment of curves to increase the overall contrast (Linear).

- Adjustment of hue/saturation.

- High Pass Sharpening.

- Reduced noise with Noiseware Pro.

- Sig Added.

 

Thanks for all the comments, faves, views, notes and invites!

Phriday Photo Saphari.

Leaning up against a light pole next to a dock

pier 39 - fisherman's wharf, san francisco, california

Leica M Monochrom - Zeiss C Sonnar T* f/1.5 50mm ZM

Nikkor Z 35mm f/1.8 S + Nikon Z8.

Conceived by Ford product manager Donald N. Frey and championed by Ford Division general manager Lee Iacocca, the Mustang prototype was a two-seat, front-mounted engine roadster. This would later be remodeled as a four-seat car penned by David Ash and John Oros in Ford's Lincoln–Mercury Division design studios, which produced the winning design in an intramural design contest instigated by Iacocca. To cut down the development cost and achieve a suggested retail price of US$2,368, the Mustang was based heavily on familiar yet simple components. Much of the chassis, suspension, and drivetrain components were derived from the Ford Falcon and Ford Fairlane (North American). Favorable publicity articles appeared in 2,600 newspapers the next morning, the day the car was "officially" revealed. A Mustang also appeared in the James Bond film Goldfinger in September 1964, the first time the car was used in a movie.

 

Original sales forecasts projected less than 100,000 units for the first year, but in its first eighteen months, more than one million Mustangs were built.

 

- courtesy Wikipedia

 

I can't remember whether it was Evan or Christian, but someone pointed out that this car shouldn't have GT stripes, because it's not actually a GT.

 

So this is what it looks like without, thanks to my (somewhat poor) photoshopping skills.

 

please feel free to email me at lachlansear [at] gmail.com if you wish to purchase any of these images

What goes up - must come down.

 

Mrs Mail and I were walking along near the river in the city, and a young kid and maybe his big brother were running around, when suddenly the little guy ran over to a light pole and shimmied up to the top.

 

Big Bro didn't seem the least concerned.

 

I asked Big Bro if I could take his photo, and he said sure.

 

As I was lining up the shot, I called out "Give me a wave" then suddenly realised that he would have to let go with one hand to do that, so took the camera away from my eye, and yelled "No don't let go, hang on with two hands"

 

I didn't want to feel responsible for the little guy crashing to the ground.

 

As I looked back through the view finder, guess what I saw.

 

This guy was like a native up a coconut tree, and I have never seen anything like it before.

 

PS: I added a tight crop of the kid below.

 

Up and Down Challenge

On my way to watch the woodcock evening displaying at Bender Park, I came across this fellow sitting on a light pole.

If you look close you can see it is still padlocked to the light pole.

_MG_2551_150806_©OH

 

photo: © olihege

I feel like I'm getting all minimalist this week… oh and can you guys see the very faint Apple logo reflection?

 

Taken with my iPhone

 

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