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ANSH 119 #1 "From a different era"
This is a precolumbian pot we inherited from my in-laws. It came to us with no provenance other than "central America", so likely ancient Mayan in origin, but I don't really know and don't know any experts in this. I'm not even certain of the Central American part, but I do know it came from a store that specialized in that. It was bought sometime in the late 1970s. So "different era" on two levels...
More from 'that walk'. I think animals "trimmed" that tree so neatly. Otherwise the branches would reach down to the ground I think 🌲
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan Infrared RG 1000 (87A) 800x filter
ISO3200, 21mm, f/6.3, 1/30sec (-1.3EV)
(therefore ~32mm FX / full frame equivalent)
single photo, handheld, finally mobile again..
Spent an hour today with the members of a great band of horses from the Spring creek Range and these two were fighting off and on all the time
Credits: bluemoodstyle.blogspot.com/2024/07/blog-post_22.html
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Hört man den Begriff "Autostadt", so denkt das Hirn sofort an schicke Schlitten, protzige Statussymbole und moderne Technologie... das stimmt in den meisten Fällen ja auch.
Bei meinem letzten Besuch in Wolfsburg vor zwei Wochen mit Elke und Matthias Körner fand ich jedoch voller Freude und Erstaunen diese neue Ausstellung im Automobilmuseum.
Der interessierte Besucher kann sich hier auf eine Reise begeben, für die nicht ein Liter Sprit oder Diesel verwendet wird.
Monitore, Schaltflächen und andere interaktive Möglichkeiten laden ein zur Selbstanalyse (wie groß ist mein ökologischer Fußabdruck?)
... zum Vergleich (wie teuer kommt die Umwelt meine Ernährung zu stehen)
... zum Nachdenken (welche Formen der Mobilität kann ich austauschen - und womit?)
Der abgedunkelte Raum mit angehängten Bildschirmen, integrierten Sitz- und Liegeflächen, virtuellen Gesprächspartnern und den Verbindungslinien, zwischen denen man sich wie im Zentrum eines riesigen Zentralcomputers bewegt, leitet einen immer weiter in seine Tiefe, man muss nur den grünen Lebensadern folgen! ... ;-)
www.autostadt.de/erkunden/konzernforum/level-green
f 6,3
1/40 s
2000 ISO
16 mm
The man who betrays Him day after day, drunk with vanity, resentment, or reckless ambition, lives in a ghostly mist of mis-givings. Having ruined love with greed, he is still wondering about the lack of tenderness in his own life. His soul contains a hiding-place for an escaping conscience. He has torn his ties to God into shreds of shrieking dread, and his mind remains dull and callous. Spoiler of his own lot, he walks the earth a skeleton of a soul, raving about missed delight.
--Abraham Joshua Heschel, Man’s Quest for God: Studies in Prayer and Symbolism
DSC0215
This is one image in a series I'm shooting on parking decks ... shapes and forms, light and shadow play, mood and atmosphere. Some images are minimalist; others representational; still others abstract. To see more in the series click Parking Deck Series
Blue Blue Blue
7DWF, Saturdays: Landscapes
Yes, I know. I should have taken a look at the Crazy Tuesday discussions a little earlier. Though it is debatable whether this blue is pretty at all. The apartments there are certainly very expensive. Nonetheless, after the recent lost places decay (more will follow), I wanted to show something more glossy for a change ;-) Taken during a boat trip on the River Spree and Landwehr Canal in Berlin in summer 2016. This apartment house called "Living Levels" is a new residential tower located at the riverside of the Spree next to the famous East Side Gallery. The building, actually the entire development of the Spree riverside, is very controversial. Most of the new (residental) buildings are / will be luxury buildings, while affordable living space is a scarce commodity nowadays. The irony: The tenants of the Living Levels tower are now fighting against a new hotel which is supposed to be built next to their building. They claim that the hotel will block out the morning sun.
At this point I still had my manual vintage 50mm Zuiko lens mounted, but the 100 mm (crop factor 2 for MFT) on my OM-D were too much tele. Later on that trip I switched to the m.zuiko digital 17mm f1.8.
Wohnturm "Living Levels" am Spreeufer neben der East Side Gallery. Das Bauprojekt (eigentlich alle Bauprojekte dort) war sehr umstritten, Stichwörter: Verdrängung, Gentrifizierung, Mediaspree... Nun klagen die Bewohner des Luxubaus selbst, denn neben ihrem Haus soll nicht nur ein Hotel errichtet werden (bereits in der ursprünglichen Planung enthalten), es soll auch noch zwei Stockwerke höher werden als geplant. Und das nimmt ihnen die Morgensonne weg.
Aufgenommen während einer Bootsfahrt auf Spree und Landwehrkanal im Sommer 2016. Zu diesem Zeitpunkt hatte ich noch mein manuelles 50-mm-Zuiko drauf, aber die 100 mm, die daraus an meiner OM-D werden, waren doch zu viel Tele. Später habe ich dann das m.zuiko digital 17mm f1.8 angeschraubt.
An aerial view over Reflection Canyon at extreme low water level this year.
Lake Powell is the second largest man-made reservoir in the United States. It locates on the Colorado River in Utah and Arizona, United States. Plagued by climate change-fueled drought and increasing demand for water, it has fallen to its lowest level on record since it was first filled more than 50 years ago. When the lake level had dropped far enough that the exposed canyon walls created a pale outline around the lake. This is how Reflection Canyon, one of side canyon in the lake powell, was seen during the lowest water level.
When you defeat all the other members of the household, this is the final boss to beat.
Happy Whiskers Wednesday!
DSC_4922
This is one image in a series I'm shooting on parking decks ... shapes and forms, light and shadow play, mood and atmosphere. Some images are minimalist; others representational; still others abstract. To see more in the series click Parking Deck Series
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A scene from my forthcoming film, Level Five: "Matt Cooper is a tough, uncompromising cop who only works face down, on Tuesdays and who trusts no-one, which is why he insists on having an entire car park floor to himself. He has just twenty four hours to track down a terror suspect using only his powers of detection of vibrations through concrete." - "Five stars" - Time Out. "Gripping stuff" - The Times. "Must see." - Metro. "Unremittingly terrible. I've had more fun watching orphans burn" - Norwich Evening News.
Happy Face Down Tuesday everyone!